Gotowe bibliografie tematyczne / Syrian Mural painting and decoration

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Gotowa bibliografia na temat „Syrian Mural painting and decoration”

Autor: Grafiati

Data publikacji: 26 lipca 2024

Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Syrian Mural painting and decoration"

Castillo Alcantara, Gonzalo, Daniel Cosano Hidalgo, Alicia Fernández Díaz, Juan Manuel Román Rodríguez, Fernando Lafont, and José Rafael Ruiz Arrebola. "Archaeological and Archaeochemical Analysis of the Painting in the Baths in Julián Besteiro Square, Carmona (Seville, Spain)." Heritage 8, no. 2 (2025): 67. https://doi.org/10.3390/heritage8020067.

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This paper addresses the archaeological and archaeochemical study of the fragments of mural painting recovered from the excavation of the baths in Julián Besteiro Square in Carmona. The analysis of the fragments allowed us to associate them with the first phase of the building’s decoration, one of the few examples of urban mural painting currently known in Carmona. It was dated between the first half and the middle of the first century AD. The archaeochemical study identified the composition of the mortar and the pigments of the fragments belonging to the middle and upper zones of the wall, co

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Tober, Barbara. "The hierarchical use of stucco decoration and wall painting in a representative building in Palmyra." Syria V (2019): 255–64. http://dx.doi.org/10.4000/12cjd.

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In the ancient city of Palmyra, a building with a big courtyard provides a unique context for interior stucco decoration and wall painting. The distribution of stucco- and wall paintings is clearly concentrated in certain areas of the building. The stucco decoration comprises nine different friezes and additional elements like a shell-shaped conch, borders of niches, fragmentary statues, appliquéd masks and other objects. Pre-fabricated, gilded fish and other sea creatures were nailed to wooden furniture, room equipment or a ceiling. The stucco cornices show a rich repertoire and are organized

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ERGINA, ALENA S., and OLGA B. ELKAN. "BYZANTINE ORNAMENT IN MURAL PAINTING OF CAVE TEMPLES OF MOUNTAINOUS SOUTHWESTERN TAURICA OF THE 13TH-15TH CENTURIES." Университетский научный журнал, no. 83 (December 29, 2024): 43–53. https://doi.org/10.25807/22225064_2024_83_43.

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The article analyses and systematises ornamental motifs in the decoration of cave temples in mountainous southwestern Taurica. As a result of analytical work with materials from archaeological research of the early 20th century and modern field research, artistic connections between southwestern Taurica and various regions of the Byzantine Empire of the 13th-14th centuries are discovered.

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Vojvodic, Dragan. "Wall paintings of the Davidovica monastery: Additions to the thematical programme and dating." Zograf, no. 39 (2015): 177–92. http://dx.doi.org/10.2298/zog1539177v.

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Owing to old photographic plates that recorded those segments of the mural decoration of Davidovica on the Lim which were later destroyed or considerably damaged, it is possible to put forward a more complete reconstruction of its thematic program. The programmatic and iconographic features of both the destroyed frescoes and the surviving ones correspond to the solutions that can be found in Post-Byzantine painting. The palaeographic analysis of inscriptions and the analysis of the style of the murals in the dome, the area under the dome and both chapels in Davidovica clearly indicate that we

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Lampakis, Dimitrios, Ioannis Karapanagiotis, and Olga Katsibiri. "Spectroscopic Investigation Leading to the Documentation of Three Post-Byzantine Wall Paintings." Applied Spectroscopy 71, no. 1 (2016): 129–40. http://dx.doi.org/10.1177/0003702816654151.

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The main churches of three monasteries in Thessalia, Central Greece, were decorated with wall paintings in the post-Byzantine period. The main goal of the present study is to characterize the inorganic and organic materials present in the paint layers of areas that have been gilded. Optical microscopic examination was carried out on samples taken from the gilded decoration of the paintings to view their layer build-up. The combined use of micro Fourier transform infrared (FT-IR) and micro-Raman spectroscopy led to the detection of the pigments and the binding media used. The results from speci

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Tomic-Djuric, Marka. "To picture and to perform: The image of the Eucharistic Liturgy at Markov Manastir (I)." Zograf, no. 38 (2014): 123–41. http://dx.doi.org/10.2298/zog1438123t.

