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Autor: Grafiati

Data publikacji: 2 czerwca 2025

Data aktualizacji: 31 lipca 2025

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1

Son, Munmi. "Dance as Healing Therapy| The Use of Korean Traditional Mission Dance in Overcoming Oppression." Thesis, California State University, Los Angeles, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10814071.

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<p> Korean traditional mission dance originates in worship ceremonies in Christian churches and missionary settings, but inherits movement, floor patterns, and motifs from Korean folk dances that are performed as ceremonial rituals. This thesis suggests that as women connect to the healing power present in Korean traditional dance and its hybrid forms, they may be aided in healing from negative experiences with sexist oppression. The author discusses intersectional oppression she experienced in Korea through an autoethnographic research process, her experiences with Korean traditional mission

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Amin, Takiyah Nur. "Dancing Black Power?: Joan Miller, Carole Johnson and The Black Aesthetic, 1960-1975." Diss., Temple University Libraries, 2011. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/143846.

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Dance<br>Ph.D.<br>This dissertation examines the work of two African-American female choreographers, namely Joan Miller and Carole Johnson, and their engagement with the Black Aesthetic during the height of the Black Arts movement in America. The work seeks to examine how these subjects articulated, shaped, responded to, extended, critiqued or otherwise engaged with the notion of the Black aesthetic primarily through the mediums of concert dance and choreography. In consideration of the above, I conducted two, single subject case studies with Joan Miller and Carole Johnson in order to better u

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Stubblefield, Shannon. "The nude female performer." Thesis, Mills College, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1562505.

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<p>A live nude female performer can occupy a powerful identity equal to a man because she willingly places herself in front of an audience. She commits to this state of profound vulnerability as a means of gaining ownership of her body that men by virtue of their power in society take for granted. The female body occupies physical space, unlike how a body image seen on a television or in a magazine does. The actuality of the live female nude creates a transformation from the purely sexualized body to an authentic female nude body. This authentic female nude body, via her control of her physica

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Jerome, Alexandra Me'av Anne Ellinwood. "Shahrazad in the White City: Muslim Women's Agency through Performance at the Columbian Exposition." W&M ScholarWorks, 2011. https://scholarworks.wm.edu/etd/1539626645.

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Hinchliff, Sharron. "Phenomenology and the dance culture : women's perceptions of ecstasy use, clubbing and the body." Thesis, Sheffield Hallam University, 2001. http://shura.shu.ac.uk/20721/.

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In-depth interviews were conducted with women who use ecstasy for recreation, mainly in the context of the dance event. The aim was to discover the meaning of ecstasy use, and its surrounding culture, for women in the late 1990s. A further endeavour involved disclosing how the body was experienced at the dance event and what this meant to the women. Existential phenomenological analysis led to the following key conclusions. The dance event is experienced as a social space that allows women to be themselves and find a strong sense of belonging. There may be apparent dependence upon the experien

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Henderson, Clara E. "Dance discourse in the music and lives of Presbyterian Mvano women in southern Malawi." [Bloomington, Ind.] : Indiana University, 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3380085.

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Thesis (Ph.D.)--Indiana University, Depts. of Folklore and Ethnomusicology, 2009.<br>Title from PDF t.p. (viewed on Jul 13, 2010). Source: Dissertation Abstracts International, Volume: 70-12, Section: A, page: 4494. Adviser: Ruth M. Stone.

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7

Odhiambo, Seonagh. "A Conversation With Dance History: Movement and Meaning in the Cultural Body." Diss., Temple University Libraries, 2008. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/25258.

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Dance<br>Ph.D.<br>This study regards the problem of a binary in dance discursive practices, seen in how "world dance" is separated from European concert dance. A close look at 1930s Kenya Luo women's dance in the context of "dance history" raises questions about which dances matter, who counts as a dancer, and how dance is defined. When discursive practices are considered in light of multicultural demographic trends and globalisation the problem points toward a crisis of reason in western discourse about how historical origins and "the body" have been theorised. Within a western philosophical

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8

Bergman, Christine. "Becoming Undisciplined: Interdisciplinary Issues and Methods in Dance Studies Dissertations from 2007-2009." Diss., Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/178527.

