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Artykuły w czasopismach na temat „Third Space hybridity”

Autor: Grafiati
Data publikacji: 18 września 2024
Data aktualizacji: 31 lipca 2025

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1

Amoamo, Maria. "Tourism and hybridity: Re-visiting Bhabha’s third space." Annals of Tourism Research 38, no. 4 (2011): 1254–73. http://dx.doi.org/10.1016/j.annals.2011.04.002.

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Kampamba, Royda. "Teaching and Learning of Chemistry: The Hybridity of Third Space Approach." Interdisciplinary Journal of Education Research 3, no. 2 (2021): 74–83. http://dx.doi.org/10.51986/ijer-2021.vol3.02.08.

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This article explored diversity and hybridity in the third space as a teaching resource. Students bring to the classroom or third space their diverse sociocultural issues, knowledge levels of chemistry, and socioeconomic status. Educators also bring to the third space their university knowledge and culture. Hence, a classroom or third space is a hybrid. The intersection of the students’ activity systems and educators’ activity systems created a third space. Activity systems are social practices that include the norms, values, divisions of labour, and community goals. The study intended to expl
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3

Faical Ben Khalifa. "Reconceiving Translation: Homi Bhabha's Hybridity and the Third Space in Literary Translation." International Journal of Translation and Interpretation Studies 5, no. 2 (2025): 16–26. https://doi.org/10.32996/ijtis.2025.5.2.2.

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This conceptual paper critiques the overgeneralized adoption of hybridity in translation studies, exposing its theoretical circularity, lack of actionable strategies and weak methodological grounding. Although hybridity is often conceptualized as a means of cultural negotiation, its translation-specific application remains underdeveloped. Bhabha’s “third space” metaphor is frequently cited but without translating it into actionable strategies, with existing applications being viewed either as too niche or essentializing cultural binaries. Therefore, the ethical dilemma of striking a balance be
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Manahil Fatima Lodhi, Alishba Shoaib, Ayesha Mustafa, and Hamna Farooq. "Navigating “Identity Crisis” in Taufiq Rafat’s ‘Stone Chat’ and Rizwan Akhtar’s ‘Pakistani Story’: A Post-colonial and Cultural Hybridity Theory." Critical Review of Social Sciences Studies 3, no. 1 (2025): 1394–408. https://doi.org/10.59075/030xvr54.

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This research deeply studies ‘Identity Crisis’ in “Pakistani Story” and “Stone Chat” by shedding light on the complexities of identity formation in the context of post- partition Pakistan. By applying the concepts of Homi K. Bhabha; hybridity and third space and Gayatri Chakravorty Spivak’s concepts of subaltern and otherness, this study examines the post-colonialism influence on Pakistani society. Contradiction between ‘self ‘ and ‘other’, native-alien cultural clashes, love and hate relationships, third space, hybridity and subaltern are the major concepts in both poems. This paper explains
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5

Ghasemi, Parvin, Samira Sasani, and Fatereh Nemati. "Third Space, Hybridity, and Colonial Mimicry in Fugard's Blood Knot." Khazar Journal of Humanities and Social Sciences 21, no. 1 (2018): 34–52. http://dx.doi.org/10.5782/2223-2621.2018.21.1.34.

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Literature, as a branch of Humanities, has a significant role in demonstrating the problems and the realities of a society. Therefore, the literary texts written in South Africa, had a major role in the victory of people against the policy of Apartheid, according to which the whites were segregated from non-whites. Harold Athol Lanigan Fugard is one of the writers, who showed his hatred and dissatisfaction to the world, with his plays. He is known for his deeply rooted and controversial anti-apartheid plays. His Blood Knot (1961) has been chosen in this study, in which the negative implication
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6

Taylor, Peter Charles. "FORUM: Alternative Perspectives Cultural Hybridity and Third Space Science Classrooms." Cultural Studies of Science Education 1, no. 1 (2005): 189–208. http://dx.doi.org/10.1007/s11422-005-9007-4.

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Subedi, Narendra Raj. "Cultural Hybridity in The Kite Runner." Journal of Development Review 8, no. 1 (2023): 22–27. http://dx.doi.org/10.3126/jdr.v8i1.57123.

