Gotowe bibliografie tematyczne / Western art canon

Spis treści

  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Książki
  4. Części książek
  5. Streszczenia konferencji
  6. Raporty organizacyjne

Gotowa bibliografia na temat „Western art canon”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 20 lutego 2023

Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych

Wybierz rodzaj źródła:

Zobacz listy aktualnych artykułów, książek, rozpraw, streszczeń i innych źródeł naukowych na temat „Western art canon”.

Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.

Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.

Artykuły w czasopismach na temat "Western art canon"

1

Citron, Marcia J. "Women and the Western Art Canon: Where Are We Now?" Notes 64, no. 2 (2007): 209–15. http://dx.doi.org/10.1353/not.2007.0167.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
2

Мельничук, М. С. "РЕЛІГІЄЗНАВЧО-ФІЛОСОФСЬКА ТРАНСКРИПЦІЯ СИМВОЛУ ТА КАНОНУ В КОНТЕКСТІ РЕЛІГІЙНОГО МИСТЕЦТВА". Humanities journal, № 3 (22 грудня 2018): 72–77. http://dx.doi.org/10.32620/gch.2018.3.07.

Pełny tekst źródła
Streszczenie:
The article makes an attempt to reveal the peculiarities of influence of such components of religious art as symbol and canon, in the context of the impact on man as a whole. The researcher is interested in the process of their functioning in religious art, both from the side of religious-philosophical analysis and from the point of view of art studies.The symbol, as an integral part of religion, serving both a liturgical and ritualistic function, is the embodiment of the existential meaning of the divine world, immutable and eternal. The symbols clearly demonstrate the presence in the earthly
Style APA, Harvard, Vancouver, ISO itp.
3

ZASLAW, NEAL. "THE NON-CANONIC STATUS OF MOZART’S CANONS." Eighteenth Century Music 3, no. 1 (March 2006): 109–23. http://dx.doi.org/10.1017/s1478570606000510.

Pełny tekst źródła
Streszczenie:
Mozart's canons are rather inadequately represented in the Köchel catalogue and the Neue Mozart Ausgabe. The same may be said about other music for his immediate circle of friends, colleagues and patrons, as well as his dance music and his contributions to pasticcios. Neglect of these ‘minor’ genres perhaps arises at least in part from anachronistic paradigms, for instance ‘masterpieces for posterity’. And the canons suffer additionally from the peculiar nature of their sources and transmission, from uncertainty about the position of canons in the ‘canon’ of Western art music and probably also
Style APA, Harvard, Vancouver, ISO itp.
4

Barak, Noa Avron. "The National, the Diasporic, and the Canonical: The Place of Diasporic Imagery in the Canon of Israeli National Art." Arts 9, no. 2 (March 26, 2020): 42. http://dx.doi.org/10.3390/arts9020042.

Pełny tekst źródła
Streszczenie:
This article explores Jerusalem-based art practice from the 1930s to the 1960s, focusing particularly on the German immigrant artists that dominated this field in that period. I describe the distinct aesthetics of this art and explain its role in the Zionist nation-building project. Although Jerusalem’s art scene participated significantly in creating a Jewish–Israeli national identity, it has been accorded little or no place in the canon of national art. Adopting a historiographic approach, I focus on the artist Mordecai Ardon and the activities of the New Bezalel School and the Jerusalem Art
Style APA, Harvard, Vancouver, ISO itp.
5

Schefold, Reimar. "Stylistic canon, imitation and faking: Authenticity in Mentawai art in Western Indonesia." Anthropology Today 18, no. 2 (April 2002): 10–14. http://dx.doi.org/10.1111/1467-8322.00109.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
6

Lahoda, Vojtech. "Cubism Translated? The Western Canon of Modernism and Central/Eastern European Art History." Art in Translation 2, no. 2 (June 2010): 223–38. http://dx.doi.org/10.2752/175613110x12706508989532.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
7

Bauduin, Tessel M., and Julia W. Krikke. "Images of Medieval Art in the French Surrealist Periodicals Documents (1929–31) and Minotaure (1933–39)." Journal of European Periodical Studies 4, no. 1 (June 30, 2019): 144–61. http://dx.doi.org/10.21825/jeps.v4i1.8843.

