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Rozprawy doktorskie na temat „William Makepeace”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 29 lipca 2024

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1

Moya, Ana. "La Mujer y el matrimonio en las principales novelas de William Makepeace Thackeray." Doctoral thesis, Universitat de Barcelona, 1989. http://hdl.handle.net/10803/1673.

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El objetivo principal de este tesis doctoral es el poner de relieve le evolución que se de en W. M. Thackeray en cuanto al tratamiento de la mujer y del matrimonio en sus noveles, evolución que nos lleva a pensar en un Thackeray progresista y reformista respecto de la sociedad de su tiempo. Los temas "mujer" y "matrimonio" han sido estudiados conjuntamente por considerar que en la obra de Thackeray el matrimonio aparece como la vertiente social de la mujer (el papel da ésta en la sociedad que Thackeray describe es el matrimonio), constituyendo ambos temes de este modo un todo inseparable en la

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2

Simons, Gary. ""Show Me the Money!": A Pecuniary Explication of William Makepeace Thackeray's Critical Journalism." Scholar Commons, 2011. http://scholarcommons.usf.edu/etd/3347.

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Scholars have heretofore under-examined William Makepeace Thackeray's early critical essays despite their potential for illuminating Victorian manners and life. Further, these essays' treatments of aesthetics, class, society, history, and politics are all influenced by the pecuniary aspects of periodical journalism and frequently expose socio-economic attitudes and realities. This study explicates the circumstances, contents, and cultural implications of Thackeray's critical essays. Compensatory payments Thackeray received are reconciled with his bibliographic record, questions regarding Thack

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3

Lasak, Jessica Lee. ""So much for the dixonary" the rejection of Johnsonian linguistic authority in "Vanity Fair" and "The Mill on the Floss" /." Click here for download, 2007. http://proquest.umi.com/pqdweb?did=1342744831&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.

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Thornton, Sara M. "La vanité du texte : l'oeuvre de W.M. Thackeray 1837-1848." Paris 3, 1992. http://www.theses.fr/1992PA030118.

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Dans l'oeuvre de thackeray ecrire est depeint comme une activite malsaine. Le lecteur remarque que tous ceux qui ecrivent, lisent, trafiquent ou contribuent de quelle maniere que ce soit a la fabrication et a la distribution de textes sont en quelque sorte souilles par ce contact impur. Afin d'eclaircir l'attitude de thackeray envers le texte, ce travail considere le statut du texte dans le texte thackerayen ainsi que la position de l'auteur vis-avis de l'ecriture comme mode de representation. Le texte de thackeray est examine a travers et a l'aide des differentes definitions du mot "vanite":

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Massey, Ellen. "Boggley wollah and "sulphur-steams" colonialism in "Vanity fair" and "Jane Eyre" /." Click here for download, 2009. http://proquest.umi.com/pqdweb?did=1698507681&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.

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Vega-Ritter, Max. "Dickens et Thackeray, essai d'analyse psychocritique : des "Pickwick papers" à "David Copperfield" et de "Barry Lyndon" à "Henry Esmond"." Montpellier 3, 1986. http://www.theses.fr/1986MON30003.

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Rontree, Mary Elizabeth. "Satire and parody in the fiction of Thomas Love Peacock and the early writings of William Makepeace Thackeray, 1815-1850." Thesis, University of Gloucestershire, 2004. http://eprints.glos.ac.uk/3130/.

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This thesis examines the works of Peacock and the early periodical contributions of Thackeray in the light of recent twentieth-century critical interpretations of satire. In particular, attention to Peacock's use of elements of the Menippean sub-genre in his satirical fiction offers a reassessment of his place in the literary tradition. While Thackeray's early writings demonstrate some characteristics of Menippean satire, a review of his work from the broader perspective of Bakhtin's exposition of carnival influences in serio-comic literature provides a new understanding of the origins and use

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8

Mackenzie, Hazel. ""Allow me to introduce myself - first, negatively" : Charles Dickens, Anthony Trollope, William Makepeace Thackeray and first-person journalism in the 1860s family magazine." Thesis, University of York, 2010. http://etheses.whiterose.ac.uk/1490/.

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This thesis examines the editorial contributions of W.M. Thackeray, Charles Dickens and Anthony Trollope to the Cornhill Magazine, All the Year Round and Saint Pauls Magazine, analyzing their cultivation of a familiar or personal style of journalism in the context of the 1860s family magazine and its rhetoric of intimacy. Focusing on their first-person journalistic series, it argues that these writers/editors used these contributions as a means of establishing a seemingly intimate and personal relationship with their readers, and considers the various techniques that they used to develop that

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9

Decaux, Sylvie. "Journalisme et journalistes à l'aube de l'ère victorienne : Thackeray, modèle ou miroir de son temps ?" Paris 3, 1994. http://www.theses.fr/1995PA030034.

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Dans une perspective plus large d'interrogation sur le journalisme litteraire tel qu'il se pratiquait au debut de l'epoque victorienne, cette etude s'attache au "cas" thackeray qui fut journaliste professionnel entre 1837 et 1847. Apres une evocation de la presse vers 1840, sont analyses les differents aspects de la carriere de thackeray, ainsi que le contenu de ses recits journalistiques (critique litteraire, critique d'art, critique gastronomique, recits de voyage, papiers d'observation social, parodies, etc. ) il apparait que thackeray, tout en restant tout a fait typique de son temps, a fo

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10

Berggren, Elin. "Characterization in Social Satire : A comparative analysis of the heroines Elizabeth Bennet in Jane Austenʼs Pride and Prejudice, and Becky Sharp in William Makepeace Thackerayʼs Vanity Fair". Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-40753.

