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Artykuły w czasopismach na temat „SUBLIME”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 25 lipca 2025

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1

Calleja, Marianela. "Sublime y neo sublimes." Boletín de Estética, no. 57 (December 20, 2021): 83–93. http://dx.doi.org/10.36446/be.2021.57.271.

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La teoría clásica acerca del sentimiento de lo sublime lo revela como una categoría crucial de la estética en sus orígenes. En estas notas se propone enfatizar su nuevo rol en la estética de los siglos xx y xxi, énfasis que precisamente nos lleva a cuestionar desarrollos como los de Robert Doran en su reciente obra, La teoría de lo sublime. De Longino a Kant (2021), que, aunque se enmarquen en la historia intelectual del concepto, en su lectura final tienden a mantener posicionamientos que han devenido obsoletos.

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Gomes, Paulo Uiris da Silva, Jorge Leal Eiró da Silva, and Mariano Klautau Filho. "SOBRE O SUBLIME E O SUBLIME TECNOLÓGICO." Arteriais - Revista do Programa de Pós-Gradução em Artes 10, no. 16 (2024): 399. http://dx.doi.org/10.18542/arteriais.v10i16.16905.

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ResumoO objetivo deste trabalho é discutir os conceitos de Sublime e Sublime Tecnológico. Investiga-se – de uma perspectiva filosófica – como o conceito de Sublime foi abordado no decorrer da história e, então, analisa-se, especificamente, os Sublimes Tecnológicos dos autores Mario Costa, David Nye e Vincent Mosco. Inicia-se com uma análise histórico-filosófica do conceito de Sublime, isto é, como este teria sido abordado desde os gregos até alguns pensadores contemporâneos: de Longinus a Jean-François Lyotard. Em seguida, aborda-se como o clássico conceito de Sublime se aplica, nos dias atuai

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Rodrigues Júnior, Edson José. "O sublime e a fome." Opiniães, no. 23 (August 3, 2023): 247–66. http://dx.doi.org/10.11606/issn.2525-8133.opiniaes.2023.215578.

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O presente trabalho tem por objetivo investigar a manifestação do conceito de sublime – em suas várias facetas – em A fome: cenas da seca no Ceará (1890), romance de estreia do naturalista cearense Rodolfo Teófilo (1853 – 1932). Partindo da hipótese de que várias teorias do sublime se mesclam na prosa de Teófilo, traçamos, primeiramente, uma breve história do sublime enquanto conceito nos campos da estética e da crítica de arte para arcabouçar a análise da obra; para tanto, discutimos as contribuições de Longino (1996), Burke (1993), Kant (1995) e Schiller (2011) para a formação e a consolidaç

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Fonseca Lino, Sulamita. "O sublime e a pintura: entre a sensação no tempo e a destruição da beleza." Viso: Cadernos de estética aplicada 15, no. 28 (2021): 53–78. http://dx.doi.org/10.22409/1981-4062/v28i/399.

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A pintura de Barnett Newman Vir heroïcus sublimis (1950) e seu texto The Sublime is Now (1950) foram referências para o debate sobre o sublime e pintura em autores como Lyotard, Danto e Saint Girons. Além disso, o pintor destaca sua leitura da obra de Burke. Este trabalho pretende analisar, a partir do encontro de todas essas referências, como se deu a aproximação da pintura com o sublime no âmbito da filosofia.

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Fecteau, Maxime. "“A Tough Bitch”: Lynn Margulis and the Gaian Sublime." Ecozon@: European Journal of Literature, Culture and Environment 16, no. 1 (2025): 171–88. https://doi.org/10.37536/ecozona.2025.16.1.5559.

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This essay challenges Bruno Latour’s elegiac pronouncement of the sublime’s death in the Anthropocene, proposing instead a “Gaian sublime” emerging from Lynn Margulis’s radical reconceptualization of planetary life. Analysis of Margulis’s scientific nonfiction reveals how her work on microbial agency and symbiosis disrupts traditional sublime theory’s emphasis on human transcendence and geological spectacle. The essay traces how sublime aesthetics, from Longinus through Burke and Kant to contemporary environmental thought, has historically reinforced racial hierarchies, gender binaries, and hu

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Holcombe, Cassandra. "The Horror of Serenity." Journal of Anime and Manga Studies 4 (December 3, 2023): 31–60. http://dx.doi.org/10.21900/j.jams.v4.1198.