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This paper presents and interprets the iconographic programme of the frescoes in the lowest register of the sanctuary in the church of St Demetrios at Markov Manastir in the context of the relationship between mural decoration and the contemporary Eucharistic rite. In the first part of the paper special attention is paid to the scene in the north pastophorion, which illustrates the prothesis rite, and the depiction of the Great Entrance, placed in the sanctuary apse. The iconographic and programmatic features of the fresco ensemble, the most pominent place among which is occupied by the repres

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Lysun, Yaryna. "Monumental painting in stone Catholic churches of Eastern Galicia in the second half of XVIII century. Topography, compositional types and techniques of illusionistic monumental art." Almanac "Culture and Contemporaneity", no. 1 (August 31, 2021): 200–204. http://dx.doi.org/10.32461/2226-0285.1.2021.238622.

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The purpose of the article is to analyze compositional types, topography, methods, and techniques used in the formal solution of mural compositions in the Catholic churches of Eastern Galicia in the second half of the XVIII century. The methodology lies in the usage of art historical methods of stylistic analysis and generally scientific methods of analysis, synthesis, induction, deduction. The scientific novelty of the research is in the analysis of methods and techniques used by Galician masters in the second half of XVII century for implementation of mural compositions that were interpreted

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Mezzadri, P., and J. Russo. "THE CASE OF CAPOGROSSI IN ROME: COLLECTING DATA WITH DIFFERENT TECHNOLOGIES ON A CONTEMPORARY MURAL PAINTING." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-5/W1 (May 15, 2017): 211–18. http://dx.doi.org/10.5194/isprs-archives-xlii-5-w1-211-2017.

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This paper focuses on the presentation of a part of the main thematic data documenting the pathologies and the degradation problems of a contemporary mural painting, which was designed and carried out by the italian artist Giuseppe Capogrossi in 1954. This forgotten masterpiece is developed on the ceilings of the main double stairscase at the entrance of the Airone, an ex-cinema-theatre in Rome (Italy). In time, the original project was completely damaged and now the Airone cinema is abandoned since 1999; the decoration, strictly connected to the function of the original project, has been comp

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Yannis, Varalis. "THE NATIVITY OF CHRIST ON LATE ANTIQUE IVORIES." After Constantine: Stories from the Late Antique and Early Byzantine Era, no. 1 (June 1, 2021): 55–64. https://doi.org/10.5281/zenodo.8158547.

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The scene of the Nativity in late antique monumental painting, i.e. the fresco decoration of the catacombs and the mural mosaics and paintings of Early Christian churches, is very rare. The scene is considerably more frequent on stone sarcophagi, mainly in the west part of the late Roman Empire, but as has been aptly observed, sarcophagi were not easily accessible nor were all their sides visible. How was portrayed the scene of the birth of Jesus, the central figure of the Christian religion? Which components of the representation of the Nativity showed the human and the divine natures of the

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Kyawt, Hmu Aung. "Buddhist Art of Temple No. 1152 at Bagan (Late Bagan Period )." Dagon University Research Journal Vol.6, no. 2014 (2019): Pg.181–188. https://doi.org/10.5281/zenodo.3547193.

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Temple No. 1152 is a kind of small single-storey temple. It is situated at the east of Kyauk-myet-hmow-Zedi-gyi (No. 1158), south of Myinkaba, coordinates– N: 44.265, E: 5.860. Its plan has square central shrine, 2.25 2.32 m. Vestibule and porch on north face, Niches on east, south and west foreparts were found. At the exterior of temple, stucco mouldings were found such as ornate cornice and pediments, friezes with triangle, plasters, urn-profiled base, and tasseled friezes with pointed obovals on north forepart. The interior decoration of this small temple consisted of wall paintings o

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Rozprawy doktorskie na temat "Syrian Mural painting and decoration"

Tamm, John A. "Argentum potorium in Romano-Campanian wall-painting /." *McMaster only, 2001.