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The Kite Runner is a novel written by Khaled Hosseini. The novel is a mirror to see the Afghan history, culture, religions, politics and many other aspects of the nation. Specifically, the novel evolves round the Afghan immigrants in Fremont, California. This paper attempts to reveal the issues of cultural differences between the two cultures: Afghan/Muslim and the American/Christian where the Afghan immigrants face cultural difficulties in a new land. In the colonial, post-colonial and post-modern societies people from across the world travel, migrate, immigrate and even settle in a new cultu
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8

Abbas, Sehar, and Sundus Gohar. "Another Gulmohar Tree – A Tale of Identity and Hybridity." Journal of English Language, Literature and Education 4, no. 3 (2023): 117–40. http://dx.doi.org/10.54692/jelle.2023.0501159.

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This research analyzes the novella, Another Gulmohar Tree, written by Aamer Hussain, a Pakistani writer. The aim of this study is to analyze the theme of identity crisis by applying the Theory of Hybridity and Third Space given by Homi K. Bhabha. It has been investigated how the change of culture makes a person hybrid. This research further discusses an individual's challenges while moving from one place to another. Moreover, the mixture of eastern and western cultures also has been explained in the study concerning Hybridity. This research shows the collision of Pakistani and British cultures
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9

Bower, Richard. "Marginality and the Third Space of Unadopted Plotlander Roads." Space and Culture 20, no. 4 (2017): 485–99. http://dx.doi.org/10.1177/1206331217707474.

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This article explores the characteristics and relationships of marginality in informal space and plotlander housing in the context of Homi K. Bhabha’s cultural hybridity and Third Space. To illustrate and examine the processes of marginalization that defined informal space in the United Kingdom, this article will critically analyze the previously undocumented plotlander community at Studd Hill on the North Kent coastline.1 Examining key aspects of this sites social origins and its marginal spatial context reveals the positive implications and challenges of informal space and social hybridizati
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10

Gutiérrez, Kris D., Patricia Baquedano‐López, and Carlos Tejeda. "Rethinking diversity: Hybridity and hybrid language practices in the third space." Mind, Culture, and Activity 6, no. 4 (1999): 286–303. http://dx.doi.org/10.1080/10749039909524733.

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11

Hollinshead, Keith. "Tourism, Hybridity, and Ambiguity: the Relevance of Bhabha's ‘Third Space’ Cultures." Journal of Leisure Research 30, no. 1 (1998): 121–56. http://dx.doi.org/10.1080/00222216.1998.11949822.

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Moosavinia, Sayyed Rahim, and Sayyede Maryam Hosseini. "Liminality, hybridity and ‘Third Space:’ Bessie Head’s A question of power." Neohelicon 45, no. 1 (2017): 333–49. http://dx.doi.org/10.1007/s11059-017-0387-8.

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Badjak, Miya Gina Fatah, Bakhtiar Majid, and Sulmi Magfirah. "Hybridity in the Novel “The Lowland” by Jhumpa Lahiri." Jurnal Sinestesia 12, no. 2 (2022): 627–36. http://dx.doi.org/10.53696/27219283.223.

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This research discuss about the Hybridity in the novel “The Lowland” by Jhumpa Lahiri viewed from Postcolonial Theory. The research focused on the hybridity culture in the novel and the impact of hybridity culture that reflected to the character in the novel. The method of this research used descriptive analysis method to describe problems in the forms of narration and analysis. This research used postcolonial theory of Hommi Bhaba hybridity to help on understanding the hybridity, or mix of two or more culture in the primary data, then to match with the real condition in India from the library
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14

Salam, Alali. "Multiple Ambivalent Feminine Spaces in Zora Neale Hurston’s Feminine Characters." International Journal of Social Science Research and Review 6, no. 4 (2023): 447–52. http://dx.doi.org/10.47814/ijssrr.v6i4.1177.

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This paper focuses on Zora Neale Hurston’s exploration of feminine space and the way she viewed the African Americans in a very fragmentary way borrowing from the post- colonial theory Homi Bhabha’s concept of “third space” and from Stuart Hall’s concept of “becoming” and “positionality.” It also explores the concept of space in selected novels by Hurston, using Edward W. Soja’s and Henry Lefebvre’s idea about the multiplicity and hybridity of third space in favor of negating the plurality of space, taking it at the end to apply on gender in her chosen fiction.
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15

Verma, Rashmi. "Negotiating Identities: Hybridity and Cultural Entanglements in Zadie Smith’s White Teeth." Journal of Humanities and Education Development 4, no. 2 (2022): 141–44. https://doi.org/10.22161/jhed.4.2.18.

