Gotowe bibliografie tematyczne / Work with puppets

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Gotowa bibliografia na temat „Work with puppets”

Autor: Grafiati

Data publikacji: 3 czerwca 2025

Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Work with puppets"

Ayers, Shan R. "American Puppetry: Collections, History and Performance. Edited by Phyllis T. Dircks. Foreward by Steve Abrams. Jefferson, NC: McFarland, 2004; pp. vii + 326. $39.95." Theatre Survey 46, no. 2 (2005): 351–53. http://dx.doi.org/10.1017/s0040557405400204.

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American Puppetry: Collections, History and Performance, edited by Phyllis T. Dircks, is a valuable collection of essays on the state of puppet theatre in America and useful documentations of extant collections that will serve puppeteers. Dircks identifies the need for this work in her introduction when she, rightly, comments that “[f]ortunately, thousands of puppets from various cultures and many time periods have been collected by scholars, enthusiasts and curators, who wisely realized that these material images can teach us much about the society for which they were crafted” (4). Her carefu

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Yoga, I. Wayan Swantara, I. Wayan Mudana, and I. Wayan Kondra. "BALI PUPPET IN CONTEMPORARY PAINTING ART." CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI 5, no. 1 (2025): 64–72. https://doi.org/10.59997/ctkr.v5i1.4492.

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The independent campus learning program is a policy of the Minister of Education and Culture, which aims to encourage students to master various knowledge that is useful for entering the world of work. This independent project study report highlights the concept of Balinese Shadow Puppetry in Contemporary Painting. Departing from the rare Shadow Puppetry which has become one of the inspirational ideas for creating art. The selection related to Shadow Puppet visuals in the creation of this work of painting presents the story of wayang as expressed through 6 (six) works of Painting. The problem

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Ambarastuti, Retno Dewi, Emma Rahmawati Fatimah, Ni Made Savitri Paramita, and Santi Andayani. "Digitalisasi Budaya Wayang Pothehi Melalui Film Dokumenter pada Komunikasi FU HE AN." Jurnal Gramaswara 5, no. 1 (2025): 115–24. https://doi.org/10.21776/ub.gramaswara.2024.005.01.12.

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Potehi puppetry is an art performance that uses puppets from South China, which came to Indonesia in the 16th and 17th centuries. The development of these puppet shows experienced ups and downs, especially the prohibition of everything with Chinese nuances, in 1967 and improved in 2000. The preservation and continuity of potehi puppets are also carried out by the Fu He An community, Gudo, Jombang, led by Toni Harsono. Toni Harsono's motivation to develop this community stems from his concern about the condition of many damaged potehi puppets, the scarcity of authentic potehi puppets, and his d

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Guidicelli, Carole, Anna Leone, Sara Maddalena, Didier Plassard, Janice Valls-Russell, and Jean Vivier. "On Pulchi Shake and Spear : An interview with Bruno Leone." Cahiers Élisabéthains: A Journal of English Renaissance Studies 117, no. 1 (2025): 128–36. https://doi.org/10.1177/01847678251339181.

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This interview explores the work of Bruno Leone, a Neapolitan puppeteer, credited with reviving the traditional Neapolitan guarattelle theatre. Leone discusses the history and characteristics of Guarattelle, a glove puppet theatre centred on the character of Pulcinella. He speaks of his training with Nunzio Zampella, his work in training new puppeteers, and the founding of the Scuola delle guarattelle. Leone also gives an insight into his creative process, his target audience and his approach to performing abroad. He also explains his work adapting classic authors such as Shakespeare, Cervante

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Duchscherer, Brian. "Playing With Dolls: A Personal Reflection on a Career." Canadian Theatre Review 95 (June 1998): 21–23. http://dx.doi.org/10.3138/ctr.95.005.