Pełny tekst źródła
Streszczenie:
The avant-garde movement Surrealism claimed historical figures as supposed ancesters, as is well known, but also interacted with the past, and especially art of the past, in other ways. This article explores the reception of the European Middle Ages in French Surrealism, in particular medieval art, by means of a case study: illustrations of medieval and early-modern Western art in the surrealist periodicals Documents (1929-1931) and Minotaure (1933-1939). The cerebral and contrary Documents challenged the canon of art by actively looking at the margins of European art, reproducing medieval art
Style APA, Harvard, Vancouver, ISO itp.
8

D'Souza, Aruna. "In the Wake of “In the Wake of the Global Turn”." ARTMargins 1, no. 2–3 (June 2012): 176–85. http://dx.doi.org/10.1162/artm_r_00027.

Pełny tekst źródła
Streszczenie:
This article looks back on the consequence, for a scholar of the art of the western canon, of a two-day conference held at the Clark Art Institute titled “In the Wake of the Global Turn: Propositions for an Exploded Art History Without Borders.” The author reflects on the pedagogical challenges of the ethical and political project of reimagining the limits of the discipline in both geographic and theoretical terms in order to accommodate issues of the untranslatable, incommensurable, and irresolvable when it comes to visual cultures from around the world. As well, the article touches on the wa
Style APA, Harvard, Vancouver, ISO itp.
9

Whittaker, Adam. "Investigating the canon in A-Level music: Musical prescription in A-level music syllabuses (for first examination in 2018)." British Journal of Music Education 37, no. 1 (November 16, 2018): 17–27. http://dx.doi.org/10.1017/s0265051718000256.

Pełny tekst źródła
Streszczenie:
AbstractThe canon forming the backbone of most conceptions of Western music has been a feature of musical culture for decades, exerting an influence upon musical study in educational settings. In English school contexts, the once perceived superiority of classical music in educational terms has been substantially revised and reconsidered, opening up school curricula to other musical traditions and styles on an increasingly equal basis. However, reforms to GCSE and A-levels (examinations taken aged 16 and 18 respectively), which have taken place from 2010 onwards, have refocused attention on ca
Style APA, Harvard, Vancouver, ISO itp.
10

West, Julia Maurine. "Canonized repertoire as conduit to creativity." International Journal of Music Education 37, no. 3 (April 17, 2019): 407–24. http://dx.doi.org/10.1177/0255761419842417.

Pełny tekst źródła
Streszczenie:
Evidence found throughout the history of Western European art music reveals traditions that encompassed improvisation. This furthers the idea that without improvisation, music education based on canonized works of Western European art music is incomplete. When the goal of music education is to preserve works exactly as notated, improvisation occupies a marginal role in representations and practices commonly associated with the canon. Drawing upon participant observation and semi-structured interviews, this ethnographic case study investigates narratives of experience and pedagogical strategies
Style APA, Harvard, Vancouver, ISO itp.
Więcej źródeł

Rozprawy doktorskie na temat "Western art canon"

1

Batorowicz, Beata Agnieszka, and n/a. "Undoing Big Daddy Art: Subverting the Fathers of Western Art Through a Metaphorical and Mythological Father/Daughter Relationship." Griffith University. Queensland College of Art, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040319.090547.

Pełny tekst źródła
Streszczenie:
The canon of Western art history provides a selection of artists that have supposedly made an 'original' contribution to stylistic innovation within the visual arts. Although a process of selection cannot be avoided, this procedure has resulted in a Eurocentric and patriarchal art canon. For example, the Western art canon consists of certain white male artists who are given exclusive authority and are often referred to as the 'fathers of art'. As the status of a 'father of art' pertains to the highest level of achievement within artistic creativity, I argue that this excellence in creativity i
Style APA, Harvard, Vancouver, ISO itp.
2

Batorowicz, Beata Agnieszka. "Undoing Big Daddy Art: Subverting the Fathers of Western Art Through a Metaphorical and Mythological Father/Daughter Relationship." Thesis, Griffith University, 2004. http://hdl.handle.net/10072/367273.

Pełny tekst źródła
Streszczenie:
The canon of Western art history provides a selection of artists that have supposedly made an 'original' contribution to stylistic innovation within the visual arts. Although a process of selection cannot be avoided, this procedure has resulted in a Eurocentric and patriarchal art canon. For example, the Western art canon consists of certain white male artists who are given exclusive authority and are often referred to as the 'fathers of art'. As the status of a 'father of art' pertains to the highest level of achievement within artistic creativity, I argue that this excellence in creativity i
Style APA, Harvard, Vancouver, ISO itp.
3

Bell, Robyn Lee. "Western art canon versus Rock 'n' Roll: a comparative case study of two high school general music classes." Thesis, 2015. https://hdl.handle.net/2144/16076.