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Zadie Smith’s White Teeth offers a compelling exploration of the complex processes of identity formation and cultural negotiation in postcolonial Britain. Employing Homi K. Bhabha’s concept of hybridity as a theoretical framework, this paper examines the intersections of race, culture and history within the narrative. Bhabha’s notion of hybridity emphasizes the “third space,” a liminal zone where cultural identities are negotiated and redefined. In White Teeth, hybridity is both a site of conflict and possibility, reflecting the multifaceted realities of diasporic communities in Britain. This
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16

Günaydın Albay, Neslihan. "Divided Selves in Exile: Third Space in Louis de Bernières’ Birds Without Wings." RumeliDE Dil ve Edebiyat Araştırmaları Dergisi, no. 39 (April 21, 2024): 972–82. http://dx.doi.org/10.29000/rumelide.1471668.

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Set in the early 20th century, Louis de Bernieres’ novel Birds Without Wings focuses on the divided identities negatively influenced by wars, exile, and migration in southwestern Anatolia just before the decline of the Ottoman Empire and foundation of Republican Turkey. Based on the decision of population exchange, a great number of non-Muslim people were deported to a foreign land (Greece), away from the newly defined borders of the new Turkish Republic. In his novel Birds Without Wings, Louis de Bernières scrutinizes this social phenomenon and questions the significance and validity of the n
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17

Lin, Yu-sien. "A third space for dialogues on creative pedagogy: Where hybridity becomes possible." Thinking Skills and Creativity 13 (September 2014): 43–56. http://dx.doi.org/10.1016/j.tsc.2014.03.001.

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18

Faqih, Achmad, and Muh Arif Rokhman. "SPIRITUAL HIBRIDITY OF NATIVE AMERICAN IN LOUIS EDRICH’S THE ROUND HOUSE: POSTCOLONIAL STUDIES." Rubikon : Journal of Transnational American Studies 7, no. 2 (2020): 112. http://dx.doi.org/10.22146/rubikon.v7i2.62748.

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Louis Edrich is a contemporary Native American writer who writes The Round House. The novel portrays the complexities of individual and cultural identity, focuses on the exigencies of marginalization and cultural survival, which happened to Native Americans, as well as concerns about spirituality and the hybrid form of religion, known as spiritual hybridity. Spiritual hybridity appears to be common practices for Native Americans after the arrival of European and the massive spreading of Christianity. This study is conducted to probe the representation of the spiritual hybridity of Native Ameri
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19

Covarr, Fiona. "HYBRIDITY, THIRD SPACES AND IDENTITIES IN URSULA LE GUIN’s VOICES." Mousaion: South African Journal of Information Studies 33, no. 2 (2015): 128–39. http://dx.doi.org/10.25159/0027-2639/179.

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This article explores ideas of identity in relation to a young adult fantasy novel, Voices (2006), the second novel in Ursula Le Guin’s Annals of the Western Shore series. Voices is set in a university city, Ansul, which has been invaded by the Alds. Nine-year old Memer Galva is an Ansul citizen who results from her mother being raped by an Ald soldier. She thus has a hybrid identity, since she is neither fully Ansulian nor Ald, and must learn to integrate with the Alds. Memer’s identity is examined in relation to Bhabha’s (1994) concept of hybridity and the third space in his postcoloni
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20

Sunarto, Sunarto, Irfanda Rizki Harmono Sejati, and Udi Utomo. "Mimicry and Hybridity of “Congrock Musik 17” in Semarang." Harmonia: Journal of Arts Research and Education 20, no. 1 (2020): 29–38. http://dx.doi.org/10.15294/harmonia.v20i1.24563.

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Keroncong, a slow and crooning music, serves as the art and culture that reflects Indonesian identities. This music style still exists today, particularly in Semarang that is widely known as an urban area. The resistance of such music is actualized with the process of mimicry and hybridity of keroncong and rock music, causing pros and cons that lead to a crisis. The performed mimicry and hybridity is a negotiation in identity construction that takes place in ambivalent behavior as a strategy to survive from the crisis. Building an identity of Congrock (keroncong and rock) is carried out to exp
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21

Mitchell, Katharyne. "Different Diasporas and the Hype of Hybridity." Environment and Planning D: Society and Space 15, no. 5 (1997): 533–53. http://dx.doi.org/10.1068/d150533.