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Dance<br>Ph.D.<br>The purpose of this study is to begin to articulate the theoretical identity of the field of dance studies as an academic discipline and to produce a feminist intervention into the phenomena of disembodied scholarship, while asking questions about disciplinarity and interdisciplinarity within dance studies historically and today. My primary research questions are: What are dance studies research methods? And, which research methods, if any, are inherent to dance as an academic discipline? In order to answer these seemingly direct and simple questions, I also question the assu

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Wells, Charmian Chryssa. "Diaspora Citation: Choreographing Belonging in the Black Arts Movement." Diss., Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/534875.

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Dance<br>Ph.D.<br>This dissertation examines the work of concert dance artists within the Black Arts Movement (1965-75) in order to situate the impact of their work in the present. I use a method of diaspora citation to comprehend their choreographic strategies in articulating forms and critiques of belonging that continue to resonate today. My method builds on Brent Hayes Edwards’ theorization of diaspora as an articulated, or joined, structure of belonging (Edwards, 2003). This necessitates attending to décalage, or the incommensurable gaps in experience and differentiations of power across

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Magowan, Fiona C. "Melodies of mourning : a study of form and meaning in Yolngu women's music and dance in traditional ritual and Christian contexts." Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.259998.

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Katzman, Laura Brooks 1984. "Body Talk: Choreographic Revelations on a Dancer's Body Image and Experience." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11514.

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xi, 81 p. : ill.<br>The purpose of my choreographic research is to challenge traditional tendencies in Western culture that objectify the dancing body and instead suggest different ways of understanding and seeing the body. My research strategized ways in which the choreographer might create opportunities to validate body image experiences of female dancers in a collaborative choreographic endeavor rooted in feminist pedagogy practices. Qualitative methodology included improvisation, journaling, and group discussions to enable the dancers to express themselves subjectively through words and mo

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Shanahan, Mary. "My Name is a Blackbird: Dancing Toward a Productive Ontology of Change." Diss., Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/570655.

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The dissertation is a theoretical autobiography weaving personal narrative, reflective practice, and engagement with extant sources, emphasizing somatic innovators and French philosophers Giles Deleuze and Felix Guattari. Rhizomatically structured, the dissertation takes as its locus of content My Name is a Blackbird, an extended choreographic project and series of performances I enacted between 2006 and 2010. Research begun during Blackbird further bled into subsequent years of solo and ensemble dance practice and performance, teaching, and contemplation, and continued to manifest personally

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Still, Kara B. "The Dance /." Electronic version (PDF), 2004. http://dl.uncw.edu/etd/2004/stillk/karastill.pdf.

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Saraogi, Avantika. "The Bollywood Item Number: From Mujra to Modern Day Ramifications." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/215.

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This thesis deals with the “item number” genre of Bollywood song and dance sequences. I argue that the item song has evolved from a combination of the historically rich culture of prostitution in old India and the western influence of modern times; and that it contributes highly to the male dominated patriarchal society perpetuated by Hindi films by means of the voyeuristic male gaze and objectification of the female body. In conjunction with this research I choreographed a dance called Item No. 3 that was performed in Scripps Dances 2013. A discussion of the significance and decisions behind

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Bone, Wendy L. "Because of Thy Exceeding Faith: A Choreographic Portrayal of Women in The Book of Mormon." BYU ScholarsArchive, 2001. https://scholarsarchive.byu.edu/etd/4540.

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This thesis is a choreographic exploration that illuminates and defines moments in the lives of women who are mentioned in the Book of Mormon. These women are Sariah; the wife of King Lamoni and Abish, her servant; and the Ammonite mothers of Helaman's two thousand stripling warriors. It is through these stories that their faith was evident. By understanding the roles these women played in the history of the Book of Mormon, we can use their example to strengthen our own testimonies.It was discovered through this process that, although one can read about the life of another, a deeper understand

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Ho, Christiana K. "The Intersection of Women, Aestheticism and Dance in the Scripps College Dance Department." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/675.

