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Artykuły w czasopismach na temat „Victoria Printing Works”

Autor: Grafiati
Data publikacji: 27 lipca 2024
Data aktualizacji: 31 lipca 2025

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1

Cherkashina, Daria. "Art and Technology Meet in St. Petersburg: An Interview with Five Female Artists of the CYLAND Media Art Laboratory." Digital Icons: Studies in Russian, Eurasian and Central European New Media, no. 19 (June 7, 2018): 129–42. https://doi.org/10.5281/zenodo.14710003.

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New media art is an extensive concept, which unites a number of different art forms made with the help of media technologies such as digital art, computer graphics, computer animation, virtual art, internet art, interactive art, video games, computer robotics, 3D printing, cyborg art and art as biotechnology. Media art has existed in Russia for more than twenty years and female artists were the core developers of media art in St. Petersburg. Taking the CYLAND media art laboratory as its vantage point, this interview with five artists aims to give an account of the history, key works, exhibitio
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Tagore, Pramantha. "Songs for the Empress: Queen Victoria in the Music History of Colonial Bengal." Victorian Literature and Culture 52, no. 1 (2024): 61–83. http://dx.doi.org/10.1017/s1060150323000827.

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In the final decades of the nineteenth century, music significantly occupied the cultural and social life of the Bengali people. As the epicenter of British political and economic influence in the subcontinent, Calcutta witnessed the emergence of schools offering instruction in Indian and Western art music. The flourishing city housed private and public printing presses, which ensured the circulation and distribution of large numbers of songbooks, manuals, and theoretical treatises on music. The city was also home to a diverse assortment of hereditary music practitioners and occupational speci
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Potapenko, Svitlana. "Between Biography and Propaganda: Mykhailo Kozachynsky’s «Journal or Description of the Years and the Glorious as well as Solemn Victories of the Blessed and Everlasting Memory Peter the Great, Pater Patriae, the First All-Russian Emperor» (1744)." Kyivan Academy, no. 19 (December 29, 2022): 37–77. http://dx.doi.org/10.18523/1995-025x.2022.19.37-77.

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The article focuses on a little-known literary work about Peter I which was composed by a Ukrainian poet, philosopher, and professor of the Kyivan Academy, Mykhailo Kozachynsky (1699–1755). This poetic biography was entitled «Journal or Description of the Years and the Glorious as well as Solemn Victories of the Blessed and Everlasting Memory Peter the Great, Pater Patriae, the First All-Russian Emperor». It was appended to a trilingual panegyric «Augustissimae ac Invictissimae Imperatrici» of the same authorship written in honor of the Empress Elizabeth’s of Russia visit to Kyiv in August-Sep
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Kennedy, Andrea. "The beauty of Victorian beasts: illustration in the Reverend J. G. Wood's Homes without hands (W. T. Stearn Prize 2012)." Archives of Natural History 40, no. 2 (2013): 193–212. http://dx.doi.org/10.3366/anh.2013.0168.

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The Reverend John George Wood (1827–1889) was a successful popularizer of natural history in the Victorian era. His Illustrated natural history (1853) and Common objects series (1857–1858) have been written about extensively. However, historians have largely ignored his most successful book, Homes without hands, in spite of its exquisite designs and profound connections with natural domesticity. In addition, little research has been conducted on the illustrations that appear across Wood's publications, despite their great popularity during his lifetime. This article examines the creation, popu
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Antanavičius, Darius. "The First Author of a Printed Book from Kaunas." Senoji Lietuvos literatūra 45 (June 25, 2018): 39–79. https://doi.org/10.51554/sll.2018.28816.

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Very little is known about the contribution of the burghers of the Grand Duchyof Lithuania to old Lithuanian literature. The burghers were always pushedinto shadow by the representatives of the nobility. In this respect, the sixteenthcentury is especially poor and each new fact that adds to our knowledge aboutthe intellectual and creative potential of the townspeople of the Grand Duchyof Lithuania in the sixteenth century is significant. The aim of this paper is tointroduce and analyse a work written and published by one burgher of the GrandDuchy of Lithuania in the mid-sixteenth century.The o
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Lyutov, S. N. "Memories of war and problems of forming defence consciousness by means of book business." Proceedings of SPSTL SB RAS, no. 3 (September 17, 2020): 41–48. http://dx.doi.org/10.20913/2618-7515-2020-3-41-48.