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The sublime is a common subject in European literary studies, particularly in Victorian and Romantic period literary scholarship. The Greek writer Longinus proposed the concept in the 1st century in On the Sublime (first printed in 1554), and Edward Burke later popularized it in his work A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful (1757). The sublime is less discussed in anime studies due to its European origins, but it has a robust history in Japanese literature and philosophy. Recently, scholars have begun discussing its presence in anime. This paper exa

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São Paulo, Yves. "Uma interpretação do papel da escuridão no sublime de Burke." REVISTA APOENA - Periódico dos Discentes de Filosofia da UFPA 3, no. 6 (2022): 48. http://dx.doi.org/10.18542/apoena.v3i6.12244.

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John Locke interpreta que a luz causa mais dores do que a escuridão. A partir desta leitura, Edmund Burke realiza uma crítica ao seu antecessor para mostrar o papel da escuridão e da obscuridade no desenvolvimento das ideias de sublime. O sublime de Burke compreende a uma transformação da dor em deleite, quando a dor desaparece. Desta forma, a escuridão, sendo fonte de horror e dor, seria também uma das fontes para extrair ideias sublimes a partir da evocação de algo que se esconde por trás de sua miragem da ausência. Seguindo a leitura acerca do que é o sublime em Burke, do papel da escuridão

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Gammelgaard, Lasse. "Det ophøjede i dansk romantik og en figurativ-filosofisk vurdering af Jens Baggesen og Schack von Staffeldts digterdyst." European Journal of Scandinavian Studies 48, no. 2 (2018): 149–69. http://dx.doi.org/10.1515/ejss-2018-0014.

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Abstract This article surveys the sublime in Danish romantic literature as well as its partly neglected reception by scholars of Danish Romanticism. Theoretically, it is argued that there has been a tendency to focus either on the sublime’s philosophical implications (citing Immanuel Kant) or on the rhetorical figures and tropes of the sublime (“Longinus”). In the article, it is claimed that a comprehensive understanding of the sublime needs to address both its rhetorical dimension (going back to “Longinus”) and Kant’s philosophy of the sublime in the 18th Century. It is suggested that one nee

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Costa de Freitas, Jan Clefferson, and Jennifer Sarah Cooper. "Sublime Contemplar/Sublime Reverie." Cadernos Cajuína 2, no. 3 (2017): 126. http://dx.doi.org/10.52641/cadcaj.v2i3.169.

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<p><strong>Sublime Contemplar </strong></p><p> </p><p>Perfumes ao vento nos prados floridos</p><p>Primavera levando as sementes do sol</p><p>Natureza pintando paisagens coloridas</p><p>Sinfonias de silvos feitas pelo rouxinol</p><p>O rio cantarola as melodias silvestres</p><p>Peixes nadando de felicidade no leito</p><p>Na floresta animais brincando céleres</p><p>Festejam a vida celebrando o infinito</p><p>As árvores verdes vicejam de beleza</p><p&gt

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Da Silva Santos, Fabiano Rodirgo, and Sheila Dálio. "“Sublime feminino” em Cecília Meireles." Revista Texto Poético 15, no. 28 (2019): 401. http://dx.doi.org/10.25094/rtp.2019n28a619.

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Este estudo visa abordar as relações entre a representação feminina e o sublime, por meio da comparação entre dois momentos da poesia de Cecília Meireles: sua obra inaugural, Espectros (1919), e sua produção madura, representada por Viagem (1939), Vaga Música (1942) e Mar Absoluto e Outros Poemas (1945). Sensível às influências simbolistas e da tradição romântica, Cecília Meireles cria um sistema de imagens que orbitam em torno de figuras femininas envoltas em melancolia e fatalidade e delineadas a partir de convenções sublimes. Daí ser possível depreender na poesia ceciliana um motivo reincid

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11

Bancquart, Marie-Claire. "Une mise en cause du sublime à la fin du XIXe siècle: sublime, sublimé, sublimation." Revue d'histoire littéraire de la France o 86, no. 1 (1986): 109–17. http://dx.doi.org/10.3917/rhlf.g1986.86n1.0109.

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Résumé L'époque « décadente », 1880-1900, voit se raréfier l'emploi du terme « sublime ». Il gêne les critiques ; il est mal accepté par un public plus accessible au pathétique. Quant aux écrivains, une positivité désenchantée les persuade de l'extrême contingence de notre condition, au moment même où se fonde en France la psychologie des profondeurs. On assiste donc à une réduction du « sublime », qui nie celui-ci au profit de la pseudophysis des « sublimés » (extraits, concentrés, élixirs), gammes analogiques s'exténuant dans l'ennui de vivre. C'est alors que le mot «sublimation» perd son se

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Vedda, Miguel. "Sublimidad estética y ascetismo burgués: A propósito de la “Analytik des Erhabenen”." Pandaemonium Germanicum, no. 8 (December 19, 2004): 39. http://dx.doi.org/10.11606/1982-8837.pg.2004.67396.

