Gotowe bibliografie tematyczne / Translating drama

Spis treści

  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Książki
  4. Części książek
  5. Streszczenia konferencji

Gotowa bibliografia na temat „Translating drama”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 20 lutego 2023

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Artykuły w czasopismach na temat "Translating drama"

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Komporaly, Jozefina. "Translating Hungarian Drama for the British and the American Stage." Hungarian Cultural Studies 14 (July 16, 2021): 164–75. http://dx.doi.org/10.5195/ahea.2021.434.

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Reflecting on my experience of translating contemporary Hungarian theater into English, this paper examines the fluidity of dramatic texts in their original and in translation, and charts collaborations between playwrights, translators and theater-makers. Mindful of the responsibility when working from a “minor” to a “major” language, the paper signals the discrepancy between the indigenous and foreign ‘recognition circuit’ and observes that translations from lesser-known languages are predominantly marked by a supply-driven agenda. Through case studies from the work of Transylvanian-Hungarian
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Zuber-Skerritt, Ortrun. "Towards a Typology of Literary Translation: Drama Translation Science." Meta 33, no. 4 (September 30, 2002): 485–90. http://dx.doi.org/10.7202/004168ar.

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Abstract Based on the ideas of my two edited books The Languages of Theatre (Problems in the Translation and Transposition of Drama) and Page to Stage (Theatre as Translation), this paper attempts to arrive at a typology of translation which deals with both the translation of drama from one language and culture into another and with the various aspects of transposing the dramatic script on to the stage or, vice versa, the creation of drama through processes of theatre production. The focus is on those aspects of drama translation which are different from other forms of literary translation, e.
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Boehm, Philip. "Some Pitfalls of Translating Drama." Translation Review 112, no. 1 (January 2, 2022): 27–29. http://dx.doi.org/10.1080/07374836.2022.2065850.

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Boehm, Philip. "Some Pitfalls of Translating Drama." Translation Review 62, no. 1 (September 2001): 27–29. http://dx.doi.org/10.1080/07374836.2001.10523796.

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Borisenko, Yulia Aleksandrovna, and Stanislav Sergeevich Makarov. "TRANSLATING DRAMA: ANALYSIS OF DAVID EDGAR’S PLAY “ TESTING THE ECHO”." Russian Journal of Multilingualism and Education 11, no. 1 (December 15, 2019): 78–86. http://dx.doi.org/10.35634/2500-0748-2019-11-78-86.

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The article focuses on one of the problems of literary translation - the translation of dramatic texts. The article examines this type of texts in terms of the specificity of the genre and type of literature, their structural and other specific characteristics. Special attention is given to existing approaches to the development of translation strategies in drama. Different approaches to dramatic texts in linguistics and translation studies are analyzed, such as communicative, cultural, and hermeneutic ones. The play of the contemporary British writer David Edgar “Testing the Echo” was selecte
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Cunico, Sonia. "Translating (dis)ordered speech in drama." Babel. Revue internationale de la traduction / International Journal of Translation 51, no. 1 (October 24, 2005): 1–15. http://dx.doi.org/10.1075/babel.51.1.01cun.

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Abstract Although the topic of the representation of madness is a rich and much studied one in literary criticism, so far there has been no systematic attempt to analyse the language of madness in dramatic texts, either within the same language and culture or across them. This paper compares the strategies used to characterise the growing insanity of the king and the dynamics of his interaction with Willis, the doctor, in Alan Bennett’s successful play The Madness of George III (1992) with those in its published translation into Italian (1996). The article shows how an analysis of the strategi
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Secovnie, Kelly O. "Translating culture in West African drama." Journal of African Cultural Studies 24, no. 2 (December 2012): 237–47. http://dx.doi.org/10.1080/13696815.2012.731778.

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Xiaofei, Ren, Feng Qinghua, and Wang Nan. "A translator on the target stage." Babel. Revue internationale de la traduction / International Journal of Translation 56, no. 4 (December 31, 2010): 363–76. http://dx.doi.org/10.1075/babel.56.4.05xia.

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Ying Ruocheng, an admirable artist in China and abroad, was responsible for the translation and production of many foreign plays in China and Chinese plays abroad, with which Ying played an important role in transforming China’s cultural life, encouraging international exchange and promoting modern drama. Based on his experience in drama and film acting and directing as well as translating, he argues that the major concern of theatre translation is its performability and speakability, which can be achieved through the recreation of the orality and gestic text with each role’s unique discourse
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Xiang, Yu, and Irina V. Monisova. "Russian symbolist drama and theater in the Chinese scientific context." RUDN Journal of Studies in Literature and Journalism 24, no. 2 (December 15, 2019): 235–44. http://dx.doi.org/10.22363/2312-9220-2019-24-2-235-244.