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Actuality and significance of problems of forming social consciousness with its necessary defence component are conditioned by unremitting tension of inter-state relations, transiting into a certain degree of war confrontation. Experience of all wars testifies to the fact that all victories in war hostility are achieved not only by rivalry of military potentials and generals’ skills but also by firmness of spiritual bases and people moral strengths. War history many times has proved patriotic incite and the society unity to be important factors influencing the course and the result of wars. Si
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Topham, Jonathan R. "Reading the Book of Nature: How Eight Best Sellers Reconnected Christianity and the Sciences on the Eve of the Victorian Age." Perspectives on Science and Christian Faith 76, no. 2 (2024): 140–42. http://dx.doi.org/10.56315/pscf9-24topham.

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READING THE BOOK OF NATURE: How Eight Best Sellers Reconnected Christianity and the Sciences on the Eve of the Victorian Age by Jonathan R. Topham. Chicago, IL: University of Chicago Press, 2022. 544 pages. Hardcover; $47.50. ISBN: 9780226815763. *Jonathan R. Topham's Reading the Book of Nature examines the interplay between science and religion in nineteenth-century Britain, focusing on the Bridgewater Treatises--an influential collection of eight scientific works commissioned to explore the "Power, Wisdom, and Goodness of God, as manifested in the Creation." Armed with a rich array of primar
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Topham, Jonathan R. "Reading the Book of Nature: How Eight Best Sellers Reconnected Christianity and the Sciences on the Eve of the Victorian Age." Perspectives on Science and Christian Faith 76, no. 2 (2024): 140–42. http://dx.doi.org/10.56315/pscf09-24topham.

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READING THE BOOK OF NATURE: How Eight Best Sellers Reconnected Christianity and the Sciences on the Eve of the Victorian Age by Jonathan R. Topham. Chicago, IL: University of Chicago Press, 2022. 544 pages. Hardcover; $47.50. ISBN: 9780226815763. *Jonathan R. Topham's Reading the Book of Nature examines the interplay between science and religion in nineteenth-century Britain, focusing on the Bridgewater Treatises--an influential collection of eight scientific works commissioned to explore the "Power, Wisdom, and Goodness of God, as manifested in the Creation." Armed with a rich array of primar
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9

Mallan, Kerry Margaret, and Annette Patterson. "Present and Active: Digital Publishing in a Post-print Age." M/C Journal 11, no. 4 (2008). http://dx.doi.org/10.5204/mcj.40.

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At one point in Victor Hugo’s novel, The Hunchback of Notre Dame, the archdeacon, Claude Frollo, looked up from a book on his table to the edifice of the gothic cathedral, visible from his canon’s cell in the cloister of Notre Dame: “Alas!” he said, “this will kill that” (146). Frollo’s lament, that the book would destroy the edifice, captures the medieval cleric’s anxiety about the way in which Gutenberg’s print technology would become the new universal means for recording and communicating humanity’s ideas and artistic expression, replacing the grand monuments of architecture, human engineer
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10

Dean, Gabrielle. "Portrait of the Self." M/C Journal 5, no. 5 (2002). http://dx.doi.org/10.5204/mcj.1991.

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Let us work backwards from what we know, from personal experience: the photograph of which we have each been the subject. Roland Barthes says of this photograph that it transforms "the subject into object": one begins aping the mask one wants to assume, one begins, in other words, to make oneself conform in appearance to the disguise of an identity (Camera Lucida 11). A quick glance back at your most recent holiday gathering will no doubt confirm his diagnosis. Barthes gives to this subject-object the title of Spectrum in order to neatly join the idea of spectacle with the fearsome spectre, wh
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11

Provençal, Johanne. "Ghosts in Machines and a Snapshot of Scholarly Journal Publishing in Canada." M/C Journal 11, no. 4 (2008). http://dx.doi.org/10.5204/mcj.45.