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O artigo examina a desproporção da analítica do sublime no âmbito da crítica do julgamento como analogia à impossibilidade de conciliar teoria e prática moral / natureza e razão. Com isso, delineia-se novamente a ponte entre a primeira e a segunda críticas, as quais devem ser mediadas pela terceira: o sublime corresponde à violência velada nos processos sociais. A posição de Kant é trabalhada contra o pano de fundo de Shaftesbury e Burke e, assim, a tônica recai sobre a orientação do filósofo de Königsberg em relação a idéias racionais ahistóricas. Seu conceito de sublime (assim como sua ética

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13

Young, Elizabeth. "Homer in a Nutshell: Vergilian Miniaturization and the Sublime." PMLA/Publications of the Modern Language Association of America 128, no. 1 (2013): 57–72. http://dx.doi.org/10.1632/pmla.2013.128.1.57.

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This paper explores the strange fascination with smallness that runs through Vergil's Aeneid, focusing on the bee simile in book 1, the poem's inaugural miniaturizing moment. Deviating from the standard paradigms of Vergilian criticism, I suggest we can learn a great deal about smallness in this poem by studying it through the lens of the sublime. My analysis bypasses the proliferation of Romantic sublimes to draw primarily on a model of sublimity derived from Neil Hertz's influential reading of Longinus. Read through the Hertzian sublime, miniaturization in the Aeneid is revealed as a subtle

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Mathäs, Alexander. "Keeping Narcissism at Bay: Kant and Schiller on the Sublime." Konturen 3, no. 1 (2010): 19. http://dx.doi.org/10.5399/uo/konturen.3.1.1371.

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This essay considers the sublime as a veiled form of narcissism. Both narcissism and the sublime test and reveal the limits of the concept of the self and both can be viewed as attempts to transcend the borders of the self. Yet while narcissism has been defined as a “failure of spiritual ascent” (Hadot), the sublime has been used to transcend the limitations of the self by pointing to its infinite potential. The essay explores how the sublime in Immanuel Kant’s and Friedrich Schiller’s aesthetics relies on narcissistic impulses by creating a male inner self and protecting it from the stigma of

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Hayati, Meyla Nur, Yusro Edy Nugroho, and Sucipto Hadi Purnomo. "Pengembangan Buku Pengayaan Teks Dialog Banyumasan Berbasis Pitutur Luhur Pupuh Gambuh untuk Siswa Kelas VIII SMP." Piwulang : Jurnal Pendidikan Bahasa Jawa 8, no. 1 (2020): 71–79. http://dx.doi.org/10.15294/piwulang.v8i1.30199.

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The objectives of this study are (1) to describe the needs of Javanese junior high school language students and teachers in Banyumas on the Banyumasan dialogue text enrichment book based on sublime pupuh Gambuh, (2) to make a prototype draft Banyumasan dialogue text enrichment book based on sublime pupuh Gambuh, and (3 ) describe the results of the prototype validation of Banyumasan dialogue text enrichment book based on sublime pupuh Gambuh. The method used in this study is the Research and Development (R & D) method. The development phase of the Banyumasan dialog text enrichment book bas

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Shabangu, Mohammad. ""Zombies", Attention and the Sublime in the Digital Anthropocene." Ecozon@: European Journal of Literature, Culture and Environment 16, no. 1 (2025): 135–55. https://doi.org/10.37536/ecozona.2025.16.1.5594.

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This essay offers a meta-critique of the aesthetic and political categories of “the Anthropocene sublimes.” It is interested in the short-film Zombies (2019) by filmmaker Baloji, and takes it as an aesthetic catalyst to address some timely questions about the Anthropocene vis-à-vis the digital ecosystem that surround us: What are the prospects of the sublime in an era of generalized attention deficiency? How is the imaginative potential of the sublime foreclosed by our collective suffering of attention deficiency in a Capitalocene? Relatedly, what is the link between, on the one hand, the comm

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Hildebrand, Julia M. "On Self-Driving Cars as a Technological Sublime." Techné: Research in Philosophy and Technology 23, no. 2 (2019): 153–73. http://dx.doi.org/10.5840/techne2019722100.

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Driverless automobility presents a “technological sublime” (Marx 1964; Nye 1994, 1997) encompassing both promises and perils. The light side of the emerging transportation future lies, for instance, in the newly gained freedom from driving. The dark side of this sublime includes ethical challenges and potential harm resulting from the required socio-technical transformations of mobility. This article explores contemporary visions for the self-driving car future through the lens of the sublime and some of its theoretical variations, such as the natural (Kant 1965), technological (Marx 1964; Nye

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Korsmeyer, Carolyn. "Fear and Disgust: the Sublime and the Sublate." Revue internationale de philosophie 246, no. 4 (2009): 367–79. http://dx.doi.org/10.3917/rip.246.0367.