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The article is based on the material, presented by the authors at the International Scientific Conference “Russia and China: History and Prospects of Cooperation”. It summarizes the experience of studying drama and theater of Russian symbolism in modern Chinese philological science, and discusses the promise of translating and presenting these dramas on the Chinese stage. One of the authors of this article is a translator and publisher with a number of plays by Russian symbolists, so the article focuses on problems, which concern about adaptation and reception of Russian symbolist drama in the
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Brajerska-Mazur, Agata. "Manipulizm a pierwsze pełne tłumaczenie „Dziadów” na język angielski." Między Oryginałem a Przekładem 25, no. 43 (March 31, 2019): 47–65. http://dx.doi.org/10.12797/moap.25.2019.43.03.

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Manipulism and the First Complete Verse Translation of “Dziady” into English How did the translator cope with the task of translating into English the national poetic drama series which, together with Pan Tadeusz and Wesele, is considered to be one of the national epics? Did he manage to respond to the linguistic and cultural challenges such as: the complicated structure of the Romantic drama, the combination of low and grand styles, the depiction of Polish society at the time of the Partitions, the interweaving of historical and autobiographical events into the texture of the plot and the Pol
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Rozprawy doktorskie na temat "Translating drama"

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Minier, Márta Magdolna. "Translating Hamlet into Hungarian culture : a case study in rewriting and translocation." Thesis, University of Hull, 2005. http://hydra.hull.ac.uk/resources/hull:5668.

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This thesis investigates the translation of Hamlet into Hungarian culture. In order to cover as wide a spectrum of translation as possible, the thesis employs Roman Jakobson's tripartite notion of translation: interlingual, intralingual and intersemiotic transfer. However, the thesis also challenges Jakobson's categories, especially with regard to the considerable degree of overlap that occurs. The first part of the thesis focuses on what is traditionally termed translation - translation 'proper' or interlingual translation. Nevertheless, in the context of the Hungarian Hamlets intralingual tr
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Handall, Monique Elizabeth. "Translating Spanish language plays into English: A focus on the translation and production of Xavier Robles' Rojo amanecer." CSUSB ScholarWorks, 2005. https://scholarworks.lib.csusb.edu/etd-project/2958.

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The purpose of this culminating project is to start translating quality Mexican and Latin American dramatic literature in order to provide to educators and theatrical directors a fundamental collection of plays. The author worked with her San Gorgonio High School students to conduct a dramaturgical study of the setting and political background of Rojo Amanecer by Xavier Robles, a play which outlines the events leading to the 1968 student massacre at Mexico City's Plaza de Tlatelolco. The author then directed the play in her role as San Gorgonio High School's new theater teacher.
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Sorby, Stella Lanxing. "Translating Western musicals into Chinese: texts, networks, consumers." HKBU Institutional Repository, 2014. https://repository.hkbu.edu.hk/etd_oa/113.

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When translating musicals from one culture to another, a translator’s role is to convert the text for its stage representation in a different context. However, during the process from this translated text to it finally being performed on stage, changes are inevitable. Issues surrounding the nature of such changes, the reasons for which they are made, and their resulting effects, have hitherto been little researched. The present study seeks to explore such issues through an examination of the ways in which the development of the translated text is shaped by interactions between the various stak
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Bvuma, Mugwambana Joseph. "Nkoka wa vuhundzuluxi eka matsalwa hi ku kongomisa eka tsalwa ra Macbeth : Nkandziyiso wa Xitsonga." Thesis, University of Limpopo, 2012. http://hdl.handle.net/10386/1678.

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Bvuma, Mugwambana Joseph. "Nkoka wa vuhundzuluxi eka matsalwa hi ku knogomisa eka tsalwa ra Macbeth (Kandziyiso wa Xitsonga." Thesis, University of Limpopo (Turfloop Campus), 2012. http://hdl.handle.net/10386/2361.

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Williams, Katherine J. "Translating Brecht : versions of "Mutter Courage und ihre Kinder" for the British stage." Thesis, St Andrews, 2009. http://hdl.handle.net/10023/761.

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Fletcher, Narelle, University of Western Sydney, of Performance Fine Arts and Design Faculty, and School of Design. "The Role of the translator in theatre." THESIS_FPFAD_SD_Fletcher_N.xml, 1997. http://handle.uws.edu.au:8081/1959.7/757.

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The author approaches the subject of translating for theatre both as a theatre practitioner and professional translator working in three languages. Translation is generally regarded as process of linguistic transfer from one language to another language in written form. Theatrical texts are an unique literary form because their written form is a base, anchor and springboard for the text in performance. Until recently, translation studies have tended to oscillate between lofty pronouncements which remain too general to be easily applicable to the practical task of translating and close textual
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Wang, Hing Suen Teresa. "An ethnohistoric investigation of the operation and function of translation in the dissemination of Chinese Xiqu in the US : a study of three encounters." HKBU Institutional Repository, 2020. https://repository.hkbu.edu.hk/etd_oa/884.