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This is a creative writing: nonfiction thesis investigating how the Scripps College Dance Department came to be and serves a testament to the tenacity of the Scripps College Dance Department. This thesis explores different interconnected histories, regarding women's bodies, women's colleges and dance pioneers at the turn of the twentieth-century, to help explain why dance has the place it does in higher education, offering dance as a space for aestheticism in academia and focusing on the particular intersection of dance, aestheticism and women in a dance department at a women's college. Perhap

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Poona, Sobhna Keshavelal. "Dance and sexual politics some implications of the status of women in selected dance forms." Thesis, Rhodes University, 1992. http://hdl.handle.net/10962/d1002377.

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This thesis explores, from a feminist perspective, some implications on the status of women in selected dance forms, and addresses the perceptions of women as 'inferior' and 'subordinate'. One of the intentions behind the work was, indeed, to challenge prevailing perceptions and create an awareness of sexism, capitalism and patriarchy, especially for the uncritical and uninformed who have become its victims. Part 1 offers an analysis of the premises upon which social, political and economic inequality are founded and consolidated, with specific reference to sexual inequality and sexual prejudi

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Soares, Luciane Silveira. "Memórias em movimento : histórias do Grupo de Dança da UFRGS." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2012. http://hdl.handle.net/10183/67162.

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Este estudo de caráter histórico teve como objetivo reconstruir alguns fragmentos da história do Grupo de Dança da Universidade Federal do Rio Grande do Sul (UFRGS) a partir da narrativa de alguns bailarinos, professores e coreógrafos que o integraram. Como recorte temporal, foi escolhido o período compreendido entre 1976, ano de sua criação, e 1983 quando aconteceu o seu término. A pesquisa está amparada nos pressupostos teóricometodológicos da história cultural e da história oral, utilizando como fontes materiais impressos e depoimentos orais. O grupo foi fundado na Escola Superior de Educaç

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Murrock, Carolyn J. "DANCE AND PHYSICAL ACTIVITY IN AFRICAN AMERICAN WOMEN." Case Western Reserve University School of Graduate Studies / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=case1159901402.

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Zitzelsberger, Louise. "The self dancing, four stories of professional women dancers." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape7/PQDD_0009/NQ38803.pdf.

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Sears, Linda R. (Linda Roseanne). "Women and Improvisation: Transgression, Transformation and Transcendence." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc935798/.

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This feminist study examines women's use of improvisation in discovering, creating, and articulating various self-identities. To create a theory of identity formation, two feminist theoretical position, essentialism and poststructuralism, are analyzed and merged. This hybrid theory addresses the interplay between the self and society that women must recognize in order to form satisfying identities. Improvisational practices, involving bodily awareness and movement, are demonstrated to have the potential for helping women to actualize themselves in these various identities. For this study, the

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Long, Julie-Anne, University of Western Sydney, of Performance Fine Arts and Design Faculty, and School of Contemporary Arts. "The leisure mistress dances : an investigation of a practice where fact and fiction collide." THESIS_FPFAD_CAR_Long_J.xml, 1999. http://handle.uws.edu.au:8081/1959.7/541.

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The leisure mistress project is a perverse contemporary burlesque about leisure and inactivity investigated through a low-key style of dance performance, in an age where leisure pursuits are exhausting business. Julie-Anne questions her notions of dance, its place in her life and her work and challenges other ideas about what dance is. The concerns of the work include social, political, cultural and aesthetic issues. The core theme of leisure facilitates cultural investigation via performance with social critique being implicit. The process and the product are private, personal, idiosyncratic

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Emke, Ruth Marie. "Women in mission a dance with a different rhythm /." Theological Research Exchange Network (TREN), 1988. http://www.tren.com.

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Farrugia, Rebekah L. "Spin-sters women, new media technologies and electronic/dance music /." Diss., University of Iowa, 2004. http://ir.uiowa.edu/etd/112.

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Oehlers, Adrienne M. "Spectacular Women: The Radio City Rockettes from 1925 to 1971." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1503321546482266.

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Perkins, Miriam Yvonne. "The silent move a reading and interpretation of Mark 5:21-43 /." Theological Research Exchange Network (TREN), 1997. http://www.tren.com.