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In a progressive attempt to find sites of resistance to dominant hegemonies of race and nation, many cultural theorists have begun to rely on notions of in-betweenness and ambivalence, and terms such as diaspora and hybridity, However, in much of this recent cultural criticism, these concepts have become increasingly disarticulated from history and political economy. The fetishization of these terms, and the general overuse of abstract spatial metaphors such as ‘third space’, can lead to theories and politics which neglect the everyday, grounded practices and economic relations in which social
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22

Severini, Giorgia. ""You do not understand ME": Hybridity and Third Space in Age of Iron." Theatre Research in Canada 31, no. 2 (2010): 182–92. http://dx.doi.org/10.3138/tric.31.2.182.

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Albright, Thomas. "A teacher training program’s becoming …: Entanglements with contact zones and third-space hybridity." Teaching and Teacher Education 141 (April 2024): 104491. http://dx.doi.org/10.1016/j.tate.2024.104491.

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Wahyuni, Yuli, and Diyah Iis Andriani. "Postcolonial Studies: Hybridity and the Dominance of Whites over Blacks in American Poetry." LITE: Jurnal Bahasa, Sastra, dan Budaya 17, no. 2 (2021): 185–97. http://dx.doi.org/10.33633/lite.v17i2.5058.

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This study aims to reveal the postcolonial issues contained in poetry I, Too by Langston Hughes and Incident by Countee Cullen. Both authors of these poems are figures from black people in America. The method used in this study is the qualitative method and literature study approach with the aim of exploring, describing, and understanding how the hybridity and dominance of whites over blacks in American poetry. The data source of this study is the words and phrases in both poems. The data containing postcolonial: hybridity and mimicry in the poems were characterized and analyzed using Homi K.
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Mashhood, Ahmad1* Syed Zia Ullah Shah2. "Hybridity and Otherness in Wajahat Ali's Tom Jones and The Biryani Surprise." ISRG Journal of Arts Humanities & Social Sciences (ISRGJAHSS) II, no. IV (2024): 348–54. https://doi.org/10.5281/zenodo.13318876.

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This research paper explains Ali&rsquo;s <em>Tom Jones and the Biryani Surprise</em> from a postcolonial perspective. Considering Bhabha&rsquo;s Theory of Cultural Hybridity, this paper attempts to show the adaptation and transformation of a Pakistani-American family into a new society. Qualitative in nature, this research analyses the play textually to reveal that when one culture asserts its influence on the other, a third space is created. This third space asserts that identity and culture are fluid entities that are in a constant process of becoming. Moreover, through the lens of Edward Sa
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Morve, Roshan K., and Nashrin A. Kadri. "Jasmine in the Search of Identity through a Postcolonial Diaspora Lens." Diaspora Studies 16, no. 2 (2023): 211–33. http://dx.doi.org/10.1163/09763457-bja10036.

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Abstract Applying a postcolonial diaspora lens through Homi K. Bhabha’s theory of the ‘third space’ to Bharati Mukherjee’s novel Jasmine (1989), this paper aims to demonstrate how diasporic women negotiate for an identity in their struggle for a better life in the host land. Having ‘no home’ and ‘no host’, Mukherjee’s protagonist, Jasmine, whose life represents that of the postcolonial immigrant woman, finds an identity in the intercultural process, the ‘third space’. A discourse analysis of this novel and current knowledge of diaspora studies are applied to understanding immigrants’ challenge
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Muhammad Iqbal, Maham Imran, and Hassan Babar. "Biculturalism Leading to Third Space Identity: A Postcolonial Analysis of Elif Shafak’s The Island of Missing Trees." Al-Qamar 6, no. 1 (2023): 73–82. https://doi.org/10.53762/mxqzwx28.

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The current paper aims to highlight biculturalism in immigrants which leads to Third Space Identity in host countries. The study will explore the construction of third space identity in the protagonist Ada Kazantzakis by analyzing the theme of hybridization in Elif Shafak’s novel,’ The Island of Missing Trees’ (2021). Homi K. Bhabha’s theory of third space and hybridity is the key to maneuver the existing research. Bhabha’s leading role in postcolonial theory provokes the study towards the world famous book The Location of Culture (2021) by scoring the conceptual imperatives and political cons
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Amine, Khalid. "Performing Comicality in Morocacan Theatre: The Postcolonial condition of hybridity and the third space." Documenta 23, no. 3 (2019): 262–74. http://dx.doi.org/10.21825/doc.v23i3.10374.

