Gotowe bibliografie tematyczne / Thackeray, William Makepeace, 1811-1863

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Gotowa bibliografia na temat „Thackeray, William Makepeace, 1811-1863”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 29 lipca 2024

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Artykuły w czasopismach na temat "Thackeray, William Makepeace, 1811-1863"

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Karam Ahmadova, Latifa. "REALISM IN NINETEENTH-CENTURY ENGLISH LITERATURE." SCIENTIFIC WORK 61, no. 12 (December 25, 2020): 117–20. http://dx.doi.org/10.36719/2663-4619/61/117-120.

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In England, realism was formed very quickly, because it appeared immediately after the Enlightenment, and its formation occurred almost simultaneously with the development of Romanticism, which did not hinder the success of the new literary movement. The peculiarity of English literature is that in it romanticism and realism coexisted and enriched each other. Examples include the works of two writers, Elizabeth Gaskell and Charlotte Bronte. However, the discovery and confirmation of realism in English literature is primarily associated with the legacy of Charles Dickens (1812-1870) and William
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Francois, Pieter. "Ostend through the Eyes of British Writers (1830-50)." Hungarian Journal of English and American Studies 27, no. 1 (June 1, 2021). http://dx.doi.org/10.30608/hjeas/2021/27/1/3.

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This article analyzes how the British writers Frances Trollope (1779–1863) and William Makepeace Thackeray (1811–1863) described the Belgian coastal resort Ostend in the 1830s and 1840s. A special focus is placed on both the British travelers passing through Ostend and the British resident communities at Ostend. The article will highlight how the assessments of Frances Trollope and William Makepeace Thackeray of Ostend as a coastal resort frequented by the British can be unpacked fruitfully within two overarching themes: the theme of “genteel poverty” and “respectability” on the one hand, and
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"Becky Sharp’s Commodified Interpersonal Relationships in Vanity Fair." International Journal of Social Science and Human Research 05, no. 06 (June 23, 2022). http://dx.doi.org/10.47191/ijsshr/v5-i6-47.

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Vanity Fair is a masterpiece by William Makepeace Thackeray (1811-1863), which is centered on the lives of two young women, Becky Sharp and Amelia Sedley, presenting the life of extravagance and rivalry of the aristocratic bourgeoisie in nineteenth-century England. In the novel, Thackeray ruthlessly exposes the shameless and degenerate nature of the feudal aristocracy and the hypocrisy of the bourgeoisie in their pursuit of fame and fortune. During the Victorian period, consumerism prevailed. The circulation of commodities was well developed, and people at that time indulged in the revelry of
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Véga-Ritter, Max. "Jacqueline Fromonot, Figures de l’instabilité dans l’œuvre de William Makepeace Thackeray (1811-1863). Étude stylistique." Revue LISA / LISA e-journal, no. 19-n°52 (November 19, 2021). http://dx.doi.org/10.4000/lisa.13750.

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Vanfasse, Nathalie. "Jacqueline Fromonot, Figures de l’instabilité dans l’œuvre de William Makepeace Thackeray (1811-1863), étude stylistique." Cahiers victoriens et édouardiens, no. 97 Printemps (March 21, 2023). http://dx.doi.org/10.4000/cve.12650.

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Miller, Andrew. "'GILDED CARRIAGES AND LIVERIED SERVANTS': Thackeray, Bourdieu, and Material Culture." NEXUS: The Canadian Student Journal of Anthropology 7, no. 1 (January 1, 1990). http://dx.doi.org/10.15173/nexus.v7i1.76.

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The writings of William Thackeray (1811-1863) are dominated by his experience of the commodity form; his apprehension not only of objects and material reality, but also of his own literary productions emerges from economic experience. Working from Pierre Bourdieu's materialist analysis of spatial relationships, the following paper first examines the consequences of commodification on Thackeray's representation of space and material culture, and then briefly analyzes that representation as a product of Thackeray's habitus, understood as the dialectical product of his position within a series of
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Rozprawy doktorskie na temat "Thackeray, William Makepeace, 1811-1863"

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Thornton, Sara M. "La vanité du texte : l'oeuvre de W.M. Thackeray 1837-1848." Paris 3, 1992. http://www.theses.fr/1992PA030118.