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Niemann, Claudia, Ben Godde, and Claudia Voelcker-Rehage. "Senior Dance Experience, Cognitive Performance, and Brain Volume in Older Women." Universitätsbibliothek Chemnitz, 2016. http://nbn-resolving.de/urn:nbn:de:bsz:ch1-qucosa-211789.

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Physical activity is positively related to cognitive functioning and brain volume in older adults. Interestingly, different types of physical activity vary in their effects on cognition and on the brain. For example, dancing has become an interesting topic in aging research, as it is a popular leisure activity among older adults, involving cardiovascular and motor fitness dimensions that can be positively related to cognition. However, studies on brain structure are missing. In this study, we tested the association of long-term senior dance experience with cognitive performance and gray matter

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Tharawan, Kanokwan. "Private dance floor in public space : Contested sexualities among Thai women /." Diss., Digital Dissertations Database. Restricted to UC campuses, 2009. http://uclibs.org/PID/11984.

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Buenaflor, Judith L. "Ursula Brangwen the lady of the dance /." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1998. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.A.)--Kutztown University of Pennsylvania, 1998.<br>Source: Masters Abstracts International, Volume: 45-06, page: 2842. Typescript. Abstract precedes thesis as preliminary leaves [1]-2. Includes bibliographical references (leaves 80-84).

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Roy, Sylvie. "We are Still Dancing: Métis Women’s Voices on Dance as a Restorative Praxis for Wellbeing." Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/34612.

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The purpose of this work is to center dance at the heart of Métis identity expressions, where reconnecting with who we are through dance is intimately grounded within an Indigenous understanding of restoring wellbeing. Exploring the experiences of four prominent Métis women allowed a space to celebrate the voice of dancers as they make sense of what it means to practice Métis dance within their lives. This research further focuses on the experiences of Métis dance as an understanding of Indigenous wellbeing. The lived experiences were collected and reviewed within an Indigenous research framew

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Potter, Jeannine Therese. "The Mobility of Women in Tapered Shoes: A Self-Proclaimed Ballerina Examines Classical Ballet Performance, Feminist Theory and Bess Imber's A Woman: England, 1942." The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392743416.

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Keller, Matthew J. "DANCENOISE DECLARES OPEN SEASON ON THE DOCILE BODY: DANCE STUDIES AND FEMINIST THEORY." Ohio University Honors Tutorial College / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1493393510333692.

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Boivineau, Pauline. "Danse contemporaine, genre et féminisme en France (1968-2015)." Thesis, Angers, 2015. http://www.theses.fr/2015ANGE0034/document.

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Cette thèse porte sur un objet complexe liant danse contemporaine, genre et féminisme dans l’espace français de 1968 à 2015. La danse partage les préoccupations des militantes féministes à l’égard des problématiques d’identité, de sexualité, d’émancipation,de déconstruction du genre et des binarismes, de recherche universaliste ou de féminitude. Nous analysons comment le féminisme informe les artistes qui, quelle que soit l’époque, peinent à se dire féministes ou à penser leur art comme l’expression de leur engagement. Considérer le potentiel subversif de la danse implique une analyse de son r

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Hambly, Deborah J. "Spiritual experiences of women in physical activity, sport, martial arts and dance." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0001/MQ28893.pdf.

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Curra, Audrey D. "Body and Dream| Authentic Movement and Dream Work Evoking the Great Mother Archetype Within Psyche." Thesis, Pacifica Graduate Institute, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10076219.

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<p> This thesis examines the use of two depth psychological techniques, somatic active imagination, known as authentic movement, and dream work in aiding a woman to embody elements of the Great Mother archetype within her psyche. These techniques act to unearth unconscious material, providing access to archetypal symbology. They help identify and explore the boundless archetypal content within, drawing it from the unconscious into consciousness for psychic integration. Dreams and authentic movement sessions are used to demonstrate how one might assist a woman in developing an embodied relation

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Bock, Sheila Marie. "From harem fantasy to female empowerment : rhetorical strategies and dynamics of style in American belly dance /." Connect to resource, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1144685165.

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Blaha, Jonalyn R. "Riding the Bliss Wave| A Thematic Analysis of Intuitive Entheogen Dance Experiences in Women." Thesis, California Institute of Integral Studies, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10618687.