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I work in the film business, making animated films with puppets. These films are not cartoons, yet neither are they quite live puppetry; they are a blend of both. Puppet animation is a performance, as much as any live presentation is; but it is a performance that is recorded in time, frame by frame. The moving, living character exists only on film. The puppet performance must somehow be created outside of time. Each second of movement is broken down into as many as twenty-four separate poses. The animator must live … feel … and act … in small steps of time.

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Waszkiel, Halina. "The Puppet Theatre in Poland." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 51, no. 51 (2018): 164–79. http://dx.doi.org/10.34064/khnum1-51.09.

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Background, problems and innovations of the study. The modern Puppet Theater in Poland is a phenomenon that is very difficult for definition and it opposes its own identification itself. Problems here start at the stage of fundamental definitions already. In English, the case is simpler: “doll” means a doll, a toy, and “puppet” is a theatrical puppet, as well as in French functions “poup&#233;e” and “marionette” respectively. In Polish, one word serves both semantic concepts, and it is the reason that most identify the theater of puppets with theater for children, that is a big mistake. Wa

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Linn, Susan. "It’s not me! It’s him! Interactive puppet play to help children cope." Journal of Applied Arts & Health 11, no. 1 (2020): 103–8. http://dx.doi.org/10.1386/jaah_00021_7.

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Puppetry has been described as one of the most valuable and least understood of all tools for play therapy. This article describes the author’s experience using puppets to help children facing serious illness and hospitalization. One lens for understanding why puppetry is such a powerful therapeutic tool is informed by psychodynamic theory, especially object relations, in particular D. W. Winnicott’s writings on play, as well as the seminal work of Anna Freud and Melanie Klein in describing the psychological phenomena of projection and identification. In this context, the article explores, and

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Verdonik, Maja S. "PUPPET THEATRE ADAPTATIONS OF HANS CHRISTIAN ANDERSEN’S STORIES." Detinjstvo L, no. 4 (2024): 44–54. https://doi.org/10.46793/childhood24.4.44v.

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This paper analyses contemporary puppet theatre adaptations of selected Hans Christian Andersen stories. It aims to explore the connection between Andersen’s stories and the puppet theatre, as well as the characteristics of some of these shows to answer the question: what makes the analyzed stories work on the puppet stage? Results of the analysis have shown the connection between the selected stories and puppet theatre in terms of bringing the inanimate to life as a characteristic inherent to puppet theatre, and in the shift to the unreal as a key feature of fantasy stories, which in puppet s

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Burneikaitė, Salomėja. "Lėlių teatro technikų taikymo ergoterapeuto darbe patyrimas." Sveikatos mokslai 23, no. 1 (2013): 79–82. http://dx.doi.org/10.5200/sm-hs.2013.014.

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The article acquaints with the practice of creating textile puppets, purposefully used at the work of occupation therapist. It is one of the application technique of puppet therapy. The work is based on the experience of extramural students of Continuing Studies Institute of Klaipeda University while doing assignments on intern-ship locations for the subject of expressive psychotherapy method. The analysis of the works observing and comparing how creation of textile puppets impact the state of patients during the process of rehabilitation, completed by the students of occupation therapy, is pr

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Lanberg, O. A., L. G. Khayet, and T. V. Kadinskaya. "Systemic Puppet Therapy in Rehabilitation Practice." Bulletin of Rehabilitation Medicine 99, no. 5 (2020): 88–93. http://dx.doi.org/10.38025/2078-1962-2020-99-5-88-93.

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The concept of systemic puppet therapy proposed by the authors is described. Therapeutic work with puppets is a promising method of psychological assistance as part of rehabilitation processes. Its insufficient use is due to its low structurality. The phased application of morphological analysis and synthesis made it possible to streamline the known and develop new effective methods of puppet therapy. The proposed systemic puppet therapy is an ordered polymodal set of static (lining on the table or on the floor of a puppet arranged set) and dynamic (presenting history on behalf of the puppet o

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Rozprawy doktorskie na temat "Work with puppets"

Dwyer, Edward J. "Reading with Stick Puppets." Digital Commons @ East Tennessee State University, 2006. https://dc.etsu.edu/etsu-works/3411.