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In this study, the role of translation in the introduction of Chinese xiqu into the United States is examined using an anthropological approach. This study identifies three encounters that exemplify the three critical stages of acceptance of xiqu in the United States, and examines how translation operates and functions as a tool of cultural mediation in the introduction and promotion of xiqu there. The three critical encounters this study identifies are: the 19th century performance tours of Cantonese opera in San Francisco, the 1930s tour of Mei Lan-fang to the U.S., and the 2006 tour of Kenn
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Read, Andrew. "Translating and adapting fictional speech : the case of Philip Pullman's 'Northern Lights'." Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/translating-and-adapting-fictional-speech-the-case-of-philip-pullmans-northern-lights(3dff0298-ca8a-4795-9bed-cc0c3a69cabc).html.

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This thesis is an examination of the effects of translation into French and of adaptation for the stage, in English, on the dialogue of Philip Pullman’s novel Northern Lights (published in North America as The Golden Compass). The study focuses on the speech of Lyra, the novel’s protagonist, in terms of both its linguistic qualities and the functions it supports within the novel and the trilogy of which it forms part, His Dark Materials. The study aims to identify the ways in which not just the linguistic surface of fictional speech is affected by translation and adaptation but also the degree
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Fletcher, Narelle Genet Jean Dorst Tankred. "The role of the translator in theatre /." View thesis, 1999. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030910.105959/index.html.

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Książki na temat "Translating drama"

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Henderson, R. A. (Ruth Anne) and Armellino Elisa, eds. The drama of discourse. Torino: Trauben, 2010.

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Sabine, Coelsch-Foisner, and Klein Holger Michael 1938-, eds. Drama translation and theatre practice. Frankfurt am Main: P. Lang, 2005.

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Grigorova, Li͡udmila. Drama na paradoksa: Oskar Uaĭld v bŭlgarski kulturen kontekst. Sofii͡a: Univ. izd-vo "Sv. Kliment Okhridski", 1993.

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Riera, Jorge Braga. Classical Spanish drama in Restoration English (1660-1700). Amsterdam: John Benjamins Pub. Co., 2009.

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Riera, Jorge Braga. Classical Spanish drama in Restoration English (1660-1700). Amsterdam: John Benjamins Pub. Company, 2009.

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Riera, Jorge Braga. Classical Spanish drama in Restoration English (1660-1700). Amsterdam: John Benjamins Pub. Co., 2009.

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Riera, Jorge Braga. Classical Spanish drama in Restoration English (1660-1700). Amsterdam: John Benjamins Pub. Company, 2009.

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Transposing drama: Studies in representation. Basingstoke: Macmillan Education, 1990.

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Deng chang de yi zhe: Ying Ruocheng xi ju fan yi xi tong yan jiu. Beijing: Zhongguo she hui ke xue chu ban she, 2008.

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Alba, Pilar Martino. La traducción en las artes escénicas. Madrid: Editorial Dykinson, 2012.

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Części książek na temat "Translating drama"

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Glaap, Albert-Reiner. "Translating, Adapting, Rewriting: Three Facets of Christopher Hampton’s Work as a Playwright." In Drama on Drama, 215–30. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-25443-9_14.

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O’Thomas, Mark. "Translating Austerity: Theatrical Responses to the Financial Crisis." In Twenty-First Century Drama, 129–48. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-48403-1_7.

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Bowman, Martin, and Bill Findlay. "Chapter 4. Translating Register in Michel Tremblay’s Québécois Drama." In Frae Ither Tongues, edited by Bill Findlay, 66–84. Bristol, Blue Ridge Summit: Multilingual Matters, 2004. http://dx.doi.org/10.21832/9781853597015-005.

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Aaltonen, Sirkku. "Drama translation." In Handbook of Translation Studies, 105–10. Amsterdam: John Benjamins Publishing Company, 2010. http://dx.doi.org/10.1075/hts.1.dra1.

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Jones, Richard. "World Drama in Translation." In Teaching Literature in Translation, 196–204. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003105220-25.

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Leppihalme, Ritva. "Foreignizing strategies in drama translation." In Translation in Context, 153. Amsterdam: John Benjamins Publishing Company, 2000. http://dx.doi.org/10.1075/btl.39.18lep.

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Beacham, Richard. "Translation Forum." In Greek and Roman Drama: Translation and Performance, 168–82. Stuttgart: J.B. Metzler, 2002. http://dx.doi.org/10.1007/978-3-476-02908-9_10.

