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Rozprawy doktorskie na temat „Synaesthesia”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 25 lipca 2025

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Carmichael, Duncan Andrew. "Synaesthesia and comorbidity." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/15796.

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Synaesthesia is a hereditary, neurological condition in which common stimuli trigger unexpected secondary sensations. For example, reading letters may result in the visualisation of colour, a variant known as grapheme-colour synaesthesia. While synaesthesia is thought to confer a range of benefits such as improved memory, empathy, visual search and creativity to the synaesthete, there is a small, yet growing, body of evidence that suggests synaesthesia may also be associated with more clinical conditions. This thesis investigates potential associations between synaesthesia and a range of clini
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Mankin, Jennifer Lauren. "The psycholinguistics of synaesthesia." Thesis, University of Sussex, 2018. http://sro.sussex.ac.uk/id/eprint/76640/.

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To most people, a question like “What colour is the letter A?” may seem nonsensical, but to a grapheme-colour synaesthete, each letter and word has an automatically evoked colour sensation associated with it. This thesis asks whether the synaesthetic colours for letters and words are shaped by the same influences that inform the typical use of language – that is, if grapheme-colour synaesthesia is fundamentally psycholinguistic in nature. If this is the case, the colour experiences of synaesthetes for letters and words can also be used to investigate long-standing questions about how language
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Anderson, Hazel Patricia. "Synaesthesia, hypnosis and consciousness." Thesis, University of Sussex, 2015. http://sro.sussex.ac.uk/id/eprint/54236/.

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For people with synaesthesia, a percept or concept (inducer) triggers another experience (concurrent) which is usually in a different modality. The concurrent is automatic, and in the case of certain types of synaesthesia also consistent, however the relationship between the inducer and concurrent is not fully understood and shall be investigated in this thesis from different perspectives. The first is using hypnosis to suggest synaesthesia-like phenomenological experiences to participants, and measuring behavioural responses to see whether they behave in a similar manner to developmental syna
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Spiller, Mary Jane. "Mental imagery in synaesthesia." Thesis, University of East London, 2009. http://roar.uel.ac.uk/3092/.

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The current thesis addressed the question of whether an internally generated mental image can elicit a concurrent in grapheme colour synaesthesia; although there is experimental and anecdotal evidence that this is the case, to date this had not been systematically explored. As there are purportedly distinct object-based and spatial-based imagery processes it was necessary to explore the role different imagery processes may play. In Experiment 1 synaesthetes and matched control groups completed a grapheme-based object-imagery task against congruently and incongruently coloured backgrounds. Four
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Gould, Cassandra. "Individual differences in synaesthesia : qualitative and fMRI investigations on the impact of synaesthetic phenomenology." Thesis, University of Sussex, 2014. http://sro.sussex.ac.uk/id/eprint/51554/.

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Synaesthesia is a cognitive trait in which stimuli of one sensory modality are automatically and consistently experienced in conjunction with perceptions in a separate modality or processing stream. Investigations of synaesthesia may help determine the neural processing required in the generation of a conscious experience. In order to gain the most complete understanding of synaesthesia, we have applied an integrated neurophenomenological approach. In Chapter 2 we present an extended case study of spatial-form synaesthesia (SFS) phenomenology. This investigation goes significantly beyond the r
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Gray, Richard. "Synaesthesia : an essay in philosophical psychology." Thesis, University of Edinburgh, 2001. http://hdl.handle.net/1842/1723.

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We are sometimes led to a different picture of things when something unexpected occurs which needs explaining. The aim of this thesis is to examine a series of related issues in the philosophy of mind in the light of the unusual condition known to psychologists as ‘synaesthesia’. Although the emphasis will be on the philosophical issues a view of synaesthesia itself will also emerge. Synaesthesia is a distinct type of cross-modal association: stimulation of one sensory modality automatically triggers an additional phenomenal character of experience associated with a second sensory modality in
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7

Janik, Agnieszka. "Synaesthesia : mechanisms and broader traits." Thesis, Goldsmiths College (University of London), 2016. http://research.gold.ac.uk/18236/.