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Steele, L., G. Podyin, and Edward J. Dwyer. "Enhancing Reading Fluency and Comprehension Using Stick Puppets in the Library." Digital Commons @ East Tennessee State University, 2010. https://dc.etsu.edu/etsu-works/3333.

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The authors suggest that students need to become physically as well as academically involved in their learning. In this light, there are procedures presented for having students make stick puppets that can be used in a variety of learning activities including, but not limited to, readers' theatre and story retelling. We propose that fables can provide a good foundation for developing activities featuring stick puppets, speaking and reading fluency oriented activities. We enncourage teachers and librarians to help make the puppets in order to incorporate first-hand knowledge of the procedures f

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Hong, Huili, A. Gray, Karin Keith, and Edward J. Dwyer. "Enhancing Reader’s Theatre Through Puppetry." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/987.

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Grant, Ian John. "Shadows, touch and digital puppeteering : a media archaeological approach." Thesis, University of Sussex, 2018. http://sro.sussex.ac.uk/id/eprint/80919/.

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Aims The practical aim of this research project is to create a multi-touch digital puppetry system that simulates shadow theatre environments and translates gestural acts of touch into live and expressive control of virtual shadow figures. The research is focussed on the qualities of movement achievable through the haptics of single and multi-touch control of the digital puppets in the simulation. An associated aim is to create a collaborative environment where multiple performers can control dynamic animation and scenography, and create novel visualisations and narratives. The conceptual aim

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Ramiaramanantsoa, Tahina, Anthony F. J. Moffat, Robert Harmon та Richard Ignace. "BRITE-Constellation High-Precision Time-Dependent Photometry of the Early O-Type Supergiant ζ Puppis Unveils the Photospheric Drivers of Its Small- and Large-Scale Wind Structures". Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/2724.

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From 5.5 months of dual-band optical photometric monitoring at the 1 mmag level, BRITE-Constellation has revealed two simultaneous types of variability in the O4I(n)fp star ζ Puppis: one single periodic non-sinusoidal component superimposed on a stochastic component. The monoperiodic component is the 1.78-d signal previously detected by Coriolis/Solar Mass Ejection Imager, but this time along with a prominent first harmonic. The shape of this signal changes over time, a behaviour that is incompatible with stellar oscillations but consistent with rotational modulation arising from evolving brig

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Udd, Gustaf, Isak Axelsson, Jakob Duvaldt, et al. "Hantering av kursmjukvaror vid Linköpings universitet." Thesis, Linköpings universitet, Institutionen för datavetenskap, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-166821.

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Denna kandidatrapport är skriven av åtta studenter i kursen Kandidatprojekt i mjukvaruutveckling, TDDD96, vid Linköpings universitet under våren 2020. Kandidatrapporten inkluderar en sammanfattning av det arbete som utförts i projektet. Till projektet tillhörde ett uppdrag på beställning av Digitala resursenheten vid Linköpings universitet. Uppdraget var att skapa en webbapplikation där examinatorer och handledare för kurser vid Linköpings universitet på ett enkelt och intuitivt sätt kan beställa mjukvara till sina respektive kurser. Projektgruppen jobbade agilt och byggde projektet i Python s

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Chiu, Li-Fen, and 邱麗芬. "The Composition Idea and Analysis of Interactive Computer Music Work “Puppet”." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/04846184083360154083.

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碩士 國立臺北教育大學 音樂學系碩士班 101 In the twenty-first century, with the advance and assistance of information and computer technology, music composition and performances have been enriched with new expressions. The new sonority, texture and spatialization generated by computer and by electronic instruments have also provided more material selections for composers. In addition, the use of interactive technology provides new ways of presentation and interesting elements for live performances. These new elements include the superimposition between noise and tone, the dialogue between acoustic a

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Chen, Chin-An, and 陳進安. "On the Taiwan puppet "wulong eighteen man"- a case study of Liu Xiangrui sound dramatic works." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/hnc538.