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Mateo, Marta. "Translation strategies and the reception of drama performances." In Benjamins Translation Library, 99. Amsterdam: John Benjamins Publishing Company, 1997. http://dx.doi.org/10.1075/btl.20.11mat.

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Corbett, John. "3. Speaking the World: Drama in Scots Translation." In Voices in Translation, edited by Gunilla Anderman, 32–45. Bristol, Blue Ridge Summit: Multilingual Matters, 2007. http://dx.doi.org/10.21832/9781853599842-006.

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Mahmoodi-Bakhtiari, Behrooz. "Translation of Persian Drama into English." In The Routledge Handbook of Persian Literary Translation, 160–77. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003052197-12.

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Streszczenia konferencji na temat "Translating drama"

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Malek, Maciej. "К вопросу о видах драматургического перевода". У Пражская Русистика 2020 – Prague Russian Studies 2020. Charles University, Faculty of Education, 2020. http://dx.doi.org/10.14712/9788076032088.12.

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The article brings arguments in favour of the ways of drama translation. Author analysed all available stage realisations of dramatic texts. On their example distinguished few ways of translation taking into account the translation techniques. Each of these ways was described and illustrated by relevant examples from world’s stages: Polish, Russian, Czech, Canadian etc. Author draw also attention to challenges faced by the translators.
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Potapenko, Nataliia. "BASIC APPROACHES TO DRAMA TRANSLATION." In SPECIALIZED AND MULTIDISCIPLINARY SCIENTIFIC RESEARCHES. European Scientific Platform, 2020. http://dx.doi.org/10.36074/11.12.2020.v6.01.

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Gao, Fen, Fan Yang, and Lin Wang. "Four-Phases Hypothesis of Drama Culture Translation: A Case of Academic Translation Project on Silk Road: The Study of Drama Culture." In 6th Annual International Conference on Social Science and Contemporary Humanity Development (SSCHD 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210121.019.

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Petrova, Marina G., and Anastasiya S. Martynova. "THE INTEGRATIVE APPROACH IN ENGLISH TEACHING ON THE BASE OF DRAMA IN THE MULTIPROFILE TV STUDIO." In FUNCTIONAL ASPECTS OF INTERCULTURAL COMMUNICATION. TRANSLATION AND INTERPRETING ISSUES. Peoples' Friendship University of Russia, 2019. http://dx.doi.org/10.22363/2712-7974-2019-6-199-208.

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Mangwegape, Bridget. "EXPLORING SELECTED SETSWANA DRAMA TEXTS AS THE PRINCIPLE OF UBUNTU/BOTHO IN EDUCATIONAL CONTEXT." In International Conference on Education and New Developments. inScience Press, 2022. http://dx.doi.org/10.36315/2022v1end004.

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Talking about the importance of Ubuntu/Botho in any educational system “Authentic humanism consists in permitting the emergence of the awareness of full humanity, as a condition and as an obligation, as a situation and as a project”. To inculcate a sense of values at schools, is intended to help young people achieve higher levels of moral judgement. This belief is that education does not exist simply to serve the market, but to serve society, and that means instilling in students a broad sense of values that can emerge only from a balanced exposure to the humanities as well as the sciences. En
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Inderawati, Rita. "The Utilization of Technological Tools for Virtual Drama Performance in Post-Pandemic Era." In Proceedings of the 10th UNNES Virtual International Conference on English Language Teaching, Literature, and Translation, ELTLT 2021, 14-15 August 2021, Semarang, Indonesia. EAI, 2022. http://dx.doi.org/10.4108/eai.14-8-2021.2317640.

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Elkilany, Elsayed Abdelwahed. "Arabic Language Topics in Al Arab Qatari Newspaper: A Study in Journalistic Treatment Patterns." In Qatar University Annual Research Forum & Exhibition. Qatar University Press, 2020. http://dx.doi.org/10.29117/quarfe.2020.0252.

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The purpose of this research is to explore the patterns of journalistic treatments for issues of Arab Language in Al Arab Qatari newspaper during the year of 2017. It also seeks to understand the degree to which this journalistic behavior enhances Qatar National identity. The importance of this research, which is funded by Qatar National Research Fund, No. UREP21-095-5-009 is to test the relationship between journalistic practices in relation to coverage of Arabic language issues and national identity. As interdisciplinary research combining Arabic language and journalism studies, its data wer
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"SPECIFICS OF DRAMA TRANSLATION: A CASE OF «GORE OT UMA» BY A.S. GRIBOEDOV NEWLY TRANSLATED BY B. HULICK." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. TSU Press, 2021. http://dx.doi.org/10.17223/978-5-907442-02-3-2021-128.

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