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Jouvenot, Christian. "Marguerite Obscur Donnadieu Duras : " Sublime, forcément sublime ?" Revue française de psychanalyse 69, no. 5 (2005): 1613. http://dx.doi.org/10.3917/rfp.695.1613.

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Hore, Shouvik Narayan. "Imaginary Conversations: Weiskel Versus Coleridge." Dialogue: A Journal Devoted to Literary Appreciation 18, no. 1 (2022): 01–10. http://dx.doi.org/10.30949/dajdtla.v18i1.8.

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    From Robert Southey's prima facie mockery of Samuel Taylor Coleridge's The Rime of the Ancient Mariner (1798, expanded 1834, also alternatively spelt The Rime of the Ancyent Marinere) in the October 1798 issue of the Critical Review, to John T. Netland transfixing the religious sublime on the poem, the Coleridgean Sublime, vis-à-vis his arguably classic piece, has walked a perilous way.Whether Southey contests (not unreasonably) the arcane elevation of a poetical theme Germanized by an inwoven philosophical texture, or Netland hinting at the antithetical, if not an

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Б, Дагзмаа, та Хонгорзул Г. "Сүр жавхлангийн тухай Кантын ойлголтыг орчин үеийн гоо зүйн онолд холбогдуулан тайлбарлах нь". Philosophy and Religious Studies 26, № (595) (2025): 26–38. https://doi.org/10.22353/prs20241.4.

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Interpreting Kant's Concept of the Sublime in Connection with Modern Aesthetic Theory Immanuel Kant is regarded as a prominent philosopher in defining the concept of the aesthetic sublime. The significance of the concept of the sublime in his Critique of the Power of Judgment lies in bridging the gulf between the spheres of nature and freedom. Through two distinct modes, the mathematical and dynamical sublime, Kant reveals how aesthetic experience transcends mere sensory perception. The mathematical sublime allows the imagination to seek the totality of the absolutely great, while the dynamica

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Weckman, Jan Kenneth. "The sublime." Approaching Religion 7, no. 2 (2017): 64–65. http://dx.doi.org/10.30664/ar.67739.

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Betts, Tom. "Game Sublime." Radar 2, no. 1 (2011): 26–27. http://dx.doi.org/10.5920/radar.2011.2126.

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Chalifour, Bruno. "Modern Sublime." Afterimage 30, no. 5 (2003): 10–11. http://dx.doi.org/10.1525/aft.2003.30.5.10.

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Frampton, Daniel. "Sublime confusion." Philosophers' Magazine, no. 47 (2009): 73–78. http://dx.doi.org/10.5840/tpm20094716.

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Mahmood, Karzan A. "The Sublime." Koya University Journal of Humanities and Social Sciences 4, no. 1 (2021): 76–85. http://dx.doi.org/10.14500/kujhss.v4n1y2021.pp76-85.

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This paper aims at analysing the concept of the sublime, which is a pioneering concept of the English Romantics poetry, in relation to the French revolution in the works of Edmund Burke. Burke, unlike all other thinkers who view sublimity as a delightful and elevating feeling, perceives sublimity as an element of dangerous and terrifying incidents and objects mainly in relation with the great incident of the French Revolution. Hence, the paper concentrates on that essential metamorphosis in the content of the concept from progression to regression in the concept of sublime. Burke himself witne

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Li, Gege. "Sublime slime." New Scientist 251, no. 3355 (2021): 26–27. http://dx.doi.org/10.1016/s0262-4079(21)01795-4.

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Woodward. "American Sublime." American Journal of Theology & Philosophy 37, no. 1 (2016): 79. http://dx.doi.org/10.5406/amerjtheophil.37.1.0079.

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Tenezakis, Xenophon. "Sublime catastrophe." Esprit Janvir-Févrir, no. 1 (2020): 192. http://dx.doi.org/10.3917/espri.2001.0192.

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Joch, Peter, Louis Marin, Catherine Porter, and Henry Keazor. "Sublime Poussin." Zeitschrift für Kunstgeschichte 63, no. 2 (2000): 287. http://dx.doi.org/10.2307/1594944.

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Radloff, Bernhard. "Sublime Repetitions." University of Toronto Quarterly 71, no. 2 (2002): 674–97. http://dx.doi.org/10.3138/utq.71.2.674.