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碩士 國立臺北大學 民俗藝術與文化資產研究所 104 Taiwanese puppetry in Swordsman drama popular in the post-war "commercial theater" ticket performances, where "JX play" do not have the traditional "old book drama" puppet martial arts routine, and mass-produced using " keepsake "knife, Feijian, golden colored cloth and all kinds of support rod fluorescent colored props style, with neon light effect, plus the backcourt playing Western instruments to produce fusion knife, Feijian, put Po, Po bucket specific music music performances, mostly in rivers and lakes chivalric novel or capable Sword, Sword flight,

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Кучеренко, Тетяна Володимирівна. "Особливості корекції афективної сфери особистості в кризовому стані арт-терапевтичними засобами". Магістерська робота, 2020. https://dspace.znu.edu.ua/jspui/handle/12345/4885.

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Кучеренко Т. В. Особливості корекції афективної сфери особистості в кризовому стані арт-терапевтичними засобами : кваліфікаційна робота магістра спеціальності 053 «Психологія» / наук. керівник Р. О. Труляєв. Запоріжжя : ЗНУ, 2020. 73 с. UA : Робота виклади на 73 сторінки, 4 таблиці, 3 рисунка. Перелік посилання включає 73 джерел. Об᾿єкт дослідження: особливості корекції афективної сфери особистості в кризовому стані. Емоційна сфера являє собою цілісний клас явищ, що охоплює і примітивні потягу, і складні форми емоційного життя. Вона здійснює активацію, спонукання і афективну оцінку дійсност

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Książki na temat "Work with puppets"

Sanderson, Issy H. Making puppets work: A handbook for using puppetry in environmental education. World Wide Fund for Nature, 1993.

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Bair, Linda. Fee fi fo fum: Puppets & other folktale fun. UpstartBooks, 2005.

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Jones, Candy. Showkits: Whole language activities : patterns for masks, puppets, costumes to use with picture books. Monday Morning Books, 1991.

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Law, Roger. A nasty piece of work. Edited by Chester Lewis, Evans Alex, and Booth-Clibborn Edward. Booth-Clibborn Editions, 1992.

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Kimura, Akira. Awa no ningyōshi Shodai Tenguhisa no deku: The photograph collection of the ningyōjōruri puppet heads of Tenguhisa The First, the master puppet maker of Awa. Nakano Shuppan Kikaku, 1993.

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Matthias, Bärmann, Fondation Beyeler, and Sprengel Museum Hannover, eds. Paul Klee: Tod und Feuer : die Erfüllung im Spätwerk = death and fire : fulfillment in the late work. Fondation Beyeler, 2003.

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Green, Robyn. Six things to make. Mondo, 1996.

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Vašíček, Pavel. Plzeňské loutkářství: Historie a současnost. Divadlo Alfa, 2000.

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Miyakawa, Takashi. Shashinshū, Hachiōji kuruma ningyō: Kuruma-ningyo. Gyōsei, 1990.

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China (Republic : 1949- ). She hui jiao yu si. and Guo li yi shu xue yuan. Chuan tong yi shu yan jiu zhong xin., eds. Bu dai xi: Bu dai xi tu lu. Jiao yu bu, 1996.

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Części książek na temat "Work with puppets"

Spencer, Matt. "Engines, Puppets, Promises: The Figurations of Configuration Management." In Figure. Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-2476-7_6.

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AbstractThis chapter examines the kinds of agency imputed to machines by the tradition of IT configuration management. While it is rarely examined by social or cultural studies of technology, IT configuration management is of profound importance in the story of cloud computing and recent paradigms of information security. Like infrastructure studies, configuration management took shape in relation to the pragmatics of managing “heterogeneous distributed computing” in the 1990s, and shares with Susan Leigh Star’s early work a concern with the problem of coordination in distributed systems. Give

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Osnes, Beth, Chelsea Hackett, Molly T. McDermott, and Rebecca Jo Safran. "Bird’s Eye View: Engaging Youth in Storying a Survivability Future through Performance and Interspecies Friendship." In Storytelling to Accelerate Climate Solutions. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-54790-4_18.