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Synaesthesia is a condition in which perceptual or conceptual stimulation in one modality leads to additional experiences within the same or different modality. In grapheme-colour synaesthesia achromatic letters or numbers elicit secondary synaesthetic colour experiences while in mirror-touch synaesthesia observing touch to another person results in tactile sensations on a synaesthete’s own body. This thesis examines broader differences in personality and social perception associated with synaesthesia and investigates neural mechanisms underlying social perception in typical adults. Firstly, a
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Watson, Marcus Robert. "Synaesthesia and learning : a bidirectional relationship." Thesis, University of British Columbia, 2013. http://hdl.handle.net/2429/44736.

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I present new evidence about the relationships between learning and synaesthesia, particularly grapheme-colour synaesthesia, in which individuals experience letters and numbers as coloured. As part of the largest survey of synaesthetic tendencies ever performed, I show that second language acquisition can act as a trigger for the development of synaesthesia, such that children who learn a second language in grade school are three times more likely to develop synaesthesia as native bilinguals. I also demonstrate that previous reports of a sex bias in synaesthesia are almost certainly due to re
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Steven, M. S. "Neuroimaging of multisensory processing and synaesthesia." Thesis, University of Oxford, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.410663.

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Field, Deborah. "Patterns of lexical synaesthesia in Japanese." Thesis, Canberra, ACT : The Australian National University, 1990. http://hdl.handle.net/1885/132952.

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The phenomenon known as Tsynaesthesia' -- "the translation of attributes of sensation from one sensory domain to another" (Marks, 1975:303) .-- is one of the most intriguing products of the human mind, and represents one area of study which extends into a number of academic disciplines, including physiology, psychology, philosophy, aesthetics, literary criticism, and linguistics. Perhaps the most commonplace of all synaesthetic correspondences is the conjunction of the sense modality of sight (colour) and touch (thermal sensations): Blue and green are often perceived and described a
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Lee, Chang Hee. "Synaesthesia materialisation : approaches to applying synaesthesia as a provocation for generating creative ideas within the context of design." Thesis, Royal College of Art, 2019. http://researchonline.rca.ac.uk/3756/.

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For the past three decades, research on the topic of synaesthesia has been largely dominated by the field of psychology and neuroscience, and has focused on scientifically investigating its experience and causes to define the phenomenon of synaesthesia. However, the scientific research on this subject is now enquiring into potential future implementations and asking how this subject may be useful to wider audiences, and is attempting to expand its research spectrum beyond the mere scientific analysis. This PhD research in design by practice attempts to contribute and expand this scope: it shar
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Niccolai, Valentina [Verfasser]. "Demographic Characteristics and Neural Mechanisms of Synaesthesia / Valentina Niccolai." Düsseldorf : Universitäts- und Landesbibliothek der Heinrich-Heine-Universität Düsseldorf, 2011. http://d-nb.info/1015458084/34.

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Poueymirou, Margaux Lynn Rosa. "The sixth sense : synaesthesia and British aestheticism, 1860-1900." Thesis, University of St Andrews, 2009. http://hdl.handle.net/10023/952.

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“The Sixth Sense: Synaesthesia and British Aestheticism 1860-1900” is an interdisciplinary examination of the emergence of synaesthesia conceptually and rhetorically within the ‘art for art’s sake’ movement in mid-to-late Victorian Britain. Chapter One investigates Swinburne’s focal role as both theorist and literary spokesman for the nascent British Aesthetic movement. I argue that Swinburne was the first to practice what Pater meant by ‘aesthetic criticism’ and that synaesthesia played a decisive role in ‘Aestheticising’ critical discourse. Chapter Two examines Whistler’s varied motivations
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Hung, Wan-Yu. "Investigation into the underlying linguistic cues of Chinese synaesthesia." Thesis, University of Edinburgh, 2011. http://hdl.handle.net/1842/5042.

