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Rozprawy doktorskie na temat „Television broadcasting”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 25 lipca 2025

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1

Wheatley, Helen. "Gothic television." Thesis, University of Warwick, 2002. http://wrap.warwick.ac.uk/2837/.

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This thesis examines forms of Gothic fiction on television, and defines the ways in which television produces Gothic drama which is medium-specific (e.g. formally distinct from versions of the genre in other media). This work employs a textual analysis to explore Gothic television, and combines this with archival research and an examination of the changing climate of television production in a range of national and historical contexts. The thesis is organised into four case studies, each dealing with different national industries during different periods: British anthology drama of the 1960s a

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2

White, James D. "Balancing the flow in a world of information three case studies of information flows in Japan, China and Hong Kong /." Thesis, University of Hawaii at Manoa, 2003. http://catalog.hathitrust.org/api/volumes/oclc/58596783.html.

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Chun, Jayson Makoto. "A nation of a hundred million idiots : a social history of Japanese television, 1953-1973 /." view abstract or download file of text, 2004. http://wwwlib.umi.com/cr/uoregon/fullcit?p3120616.

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Thesis (Ph. D.)--University of Oregon, 2004.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 405-428 (v. 2)). Also available for download via the World Wide Web; free to University of Oregon users.

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4

Johnson, Renata. "The role of TV Globo Internacional for Brazilian immigrants in south Florida and Toronto." Diss., Columbia, Mo. : University of Missouri-Columbia, 2006. http://hdl.handle.net/10355/4556.

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Thesis (M.A.)--University of Missouri-Columbia, 2006.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file viewed on (February 8, 2007) Includes bibliographical references.

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5

Cheung, Wing-lim Gloria. "An analysis of the broadcasting regulatory system and programme quality in Hong Kong." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21036743.

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6

Guo, Miao Albarran Alan B. "The impact of ownership, regulation issues and technology adoption on the introduction of digital terrestrial television a comparison of the United States and Mainland China /." [Denton, Tex.] : University of North Texas, 2007. http://digital.library.unt.edu/permalink/meta-dc-3968.

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7

Kariofilli, Helen. "Television broadcasting and cultural sovereignty in Greece." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26206.

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This thesis makes a proposal for a Greek policy in the area of television broadcasting aimed at ensuring the country's ability to maintain a distinctive position in the European broadcasting market while protecting and promoting Greece's culture and language. The first part of the thesis presents the evolution of Greek legislation on television broadcasting and the status of programming content and quality from 1966, when the first television programme schedule was transmitted, until the present day. The European Community's legal framework and, in particular, the "Television Without Frontiers

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8

Markou, Eleni. "Television broadcasting in the Single European Market." Thesis, University of Reading, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.283235.

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9

Wiggins, David Joel. "The moral voice of television /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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10

Kroener, Oliver. "Engaging television characters : a cognitive approach to contemporary television." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/30875/.

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To what degree is the viewer’s engagement with a television character triggered by the distinct narrative context of a programme? As with other types of storytelling (e.g. film, literature), engaging with a television character is an integral part of the overall experience of watching television. More specifically, television characters provide an emotional focal point for the audience. They invite us to imagine ourselves in their situation, challenge our sense of morality, and encourage us to consider how we would react if we were to encounter them in our everyday life. Whereas in the past re

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11

Kung, Chun-fai Frederick. "Influx of Western media to Asia and response of Asian governments /." Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B1796314X.

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12

Caraway, Sylvester. "Community Television Broadcasting in Australia: The Development of Commercialism." Thesis, Griffith University, 2009. http://hdl.handle.net/10072/367653.

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The Australian community television industry was initially established to provide members of the public the opportunity to have ownership of, participate in, produce and broadcast programs that reflect local voices and are relevant to their local communities. However, since officially licensed in 1993 as narrowcast community television broadcasters, the practices by these stations have been more in-line with commercialism rather than performing under the very principles of why these services were established to serve; the public’s interest. With a focus primarily on Australia’s metro and rural

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13

Thomas, Suzanne Lynne. "Heroes, assassins, mobsters, and murders martial arts TV and the popular Chinese imagination in the PRC /." online access from Digital Dissertation Consortium access full-text, 2004. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3112189.

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14

Taylor, Gregory. "Canadian broadcasting regulation and the digital television transition." Thesis, McGill University, 2010. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=86874.

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This thesis examines the evolution of Canadian broadcasting regulation since the adoption of the 1991 Broadcasting Act with a specific focus on the digital television transition. For Canada, this technological shift exemplifies many of the greater changes in public policy in the last two decades: a faith in market mechanisms, light-touch regulation, co-regulatory approaches, and the powerful influence of new technologies. This dissertation will address the following central question: does the policy surrounding the transition to digital television broadcasting pose a challenge to traditional

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15

Chan, Wai-kwong Colin. "TV City : towards an open broadcasting centre /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25947266.