Pełny tekst źródła
Streszczenie:
High school general music classes often primarily consist of lectures about the Western art canon, despite repeated calls for a popular music focus (Deal, 1984; Miceli, 1998; Snell, 2007; Thompson, 1979; Woody, 2007). It is argued that the latter approach can alleviate student apathy toward class content and boredom, provide more meaningful learning experiences for the students, and create a more positive experience for the teacher. The purpose of this study is to examine the experiences of students and teachers in both a traditional general music class and a popular music-focused general mu
Style APA, Harvard, Vancouver, ISO itp.

Książki na temat "Western art canon"

1

The ambassadors of death: The sister arts, western canon and the silent lines of a Hebrew survivor. Brighton: Sussex Academic Press, 2011.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
2

The hongs of Canton: Western merchants in south China 1700-1900, as seen in Chinese export paintings. London: English Art Books, 2009.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
3

Conner, Patrick. The hongs of Canton: Western merchants in south China 1700-1900, as seen in Chinese export paintings. London: English Art Books, 2009.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
4

Conner, Patrick. The hongs of Canton: Western merchants in south China 1700-1900, as seen in Chinese export paintings. London: English Art Books, 2009.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
5

Rogers, Hiromi T. Anjin - The Life and Times of Samurai William Adams, 1564-1620. GB Folkestone: Amsterdam University Press, 2016. http://dx.doi.org/10.5117/9781898823858.

Pełny tekst źródła
Streszczenie:
The year is 1600. It is April and Japan’s iconic cherry trees are in full flower. A battered ship drifts on the tide into Usuki Bay in southern Japan. On board, barely able to stand, are twenty-three Dutchmen and one Englishman, the remnants of a fleet of five ships and 500 men that had set out from Rotterdam in 1598. The Englishman was William Adams, later to be known as Anjin Miura by the Japanese, whose subsequent transformation from wretched prisoner to one of the Shogun’s closest advisers is the centrepiece of this book. As a native of Japan, and a scholar of seventeenth-century Japanese
Style APA, Harvard, Vancouver, ISO itp.
6

Balbierz, Jan, ed. Strindberg and the Western Canon. Wydawnictwo Uniwersytetu Jagiellońskiego, 2020. http://dx.doi.org/10.4467/k7068.245/19.19.15526.

Pełny tekst źródła
Streszczenie:
During the whole of his writing career August Strindberg was a restless canon-maker. In his capacity as writer, librarian, cultural scholar, polemicist and amateur researcher he constantly quoted sources, both historical and contemporary, included and excluded certain authors in his own work, as well as re-evaluated the boundaries of aesthetics and culture around the turn of the twentieth century. At the same time, he was a very active author in his own right, living in self-imposed exile but in close contact with cosmopolitan intellectual circles. All of this raises questions about his relati
Style APA, Harvard, Vancouver, ISO itp.
7

Kivy, Peter. The Dilemma of Emma. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190689414.003.0009.

Pełny tekst źródła
Streszczenie:
In the Penguin Classics edition of Jane Austen’s Emma, the editor of the volume, Fiona Stafford, writes: “From its first appearance, late in December 1815, Emma has been criticized for its lack of action. . . .” These are harsh words for a novel, suggesting deficiency in story. Is Emma then a failed novel? Yet the novel is published in a series called Penguin Classics. In other words, Emma belongs to the Western literary canon. That hardly spells “failure.” It appears that Emma presents a kind of informal paradox or dilemma for the philosophy of art. Emma, although it is agreed on all hands to
Style APA, Harvard, Vancouver, ISO itp.
8

Merchant, Tanya. Like Tereshkova in the Cosmos. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039539.003.0004.

Pełny tekst źródła
Streszczenie:
This chapter examines how women perform post-Soviet nationalism using the canon of European classical music by focusing on a project designed to produce Uzbek Western art music, one that retains prominence in independent Uzbekistan. The project has involved getting composers engaged in the creation of a sense of Uzbek style in composition. In Uzbekistan, from remarkably early in the Soviet period, women have been important figures in the performance and promulgation of Uzbek compositions. The chapter first provides a historical overview of Western art music in Soviet Uzbekistan and compares it
Style APA, Harvard, Vancouver, ISO itp.
9

Voloshchuk, Yevgeniya, and Boris Bigun. The Era of “isms”: Modernism and Avantgarde in Western European Literature of the First Half of the XX Century. PH “Akademperiodyka”, 2014. http://dx.doi.org/10.15407/akademperiodyka.275.324.