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Callan, Guy. "Sublime Marin." Art Book 7, no. 4 (2000): 8–11. http://dx.doi.org/10.1111/1467-8357.00211.

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Butts, Anthony. "The Sublime." Callaloo 26, no. 3 (2003): 593–5593. http://dx.doi.org/10.1353/cal.2003.0079.

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Hansen, Jens Ole. "Det sublime." Slagmark - Tidsskrift for idéhistorie, no. 6 (January 30, 2018): 132. http://dx.doi.org/10.7146/sl.v0i6.103436.

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Rosenberg, Tiina. "Sublime Politics." NORA - Nordic Journal of Feminist and Gender Research 19, no. 3 (2011): 210–12. http://dx.doi.org/10.1080/08038740.2011.593555.

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Pederson, Claudia C. "Sublime Strategies." Afterimage 36, no. 4 (2009): 41. http://dx.doi.org/10.1525/aft.2009.36.4.41.

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Tennant, John. "Sublime Failure." Helios 51, no. 1 (2024): 29–56. https://doi.org/10.1353/hel.2024.a950042.

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Abstract: The motif of "failure/flaw" ( hamartēma ) is prominent in On the Sublime , particularly Longinus's intriguing suggestion that "the failed Colossus" might surpass Polyclitus's Doryphorus. While Longinus's references to failure have generally been interpreted as emphasizing the importance of risk-taking, I argue that failure's relationship with the sublime is more complex than a straightforward polarity. The ekstasis of sublime experience disrupts the subjective, blurring distinctions between success and failure. Ekstasis is entwined with sublimity's transgression of traditional standa

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Sandford, Mariellen R. "Sublime Discomfort." TDR/The Drama Review 49, no. 1 (2005): 17–18. http://dx.doi.org/10.1162/1054204053327950.

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Slaughter, Marty. "Sublime Mercy." Law, Culture and the Humanities 6, no. 3 (2010): 436–54. http://dx.doi.org/10.1177/1743872110374266.

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Highfield, Roger. "Sublime gas." New Scientist 212, no. 2840 (2011): 26–27. http://dx.doi.org/10.1016/s0262-4079(11)62897-2.

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Kröber, Hans-Ludwig. "Sublime Entlassungshindernisse." Forensische Psychiatrie, Psychologie, Kriminologie 13, no. 3 (2019): 292–93. http://dx.doi.org/10.1007/s11757-019-00547-2.

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Allmark, Panizza. "Sublime spaces." Continuum 23, no. 3 (2009): 383–88. http://dx.doi.org/10.1080/10304310902883508.

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Pozzo, Giovanni Da, and Margaret Brose. "Leopardi Sublime." Italica 75, no. 3 (1998): 469. http://dx.doi.org/10.2307/480069.

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Herceg, Karen Corinne. "Sublime Portals." American Book Review 38, no. 5 (2017): 25–26. http://dx.doi.org/10.1353/abr.2017.0093.

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Carrier, D. "Sublime Poussin." Common Knowledge 9, no. 1 (2003): 167. http://dx.doi.org/10.1215/0961754x-9-1-167.

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Kuzniar, A. A. "SUBLIME SHAME." GLQ: A Journal of Lesbian and Gay Studies 15, no. 3 (2009): 499–512. http://dx.doi.org/10.1215/10642684-2008-034.

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Van Hoesen, Brett M. "Sublime Seas." Nka Journal of Contemporary African Art 2020, no. 46 (2020): 180–83. http://dx.doi.org/10.1215/10757163-8308294.

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Sebbag, Georges. "Sublime Gradiva." Gradhiva 6, no. 1 (1989): 65–67. http://dx.doi.org/10.3406/gradh.1989.1197.

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Lappi, Rosita. "Sublime distopico." PSICOTERAPIA PSICOANALITICA, no. 2 (November 2022): 44–56. http://dx.doi.org/10.3280/psp2022-002003.

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Streszczenie:

L'articolo vuole evidenziare il sublime distopico, la fascinazione della paura e del dolore, spaziando tra l'arte che ha dato visioni esteti-che al sublime e la psicoanalisi che lavora con le derive distopiche del-la sofferenza. Tracciando un breve excursus del sublime nell'arte, il tema psicoanalitico della sublimazione viene collegato alle forme nega-tive della visione distopica della sofferenza rappresentata nell'arte. I traumi emergono in forme e stili che fanno del particolare, del frantu-mato, del materico, del disgregato, un manifesto programmatico artisti-co contemporaneo. La distopia

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Pritchett, Kathryn Loosli. "Ridiculously Sublime." Dialogue: A Journal of Mormon Thought 34, no. 3-4 (2001): 199–200. http://dx.doi.org/10.2307/45226802.

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