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16

Potts, Neill. "The television work of Alfred Hitchcock." Thesis, University of Warwick, 2005. http://wrap.warwick.ac.uk/2457/.

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The thesis uses close textual analysis to study and evaluate the television work of Alfred Hitchcock. The corpus consists of the twenty shows personally directed by Hitchcock, including his appearances before and after those shows. In response to most previous writing, which tends to compare the programmes with Hitchcock’s films (often unfairly) the thesis emphasises them as products of television. Programmes are evaluated on the basis of their perceived success as television- if they harness conditions related to television production and integrate them with narrative themes or to create mean

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17

Wen, Huike Peters John Durham Havens Timothy. "Dazzling the eyes television and the modernization ideal in 1980s China /." Iowa City : University of Iowa, 2009. http://ir.uiowa.edu/etd/449.

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18

Light, Julie J. "Television channel identity : the role of channels in the delivery of public service television in Britain, 1996-2002." Thesis, University of Glasgow, 2004. http://theses.gla.ac.uk/3939/.

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This thesis examines the developing role of television channels in the delivery of public service broadcasting in Britain, 1996-2002. Starting from a hypothesis that channels are distinct television products in their own right and increasingly important in organising how broadcasters think about their audiences, it argues that channels have identities expressed through their schedules and determined by their relationship to genre and target audience. Based on research at the BBC (from 1998 - 2002), involving interviews with key staff and the analysis of BBC documents, this study examines the t

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19

Aldridge, Mark Peter Alfred. "British television, 1925-1936 : attitudes and expectations." Thesis, University of Southampton, 2008. https://eprints.soton.ac.uk/344528/.

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This thesis assesses attitudes towards, and expectations of, British television between 1925 and 1936. This covers the period from the first public demonstration of an early form of the technology until the official launch of a full high-definition BBC service. The assessment is achieved via an analysis of four key factors. Chapter One covers the first of these, the private individuals working on television, with an emphasis on the publicity-hungry efforts of John Logie Baird. The second chapter investigates the public institutions, most particularly the BBC and the Post Office, which would ev

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20

Attallah, Paul Michael 1954. "TV before TV : the emergence of American network broadcast television and its implications for audiences, content, and study." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=73970.

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21

Harper, Sandra S. "A Content Analysis of Public Broadcasting Service Television Programming." Thesis, North Texas State University, 1985. https://digital.library.unt.edu/ark:/67531/metadc330669/.

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The problem with which this investigation is concerned is the description of the social map that is presented to the viewers of public television. Using content analysis methodology, the study describes how different genders, racial groups, and age groups are being portrayed on PBS programming. The sample consisted of one week of PBS 1984 fall programming broadcast on KERA-TV, the PBS station in Dallas-Ft. Worth, Texas. Research questions addressing proportions of groups, types of roles, length of scenes, occupational variation, conversational behaviors, conflict management modes, and cultura

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22

Rudolph, Kendra. "Television newsmagazines and the audience: a textual analysis and audience survey." Fogler Library, University of Maine, 2004. http://www.library.umaine.edu/theses/pdf/RudolphK2004.pdf.

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23

Creighton, Chie-wei Eve. "MTV Asia headquarters." Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25951361.

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24

Quinn, Brian J. "Management, restructuring and industrial relations : organizational change within the United Kingdom broadcasting industry, 1979-2002." Thesis, St Andrews, 2007. http://hdl.handle.net/10023/349.

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25

龔振輝 and Chun-fai Frederick Kung. "Influx of Western media to Asia and response of Asian governments." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31267191.

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26

Cermak, Irene V. "Seeing red : images of Soviet and Russian hockey in US and Canadian Olympic broadcasts /." Thesis, Connect to this title online; UW restricted, 1996. http://hdl.handle.net/1773/6161.

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27

Ward, Michael P. "ABC television sport: Public broadcasting, innovation and nation building." Thesis, Queensland University of Technology, 2017. https://eprints.qut.edu.au/115247/1/115247_9773053_michael_ward_thesis.pdf.

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This thesis is a history of ABC television sports broadcasting, focussing on Test cricket coverage to the 1970s and the reinvention of ABC sport following World Series Cricket (WSC). It charts public broadcasting innovation, using ABC sport to illustrate public broadcasting's role as both a comprehensive and a complementary sports broadcaster, but at different times. The thesis confronts received wisdom of a WSC "revolution" with analysis of ABC production and audience strategies. The thesis places the contemporary era of ABC TV sport in this historical frame, with its focus on sports ignored

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28

Havard, Sophie. "La construction d'une Europe audiovisuelle : l'adequation des politiques menées." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56812.