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<p> This study used consensual qualitative methods to explore the lived, embodied experiences of intuitive entheogen dance experiences (IEDE) in women. Thematic analysis was used to analyze the transcribed interviews. The specific primary aim of the study was to investigate the following research question: What is the lived experience of IEDE, and how can this experience be understood through a psychological perspective? Secondary aims explored the following questions: (a) How does one arrive at IEDE? and (b) What meaning and purpose comes about the experience of IEDE? Six participants were in

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Ravikumar, Meghana. "The Dancer vs. The Adjudicator: Devadasi Resistance in the 19th-Century Court." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/987.

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This thesis investigates the dynamics between devadasi women and judges in the Anglo-Indian court in the Madras Presidency of 19th-century colonial India. The thesis focuses on how the devadasis navigated the colonial legal system and the strategies they utilized as well as the role of the judges' preconceived notions and prejudice in determining the decisions they made.

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Del, Valle Marian. "Accompagner les processus créatifs de Monica Klingler, Barbara Manzetti et Marian del Valle (janvier 2009 - décembre 2012)." Phd thesis, Université Nice Sophia Antipolis, 2013. http://tel.archives-ouvertes.fr/tel-00966697.

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Ce projet de recherche en danse est né du désir et du besoin de questionner ma propre pratique artistique en danse contemporaine, en la mettant en perspective et en conversation avec celle de deux autres artistes chorégraphes, Monica Klingler et Barbara Manzetti. L'étude de ces (nos) pratiques, que j'ai qualifiées de "mineures" (au sens deleuzien) a été réalisée en les approchant par le "milieu", dans leur devenir, en les "accompagnant" pendant une période délimitée, celle de la durée de la thèse. Les questions qui dynamisent la recherche concernent les notions de présent et de vivant, contenu

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Webster, Carol Marie. "Transgressive Communion dance, performance and presence Jamaican Catholic women at the Liturgy of the Eucharist." Thesis, University of Leeds, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.590434.

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This dissertation is an exploration and critical discussion of two distinct bodies at the intersection of identity and economy, the body of the Jamaican Catholic female and the Body of Christ - the Liturgy of the Eucharist. Drawing tools from Africana, Caribbeanist and womanist thoughts and from dance and performance studies theories, methodological and analytical tools are constructed to explore Jamaican Catholic women's use of dance, presence and performance in/at the Catholic Liturgy of the Eucharist Since their 15th century encounter the African diasporic female body has held sway as borde

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Villa, Elena M. "Eloquent flesh : cross-cultural figurations of the dancer in nineteenth- and twentieth-century literature /." view abstract or download file of text, 2006. http://proquest.umi.com/pqdweb?index=0&did=1232398811&SrchMode=1&sid=1&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1180979327&clientId=11238.

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Thesis (Ph. D.)--University of Oregon, 2006.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 313-332). Also available for download via the World Wide Web; free to University of Oregon users.

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O'Brien, Elaine P. T. "Positive, Active, Older But Youthful Women & 'FitDance:' Uplifting Motivation and Adherence in Community Dance Exercise." Diss., Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/342271.

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Kinesiology<br>Ph.D.<br>ABSTRACT This qualitative research study investigated active, older, but youthful, women and their participation in a community exercise program, FitDance. This dance-fitness fitness program began in 1991, in cooperation with the New Jersey Governor’s Council on Alcoholism and Drug Abuse Community Alliance, with a goal of lowering alcoholism and addiction in senior adults. FitDance has been shown to actively contribute to members’ and their families’ health and well-being by providing effective aerobic dance-exercise training, enjoyment, and community. FitDance was foun

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Snyder, Marie Carmen Alonzo. "Contemporary female choreographers of Asian descent : three case studies of an evolving cultural expression in American modern dance /." Access Digital Full Text version, 1995. http://pocketknowledge.tc.columbia.edu/home.php/bybib/1178958x.

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Thesis (Ed.D.)--Teachers College, Columbia University, 1995.<br>Includes tables. Typescript; issued also on microfilm. Sponsor: Judith M. Burton. Dissertation Committee: Ann H. Dils. Includes bibliographical references (leaves 237-248).