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Johnston, Ingrid, and George Richardson. "Homi Bhabha and Canadian Curriculum Studies: Beyond the Comforts of the Dialectic." Journal of the Canadian Association for Curriculum Studies 10, no. 1 (2012): 115–37. http://dx.doi.org/10.25071/1916-4467.35439.

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In this article we consider the potential for the work of the postcolonial theorist, Homi Bhabha, to engage us in important reflections on Canadian curriculum studies. Drawing on Bhabha’s writings and interviews, we offer possibilities for ways in which his concepts of cultural difference, hybridity, and the third space, could influence English language art education, social studies education and teacher education.
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Qin, Shiqi. "Study on Identity Construction in Eileen Chang’s “Aloeswood Incense: The First Brazier” from the Perspective of Homi K. Bhabha’s Postcolonial Theory." International Journal of Education and Humanities 18, no. 1 (2025): 121–27. https://doi.org/10.54097/azhzgv87.

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This paper delves into Eileen Chang’s novella “Aloeswood Incense: The First Brazier” through the lens of Homi K. Bhabha’s postcolonial theory. Set in colonial Hong Kong, the story of Ge Weilong vividly portrays the complex identity issues under the colonial context. The hybridity of Hong Kong’s culture, as depicted in the novel through spatial descriptions, character identities, and lifestyle elements, reflects the profound influence of colonialism. Ge Weilong, the protagonist, experiences an identity construction failure. This is mainly attributed to the identity anxiety caused by cultural hy
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31

Jabeen, Rimsha, Harmain Rukh, and Syeda Kashf Zahra Naqvi. ""South Asian Woman's Identity: A Comprehensive Analysis of Zara Raheem's "The Marriage Clock"." Global Language Review VII, no. IV (2022): 118–30. http://dx.doi.org/10.31703/glr.2022(vii-iv).10.

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Second-generation South Asian immigrants most often experience cultural hybridity where the task to balance between the home culture and the culture of the new world is gruesome for many. Understanding cultural hybridity signifies that transcultural relations are complex, processual and dynamic (Kraidy, 2002). This paper aims to find out the issues faced by South Asian women in embracing their home culture and its norms completely. It further notices how cultural diversity impacts a South Asian woman in shaping her identity and the perceptions of first generation immigrants with respect to the
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Ayesha Imran, Dr. Naveed Nawaz Ahmad, and Dr. Zareena Qasim. "Exploring Hybridity and Identity Crisis in Love Marriage by Monica Ali: A Post-Colonial Perspective." Critical Review of Social Sciences Studies 3, no. 1 (2025): 3343–55. https://doi.org/10.59075/xm6fqd21.

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The study focuses on the analysis of the depiction of ethnic conflicts and identity crises in Monica Ali's Love Marriage. It examines the tensions and negotiations that arise when individuals navigate multicultural identities in a multicultural society. The project uses a post-colonial critique to draw attention to the issues faced by diasporic people. The prime aim of this research study is to see to what extent ethnic clashes affect the immigrants’ lives whose roots pull them back while trying to deal with a new lifestyle simultaneously. The study is qualitative in nature and uses a lexico-g
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Md Anwar Hossain. "Hybridity and Alienation in The Satanic Verses and East, West: Navigating Identity in a Globalized Postcolonial World." Voice of Creative Research 7, no. 1 (2025): 297–306. https://doi.org/10.53032/tvcr/2025.v7n1.34.

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This article examines Salman Rushdie’s exploration of hybridity and alienation in his works The Satanic Verses and East, West, focusing on the psychological, emotional, and cultural fragmentation experienced by characters caught between conflicting identities. Drawing on Homi K. Bhabha’s concepts of hybridity, mimicry, and the “third space,” the article explores how Rushdie portrays the complexities of cultural negotiation in a globalized, postcolonial world. The physical transformations of characters like Saladin Chamcha and GibreelFarishta in The Satanic Verses serve as vivid metaphors for t
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Fajarwati, A. A. S., O. SC Rombe, L. Henry, I. Rachmayanti, and S. Meliana. "Hybridity Culture: The Adaptive Reuse Concept for an Escape Place. Study Case: Gedung Antara, Pasar Baru, Jakarta." IOP Conference Series: Earth and Environmental Science 933, no. 1 (2021): 012038. http://dx.doi.org/10.1088/1755-1315/933/1/012038.

