Gotowe bibliografie tematyczne / Subtractions aesthetics

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Gotowa bibliografia na temat „Subtractions aesthetics”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 6 lutego 2022

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Artykuły w czasopismach na temat "Subtractions aesthetics"

Septiani, Dwi Rachma, Maria Immaculata Ririk Winandari, and Julindiani Iskandar. "ESTETIKA EKSPRESI STRUKTUR DI TERMINAL PENUMPANG KAPAL LAUT." Jurnal Arsitektur ARCADE 4, no. 3 (November 19, 2020): 252. http://dx.doi.org/10.31848/arcade.v4i3.554.

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Structures in architecture acts as a load-bearing element on mechanical systems. In addition, structures can also provide spatial and aesthetic expressions in architectural with the use of certain techniques and materials that bring out the structure expression. The problem discuss in this paper relates to aesthetic parameters used to examine the structural expression on architectural. The research method used is descriptive analytical method conducted with study of the literature on aesthetics, based on parameters: visual complexity, texture and colour, symmetry of the form and familiarity us

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Williams, Peter Andrew. "Between Wilderness and Civilization: Bodies, Gesture, and the Aesthetics of Representational Subtraction." symploke 5, no. 1 (1997): 73–94. http://dx.doi.org/10.1353/sym.2005.0068.

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Clark, Jonathan Owen. "Dance and Subtraction: Notes on Alain Badiou's Inaesthetics." Dance Research Journal 43, no. 2 (2011): 50–64. http://dx.doi.org/10.1017/s0149767711000052.

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In an essay entirely devoted to the subject of dance in Alain Badiou's Handbook of Inaesthetics [Petit manuel d'inesthétique (Badiou 2005b)], we find the following contentious statement: “Dance is not an art, because it is the sign of the possibility of art as inscribed in the body” (69). At first glance, this statement seems strangely familiar to the reader versed in writing about dance, particularly philosophical writing. “Dance is not an art”: Badiou critiques Mallarmé as not realizing this as the true import of his ideas. It is familiar because it attests to a certain problem in aesthetic

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Bulqisa, Maulida, and Taufik Dermawan. "Transformasi Novel Perburuan Karya Pramoedya Ananta Toer ke Dalam Film Garapan Sutradara Richard Oh: Kajian Alih Wahana." JoLLA: Journal of Language, Literature, and Arts 1, no. 6 (June 30, 2021): 728–43. http://dx.doi.org/10.17977/um064v1i62021p728-743.

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Abstract: This research based on thinking of creativity in Art has not only limited to the new art but also it has done by changing the art to the other media. In the research context ,the creativity is done by changing the art to the extranation. This research is for describing the form of Perburuan novels transformations and the artistic damage of Perburuan film, directed by Ricard Oh. The focus of the study was the transformation of elements in the ecranisation process of Perburuan novel, including 1) characters and characterizations, 2) plot, 3) settings, 4) themes, 5) storytelling style,

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Netzley, Ryan. "Sameness and the Poetics of Nonrelation: Andrew Marvell's “The Garden”." PMLA/Publications of the Modern Language Association of America 132, no. 3 (May 2017): 580–95. http://dx.doi.org/10.1632/pmla.2017.132.3.580.

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Andrew Marvell's “The Garden” foregrounds the role of subtraction in aesthetic creation and seeks to imagine sameness independent of metaphor, similarity, and relation. The poem employs a subtractive poetics that challenges modern presuppositions about the networked, connected essence of literature. It also points to the critical limitations of recent accounts of surface and formalist reading, both of which still present poetry as productive, especially insofar as it heightens attention. For Marvell, in contrast, the value of lyric resides in the ways in which it challenges the dialectical not

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Matejić, Bojana. "Vergebliches warten? Badiou, event, and human emancipation in music." New Sound, no. 47 (2016): 23–44. http://dx.doi.org/10.5937/newso1647023m.