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The ideas put forth here do not fit perfectly or entirely into the genre and form of what has established itself as the scholarly journal article. What is put forth, instead, is a juxtaposition of lines of thinking about the scholarly and popular in publishing, past, present and future. As such it may indeed be quite appropriate to the occasion and the questions raised in the call for papers for this special issue of M/C Journal. The ideas put forth here are intended as pieces of an ever-changing puzzle of the making public of scholarship, which, I hope, may in some way fit with both the work
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12

Franks, Rachel. "Building a Professional Profile: Charles Dickens and the Rise of the “Detective Force”." M/C Journal 20, no. 2 (2017). http://dx.doi.org/10.5204/mcj.1214.

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IntroductionAccounts of criminals, their victims, and their pursuers have become entrenched within the sphere of popular culture; most obviously in the genres of true crime and crime fiction. The centrality of the pursuer in the form of the detective, within these stories, dates back to the nineteenth century. This, often highly-stylised and regularly humanised protagonist, is now a firm feature of both factual and fictional accounts of crime narratives that, today, regularly focus on the energies of the detective in solving a variety of cases. So familiar is the figure of the detective, it se
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13

Holleran, Samuel. "Better in Pictures." M/C Journal 24, no. 4 (2021). http://dx.doi.org/10.5204/mcj.2810.

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While the term “visual literacy” has grown in popularity in the last 50 years, its meaning remains nebulous. It is described variously as: a vehicle for aesthetic appreciation, a means of defence against visual manipulation, a sorting mechanism for an increasingly data-saturated age, and a prerequisite to civic inclusion (Fransecky 23; Messaris 181; McTigue and Flowers 580). Scholars have written extensively about the first three subjects but there has been less research on how visual literacy frames civic life and how it might help the public as a tool to address disadvantage and assist in re
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Franks, Rachel. "Before Alternative Voices: The Sydney Gazette and New South Wales Advertiser." M/C Journal 20, no. 1 (2017). http://dx.doi.org/10.5204/mcj.1204.

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IntroductionIn 1802 George Howe (1769-1821), the recently appointed Government Printer, published Australia’s first book. The following year he established Australia’s first newspaper; an enterprise that ran counter to all the environmental factors of the day, including: 1) issues of logistics and a lack of appropriate equipment and basic materials to produce a regularly issued newspaper; 2) issues resulting from the very close supervision of production and the routine censorship by the Governor; and 3) issues associated with the colony’s primary purposes as a military outpost and as a penal s
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15

Milne, Esther. "‘Magic Bits of Paste-board’." M/C Journal 7, no. 1 (2004). http://dx.doi.org/10.5204/mcj.2311.

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To the unrefined or under-bred person, the visiting-card is but a trifling and insignificant piece of paper; but to the cultured disciple of social law it conveys a subtle and unmistakable intelligence. Its texture, style of engraving, and even the hour of leaving it, combine to place the stranger whose name it bears in a pleasant or disagreeable attitude, even before his manners, conversation, and face have been able to explain his social position (1920 etiquette manual quoted in Curtin 138). There’s a scene in the ‘90s TV series Ab Fab where Eddy, stumbling from her car, fresh from Harvey Ni
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Hair, Margaret. "Invisible Country." M/C Journal 8, no. 6 (2005). http://dx.doi.org/10.5204/mcj.2460.

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 The following article is in response to a research project that took the form of a road trip from Perth to Lombadina re-enacting the journey undertaken by the characters in the play Bran Nue Dae by playwright Jimmy Chi and Broome band Kuckles. This project was facilitated by the assistance of a Creative and Research Publication Grant from the Faculty of Communications and Creative Industries, Edith Cowan University, Western Australia. The project was carried out by researchers Kara Jacob and Margaret Hair.
 
 One thing is plainly clear. Aboriginal art expresses t
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