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Abstract The growth of cities has an impact on society. As a result of the population’s increased bustle and activity needs, dwelling space is becoming increasingly limited. The concept of “third place in hybrid and multicultural areas” is explored in this study, which combines adaptive reuse in buildings with the idea of multicultural hybridity. By adapting historic structures into new purposes that meet current needs, we could solve escaping spaces. To put that concept into practice, we must first comprehend the region’s cultural characteristics. The heritage building in Pasar Baru is situat
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Sidjabat, Yedija Remalya, Vissia Ita Yulianto, and Royke Bobby Koapaha. "POLITIK IDENTITAS DALAM PERSPEKTIF POSKOLONIAL STUDI KASUS HIP HOP DANGDUT GRUP NDX A.K.A." CaLLs (Journal of Culture, Arts, Literature, and Linguistics) 4, no. 2 (2018): 77. http://dx.doi.org/10.30872/calls.v4i2.1693.

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Hip hop dangdut is music identity of NDX A.K.A group. Hip hop dangdut that became popular in society also bring the pros and cons for some groups. Political identity in this research investigates background in choosing music dangdut and hip hop that integrated in NDX’s songs. Political identity used to see the factor that played a role in formation of hip hop dangdut, but not fully realized by NDX group. Political identity in formation of hip hop dangdut then analyzed in textual and contextual to answer the contestation of hip hop dangdut in postcolonial perspective. The concept postcolonial i
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Bhandari, Nagendra Bahadur. "Diasporic Subjectivities: A Study of the Second-generation Immigrant in Hiromi Goto’s Chorous of Mushrooms." Literary Studies 34, no. 01 (2021): 128–39. http://dx.doi.org/10.3126/litstud.v34i01.39534.

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This article analyses the formation of the hybrid and multiple subjectivities of the second-generation immigrant Murasaki in Hiromi Goto’s Chorus of Mushrooms. In diaspora, Murasaki simultaneously vacillates in the cultural spaces of her homeland Japan and host land Canada. She follows cultural practices of both cultural spaces in her cultural negotiation in the diaspora. Her simultaneous vacillations in two cultural spaces render hybridity and multiplicities in her subjectivities that deconstruct bipolar notion of home and host culture. Moreover, her subjectivities involve in a constant proce
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McFarlane-Alvarez, Susan L. "Trinidad and Tobago Television Advertising as Third Space: Hybridity as Resistance in the Caribbean Mediascape." Howard Journal of Communications 18, no. 1 (2007): 39–55. http://dx.doi.org/10.1080/10646170601147457.

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Raji VP, Harshini, and Dr Uma Maheswari P. "The Third Culture Space: Liminal Cultural Identity of Indian Women Migrants In UAE." Asian Journal of Multidisciplinary Research & Review 03, no. 05 (2022): 01–22. http://dx.doi.org/10.55662/ajmrr.2022.3501.

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Indians began emigrating to Gulf countries in the 1970s – the era of the discovery of oil. When people move from one geographical or political border to another, they carry the culture and traditions of their homeland. In the host land, migrants develop nostalgia for their homeland and reminisce of it through culture, traditions and material objects associated with the homeland. This research applies the theory of transnational cultural hybridity to understand the adaptation of migrants’ moving cultural identities; in this case, the women Indian diaspora in the UAE. Women are considered to be
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Lovely and Somveer. "Linguistic Transition and the Evolution of Identity in Jhumpa Lahiri’s In Other Words." Voice of Creative Research 6, no. 4 (2024): 40–48. https://doi.org/10.53032/tvcr/2024.v6n4.06.

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This study investigates the relationship between linguistic transition and identity formation in the memoir of Jhumpa Lahiri, In Other Words (2016). Lahiri’s writing in Italian is a transformative process of self-reinvention and cultural negotiation, a renegotiation that embodies hybridity, liminality, and subalternity. Drawing on Gayatri Spivak’s work on subaltern voices and the politics of representation, the research analyses how shifts in language affect identity among the marginalized. Homi Bhabha’s theories of hybridity and the third space address the negotiation of cultural identities i
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Orel, Brigita. "The Challenges, Advantages, and Consequences of Writing Prose in a Second Language." Logos 32, no. 1 (2021): 25–36. http://dx.doi.org/10.1163/18784712-03104007.