Pełny tekst źródła
Streszczenie:
The book by Ye.V. Voloshchuk and B.Ya. Bigun “The Era of “isms”: Modernism and Avantgarde in Western European Literature of the First Half of the XX Century” highlights the basic theoretical and historical-literary issues of contemporary modernism studies, as well as a number of literary portraits of classics of modernism and avantgarde. Reviews of artistic practice of artists are supplemented by the analysis of some of their works, which are included in the literary canon of the XX century. The publication is intended for students of philological faculties, masters, graduate students, teacher
Style APA, Harvard, Vancouver, ISO itp.
10

El-Rouayheb, Khaled, and Sabine Schmidtke. Introduction. Edited by Khaled El-Rouayheb and Sabine Schmidtke. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199917389.013.40.

Pełny tekst źródła
Streszczenie:
The study of Islamic philosophy has recently entered a new and exciting phase. Both the received canon of Islamic philosophers and the grand narrative of the course of Islamic philosophy are in the process of being radically questioned and revised. The bulk of twentieth-century Western scholarship on Arabic or Islamic philosophy focused on the period from the ninth century to the twelfth. It is a measure of the transformation that is currently underway in the field that the present Handbook gives roughly equal weight to every century from the ninth to the twentieth. Moreover, its entries are w
Style APA, Harvard, Vancouver, ISO itp.
Więcej źródeł

Części książek na temat "Western art canon"

1

Carrico, Alexandria, and Katherine Grennell. "Case Studies of Disabled Composers and Musicians in the Western Art Music Canon." In Disability and Accessibility in the Music Classroom, 45–85. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003222224-4.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
2

Ford, Biranda. "From a Different Place to a Third Space: Rethinking International Student Pedagogy in the Western Conservatoire." In The Politics of Diversity in Music Education, 177–89. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-65617-1_13.

Pełny tekst źródła
Streszczenie:
AbstractConservatoires in the West are now made up of a significant body of international students who come to study the Western canon of classical music. With the canon arising in the same milieu as Enlightenment notions of shared humanity, historically, many have argued that this music has a wide, cross-cultural appeal. Though such tropes of classical music still exist, they also have the potential today to act as awkward anachronisms, markers of elitism, whiteness and cultural hegemony. This chapter starts from the perspective that the considerable economic contribution of international students to host institutions risks reproducing colonial relations if their pedagogical experiences are not thought through carefully. Looking to postcolonial theory to make sense of the dynamics at play, key concepts from Homi Bhabha are used as a lens to view the conservatoire. It is argued that international students are marginalized through stereotyping and positioned ‘in need’ of a Western education, even with attempts to bring their cultural experience of learning into account. I advocate that the conservatoire must move beyond its attempts to contain the effects of cultural diversity and instead harness the potential for self-renewal that comes from embracing cultural difference in a third space.
Style APA, Harvard, Vancouver, ISO itp.
3

Kozinchuk, Vitalii. "PRESERVATION OF THE ICONOGRAPHIC CANON AMONG UKRAINIAN DIASPORA." In Art Spiritual Dimensions of Ukrainian Diaspora, 70–84. Primedia eLaunch LLC, 2020. http://dx.doi.org/10.36074/art-sdoud.2020.chapter-4.