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Long, Julie-Anne. "The leisure mistress dances : an investigation of a practice where fact and fiction collide." Thesis, View thesis, 1999. http://handle.uws.edu.au:8081/1959.7/541.

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The leisure mistress project is a perverse contemporary burlesque about leisure and inactivity investigated through a low-key style of dance performance, in an age where leisure pursuits are exhausting business. Julie-Anne questions her notions of dance, its place in her life and her work and challenges other ideas about what dance is. The concerns of the work include social, political, cultural and aesthetic issues. The core theme of leisure facilitates cultural investigation via performance with social critique being implicit. The process and the product are private, personal, idiosyncratic

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Dayton, Emily Fern. "The Creative Use of Dance/Movement Therapy Processes to Transform Intrapersonal Conflicts Associated with Sexual Trauma in Women." PDXScholar, 2010. https://pdxscholar.library.pdx.edu/open_access_etds/386.

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Abstract This qualitative research explores creative movement processes such as dance/movement therapy (DMT), authentic movement (AM), and creative dance (CD) as possible tools for transforming sexual trauma for women. Eleven movement professionals were interviewed in a semi-structured research format. My direct experience and knowledge of sexual abuse, sexual trauma, and creative movement processes are interwoven with the research question: do creative dance/movement therapy processes contribute to the dynamic of healing for women transforming sexual trauma? These findings are inconclusive fo

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Slatewala, Zahabia Z. "Objectification of Women in Bollywood Item Numbers." Scholar Commons, 2019. https://scholarcommons.usf.edu/etd/7948.

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Although sexual objectification is commonplace in media culture, music videos provide the most potent examples of it. The current investigation makes an important contribution to the relevant literature regarding the objectification of women in song lyrics while simultaneously broadening the content used to assess objectification. It reflects the ways of objectification of women in India by analyzing Bollywood rap and item songs. Based on objectification theory, one of the primary goals in the present study was to measure differences between visual and behavioral sexual objectification, drawin

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Macedo, Tadeu da Silva. "A mulher na visão poética de Dante." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8148/tde-05032013-121735/.

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Dante Alighieri foi poeta medieval que escreveu para a mulher versos amorosos em um período de profunda misoginia. Muitas são as presenças femininas nas suas poesias da fase lírica anterior à criação da Divina Comédia. Este estudo centra com especial atenção a visão que o poeta constrói da mulher durante a sua fase experimentalista e de escambo poético com amigos da escola poética florentina, o doce estilo novo, apontando que a linguagem e a visão da mulher são construídas durante esse período e estão presentes também na composição da Comédia, em particular no Inferno, Canto V, onde figura Fra

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Tornowski, Jill Deanna. "The effects of twice weekly aerobic dance training on selected anthropometric, cardiorespiratory, and motor fitness measures of college age women /." View online, 1987. http://repository.eiu.edu/theses/docs/32211998881819.pdf.

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Winarnita, Monika Swasti. "Dancing the feminine : performances by indonesian migrant women." Phd thesis, Canberra, ACT : The Australian National University, 2014. http://hdl.handle.net/1885/155797.

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This thesis is based on ethnographic fieldwork of practicing and performing dances with Indonesian migrant women dancers in Perth, Western Australia and socializing with the women and the communities they belong to. The fieldwork was conducted in 2007 with subsequent annual return trips until 2011, as well as through continued engagement by other forms of communication. This thesis follows the women's journeys and their efforts, firstly to gain recognition as professional cultural performers rather than being seen only as members of an amateur, housewife hobby dance group and secondly to eleva

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Young, Catherine Mary. "Do In-Line Dance, Progressively Loaded Squats and Foot Stomping Affect the Parameters of Fracture Risk in Postmenopausal Women?" Thesis, Griffith University, 2007. http://hdl.handle.net/10072/366122.

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Introduction: The incidence of hip fracture is increasing and the associated costs to individuals and the community needs to be vigorously addressed. This study was a randomized controlled intervention designed to examine the effects of a simple-to-do, easy-to-implement exercise programme on the elements of hip fracture risk which are known to be amenable to exercise therapy. Methods: Forty-five volunteers were randomly assigned to one of three groups. All groups attended one line dance class per week. Two groups additionally performed progressively loaded squats five times a week. One group

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