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In the 80's, European broadcasting changed dramatically. The rising of new technologies resulted into a growing number of TV programmes' demand while the amount of supply stays unchange.<br>There are two European strategies: (1) A regulation policy, with the European directive "Television without frontiers"; (2) A promotion of European programmes industry, with MEDIA and EUREKA.<br>The challenge is beyond the means implemented until now. The building of European audiovisual industry is a slow process, since cultural union and economic union are linked.

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29

Agrawal, Vandana. "Wearing pink-colored lenses : a gatekeeping study of breast cancer in television news /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p1421107.

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30

Anthony, Lucy S. "A study of the present programming of the Sierra Leone television station." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1985. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.S.)--Kutztown University of Pennsylvania, 1985.<br>Typescript. Abstract precedes thesis as preliminary leaves [1-2] Source: Masters Abstracts International, Volume: 45-06, page: 2704. Includes bibliographical references (leaves 77-80).

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31

Yuan, Elaine Jingyan. "The new multi-channel media environment in China diversity of exposure in television viewing /." online access from Digital Dissertation Consortium, 2007. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3255911.

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32

Wiser, Elliott H. "Interviews with founders of twenty-four-hour local cable news channels why and how they started the business /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2008. http://hdl.handle.net/10355/6678.

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Thesis (M.A.)--University of Missouri-Columbia, 2008.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on September 22, 2008) Includes bibliographical references.

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33

Chmielewski, Falkenheim Beatriz Jaquelina. "The flow of television programs in South America in the context of regionalism /." Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/main.

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34

McCutcheon, Marion. "Is pay TV meeting its promise?" Thesis, McCutcheon, Marion (2006) Is pay TV meeting its promise? PhD thesis, Murdoch University, 2006. https://researchrepository.murdoch.edu.au/id/eprint/194/.

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The broadcasting sector is a subject of continual debate in modern society. One of the oldest segments of the rapidly-evolving information technology and communications industry, it is still the most content rich and the most popular. Australians who watch television spend more time doing so than doing any other leisure activity - except those who fish (ABS 1998). Broadcasting is highly pervasive. Some kind of service is available and used in every Australian household. Everyone is an expert, everyone has an opinion. Since the Federal Government decided to allow the introduction of domestic su

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35

McCutcheon, Marion. "Is pay TV meeting its promise?" McCutcheon, Marion (2006) Is pay TV meeting its promise? PhD thesis, Murdoch University, 2006. http://researchrepository.murdoch.edu.au/194/.

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The broadcasting sector is a subject of continual debate in modern society. One of the oldest segments of the rapidly-evolving information technology and communications industry, it is still the most content rich and the most popular. Australians who watch television spend more time doing so than doing any other leisure activity - except those who fish (ABS 1998). Broadcasting is highly pervasive. Some kind of service is available and used in every Australian household. Everyone is an expert, everyone has an opinion. Since the Federal Government decided to allow the introduction of domestic su

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36

Crone, Vincent Christiaan Alexander. "De kwetsbare kijker een culturele geschiedenis van televisie in Nederland /." Amsterdam : Vossiuspers UvA, 2007. http://site.ebrary.com/id/10302657.

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37

Edwards, Natalie. "Queer British television : policy and practice, 1997-2007." Thesis, University of Nottingham, 2010. http://eprints.nottingham.ac.uk/11113/.

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Representations of gay, lesbian, queer and other non-heterosexualities on British terrestrial television have increased exponentially since the mid 1990s. Lesbian, gay, bisexual, transgender and queer characters now routinely populate mainstream series, while programmes like Queer as Folk (1999-2000), Tipping the Velvet (2002), Torchwood (2006-) and Bad Girls (1999-2006) have foregrounded specifically gay and lesbian themes. This increase correlates to a number of gay-friendly changes in UK social policy pertaining to sexual behaviour and identity, changes precipitated by the election of Tony

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38

Steward, Tom. "Authorship, creativity and personalisation in US television drama." Thesis, University of Warwick, 2010. http://wrap.warwick.ac.uk/35618/.

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This thesis examines the impact of writers, producers and directors on programming and production in several periods of US television drama history. I address the role authorship plays in shaping US television drama aesthetics and how creativity functions within its production cultures. I also address the personalisation of programmes through media and textual visibility and the place of authorship within the commercial and industrial contexts of US network television. My methodology involves textual analysis of a large viewing sample of programmes and a combination of archival research into o

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39

Berridge, Susan. "Serialised sexual violence in teen television drama series." Thesis, University of Glasgow, 2010. http://theses.gla.ac.uk/2326/.