Pełny tekst źródła
Streszczenie:
Iconography of the Ukrainian diaspora is an important component of Ukrainian (Western Ukrainian) canonical sacred art. Genetically, the iconography of the Ukrainian diaspora is based on the principles of Byzantine iconography, which included the color canon, the compositional canon and the canon of proportions, which performed important functions in Byzantine art. Ukrainian artists of the diaspora, adhering to the Byzantine iconographic canon, believed that it brings to the art information of utilitarian, historical and narrative plan. Scientific intelligence is devoted to these issues. The purpose of the section is to analyze the preservation of the iconographic canon in the sacred art of artists of the Ukrainian diaspora in the United States, Canada and Western Europe. It is necessary to consider the Byzantine iconographic rules, which serve as an artistic scheme for the creation of Christological, Mariological and festive themes in the iconography presented in the temples of ethnic minorities. Using the principles of Byzantine aesthetics, the diaspora artists of Ukrainian origin (Petro Kholodny Jr, Sviatoslav Hordynsky, Juvenal Mokrytsky and Khrystyna Dokhvat) managed to preserve the ancient Eastern Christian tradition of cult painting. The art of the above-mentioned artists is based on strict artistic rules recognized by the official Church after the Trullian Council (691-692), the Seventh Ecumenical Council (787) and the «Triumph of Orthodoxy», associated with decisions to introduce the dogma of icon worship in Constantinople Council (843). Preservation of the iconographic canon in the Ukrainian diaspora is a manifestation of the ancient Christian artistic spirit, which determined the types of major saints. The principles of the iconographic canon used in the painting of the Ukrainian diaspora also substantiated the location of the main gospel scenes in certain places on the walls of Christian religious buildings.
Style APA, Harvard, Vancouver, ISO itp.
4

Collins, Paul. "Museums as Vehicles for Defining Artistic Canons." In Testing the Canon of Ancient Near Eastern Art and Archaeology, 232–52. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190673161.003.0011.

Pełny tekst źródła
Streszczenie:
The modern Western encounter with the ancient Near Eastern canon has been mediated largely by museums. Indeed, for the vast majority of specialists and nonspecialists alike the material remains of the ancient Near East are accessible firsthand only through museums. This point is significant because it is now recognized that museum exhibitions and displays have an important role in the formation of disciplinary knowledge. This chapter considers the ways in which the British Museum in London has historically presented and thereby potentially shaped and reiterated canons of ancient Near Eastern art and archaeology, and how it was received and shaped in turn by the nonspecialist visitor. The British Museum has been selected because of its significant collections but also for its long institutional history that reflects changing approaches to display and interpretation.
Style APA, Harvard, Vancouver, ISO itp.
5

Dunbar, Julie C. "Medieval Liturgical Roots and the Documentation of the Western Art Music Canon." In Women, Music, Culture, 24–42. Routledge, 2020. http://dx.doi.org/10.4324/9780429028694-3.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
6

Arnold, Dana. "3. A global art history?" In Art History: A Very Short Introduction, 48–62. Oxford University Press, 2020. http://dx.doi.org/10.1093/actrade/9780198831808.003.0003.

Pełny tekst źródła
Streszczenie:
Are the practices of Western art history appropriate for the study of art from cultures outside its geographical boundaries and conventional timeframe? The bias in this interpretation of the subject opens up the questions of the importance of the canon in art history and how we view non-figurative, primitive, and naive art. ‘A global art history?’ considers a range of different examples of artistic practice from around the world, including the sculpture of the Dogon people of Mali and the calligraphy of Wu Zhen, who was active during the Yuan Dynasty (1271–1368). It also discusses what is meant by the ‘primitive’ arts of Oceania, Africa, and North and South America.
Style APA, Harvard, Vancouver, ISO itp.
7

Redaelli, Maria. "Timur Novikov. L’attualità del passato." In Taking and Denying Challenging Canons in Arts and Philosophy. Venice: Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-462-2/016.

Pełny tekst źródła
Streszczenie:
This contribution focuses on the activity of Timur Novikov (1958-2002) and his dynamic approach to Western or national patterns, to classicism or avant-gardism. His artistic activity stands as the perfect case study when discussing appropriations and negations in the development of an artistic canon. The focal point for interpreting Novikov’s dynamical activity is his trademark parodic approach to his work, through the use of the so-called stiob, and in the text this aspect will be analysed on the basis of Linda Hutcheon’s theory of parody ([1985] 2000). Examining Novikov’s career, taking and denying different aesthetic canons, is essential to understand the development of Russian contemporary art.
Style APA, Harvard, Vancouver, ISO itp.
8

Palis, Eleni. "Quoting Genre and Creating Canon." In Classical Projections, 16–32. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197558171.003.0002.