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Steinlauf, Eva. "The frescoes of the Dura-Europos Synagogue : multicultural traits and Jewish identity." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=83151.

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This study concerns the multicultural influences which shaped the architectural form and artistic decoration of the Synagogue at Dura-Europos, an ancient city located on the west bank of the upper Euphrates in Syria (244/5 C. E.) Preserving the Jewish tradition after the destruction of the Second Temple, in a location remote from Palestine, was essential in order to maintain a strong identity in the small Jewish community of Dura, engulfed by pagan and multitheistic societies. Biblical narratives were used by the Jewish community to assert their history. In chapter 1, there appears a di

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Suwannakudt, Phaptawan. "The Elephant and the Journey: A Mural in Progress." Thesis, The University of Sydney, 2005. http://hdl.handle.net/2123/1101.

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The Elephant and the Journey is about what and how people see in the land and how this is expressed through art forms. The dissertation consists of three main parts. The first in the introduction explains the use of the narrative figuration form in Thai temple mural painting in my practice, and how I used it to apply to the contemporary context in Australia. The second concerns three main groups of work including Australian landscape paintings in the nineteenth century, aboriginal art works and Thai mural painting, which apply to the topic of landscape. The second part in Chapters I and II

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Suwannakudt, Phaptawan. "The Elephant and the Journey: A Mural in Progress." University of Sydney, 2005. http://hdl.handle.net/2123/1101.

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Master of Visual Arts<br>The Elephant and the Journey is about what and how people see in the land and how this is expressed through art forms. The dissertation consists of three main parts. The first in the introduction explains the use of the narrative figuration form in Thai temple mural painting in my practice, and how I used it to apply to the contemporary context in Australia. The second concerns three main groups of work including Australian landscape paintings in the nineteenth century, aboriginal art works and Thai mural painting, which apply to the topic of landscape. The second

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Damiani, Piergiovanni. "L'oratorio dei confratelli di Civo religiosità popolare ed arte in Valtellina tra Quattro e Cinquecento /." Sondrio : Società storica valtellinese, 2003. http://catalog.hathitrust.org/api/volumes/oclc/53878936.html.

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Baird, Kathryn. "Secular wall painting in the sixteenth and seventeenth centuries." Thesis, University of Oxford, 2003. http://ora.ox.ac.uk/objects/uuid:bcc25824-3997-43ce-91d1-a58331519d68.

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Wall paintings survive in many houses dating from the late sixteenth and early seventeenth centuries yet, apart from recording the phenomenon, there has been very little written about them. This research explores how common wall paintings were, what sort of houses had them, when they were painted and most importantly, what was their significance in terms of what they can reveal about the lives of the people who chose to decorate their homes in this manner. Research has concentrated on the Welsh Marches although examples from elsewhere have been referred to. The research hypotheses are: <ul><li

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Bayle, Beatrice. "Conserving mural paintings in Thailand and Sri Lanka : conservation policies and restoration practice in social and historical context /." Connect to thesis, 2009. http://repository.unimelb.edu.au/10187/7144.

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Davos, Afroditi Climis. "Locating the politics of contemporary public art towards a new historiography /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1973060661&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Olsson, Melinda. "The Casa della Venere in Bikini (I 11, 6-7) at Pompeii : its decoration and finds /." Title page, contents and abstract only, 1989. http://web4.library.adelaide.edu.au/theses/09PH/09pha733.pdf.

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Thesis (Ph. D.)--University of Adelaide, Dept. of Classics, 1989?<br>Vol. 2. consists of 64 leaves of mounted photographs. Plate 1 is Plan of I 11, 6-7, by Barry Rowney of Dept. of Architecture, University of Adelaide. Includes bibliographical references (leaves 276-291).