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AbstractBird’s Eye View is an art-science, informal learning project for youth engagement in storying our way beyond the climate crisis. The project is situated within the larger Side by Side initiative at the University of Colorado and was designed to lead a group of Boulder youth in observing and embodying birds through puppetry, costumes, and movement within multiple outdoor settings. Integral to this approach was the integration of equity and inclusion into environmental preservation. In this chapter, we share moments and highlights of our time spent alongside youth and birds in Side by Si

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DeTora, Lisa. "Death and Pickles: Thinking through Gondry’s Neighborhood." In ReFocus: The Films of Michel Gondry. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474456012.003.0014.

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In this chapter Lisa DeTora analyses the first season of Dave Holstein’s Showtime series, Kidding (2018–2020), for which Michel Gondry served as an executive producer and directed eight episodes. The series stars Jim Carrey, who had previously starred in Michel Gondry’s acclaimed film Eternal Sunshine of the Spotless Mind (2004). In Kidding, Carrey plays Jeff Piccirillo, aka Mr. Pickles, the host of a successful children’s puppet television show, which he has developed with his father, who produces the show, and his sister, who designs the puppets. DeTora argues that the series returns Gondry

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Radia, Pavlina. "From Eggbeaters and Alcohol to Gryphons, Dolls, and Puppets." In Modernist Objects. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781949979503.003.0004.

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For modernists like Djuna Barnes, objects mark, but also frequently mobilize, the very conflict that exists between the characters who are depersonalized by their sense of racial, cultural, class, and gender difference, but who also desperately seek some magical reconnection with the prelapsarian—be it through their relationships and object-attachments or through their nomadic positionality. This chapter explores Barnes’s use of objects not only as the markers of the impersonal, but also as affective spaces upon which the characters various desires and socio-political, ethical, gender, and rac

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Popova, Anna V. "The Doll in George Sand’s Artistic System: Ethical and Aesthetic Potential." In Artificial Body in the World Intellectual and Artistic Culture. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/978-5-9208-0719-9-131-146.

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The article deals with the image of the doll and peculiarities of the opposition “living–lifeless” concerned with this image in the works of George Sand. In her autobiographical texts and memoirs the author reflects on the educational and gender modelling potential of a doll. At the same time, she contrasts a traditional doll with a mechanical one emphasizing the contrast of natural and artificial in the given opposition. In this case the criterion is the state of being programmed, the predictability of the automaton that excludes the chance of game improvisation. The doll “comes to life” only

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Lindey, Sara, and Jason King. "“Tree Tree Tree”." In The Green Mister Rogers. University Press of Mississippi, 2022. http://dx.doi.org/10.14325/mississippi/9781496838667.003.0006.

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In Chapter 5, the authors take a broader view, locating in the song “Tree Tree Tree” Rogers’ long-standing interest in connections between people, places, animals, plants, and things. The song is used to show that children and parents are still connected, even when parents have to leave to go to work. The music is played by Yo-Yo Ma on the cello and by Handyman Negri and friends using recycled and found objects such as pipes, screwdrivers, and a handsaw. It is sung by Rogers and Queen Sara but also by Barbara Koski in Finnish and Peter Ostroushko in Ukrainian. This song about the natural world

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Eryomina, Ekaterina P. "Puppet and Artificial Body in the Contemporary Belarussian Puppet Theatre: the Image of Death vs Life’s Imitation." In Artificial Body in the World Intellectual and Artistic Culture. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/978-5-9208-0719-9-74-84.