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Synaesthesia is a neurological condition in which a sensory or cognitive stimulus consistently co-activates another sensory/cognitive quality, in addition to its usual qualities. For example, synaesthetes might see colours when they read words. This additional quality can be from a different modality (e.g., tactile stimuli triggering colour in addition to touch sensations) or from different aspects within the same modality (e.g. visually perceived shape stimuli triggering colour in addition to shape sensations). Coloured language is one of the most common, and most studied types of synaesthesi
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Evans, G. L. "Cinema and synaesthesia : inter-sensory connections in recent French film." Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.598872.

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Work by Laura Marks and Vivian Sobchack has triggered a rethinking of the way film evokes sensory experience, and existing models of the spectator have been shattered in favour of a responsive, bodily, film viewer, for whom sensation is overwhelmingly affective. This thesis seeks to balance this work with an appraisal of how relationship between and among senses colour the spectator’s engagement with the narrative dimension of cinema. This exploration is conducted in the light of audio-visual film’s status as the first synaesthetic mass-medium. Consequently, the analysis looks beyond film stud
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Sobczak-Edmans, Monika. "A systematic study of personification in synaesthesia : behavioural and neuroimaging studies." Thesis, Brunel University, 2013. http://bura.brunel.ac.uk/handle/2438/8271.

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In synaesthetic personification, personality traits and other human characteristics are attributed to linguistic sequences and objects. Such non-perceptual concurrents are different from those found in most frequently studied types of synaesthesia, in which the eliciting stimuli induce sensory experiences. Here, subjective reports from synaesthetes were analysed and the cognitive and neural mechanisms underlying personification were investigated. Specifically, the neural bases of personification were examined using functional MRI in order to establish whether brain regions implicated in social
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Banissy, M. J. "Mirror-touch synaesthesia : the role of shared representations in social cognition." Thesis, University College London (University of London), 2010. http://discovery.ucl.ac.uk/19307/.

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Synaesthesia is a condition in which one property of a stimulus results in conscious experiences of an additional attribute. In mirror-touch synaesthesia, the synaesthete experiences a tactile sensation on their own body simply when observing touch to another person. This thesis investigates the prevalence, neurocognitive mechanisms, and consequences of mirror-touch synaesthesia. Firstly, the prevalence and neurocognitive mechanisms of synaesthesia were assessed. This revealed that mirrortouch synaesthesia has a prevalence rate of 1.6%, a finding which places mirror-touch synaesthesia as one o
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Beaumont, C. Mark. "Musical synaesthesia in synaesthetes and its manifestation as a wider phenomenon." Thesis, University of Sheffield, 2004. http://etheses.whiterose.ac.uk/14856/.

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This thesis has been titled 'Musical Synaesthesia in Synaesthetes and its Manifestation as a Wider Phenomenon', in order to give an indication of the broadness of the subject area that it addresses. It looks at ways in which types of association normally associated with one of the five sensory channels sometimes make connections with, and produce stimulation of, any combination of the other four. Although the thesis touches on most known perspectives of this large topic, all of which are interconnected, it focuses on just two of these areas. Firstly, it deals with a condition which affects a s
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Goller, Aviva Idit. "Perceptual abnormalities in amputees : phantom pain, mirror-touch synaesthesia and referred tactile sensations." Thesis, University of Sussex, 2012. http://sro.sussex.ac.uk/id/eprint/39679/.

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It is often reported that after amputation people experience "a constant or inconstant ... sensory ghost ... faintly felt at time, but ready to be called up to [their] perception" (Mitchell, 1866). Perceptual abnormalities have been highlighted in amputees, such as sensations in the phantom when being stroked elsewhere (Ramachandran et al., 1992) or when observing someone in pain (Giummarra and Bradshaw, 2008). This thesis explored the perceptual changes that occur following amputation whist focusing on pain, vision and touch. A sample of over 100 amputees were recruited through the National H
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Berger, Joshua. "Recognising the additional processing costs of synaesthesia; translational research using a novel tool, the Digit-Colour Calculator." Thesis, The University of Sydney, 2021. https://hdl.handle.net/2123/24607.