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Abstract According to Homi Bhabha, hybridity in the context of identity where two cultures or languages collide is a third space where new views and stances can emerge. I explored the concept of this third space by writing a novel in English, which is my second language, instead of in my mother tongue, Slovenian. I investigated the effects of language switch on my choice of subject matter, my writing process, and my perception of my work and myself as a writer and as a person. I examined language-related challenges of writing in my second language, the benefits of a new insight a second langua
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Kaifala, Gabriel Bamie, Sonja Gallhofer, Margaret Milner, and Catriona Paisey. "Postcolonial hybridity, diaspora and accountancy." Accounting, Auditing & Accountability Journal 32, no. 7 (2019): 2114–41. http://dx.doi.org/10.1108/aaaj-03-2016-2493.

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Purpose The purpose of this paper is to explore perceptions and lived experiences of Sierra Leonean chartered and aspiring accountants, vis-à-vis their professional identity with a particular focus on two elements of postcolonial theory, hybridity and diaspora. Design/methodology/approach A qualitative methodological framework was employed. Semi-structured interviews were conducted with 18 participants about their perceptions of their professional identity and their professional experiences both within and outside Sierra Leone. Findings The current professionalisation process is conceptualised
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Mastoi, Marvi, Iram Shaikh, and Muneeba Mughal. "Tracing the Transformative Issues of Post-Colonial Man Through Mohsin Hamid’s “The Last White Man”." Journal of Asian Development Studies 13, no. 2 (2024): 427–35. http://dx.doi.org/10.62345/jads.2024.13.2.34.

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The study aims to provide a postcolonial analysis of Mohsin Hamid’s novel The Last White Man (2022) employed by Homi K. Bhabha's concept of hybridity, mimicry, and ambivalence in the book " The Location of Culture"(1994) as a theoretical framework. The narrative unfolds in a world marked by such complex issues of identity crisis, culture hybridity, racism, colonial legacies, etc. Hamid focuses on examining the drastic change of characters without acknowledging why it occurs. The research study is significant in postcolonial literature by tracing the transformative issues in the postcolonial na
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Bhandari, Nagendra Bahadur. "The Making of Immigrant Identities in Chang-rae Lee’s Native Speaker." SCHOLARS: Journal of Arts & Humanities 4, no. 2 (2022): 65–73. http://dx.doi.org/10.3126/sjah.v4i2.47429.

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This article analyzes the formation of multiple and hybird identities of an immigrant in Korean American writer Chang-rae Lee's Native Speaker (1995). Growing up between Korean ancestry and American surrounding, the second-generation immigrant Henry feels uncertainty and dilemma in his sense of belonging. He simultaneously travels in both cultural spaces in his quest of sense of belonging. At times, he attempts to identify himself with American cultural space along with his White wife. However, the reaction of the mainstream society to the immigrants of Asian origin like him makes him aware of
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Iqbal, Muhammad, Umair Ahmed Khan, and Shozab Ali Raza Abbasi. "Cultural Assimilation Leading to Third Space Identity: A Postcolonial Analysis of The Reluctant Fundamentalist." Global Social Sciences Review VIII, no. II (2023): 629–34. http://dx.doi.org/10.31703/gssr.2023(viii-ii).55.

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The present paper analyzes the novel ‘The Reluctant Fundamentalist’ (2007) from the postcolonial perspective in terms of Cultural Assimilation and Third Space Identity. Postcolonial theory features cultural hybridity and conflictive and conflated identities with a specific focus on theorists like Frantz Fanon’s ‘The Wretched of the Earth’ (1961), Edward Said’s, ‘Orientalism’ (1978) and Homi K. Bhabha’s 8‘Location of Culture’(1994). In the postcolonial context, cultural assimilation refers to cultural domination where the dominant culture seeks to erase indigenous culture and identity, whereas
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Elsayed, Abdalla Ahmed. "Living between two cultures: Muslim Women's Identity in Soueif's "In the Eye of the Sun" & "Janmohamed's Love in a Headscarf: Muslim Woman Seeks the One"." International Journal of Social Science and Human Research 05, no. 03 (2022): 927–30. https://doi.org/10.5281/zenodo.6364882.

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: This study aimed at negotiating the paradoxical representation of Muslim women identity in two literary text; Ahdaf Soueif&rsquo;s In the Eye of the Sun (1992) and Shelina Zahra Janmohamed memoir Love in a Headscarf (2009) in a multicultural British society. These two texts show and explore a third space, reclaiming Muslim identity reconciled with Britishness. The two texts run against Orientalist perspective that respectively represent Muslim women as concubines, harem and other apparatuses of female subjugation and thus gives Muslim women a demeaning identity. Both authors refuse to fit in
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Yi, Cui, and Sarena Abdullah. "Artistic Hybridity and Local Environmental Awareness: Modern Ink Painting by Nanyang Pioneer Artists." Environment-Behaviour Proceedings Journal 9, SI23 (2024): 51–55. https://doi.org/10.21834/e-bpj.v9isi23.6147.