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Segal, Marcelle. "Street art commentary as inspiration for jewellery design." Thesis, Cape Peninsula University of Technology, 2010. http://hdl.handle.net/20.500.11838/1442.

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Thesis (BTech (Surface Design))--Cape Peninsula University of Technology, 2010<br>The purpose of this research is to investigate whether street artists make statements about current socia-political affairs as a form of popular protest and whether those statements can be reflected in another design discipline. such as jewellery design. while reflecting upon the work of Faith47. a South African social commentator. Cultural studies has been referenced as a theoretical framework in relation to cultural sup-groups and. a historic context is provided in order to better understand the signific

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Książki na temat "Syrian Mural painting and decoration"

Pontifical Institute of Mediaeval Studies., ed. The frescoes of Mar Musa al-Habashi: A study in medieval painting in Syria. Pontifical Institute of Mediaeval Studies, 2001.

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Museum für Islamische Kunst (Berlin, Germany), ed. Das Aleppozimmer: Strukturen und Dekorelemente der Malerein im Aleppozimmer des Museums für Islamische Kunst in Berlin. Staatliche Museen zu Berlin, 2006.

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Fowden, Garth. Quṣayr ʻAmra: Art and the Umayyad elite in late antique Syria. University of California Press, 2004.

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Elias, Zayat, Immerzeel Mat, and Saliby Nessib, eds. Documentation and conservation of art in Syria: Papers of the workshop held at Damascus University, 16-19, September 1996. Research School for African, Asian, and Amerindian Studies, Leiden University, 2000.

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Rodríguez, Antonio. Diego Rivera: Mural painting. 3rd ed. Edited by Rivera Diego 1886-1957 and Fondo Editorial de la Plástica Mexicana. Fondo Editorial de la Plástica Mexicana, 1991.

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Gonnella, Julia. Ein christlich-orientalisches Wohnhaus des 17. Jahrhunderts aus Aleppo (Syrien): Das "Aleppo-Zimmer" im Museum für Islamische Kunst, Staatliche Museen zu Berlin-Preussischer Kulturbesitz. Museum für Islamische Kunst, 1996.

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Kenna, Carol. Mural manual. 3rd ed. Greenwich Mural Workshop, 1991.

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Phlāinō̜i, Sombat. Mural paintings. Office of the National Culture Commission, Ministry of Education, 1985.

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Jenei, Dana. Gothic mural painting in Transylvania. NOI Media Print, 2007.

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la, Fuente Beatriz de, Consejo Nacional para la Cultura y las Artes (Mexico)., and Universidad Nacional Autónoma de México. Instituto de Investigaciones Estéticas., eds. Pintura mural prehispánica. CONACULTA, 1999.

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Części książek na temat "Syrian Mural painting and decoration"

Kriza, Ágnes. "Depicting Orthodoxy in Rus." In Depicting Orthodoxy in the Russian Middle Ages. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198854302.003.0010.

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An outline of the history of mural and icon-painting in Novgorod demonstrates that the pictorial references in icons to church constructions, interiors, and their mural decorations had a long-standing tradition in Novgorod. Over time, these references became more and more explicit, so that they identified the Christian Church recognizably and exclusively with Byzantine Orthodoxy. The first half of the chapter analyses church decoration and the second icon-painting of Novgorod, thus seeking to explore the direct iconographic roots of the Wisdom icon. The chapter discusses the meaning of the pre

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Streszczenia konferencji na temat "Syrian Mural painting and decoration"

Saihoo, Nam-oi. "THE STUDY OF COLOR SCHEME OF MURAL PAINTING AND DECORATION IN INTERIOR ARCHITECTURE (CASE STUDY: TEMPLES IN KHONKAEN)." In International Conference on Arts and Humanities. The International Institute of Knowledge Management (TIIKM), 2018. http://dx.doi.org/10.17501/icoah.2017.4103.

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