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The article is devoted to the rethinking of the concept of “imitative” puppet theater in the modern Belarusian theatrical art in the relationship with the ideas of the romantic writers. The historical concept of the puppet theater as the art of “animation” of an artificial body, likened to a living person, and the polar ideas of the romantic writers (A. Villiers de l’Isle-Adam, E.T.A. Hoffman, Jean-Paul, etc.), in whose works the images of animated dolls and automata were developed as the embodiment of evil, forces hostile to man and life is considered. The productions of modern Belarusian dir

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Neer, Richard. "Small Wonders Figurines, Puppets, and the Aesthetics of Scale in Archaic and Classical Greece." In Figurines. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198861096.003.0002.

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This chapter addresses the aesthetics of smallness with regard to material from Archaic and Classical Greece (roughly, from the late eighth to the late fourth centuries BCE). It sketches a range of historical possibilities to relate ancient Greek concepts of scale and likeness to the research protocols of art history and archaeology. It explores the ancient concepts and corpora, with two propositions: 1. that smallness in Archaic and Classical Greece could be wonderful, in that it could make a work of craft what the Greeks called a thauma idesthai, “a wonder to behold for itself and oneself”;

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Savanekar, Dr Ram P. "THEMATIC ANALYSIS OF EUGENE O’NEILL’S PLAYS." In Futuristic Trends in Social Sciences Volume 3 Book 27. Iterative International Publishers, Selfypage Developers Pvt Ltd, 2024. http://dx.doi.org/10.58532/v3baso27p2ch4.

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This present research paper throws light on thematic analysis of Eugene O’ Neill’s plays. O’ Neill is considered as one of the most controversial figures in modern drama. Eugene O' Neill is known as one of the greatest American playwrights in the history. His themes have made his plays highly recognized work and it is only because of strong themes of his plays just like dysfunctional family life, hiding behind a mask and Greek Mythology. His plays also throw light on social themes, religious themes, psychological themes, pessimism, family life and Greek mythology. His use of melodramatic eleme

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Boof-Vermesse, Isabelle. "‘Darkness at the Beginning’: Chance in Raymond Chandler’s and Dashiell Hammett’s Novels." In Le Frisson métaphysique du roman policier/The Metaphysical Shudder of the Detective Novel. Éditions de l'Université de Lorraine, 2024. http://dx.doi.org/10.62688/edul/b9782384510467/c09.

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Detective fiction and metaphysics have often been brought together for their analogous speculative drive towards the original cause. Drawing on Siegfried Kracauer’s analysis of classical detective stories as delineating the limits of ratio even as it celebrates its powers, thus inadvertently conceding man’s finitude, this essay claims that the treatment of chance in American hard-boiled fiction manifests its Gnostic underpinnings. Simultaneously, evidence of the fact that the world is ruled by contingency and the symptom of some malevolent agency at work, chance, as noted by Quentin Meillassou

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Streszczenia konferencji na temat "Work with puppets"

Guerrero, Luis, Darwin Duchi, Juan Delgado, Pablo Campoverde, and Maryury Ojeda. "AVATAR: Realistic customized virtual agents as emotional tutors for children with ASD." In 8th International Conference on Human Interaction and Emerging Technologies. AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002751.

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This work describes the generation process of a Human-Computer Interaction interface, intended to provide support in therapeutic interventions for children with Autism Spectrum Disorder (ASD). For the interface, realistic avatars were generated based on photogrammetry techniques, based on real human models. Resulting interface employs the "Wizard of Oz" method, whereby avatars become virtual puppets controlled by a remote operator. Using facial recognition, the avatars mimic the gestures and facial movements of human models while the voice is transmitted without any modification. In this way,

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Yang, Yuan, Yingxue Jia, and Hui Yang. "A study on the design and production of shadow puppets animation under the cultural background of “the Belt and Road” - Centering on the original work of shadow and image." In 6TH INTERNATIONAL CONFERENCE ON COMPUTER-AIDED DESIGN, MANUFACTURING, MODELING AND SIMULATION (CDMMS 2018). Author(s), 2018. http://dx.doi.org/10.1063/1.5039142.

