Gotowe bibliografie tematyczne / Wadsworth Atheneum Art Museum

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  1. Artykuły w czasopismach
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  3. Części książek

Gotowa bibliografia na temat „Wadsworth Atheneum Art Museum”

Autor: Grafiati
Data publikacji: 26 lipca 2024
Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Wadsworth Atheneum Art Museum"

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CURLING, MARIANNE. "Samuel Colt: Arms, Art and Invention. Wadsworth Atheneum Museum of Art." Connecticut History Review 45, no. 2 (2006): 295–97. http://dx.doi.org/10.2307/44369745.

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Maffeis, Rodolfo. "L’artista satirico nell’epos: Giandomenico Tiepolo e il cavallo di Troia." Storia della critica d'arte: annuario della S.I.S.C.A. 1 (2020): 183–205. http://dx.doi.org/10.48294/s2020.011.

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This study reconsiders a remarkable but overlooked work by Giandomenico Tiepolo, the so-called Building of the Trojan Horse in the collections of the Wadsworth Atheneum Museum of Art at Hartford. Starting from a fresh look to the content, the author identifies a slightly different iconography, as well as the presence of an enigmatic self-portrait of the painter seen from the back. The possible precedents in the tradition of the artists’ self-portraits in Venice are investigated, and an interpretation is offered in connection with the peculiar satirical themes of Giandomenico’s art
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DIXON, SIERRA. "Emancipation! Amistad Center for Art & Culture at the Wadsworth Atheneum Museum of Art." Connecticut History Review 52, no. 2 (2013): 293–98. http://dx.doi.org/10.2307/44370208.

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CIARCIA, DORENE. "War Prizes: The Cultural Legacy of Slavery & the Civil War, Wadsworth Atheneum Museum of Art." Connecticut History Review 50, no. 2 (2011): 219–21. http://dx.doi.org/10.2307/44370373.

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Rossi, Deborah G. "The Upholstered Woman: Women’s Fashions of the 1870s and 1880s, Part II: Women’s Fashions of 1880-1885, Wadsworth Atheneum Museum of Art." Connecticut History Review 50, no. 1 (2011): 116–19. http://dx.doi.org/10.2307/44370081.

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Whalen, Catherine L. "Wallace Nutting and the Invention of Old AmericaWallace Nutting and the Invention of Old America. Wadsworth Atheneum Museum of Art, Hartford, Connecticut, June 6 to October 19, 2003; Allentown Art Museum, Allentown, Pennsylvania, February 22 to May 23, 2004.Thomas Andrew Denenberg. Wallace Nutting and the Invention of Old America. New Haven: Yale University Press for the Wadsworth Atheneum Museum of Art, 2003. xii+228 pp.; 160 illustrations, bibliography, index. $39.95." Winterthur Portfolio 39, no. 2/3 (2004): 173–82. http://dx.doi.org/10.1086/433199.

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Van Slyck, Abigail A. "Kid Size: The Material World of ChildhoodKid Size: The Material World of Childhood. Wadsworth Atheneum Museum of Art, Hartford, Connecticut, April–August 2004; Oklahoma City Museum of Art, Oklahoma City, December 2004–March 2005; Carnegie Museum of Art, Pittsburgh, April–September 2005.Alexander von Vegesack, Jutta Oldiges, and Lucy Bullivant, eds. Kid Size: The Material World of Childhood. Milan: Skira editore; Weil am Rhein, Ger.: Vitra Design Museum, 1997. 315 pp.; 492 illustrations, bibliography. $45.00." Winterthur Portfolio 39, no. 1 (2004): 69–78. http://dx.doi.org/10.1086/431010.

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Scullion, Adrienne. "The Art of the Ballets Russes: The Serge Lifar Collection of Theater Designs, Costumes, and Paintings at the Wadsworth Atheneum, Hartford, Connecticut. By Alexander Schouvaloff. New Haven & London: Yale University Press, in association with the Wadsworth Atheneum, 1997. Pp. 352 + illus. £50 Hb." Theatre Research International 23, no. 2 (1998): 186–87. http://dx.doi.org/10.1017/s0307883300018630.