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Synaesthesia is an unusual sort of conscious perception defined by its contrast to what is normally experienced. Typically, in perception, a stimulus is paired with one normally perceived experience or percept. For example, when light enters the eye it usually elicits an experience of sight. The experiences of synaesthesia, however, are not so straightforward. Synaesthesia is characterised by the addition of one-or-more unusually experienced percepts, termed the concurrents, that are activated by attention to another stimulating percept, termed the inducer. For example, in grapheme-colour syna
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Gheri, Carolina. "The role of salience on crowding and visual search in the context of synaesthesia." Thesis, City University London, 2008. http://openaccess.city.ac.uk/11924/.

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Visual crowding is a phenomenon in which the identification of visual stimuli is impaired by nearby directions. it occurs both for simple stimuli (oriented lines) and for more complex forms. The literature on crowding is reviewed, along with relevant literature on visual search and stimulus salience. Experiments are reported to test the idea that visually salient stimuli can escape, in part from crowding. The salience of stimuli was manipulated by varying their motion direction, colour, or temporal frequency relative to dis tractors. Salience was also measured independently of crowding using t
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Neufeld, Janina [Verfasser]. "Top-down Processes in Synaesthesia - Evidence from Functional Neuroimaging and Illusion Research / Janina Neufeld." Hannover : Bibliothek der Tierärztlichen Hochschule Hannover, 2012. http://d-nb.info/1036627985/34.

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Moos, Anja C. "Do colourless green voices speak furiously? : linkages between phonetic and visual perception in synaesthesia." Thesis, University of Glasgow, 2013. http://theses.gla.ac.uk/4047/.

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Synaesthesia is an unusual phenomenon, in which additional sensory perceptions are triggered by apparently unrelated sensory or conceptual stimuli. The main foci of this thesis lie in speech sound - colour and voice-induced synaesthesia. While grapheme-colour synaesthesia has been intensively researched, few studies have approached types of synaesthesia based on vocal inducers with detailed acoustic-phonetic and colorimetric analyses. This approach is taken here. First, a thorough examination of speech-sound - colour synaesthesia was conducted. An experiment is reported that tested to what ext
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Kusnir, Maria Flor. "Automatic letter-colour associations in non-synaesthetes and their relation to grapheme-colour synaesthesia." Thesis, University of Glasgow, 2014. http://theses.gla.ac.uk/4922/.

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Although grapheme-colour synaesthesia is a well-characterized phenomenon in which achromatic letters and/or digits involuntarily trigger specific colour sensations, its underlying mechanisms remain unresolved. Models diverge on a central question: whether triggered sensations reflect (i) an overdeveloped capacity in normal cross-modal processing (i.e., sharing characteristics with the general population), or rather (ii) qualitatively deviant processing (i.e., unique to a few individuals). We here address this question on several fronts: first, with adult synaesthesia-trainees and second with c
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Hamilton-Fletcher, Giles. "How touch and hearing influence visual processing in sensory substitution, synaesthesia and cross-modal correspondences." Thesis, University of Sussex, 2015. http://sro.sussex.ac.uk/id/eprint/57955/.

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Sensory substitution devices (SSDs) systematically turn visual dimensions into patterns of tactile or auditory stimulation. After training, a user of these devices learns to translate these audio or tactile sensations back into a mental visual picture. Most previous SSDs translate greyscale images using intuitive cross-sensory mappings to help users learn the devices. However more recent SSDs have started to incorporate additional colour dimensions such as saturation and hue. Chapter two examines how previous SSDs have translated the complexities of colour into hearing or touch. The chapter ex
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Bruno, Alexander. "Visual-Audio Media: Transformation and Communication." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3768.

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Designers are often concerned with communication through the visual; we focus on the printed object, images on screens, furniture, spaces, and other visual experiences. We should also be cognizant of audio and its communicative properties, especially when contextualized with visual content. Pairing visuals and audio can make a greater impact upon a viewer/listener than each media might make alone. My research focuses on a practice of working within strict sets of rules and boundaries to create visual-audio work. This visual-audio work not only communicates a concept or idea, but also lives as
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Granvik, Kim. "Bringing Numbers to Life: a Study in Synaesthetes’ Relationship to Mathematics." Thesis, Malmö högskola, Fakulteten för lärande och samhälle (LS), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-36454.