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This essay presents a comparative analysis of the characterizations of the female protagonists Elizabeth Bennet in Jane Austen̕ s Pride and Prejudice (1813), and Becky Sharp in William Makepeace Thackeray̕ s Vanity Fair (1847-1848). The analysis is conducted from a gender perspective, and with the use of feminist criticism. The two novels complement each other since they are both satirical images of society, concerning aspects such as class and gender. Also, both novels portray women climbing the class ladder, during the period of the Napoleonic wars. In the comparison, the main focus lies on

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11

Olasz, Ildiko Csilla. "Moving eyes, shifting minds the horizon of expectations in the verbal and visual reception of mid- and late-Victorian illustrated novels /." Diss., Connect to online resource - MSU authorized users, 2008.

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12

Bromling, Laura Cappello, and University of Lethbridge Faculty of Arts and Science. "From the pens of the contrivers : perspectives on fiction in the nineteenth-century novel." Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 2003, 2003. http://hdl.handle.net/10133/154.

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This thesis investigates the way that moral and aesthetic concerns about the relationship between fiction and reality are manifested in the work of particular novelists writing at different periods in the nineteenth century, Chapter One examines an early-century subgenre of the novel that features deluded female readers who fail to differentiate between fantasy and reality, and who consequently attempt to live their lives according to foolish precepts learned from novels. The second chapter deals with the realist aesthetic of W. M. Thackeray; focusing on the techniques by which his fiction mar

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13

Roberts, Timothy Paul English UNSW. "Little terrors:the child???s threat to social order in the Victorian bildungsroman." Awarded by:University of New South Wales. English, 2005. http://handle.unsw.edu.au/1959.4/23930.

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This thesis is a study of rebellious child protagonists in Victorian bildungsroman. It discusses five novels ??? Jane Eyre, The Mill on the Floss, What Maisie Knew, Vanity Fair and Kim ??? that feature ???radical child??? protagonists who use indirect methods of narrative control to resist conservative models of character development. It argues that these novels form a subset of subversive English bildungsromane, which threaten the genre???s traditionally liberal values. Theories of narrative desire, reader seduction and discursive manipulation are used to reveal how the radical child in th

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14

Hsu, Pi-fen, and 許碧芬. "The Position of Women in William Makepeace Thackeray's Vanity Fair." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/37466965342242877558.

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碩士<br>中國文化大學<br>英國語文學研究所<br>97<br>The aim of this thesis is to examine the two controversial heroines in William Makepeace Thackeray’s Vanity Fair, Becky Sharp and Amelia Sedley. Amelia is a naïve, faithful, self-effacing woman who always tries to meet patriarchal expectations for women. From a Victorian point of view, she is regarded as an ideal woman. In comparison, Becky is selfish, self-confident and cunning. In order to achieve her goals, she departs from the model of traditional femininity. A female rebel against tradition was the standard image for bad women in the Victorian perio

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15

Goldfarb, Sheldon F. "William Makepeace Thackeray’s Catherine : a story : a critical edition with commentaries." Thesis, 1992. http://hdl.handle.net/2429/3280.

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This dissertation consists of a critically edited text of William Makepeace Thackeray's first novel, Catherine, along with a complete set of annotations, an extensive textual apparatus, appendices reprinting the sources for the real-life murder story on which Thackeray based his novel, and commentaries discussing the politics of the novel, the textual history and textual difficulties of the novel, and the novel's literary and historical context. In the absence of the manuscript, the copy-text for this edition is the first edition from Eraser's Magazine in 1839-40, the only edition from

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16

Mallow, Dawn. "Attitude toward women in Thackeray's "Catherine", Collins's "Man and Wife", and Dickens's "Dombey and Son" (William Makepeace Thackeray, William Wilkie Collins, Charles Dickens)." Thesis, 1993. http://hdl.handle.net/1911/13760.

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Catherine, Man and Wife, and Dombey and Son will be compared with respect to their treatment of women characters. Each novel is either sympathetic to feminism and the treatment of women as equals, or constraining in its attitudes toward women. This assessment will be based on the fate of the rebellious woman character, the degree of conventionality found in its women characters and whether the attitudes toward women expressed generally in the novel are enlightened, or conventional. Also discussed will be how novels by nineteenth-century British novelists such as Thackeray and Collins and ninet

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17

Smallwood, Christine. "Depressive Realism: Readings in the Victorian Novel." Thesis, 2014. https://doi.org/10.7916/D88W3BXV.

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This dissertation makes two arguments: First, it elaborates a depressive genealogy of the Victorian novel that asserts a category of realism rooted in affect rather than period or place. Second, it argues for a critical strategy called "depressive reading" that has unique purchase on this literary history. Drawing on Melanie Klein's "depressive position," the project asserts an alternative to novel theories that are rooted in sympathy and desire. By being attentive to mood and critical disposition, depressive reading homes in on the barely-contained negativities of realism. Through readings of

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18

Glovinsky, Will. "Unfeeling Empire: The Realist Novel in Imperial Britain." Thesis, 2021. https://doi.org/10.7916/d8-4cyr-hb47.

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This dissertation considers the role of affective management in realist aesthetics and British imperial culture. Drawing on formalist analyses of English novels, nineteenth-century theories of emotion, and postcolonial accounts that identify the colonizer’s affective desensitization as the ground from which ongoing violence can be perpetrated, this study explores how domestic English novels developed new techniques for deflating the heightened feelings surrounding empire and distant intimacy. Through satires of sensibility, the replacement of epistolary style with impersonal omniscience, and n

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