Pełny tekst źródła
Streszczenie:
Chapter 1 interrogates the (incorrect) popular and scholarly assumption that both allusion in general and film quotation in particular is unique to or revolutionized by the “film generation,” the first major cohort of film school–educated filmmakers. Peter Bogdanovich’s Targets (1968) and Martin Scorsese’s Mean Streets (1973) both reflect the ongoing transition between classical and post-classical industry and style; therein film quotation provides strategic authorial and authenticating presences, through which Bogdanovich and Scorsese assemble and then insert themselves into a classical “canon.” Bogdanovich and Scorsese’s strategic, selective film quotational practice positions classical Hollywood as their patrilineal “inheritance,” as young white, straight men breaking into a historically white, straight, male-dominated industry. These demographic claims to a “classical” art-historical and industrial inheritance appear in their classical Hollywood quotations, which emphasize male spectacle, especially in the Western and film noir genres, to validate masculine genealogy, ownership, and power during Hollywood’s post-classical period.
Style APA, Harvard, Vancouver, ISO itp.
9

Altman, Andrew. "The MacKinnon-Dworkin Ordinance." In Debating Pornography, 114–23. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199358700.003.0005.

Pełny tekst źródła
Streszczenie:
Several decades ago, Catharine MacKinnon and Andrea Dworkin formulated and advocated for legislation to restrict pornography. Repudiating the obscenity approach, the legislation was shaped as addressing the equal civil rights of women. This chapter explores their ordinance and criticizes important aspects of it. Even though many critics of the ordinance exaggerate the legal restrictions that it imposes, MacKinnon’s claim that the law has nothing in common with censorship is rejected. And the ordinance would arguably make actionable the display of works belonging to the canon of great Western art, notwithstanding MacKinnon’s contention to the contrary.
Style APA, Harvard, Vancouver, ISO itp.
10

"Silence in the Western Canon." In Decolonizing Arts-Based Methodologies, 1–16. Brill | Sense, 2020. http://dx.doi.org/10.1163/9789004446120_001.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.

Streszczenia konferencji na temat "Western art canon"

1

Лещенко, С., S. Leschenko, А. Катлине Коблев, and A. Katline Koblev. "ANALYSIS OF BANK PROTECTION MEASURES CANYON IN THE COAST OF NEW IMERETI VALLEY IN THE ADLER DISTRICT OF SOCHI." In Sea Coasts – Evolution ecology, economy. Academus Publishing, 2018. http://dx.doi.org/10.31519/conferencearticle_5b5ce3d0199488.77738502.

Pełny tekst źródła
Streszczenie:
The Imeretinsky lowland – the central fragment of a large Black Sea terrace of the Caucasian coast of Russia, is located in interfluve the rivers Mzymty and Psou. In its central and western part large sports complexes of the winter Olympic Games "Sochi-2014" and the Olympic village are under construction. It has led to necessity of engineering protection of coast from the constructed port Imeretinsky to east board of cape of Konstantinovsky.
 In the report the site located from the Southern pier of port to the western board of cape of Konstantinovsky is considered. On a site the underwate
Style APA, Harvard, Vancouver, ISO itp.
2

Gueveneux, Hervé, and Philippe Le Buhan. "Hybrid Riser Tower Design: Evolution, Operational Efficiency and Compliance to Ultra Deep Offshore Challenge." In ASME 2014 33rd International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/omae2014-23882.

Pełny tekst źródła
Streszczenie:
The riser system selection and sizing is one of the most challenging design issues of the subsea world specifically for deepwater applications. Bundle riser towers have been used for few deep water developments since the late 1990s and have demonstrated their capacity to meet the operational constraints in terms of field layout congestion, flow assurance, mechanical design, fabrication and installation etc. From the pioneer application in the Gulf Of Mexico (Green Canyon 29 – 1988) to the 2nd generation systems in Western Africa (GIRASSOL to Rosa or CLOV), the design of Hybrid Riser Towers has
Style APA, Harvard, Vancouver, ISO itp.
3

Acheampong, Samuel, William Ampomah, Jiawei Tu, Robert Balch, Matt Eales, Robert Trentham, Richard Esser, Candace Cady, Martha Cather, and El-Kaseeh George. "Development of Site Characterization and Numerical Modeling Workflow of Acid Gas Injection for MRV-45Q Application." In SPE Improved Oil Recovery Conference. SPE, 2022. http://dx.doi.org/10.2118/209416-ms.