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Synestesi är ett fenomen där flera sinnen och intryck samspelar, till exempel kan siffrorupplevas i färg. En del forskning har gjorts kring konsekvenserna av siffer-synestesi, men syftet med den här uppsatsen är att undersöka synesteters egna upplevelser. Med hjälp av kvalitativa intervjuer fokuserar jag på tre huvudområden i relation till synesteters personliga perspektiv: synestesi och kognition; synestesi och känslor, attityder och identitet; och synestesi och matematik. Resultaten tyder på att synesteter kan relatera till vad en del forskning har visat angående hur synestesi fungerar, men
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Asher, J. E. "Identification and characterisation of candidate regions for susceptibility genes linked to auditory-visual synaesthesia utilising a whole-genome scan." Thesis, University of Cambridge, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.596183.

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An improved diagnostic and phenotyping instrument for synaesthesia (the Revised Test of Genuineness, TOG-R) was developed as the first phase of this project and used to diagnose and phenotype 43 families (n=196) with auditory-visual synaesthesia. Computer simulations confirmed that the sample had more than adequate power to detect a major gene effect. A whole-genome linkage scan using 410 microsatellite markers (mean inter-marker distance=9.05cM, mean information content=0.710) was performed. NPL analysis was conducted using MERLIN 1.1a/MINX 1.1a 14 potential candidate regions (LOD > 1) were f
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Giordano, Giulio. "A pockte stage (lights)." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2021. http://hdl.handle.net/10400.5/22764.

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Dissertação de Mestrado em Design com a especialização em Design de Produto apresentada na Faculdade de Arquitetura da universidade de Lisboa para obtenção do grau de Mestre.<br>A presente dissertação começou há alguns meses atrás através de uma intuição. Num laboratório de prototipagem em Nápoles, o autor concebeu uma lâmpada cortada a laser, cujo conceito era mostrar formas através da luz em vez de simplesmente iluminar. A intuição de que o movimento fosse de acordo com o som veio naturalmente, utilizando a luz como meio de comunicação e a música como a mensagem a ser traduzida visualmente.
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Erlandsson, Niklas. "Experientiality and Sensorial Gesamtkunstwerk in William Faulkner’s The Sound and the Fury." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-96247.

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This thesis examines the semiotic experiences in William Faulkner’s The Sound and the Fury from a reader perspective by analyzing in what ways sensorial gesamtkunstwerk is used to convey or evoke sensations that appeal to the reader on a cognitive level. Drawing from Marco Caracciolo’s theories on experientiality which operate under the assumption that an evoked feeling from a text is dependent on the reader’s familiarity with their emotions and senses, this thesis claims that the bridge between narratological (textual) experiences and the reader’s experiences in the novel is made possible thr
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Fowler, Richard. "Towards a Blueprint for a Music Centred Feature Film." Thesis, University of Sydney, 2020. https://hdl.handle.net/2123/23112.

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This research examines how insights drawn from the domain of film can provide provocation for creativity in the praxis of a musically inclined screenwriter-director. Through a research-based approach, a framework was sought to underpin the writing of a screenplay for a music-centred feature film. An extensive survey of films led to the fashioning of the Integrated Montage Interface - a digital tool for the process of script development. Nova emerged as an original screenplay, in which the exploration of narrative threads called for a more holistic praxis. Narrative directions were interrogated
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Coelho, Luís Miguel Carvalhais Figueiredo Borges. "Alexander Scriabin: the definition of a new sound space in the crisis of tonality." Doctoral thesis, Universidade de Évora, 2016. http://hdl.handle.net/10174/19157.