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This paper explores the unique synthesis of traditional Chinese ink techniques and Western modern art influences in the modern ink artworks of the Nanyang pioneer artists by examining the visual analysis of artistic hybridity approaches and the local environmental awareness through their modern ink painting exploration. This study applies the interdisciplinary approach of Homi K. Bhabha’s notion of hybridity and the Third Space that integrates detailed visual analysis and contextual analysis within the framework of New Art History and Cultural Studies, which provides a critical discussion of a
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Sumra, Shahzadi, Mehroz Taseer, Muhammad Sufyan Afzal, and Khishar Sadaf. "Displeasures of Cultural Diversity and Diasporic Hybridity in Almost English by Charlotte Mendelson." International Journal of Applied Linguistics and English Literature 10, no. 3 (2021): 20. http://dx.doi.org/10.7575/aiac.ijalel.v.10n.3p.20.

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The research explores the strands of cultural hybridity and diaspora compromise that Mendelson has introduced in her novel, Almost English (2013). The research has analyzed the diasporic community as victim of cultural diversity and ambivalence. It focuses on the significance of cultural choices to establish one’s identity; we see identity as a process of negotiation and of articulation of cultural differences. It explores the ways in which Mendelson addresses the hybrid world, a world in which no culture and identity is pure or essential. Homi K. Bhabha’s critical approaches serve as the theo
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Lect. Ahmed Ghazi Mohaisen. "Navigating the Third Space: Hybridity and Cultural Identity in Selma Dabbagh’s Novel Out of It (2011)." Journal of Education College Wasit University 58, no. 1 (2025): 455–66. https://doi.org/10.31185/eduj.vol58.iss1.4152.

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من خلال التركيز على مفهوم "الفضاء الثالث" لهومي بابا كما ورد في كتاب The Location of Culture (1994)، يسعى هذا البحث إلى استكشاف كيفية مساهمة إطار الفضاء الثالث في فهم تعقيدات تشكيل الهوية في السياقات ما بعد الاستعمارية والشتات، وذلك بالتركيز على رواية "غزة تحت الجلد" لسلمى الدباغ (2011). باستخدام مفهوم بابا للفضاء الثالث كمنطقة تحويلية للتداخل الثقافي والتفاوض، يُبرز هذا البحث أهمية قضايا الهوية، وخاصة الهوية الهجينة. من خلال تحليل الشخصيتين الرئيسيتين، رشيد وإيمان مجاهد، كتمثيلات للتَّهجين الثقافي في رواية دباغ، يتفحص هذا البحث كيفية تنقلهم بين التراث الفلسطيني والثقافة الغربية عبر قراءة متعم
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Di Martino, Maria Luisa. "The self-reflexivity in transnational literature: Re-writing the migration in female migrant writers." Open Research Europe 3 (February 14, 2023): 31. http://dx.doi.org/10.12688/openreseurope.15118.1.

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The main aim of this paper is to discuss the socio-political meaning of the transnational literary production made by female migrant writers. Thus, it analyses their role in the framework of the ‘hybrid’ literary production of the 21st century in Europe, such as Spain and Italy. Moving away from the idea of national literatures, this paper investigates literature as a geographical and emotional inquiry point and friction between languages, ideas, practices, literary institutions, female authors, and female voices in today’s markets. Hybrid literature written by first and second-generation migr
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Huang, Liyue. "The Construction of Identity in "the Third Space" Taking Mozasu and Noa in the Novel Pachinko as an Example." International Journal of Education and Humanities 5, no. 1 (2022): 134–36. http://dx.doi.org/10.54097/ijeh.v5i1.1956.

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The identity of the diaspora is a topic that is often discussed in diaspora literature, but not enough attention has been paid to the Zainichi, a diaspora in East Asia. Based on Homi K. Bhabha's theory of hybridity and the third space, this research takes Mozasu and Noa in the novel Pachinko as an example to discuss how diaspora individuals build new identities under bicultural identities. Based on the text analysis method, it is concluded that the identity of the diaspora inevitably forms a hybrid, and it becomes inevitable to form a hybrid identity in the middle zone.
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