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Dans l'oeuvre de thackeray ecrire est depeint comme une activite malsaine. Le lecteur remarque que tous ceux qui ecrivent, lisent, trafiquent ou contribuent de quelle maniere que ce soit a la fabrication et a la distribution de textes sont en quelque sorte souilles par ce contact impur. Afin d'eclaircir l'attitude de thackeray envers le texte, ce travail considere le statut du texte dans le texte thackerayen ainsi que la position de l'auteur vis-avis de l'ecriture comme mode de representation. Le texte de thackeray est examine a travers et a l'aide des differentes definitions du mot "vanite":
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Vega-Ritter, Max. "Dickens et Thackeray, essai d'analyse psychocritique : des "Pickwick papers" à "David Copperfield" et de "Barry Lyndon" à "Henry Esmond"." Montpellier 3, 1986. http://www.theses.fr/1986MON30003.

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Moya, Ana. "La Mujer y el matrimonio en las principales novelas de William Makepeace Thackeray." Doctoral thesis, Universitat de Barcelona, 1989. http://hdl.handle.net/10803/1673.

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El objetivo principal de este tesis doctoral es el poner de relieve le evolución que se de en W. M. Thackeray en cuanto al tratamiento de la mujer y del matrimonio en sus noveles, evolución que nos lleva a pensar en un Thackeray progresista y reformista respecto de la sociedad de su tiempo. Los temas "mujer" y "matrimonio" han sido estudiados conjuntamente por considerar que en la obra de Thackeray el matrimonio aparece como la vertiente social de la mujer (el papel da ésta en la sociedad que Thackeray describe es el matrimonio), constituyendo ambos temes de este modo un todo inseparable en la
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Decaux, Sylvie. "Journalisme et journalistes à l'aube de l'ère victorienne : Thackeray, modèle ou miroir de son temps ?" Paris 3, 1994. http://www.theses.fr/1995PA030034.

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Dans une perspective plus large d'interrogation sur le journalisme litteraire tel qu'il se pratiquait au debut de l'epoque victorienne, cette etude s'attache au "cas" thackeray qui fut journaliste professionnel entre 1837 et 1847. Apres une evocation de la presse vers 1840, sont analyses les differents aspects de la carriere de thackeray, ainsi que le contenu de ses recits journalistiques (critique litteraire, critique d'art, critique gastronomique, recits de voyage, papiers d'observation social, parodies, etc. ) il apparait que thackeray, tout en restant tout a fait typique de son temps, a fo
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Bromling, Laura Cappello, and University of Lethbridge Faculty of Arts and Science. "From the pens of the contrivers : perspectives on fiction in the nineteenth-century novel." Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 2003, 2003. http://hdl.handle.net/10133/154.

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This thesis investigates the way that moral and aesthetic concerns about the relationship between fiction and reality are manifested in the work of particular novelists writing at different periods in the nineteenth century, Chapter One examines an early-century subgenre of the novel that features deluded female readers who fail to differentiate between fantasy and reality, and who consequently attempt to live their lives according to foolish precepts learned from novels. The second chapter deals with the realist aesthetic of W. M. Thackeray; focusing on the techniques by which his fiction mar
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Roberts, Timothy Paul English UNSW. "Little terrors:the child???s threat to social order in the Victorian bildungsroman." Awarded by:University of New South Wales. English, 2005. http://handle.unsw.edu.au/1959.4/23930.

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This thesis is a study of rebellious child protagonists in Victorian bildungsroman. It discusses five novels ??? Jane Eyre, The Mill on the Floss, What Maisie Knew, Vanity Fair and Kim ??? that feature ???radical child??? protagonists who use indirect methods of narrative control to resist conservative models of character development. It argues that these novels form a subset of subversive English bildungsromane, which threaten the genre???s traditionally liberal values. Theories of narrative desire, reader seduction and discursive manipulation are used to reveal how the radical child in th
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Smallwood, Christine. "Depressive Realism: Readings in the Victorian Novel." Thesis, 2014. https://doi.org/10.7916/D88W3BXV.