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This dissertation describes the new compositional system introduced by Scriabin in 1909– 1910, focusing on Feuillet d’Album op. 58, Poème op. 59, nº1, Prélude op. 59, nº2 and Promethée op. 60. Based upon exhaustive pitch and formal analysis the present study (a) claims the inexistence of non-functional pitches in all analysed works, (b) shows that transpositional procedures have structural consequences on the “basic chord”, and (c) for the first time advances an explanation on the intrinsic relation between the sonata form and the slow Luce line in Promethée op. 60; RESUMO: Sob o título de
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Hydén, Malin. "Den stygga trädgården : En sinnlig tolkningsansats med utgångspunkt i Helen Chadwicks Cacao och Bad Blooms." Thesis, Södertörn University College, The School of Culture and Communication, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-437.

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<p>The purpose of this essay is to discuss what a sensual interpretation of art is and what it should include. The discussion is based on an attempt to do a sensual interpretation of the Greek-British artist Helen Chadwick’s Cacao and Wreaths to Pleasure. Chadwick was an artist working with well-known materials in new and unexpected ways. An interpretation of her works should include the fact that her art affect us on different levels, both intellectually and sensually. The history of art includes very few examples of interpretations engaging all senses. Therefore this essay is based on litera
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Filoseta, Roberto. "Making the act of music visible : theatrical considerations in music composition." Thesis, University of Hertfordshire, 2006. http://hdl.handle.net/2299/14324.

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This research investigates the music-theatre phenomenon for the purpose of: clarifying how that differs from more traditional forms of musical theatre, i.e., Opera and Broadway musical; discussing its aesthetic bases; explicating its modes of operation in relation to both music and theatre. The writing is structured in three main parts. The first concern of the discussion is to clarify the connection between music and performance. To that end, Part One starts by reflecting on the nature of music and how its perception has been changed by modern technology, throwing live performance into questi
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Garnier, Marie-Margeride. "La synesthésie chez l'enfant : prévalence, aspects développementaux et cognitifs." Thesis, Toulouse 2, 2016. http://www.theses.fr/2016TOU20004/document.

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Les synesthètes ont la particularité d’associer une expérience supplémentaire (e.g. une couleur) lors de la présence de certains stimuli (e.g. une lettre). L’objectif de cette thèse était de mieux comprendre le développement de la synesthésie à travers trois types : Graphème-Couleur, Graphème-Personnalité et représentation des nombres dans l'espace (« Forme des nombres »). Si la synesthésie Graphème-Couleur a déjà été étudiée chez l’enfant, les deux autres n’ont jamais fait l’objet d’étude développementale auparavant.Les productions graphiques de 797 enfants de dernière année de maternelle et
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ROSSETTI, ANGELA. "I know how you feel coding others' somatosensory experience in the observer 's somatosensory cortex." Doctoral thesis, Università degli Studi di Milano-Bicocca, 2014. http://hdl.handle.net/10281/81049.

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My doctoral thesis aims at exploring the role of the somatosensory cortices in the visual coding of others’ tactile experiences. Several studies posit the existence in the human brain of a system which match the somatosensory and visual experience of touch (for a review see, Keysers et al., 2010); in particular, the neural network involved in first-hand tactile stimulation is also responsible for understanding others’ somatic sensations. Firstly, by using online high-frequency repetitive transcranial magnetic stimulation (rTMS) I assessed whether the first (SI) and the second (SII) somatosen
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Yergeau, Melanie. "Disabling Composition: Toward a 21st-Century, Synaesthetic Theory of Writing." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1306418814.

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Marques, Sarah Barreto. "Sinestesia das pessoas cegas: novas possibilidades de informação." Instituto Brasileiro de Informação em Ciência e Tecnologia/Universidade Federal do Rio de Janeiro, 2016. http://ridi.ibict.br/handle/123456789/885.