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The polemic on waiting for human emancipation in music belongs to the modern aesthetic plane, where Adorno's and Heidegger's manuscripts occupy a specific place. However, while Heidegger's ontology of the waiting implies waiting for the metaphysics of presence (Will), Adorno maintains that music should rather express "waiting in vain" (vergebliches Warten) by its spatio-temporal structuration, given that "after Auschwitz" philosophy with metaphysical assumptions is no longer possible. In the light of Adorno's modem interpretation of waiting in vain, my aim is to examine Badiou's conception of

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Konior, Bogna M. "Media Intellectualism or Lived Catastrophe? Mediating and Suspending the A/political Act." Identities: Journal for Politics, Gender and Culture 15, no. 1-2 (June 1, 2018): 166–85. http://dx.doi.org/10.51151/identities.v15i1-2.344.

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Piotr Szczęsny set himself on fire in protest of the Polish government in October 2017. Charged with political orientation, his selfimmolation posed a challenge to the news media, forcing it deep into the gutter the suicide archive, where commentators debated appropriate aesthetics of protest in a country whose imagery imagery is predominately thanatic; in a nation-state that has been resurrected after its many occupations yet still remains within a sacrificial grave, with death as the cornerstone of community. In this article, I situate Szczęsny’s death within the nightmare-bound post-Soviet

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Deng, Wensheng. "Case Study of Howard Goldblatt’s Translation of Red Sorghum—From Media-translatology Perspective." Theory and Practice in Language Studies 9, no. 8 (August 1, 2019): 1015. http://dx.doi.org/10.17507/tpls.0908.19.

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Since Mo Yan was given the Nobel Prize for Literature，literary translation has been heatedly debated. Howard Goldblatt, as one of Mo Yan’s major translators of English world, is gaining global eyes. And his translations are so popular that some scholars claim that Howard flatters MoYan himself, and he has rewritten Mo Yan. To make the debate known to the public, the thesis explores Howard’s translation of Red Sorghum, based on the perspective of Media-translatology. In the translation, Howard Goldblatt has made addition, subtraction, rearrangement, etc., in the translation. His changes and adj

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Onyeaso, Chukwudi Ochi, and Ellen A. BeGole. "Orthodontic Treatment Need in an Accredited Graduate Orthodontic Center in North America: A Pilot Study." Journal of Contemporary Dental Practice 7, no. 2 (2006): 87–94. http://dx.doi.org/10.5005/jcdp-7-2-87.

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Abstract Aim To assess the objective orthodontic treatment needs of patients treated in an accredited Orthodontic Clinic in North America using a retrospective cross sectional study and the Dental Aesthetic Index (DAI). Methods and Materials One hundred pre- and post-treatment study models were randomly selected from the model storage facility of the clinic. Only the pre-treatment study models were assessed using the DAI. The pre - treatment and post- treatment ages for each case were noted as recorded on the corresponding study models. The range for the pre-treatment age was 10 to 52 years, a

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Gilbert, Andrew D., and Jacques Vanneste. "Geometric generalised Lagrangian-mean theories." Journal of Fluid Mechanics 839 (January 25, 2018): 95–134. http://dx.doi.org/10.1017/jfm.2017.913.

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Many fluctuation-driven phenomena in fluids can be analysed effectively using the generalised Lagrangian-mean (GLM) theory of Andrews & McIntyre (J. Fluid Mech., vol. 89, 1978, pp. 609–646) This finite-amplitude theory relies on particle-following averaging to incorporate the constraints imposed by the material conservation of certain quantities in inviscid regimes. Its original formulation, in terms of Cartesian coordinates, relies implicitly on an assumed Euclidean structure; as a result, it does not have a geometrically intrinsic, coordinate-free interpretation on curved manifolds, and

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Rozprawy doktorskie na temat "Subtractions aesthetics"

Yeh, Yi-Lan Art College of Fine Arts UNSW. "Dancing brush: an exploration of Taoist aesthetics." Publisher:University of New South Wales. Art, 2008. http://handle.unsw.edu.au/1959.4/42906.

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Dancing Brush video installation is dedicated to legendary Taiwanese dancer Tsai Jui-Yue (1921-2005) in the memory of her suffering, creativity and faith in life. This work reveals the true meaning of Chinese scroll paintings as an infinity of time and space. It draws on the notion of mobility as expounded in the I Ching or Book of Changes. Dancing Brush creates a modern cityscape where the principal of Taoism, ancient Chinese landscape painting, and calligraphy meet new media aesthetics. The focus of this thesis is to reassess media arts practice and aesthetics via the traditions of Chinese T

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