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Scholl, Tim. "The Art of Ballets Russes: The Serge Lifar Collection of Theater Designs, Costumes, and Paintings at the Wadsworth Atheneum, Hartford, Connecticut. By Alexander Schouvalofi. New Haven: Yale University Press, 1998. 352 pp. Appendixes. Notes. Bibliography. Index. Plates. Photographs. $65.00, hard bound." Slavic Review 58, no. 3 (1999): 721–22. http://dx.doi.org/10.2307/2697633.

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Ewals, Leo. "Ary Scheffer, een Nederlandse Fransman." Oud Holland - Quarterly for Dutch Art History 99, no. 4 (1985): 271–90. http://dx.doi.org/10.1163/187501785x00134.

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AbstractAry Scheffer (1795-1858) is so generally included in the French School (Note 2)- unsurprisingly, since his career was confined almost entirely to Paris - that the fact that he was born and partly trained in the Netherlands is often overlooked. Yet throughout his life he kept in touch with Dutch colleagues and drew part of his inspiration from Dutch traditions. These Dutch aspects are the subject of this article. The Amsterdam City Academy, 1806-9 Ary Scheffer was enrolled at the Amsterdam Academy on 25 October 1806, his parents falsifying his date of birth in order to get him admitted
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Książki na temat "Wadsworth Atheneum Art Museum"

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Wadsworth Atheneum Museum of Art. Wadsworth Atheneum Museum of Art: Uncommon legacy. Scala Arts Publishing Inc., 2017.

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Kornhauser, Elizabeth Mankin. American moderns on paper: Masterworks from the Wadsworth Atheneum Museum of Art. Yale University Press, 2010.

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Eric, Zafran, Baillio Joseph, and John and Mable Ringling Museum of Art., eds. Renaissance to Rococo: Masterpieces from the Wadsworth Atheneum Museum of Art. Wadsworth Atheneum Museum of Art, 2004.

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Amon Carter Museum of Western Art, Wadsworth Atheneum Museum of Art, and Portland Museum of Art, eds. American moderns on paper: Masterworks from the Wadsworth Atheneum Museum of Art. Yale University Press, 2010.

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Zafran, Eric. Rembrandt's people: October 10, 2009-January 24, 2010, Wadsworth Atheneum Museum of Art. Wadsworth Atheneum Museum of Art, 2009.

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Zafran, Eric. Rembrandt's people: October 10, 2009-January 24, 2010, Wadsworth Atheneum Museum of Art. Wadsworth Atheneum Museum of Art, 2009.

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Art, Wadsworth Atheneum Museum of. French eighteenth-century porcelain at the Wadsworth Atheneum: The J. Pierpont Morgan collection. Wadsworth Atheneum, 2000.

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Zafran, Eric. Reunited masterpieces: From Adam and Eve to George and Martha. Wadsworth Atheneum Museum of Art, 2010.

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Gaddis, Eugene R. Magician of the modern: Chick Austin and the transformation of the arts in America. Alfred Knopf, 2000.

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Zafran, Eric. Caravaggio e altri pittori del Seicento: Capolavori dal Wadsworth Atheneum di Hartford. Linea d'ombra, 2010.

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Części książek na temat "Wadsworth Atheneum Art Museum"

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Longenbach, James. "Paris and the Florida Land Boom." In Wallace Stevens. Oxford University PressNew York, NY, 1991. http://dx.doi.org/10.1093/oso/9780195068634.003.0009.

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Abstract Stevens cultivated his isolation in the 1920s. During the First World War, he had benefited from an expatriate movement that carried artists to New York rather than Paris. But by 1916, when he moved from Manhattan to Hartford, Stevens’s artistic life became distanced from the currents of international modernism, and by 1922 he no longer cared to preserve the attachments he once enjoyed. Tired of the “art crowd,” Stevens packed up his collection of exhibition catalogues (which he considered a complete survey of what had been shown in New York for the previous ten years) and gave them t
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