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Submitted by Priscilla Araujo (priscilla@ibict.br) on 2016-10-06T18:44:29Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) dissertação Sinestesia Pessoas Cegas Sarah 2016.pdf: 916136 bytes, checksum: cc0a0930511f40b8b7d259a7f914cdc1 (MD5)<br>Made available in DSpace on 2016-10-06T18:44:29Z (GMT). No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) dissertação Sinestesia Pessoas Cegas Sarah 2016.pdf: 916136 bytes, checksum: cc0a0930511f40b8b7d259a7f914cdc1 (MD5) Previous issue date: 2016-03-21<br>A sines
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Knapton, Benjamin. "Activating simultaneity in performance : exploring Robert Lepage's working principles in the making of Gaijin." Thesis, Queensland University of Technology, 2008. https://eprints.qut.edu.au/16583/1/Benjamin_Knapton_Thesis.pdf.

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In this research I have explored the performance making process of world renowned director Robert Lepage. This exploration informed my own process, creating an original performance called GAIJIN, where my roles included producer / director / designer and co-writer. The practice-led research strategy employed in this research has allowed me to navigate the sometimes slippery slope of connecting various performance discourses with the pragmatics of the performance making process. The reason for this research is my strong interest in the director’s role and my affinity with the practice of Robert
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Knapton, Benjamin. "Activating simultaneity in performance : exploring Robert Lepage's working principles in the making of Gaijin." Queensland University of Technology, 2008. http://eprints.qut.edu.au/16583/.

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In this research I have explored the performance making process of world renowned director Robert Lepage. This exploration informed my own process, creating an original performance called GAIJIN, where my roles included producer / director / designer and co-writer. The practice-led research strategy employed in this research has allowed me to navigate the sometimes slippery slope of connecting various performance discourses with the pragmatics of the performance making process. The reason for this research is my strong interest in the director’s role and my affinity with the practice of Robert
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Connor, Andrew John Caldwell. "The audiovisual object." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/26047.

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The ʻaudiovisual objectʼ is a fusion of sound object and visual object to create an identifiable perceptual phenomenon, which can be treated as a ʻbuilding blockʼ in the creation of audiovisual work based primarily on electroacoustic composition practice and techniques. This thesis explores how the audiovisual object can be defined and identified in existing works, and offers an examination of how it can be used as a compositional tool. The historical development of the form and the effect of the performance venue on audience immersion is also explored. The audiovisual object concept builds up
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Axelsson, Samuel. "Måla med musik, komponera med färg : En retrospektiv studie av den kreativa processen, bland bild, musik och synestesi." Thesis, Örebro universitet, Musikhögskolan, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-22342.

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The relationship between color and music, and their relation to the human being and our surrounding universe has been subject of studies, theories and experiments since the old ages. From the ancient China and Persia to the present times, philosophers, scientists and artists have tried to explain these connections between color and music and also tried to find answers to this ancient enigma. The invention of the color organ c. 1730, an instrument that was intended to display color in addition to the musical auditive experience, was the first attempt to materialize the practical correlation bet
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Dickinson, Kay. "Music video and synaesthetic possibility." Thesis, University of Sussex, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310663.

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Jonas, Clare. "Effects of synaesthetic colour and space on cognition." Thesis, University of Sussex, 2012. http://sro.sussex.ac.uk/id/eprint/7596/.

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A small proportion of the population experiences synaesthesia, in which a stimulus (the inducer) causes a percept (the concurrent) in its own sensory domain, and in another domain, or another sub-domain of the same sense. This thesis is concerned with synaesthesiae in which numbers and letters take on spatial locations or colours. In Paper 1, alphabet-form synaesthesia is investigated. The majority of alphabet forms belonging to native English speakers are straight, horizontal lines. Any breaks, gaps or direction changes tend to fall in line with the parsing of the Alphabet Song. Synaesthetes
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Buxton, Ian. "Use of synaesthesias and informal consumer communities in empowering wine consumers." Master's thesis, University of Cape Town, 2010. http://hdl.handle.net/11427/16398.