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This dissertation makes two arguments: First, it elaborates a depressive genealogy of the Victorian novel that asserts a category of realism rooted in affect rather than period or place. Second, it argues for a critical strategy called "depressive reading" that has unique purchase on this literary history. Drawing on Melanie Klein's "depressive position," the project asserts an alternative to novel theories that are rooted in sympathy and desire. By being attentive to mood and critical disposition, depressive reading homes in on the barely-contained negativities of realism. Through readings of
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Glovinsky, Will. "Unfeeling Empire: The Realist Novel in Imperial Britain." Thesis, 2021. https://doi.org/10.7916/d8-4cyr-hb47.

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This dissertation considers the role of affective management in realist aesthetics and British imperial culture. Drawing on formalist analyses of English novels, nineteenth-century theories of emotion, and postcolonial accounts that identify the colonizer’s affective desensitization as the ground from which ongoing violence can be perpetrated, this study explores how domestic English novels developed new techniques for deflating the heightened feelings surrounding empire and distant intimacy. Through satires of sensibility, the replacement of epistolary style with impersonal omniscience, and n
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Książki na temat "Thackeray, William Makepeace, 1811-1863"

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Goldfarb, Sheldon. William Makepeace Thackeray: An annotated bibliography, 1976-1987. New York: Garland, 1989.

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Thackeray, William Makepeace. Selected letters of William Makepeace Thackeray. Washington Square, N.Y: New York University Press, 1996.

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John, Sutherland. Annotations to Vanity fair. 2nd ed. Lanham, MD: University Press of America, 1988.

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Makepeace, Thackeray William. The letters and private papers of William Makepeace Thackeray. New York: Garland, 1994.

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F, Harden Edgar, ed. Annotations for the selected works of William Makepeace Thackeray: The complete novels, the major non-fictional prose, and selected shorter pieces. New York: Garland Pub., 1990.

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Taylor, D. J. Thackeray. London: Chatto & Windus, 1999.

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Anthony, Trollope. Thackeray. London: Routledge/Thoemmes Press, 1996.

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F, Shankman Lillian, Bloom Abigail Burnham, and Maynard John 1941-, eds. Anne Thackeray Ritchie: Journals and letters. Columbus: Ohio State University Press, 1994.

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McMaster, Rowland. Thackeray's cultural frame of reference: Allusion in The Newcomes. Montreal: McGill-Queen's University Press, 1991.

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Salmon, Richard. William Makepeace Thackeray. Northcote House Publishers Ltd, 2004.

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Części książek na temat "Thackeray, William Makepeace, 1811-1863"

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Pionke, Albert D. "Repudiations of Wealth in Victorian Financial Fiction." In Victorian Fictions of Middle-Class Status, 61–98. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781399507707.003.0003.

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Chapter two shows how the growth of Britain’s market economy created as many problems of status as it solved, first by surveying the recurrent financial crises that punctuated the late-Romantic through the mid-Victorian period. Against this cyclical pattern of boom and bust, it then matches William Makepeace Thackeray’s The History of Samuel Titmarsh and the Great Hoggarty Diamond (1841), Dickens’s Dombey and Son (1848), Charles Reade’s Hard Cash (1863), and Trollope’s The Way We Live Now (1875) with William North’s The City of the Jugglers (1851) to show the wariness with which middle-class writers approached Weber’s “‘naked’ money power” as a source of public authority. Ultimately, North proposes poetic genius, of the sort described in Shelley’s posthumous “Defence of Poetry” (1839), as a cure for money-grubbing and a warrant for social status, even as he worries, with good reason, that his novel will fail to attract enough readers to legitimize either his social analysis or his personal genius.
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