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This thesis examines the kinds of stories about teenage sexual violence that are enabled (or not) by US and British teen television drama series between 1990 and 2008. This genre is centrally concerned with issues of sexuality and, in particular, sexual vulnerability as teenage characters negotiate the transition from childhood to adulthood. Sexual violence narratives are common within this context. This thesis argues that a fuller understanding of representations of sexual violence is enabled by contextualising these narratives in relation to overall series’ and generic contexts. I employ a s

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40

Godoy-Etcheverry, Sergio. "Chile's market orientated model of public television." Thesis, University of Westminster, 1998. https://westminsterresearch.westminster.ac.uk/item/946z0/chile-s-market-orientated-model-of-public-television.

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The main objective of this dissertation is to provide a comprehensive picture of the evolution and current performance of the market-oriented model of public service television in Chile. The focus is largely on the commercially-funded stateowned television network, Television Nacional de Chile (TVN). This thesis argues that Public Service Broadcasting (PSB) is still valid and necessary, yet the means to achieve this ideal have evolved and require some fresh thinking; such as the way forward provided by this case study. This work attempts to describe TVN's main political, economical, and manage

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41

Jewett, Lorraine E. "Technological innovations and the evolving role of the television news broadcaster : towards a U.S. history." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63805.

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Al-Garni, Ali Dhafer A. "Broadcasting in Saudi Arabia in the era of globalization : a study of local constraints on television development." Thesis, University of Stirling, 2000. http://hdl.handle.net/1893/2276.

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This study examines the reasons for the Saudi media mdustry's dependence on imported foreign productions. In a departure from traditional dependency theory, which emphasises the role of external factors in the context of the world system, this study explains the state of dependency and underdevelopment in a more locally grounded analysis which evaluates the role of Saudi media policies and regulatory functions in perpetuatmg this dependency status. Two methodologies were applied, firstly, content analyses of a two-week period of Saudi television programming on Channel 1 were earned out to exam

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43

Khan, Md Abdur Razzaque. "Private television ownership in Bangladesh : a critical qualitative inquiry." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/195981.

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Private television channels in Bangladesh have become a part of ruling parties’ politics. Without ruling party’s agreement none can get license of private television channels. Whenever a party goes to power it tries to give licenses to its cronies violating rules and regulations. It is an open secret in Bangladesh society. But the beginning of the private televisions in Bangladesh was a promising one. The first three channels--ATN Bangla, Channel-I and ETV-- got licences in a proper way during the first regime of Sheikh Hasina of Bangladesh Awami League (AL) (1996-2001). Political ownership of

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44

Cheema, Munira. "The production and reception of gender-based content in Pakistani television culture." Thesis, University of Sussex, 2015. http://sro.sussex.ac.uk/id/eprint/54446/.

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45

Lane, Karen Lesley. "Broadcasting, democracy and localism : a study of broadcasting policy in Australia from the 1920s to the 1980s." Title page, table of contents and abstract only, 1987. http://web4.library.adelaide.edu.au/theses/09PH/09phl2651.pdf.

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46

Thomas, Graham A. "Motion estimation and its application in broadcast television." Thesis, University of Essex, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.258717.

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Andersson, Mattis. "Manipulating an Interactive Era : Public Participation in Television News Broadcasting." Thesis, Södertörns högskola, Institutionen för kultur och kommunikation, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-10048.

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Purpose: To investigate how new technologies and new media possibilities are converging into older forms of mass media and examine the flow of cross platform communication and its implications with gatekeeping. Questions at Issue: How is gatekeeping involved in the process of broadcasting the internet discussion? How do television gatekeepers pre-mediate and script the online discussion? Is the convergence process allowing access for the participatory culture, making televised information less hierarchical? Theory: Gatekeeping controls the flow of information distributed through media to its a

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48

Saundry, Richard Arthur. "Regulation and employment in the UK television and broadcasting industry." Thesis, University of Leeds, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.414337.

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49

Elfotaysi, Jouma Mohamed. "The development and structure of Libyan television broadcasting, 1968-1995." Thesis, University of Leeds, 1996. http://etheses.whiterose.ac.uk/827/.

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Libya, as one of the main Arab States, was once inhabited by Arab Bedouins and farmers. It was a poor country and experienced underdeveloped economic, political and social circumstances. It is a country which, until the discovery of petroleum in the 1960s, developed slowly over centuries because it had few resources available for advanced growth. This forced Libya to delay the establishment and development of its broadcast media (particularly television) until 1968. Libya has since developed into a modern State, thanks largely to its oil resources and its considerable commercial attributes. In

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50

Attick, Dennis. "Experience, knowledge, and democracy television through a Deweyan lens /." Atlanta, Ga. : Georgia State University, 2008. http://digitalarchive.gsu.edu/eps_diss/30/.

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Thesis (Ph. D.)--Georgia State University, 2008.<br>Title from title page (Digital Archive@GSU, viewed June 22, 2010) Deron Boyles, committee chair; Eric Freeman, Jennifer Esposito, Donna Breault, committee members. Includes bibliographical references (p. 141-152).

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