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Includes bibliographical references.<br>A three phase investigation into the utility of wine consumer opinion as a viable source of information to wine consumers in South Africa. The research demonstrates that existing marketing and expert opinion is inappropriately constructed, using paradigms that are overly simplistic or language that is not valued by consumers. The paper further investigates the use of visual representations of wine to communicate the "tasting notes" of consumers, providing a first access trigger which can be quickly and accurately interpreted into an assessable taste for
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Guégo, Rivalan Inès. "Les enjeux du renouveau du théâtre espagnol, forces et pouvoirs des synesthésies (1916-1934)." Thesis, Paris 10, 2018. http://www.theses.fr/2018PA100038.

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Au tournant du XXème siècle en Espagne, une réaction au naturalisme se fait jour dans un panorama théâtral dégradé. Dans ce contexte de crise des langages artistiques, une série de propositions dramaturgiques voit le jour à partir de 1916. Les œuvres retenues sont envisagées pour en dégager l’énergie plastique dans ses dimensions tant textuelles (littéraire, dramatique et dramaturgique) que scéniques, lorsque les œuvres ont été représentées à l’époque. Phénomène majeur de renouveau du théâtre entre 1916 et 1934, les synesthésies sont étudiées au croisement de l’émergence d’un théâtre du corps
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Gerstley, Lawrence D. "Cross-modal and synaesthetic perception in music and vision." Thesis, University of Stirling, 1997. http://hdl.handle.net/1893/2223.

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This thesis is concerned with the cross-modal and synaesthetic perception of musical and visual stimuli. Each of these types of perception has been researched separately, and a hypothesis is presented here that accounts for both cross-modal matching and the development of synaesthesia. This hypothesis claims that sensory information can be evaluated in another modality by using a scale of comparison in that modality. The first set of experiments examines normal subjects performing cross-modal matching with coloured circles and auditory stimuli that vary in complexity. It is shown that subjects
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Östlund, Anton, Viktor Eidhagen, and Marcus Nilsson. "Synaesthetica : Relationen mellan ljud, bild och kropp genom Kinesonisk interaktion." Thesis, Blekinge Tekniska Högskola, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-18321.

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Under flera generationer har människan försökt tolka relationen mellan bild och ljud. Finns det en vetenskaplig koppling mellan ljusets frekvens och ljudets frekvens? Kan man uppleva båda modaliteter samtidigt? En liten procent av jordens befolkning kan uppleva denna symbios av modaliteter, en sinnenas union där hjärnan korskopplar två eller flera sinnen, denna funktionsvariation kallas för synestesi. Den digitala utvecklingen har möjliggjort denna korskoppling där man med nummer som material kan gestalta synestesi och skapa och uppleva flera modaliteter i symbios. Detta kandidatarbete syftar
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Erlandsson, Niklas. "ANIMAL QUALIA AND NON-ANTHROPOCENTRIC NARRATION IN BARBARA GOWDY’S THE WHITE BONE : PROBLEMATIZING NONHUMAN EXPERIENTIALITY THROUGH ENVISIONMENTS IN THE EFL CLASSROOM." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-104002.

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This thesis examines nonhuman phenomenological experiences, communication, and sensory perception in Barbara Gowdy’s The White Bone. Drawing on literary and pedagogical theories by Roman Bartosch, Monika Fludernik, Marco Caracciolo, David Herman, and Judith Langer, the thesis argues that Gowdy’s novel employs narrative strategies and devices that involve nonhuman experientiality evoked from sensorial configurations, narration, and textual cognitive and embodied experiences. These represented experiences disrupt human primacy by establishing a disorientation that challenges the anthropocentric
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Hernandez, Jesse. "Senses In Synthesis: Imaginative Sensing In The 19th Century." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/621.

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During the late 19th century, arts and literature had a surge of sensory awareness, made manifest through sensory analogy, intersensory metaphor, and synaesthesia. This dissertation explores this phenomenon through a study of five poets and artists: Charles Baudelaire, Arthur Rimbaud, Dante Gabriel Rossetti, John Barlas, and Julia Margaret Cameron. Using imaginative sensing, these artists transformed the relationship between artist and observer, assigning greater responsibility to their audience while simultaneously asserting artistic control of their work. Their fascination with sensory mixin
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