Pełny tekst źródła
Streszczenie:
Abstract As part of the project funded under the Carbon Utilization and Storage Partnership (CUSP) of the Western United States, this paper demonstrates a workflow including site characterization and numerical simulation efforts of proposing a Monitoring, Reporting, and Verification (MRV) plan to the U.S. Environmental Protection Agency (EPA) for approval according to 40 CFR 98.440 (c)(1), Subpart RR of the Greenhouse Gas Reporting Program (GHGRP) to qualify for the tax credit in section 45Q of the federal Internal Revenue Services (IRS) Code. In this project, the injectors and treated acid ga
Style APA, Harvard, Vancouver, ISO itp.
4

Rudnicka-Bogusz, Marta. "Standardization and innovation in military housing, leisure homes and public buildings in the interwar period Poland." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002340.

Pełny tekst źródła
Streszczenie:
When after WWI Poland regained its independence, in the need to repair war damage the young state saw an opportunity to modernize and visually unify the country after a century of tripartite partitions. The difficult housing conditions severely affected the officers and non-commissioned officers (NCO’s), as the garrisons were established anew and the personnel did not have lodgings from the pre-war times and did not have the funds to purchase them. In 1925, an act was passed establishing the Military Housing Fund with a budget of 140 million polish zotych. In the years 1927-1934, the Fund buil
Style APA, Harvard, Vancouver, ISO itp.

Raporty organizacyjne na temat "Western art canon"

1

Lane, L. S., and M. P. Cecile. Bedrock geology, Mount Hare, Yukon, NTS 116-I/9. Natural Resources Canada/CMSS/Information Management, 2021. http://dx.doi.org/10.4095/290067.

Pełny tekst źródła
Streszczenie:
The Mount Hare map area extends across the western limb of the Richardson anticlinorium in the southern Richardson Mountains, northern Yukon. It is underlain by four Paleozoic sedimentary successions: middle Cambrian Slats Creek Formation, middle Cambrian to Early Devonian Road River Group, Devonian Canol Formation, and Late Devonian to Carboniferous Imperial and Tuttle formations. The Richardson trough depositional setting of the first three successions is succeeded by a deep-marine, turbiditic Ellesmerian orogenic foredeep setting for the Imperial-Tuttle succession. The carbonate-dominated R
Style APA, Harvard, Vancouver, ISO itp.
2

Lane, L. S. Bedrock geology, Mount Raymond, Yukon, NTS 116-I/8. Natural Resources Canada/CMSS/Information Management, 2022. http://dx.doi.org/10.4095/329963.

Pełny tekst źródła
Streszczenie:
The Mount Raymond map area incorporates the western limb of the Richardson anticlinorium, southern Richardson Mountains, northern Yukon. It is underlain by four Paleozoic sedimentary successions: middle Cambrian Slats Creek Formation, Cambrian to Early Devonian Road River Group, Devonian Canol Formation, and Late Devonian to Carboniferous Imperial and Tuttle formations. The Richardson trough depositional setting of the first three successions is succeeded by a deep-marine, turbiditic, Ellesmerian, orogenic foredeep setting for the Imperial-Tuttle succession. Several major thrust faults and rel
Style APA, Harvard, Vancouver, ISO itp.
3

Cecile, M. P., B. S. Norford, G. S. Nowlan, and T. T. Uyeno. Lower Paleozoic stratigraphy and geology, Richardson Mountains, Yukon (with stratigraphic and paleontological appendices). Natural Resources Canada/CMSS/Information Management, 2022. http://dx.doi.org/10.4095/329454.

Pełny tekst źródła
Streszczenie:
The Richardson Trough was a rift basin on the southern margin of an ancestral Iapetus Ocean. It was part of a complex paleogeography that included at least two major rift basins on western Franklinian and northern Cordilleran continental shelves. This paleogeography included the Ogilvie Arch, Porcupine Platform, Blackstone 'supra-basin', Babbage Basin, Husky Lakes Arch, Richardson Trough, Mackenzie Arch, Lac des Bois Platform, and the White Mountains and Campbell uplifts. The Richardson Trough was the failed arm of a triple rift system that formed when an early Paleozoic Iapetus Ocean develope
Style APA, Harvard, Vancouver, ISO itp.
Możesz być także zainteresowany rozszerzonymi bibliografiami na temat „Western art canon” dla poszczególnych typów źródeł:
Artykuły w czasopismach Książki
Oferujemy zniżki na wszystkie plany premium dla autorów, których prace zostały uwzględnione w tematycznych zestawieniach literatury. Skontaktuj się z nami, aby uzyskać unikalny kod promocyjny!

Do bibliografii