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Arissuta, Dona Prawita, and Desy Nurcahyanti. "The Correlation of Puppet’s Narrativity with Live Experienced in Ceramic Work." In 2019 16th International Conference on Electrical Engineering/Electronics, Computer, Telecommunications and Information Technology (ECTI-CON). IEEE, 2019. http://dx.doi.org/10.1109/ecti-con47248.2019.8955414.

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Pasechnik, V. E. "HELMINTHS, PROTOZOAN PARASITES AND HELMINTHOZOONOSIS IN DOMESTIC DOGS OF DIFFERENT AGE GROUPS IN MOSCOW." In THEORY AND PRACTICE OF PARASITIC DISEASE CONTROL. All-Russian Scientific Research Institute for Fundamental and Applied Parasitology of Animals and Plant – a branch of the Federal State Budget Scientific Institution “Federal Scientific Centre VIEV”, 2023. http://dx.doi.org/10.31016/978-5-6048555-6-0.2023.24.354-358.

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The main purpose of the work was to identify helminth and protozoan parasite infections and helminthozoonosis in domestic dogs of different age groups in Moscow. Coproovoscopic examinations were carried out during 2022 for dogs older than a year and puppies up to 6 months from 5 administrative districts of the City. Fecal samples were collected in defecation of dogs individually in a sterile container with the animal information on the label during dog walking by their owners. Infection of the dogs was found with the following zoonotic helminths: Toxocara&#x

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Yuan, Jiahui. "The Influence of Manchuria Experience on Abe Kōbō`s Post-war Novels." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. http://dx.doi.org/10.62119/icla.1.8209.

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Abe Kōbō is a prominent Japanese writer with international influence. He is often described as "mukokuseki," meaning stateless or without a national identity. Throughout his career, Abe was involved in various artistic groups such as Yoru-no-kai, Shimoma-ruko-bunka-syuudan, and Genzai-no-kai, to name but a few. The ideology of his pioneering work also shifted from existentialism to surrealism and communism. As a result, many scholars have attem-pted to capture consistent themes in the work of such a stateless and ever-changing writer. O'Michon (2010), for example, rationalizes the use of Abe's

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Aung, Theint. "Myinkaba village Bagan: The Resilience of Traditional Knowledge and Culture | ပုဂံမြင်းကပါ (သို့) ယဉ်ကျေးမှု ဓလေ့ရိုးရာအသိပညာ၏ ကြံ့ကြံ့ခံနိုင်စွမ်း". У The SEAMEO SPAFA International Conference on Southeast Asian Archaeology and Fine Arts (SPAFACON2021). SEAMEO SPAFA, 2021. http://dx.doi.org/10.26721/spafa.pqcnu8815a-21.

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The distinct traditional knowledge and culture of Myinkaba (ancient Anuradha) village at Bagan is closely linked to its port location and ecology on the Ayeyarwaddy River. Myinkaba has smelting and production evidence from the first millennium CE in seven glass/glaze kilns, with beads traded along the river. Beads, potsherds and finger-marked bricks suggest it may be one of the earliest villages of Bagan. Its historical architecture includes the rare Nanphaya sandstone temple with images of Brahma. Other significant traits of Myinkaba include the large seasonal lake or inn gyi, silica-rich san

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Duta, Florica. "I.L.Caragiale, important precursor and creator of the modern theatre concept." In Universitas Europaea: Towards a Knowledge Based Society Through Europeanisation and Globalisation. Free International University of Moldova, 2025. https://doi.org/10.54481/uekbs2024.v2.10.

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Thanks to the content, to the form of his plays and to the technique used, I.L. Caragiale is considered one of the precursors of the absurd theater and one of the creators of the modern concept of theater because he abandoned the traditional romantic forms of a literary theater in favor of a theatrical theater, revising the original constitutive elements of dramatic art: movement, pantomime, mimicry, puppetry, masks, the plastic element, the play of lights and shadows, the theatrical word. Caragiale's comedies, like the later theater of the absurd, suffer from a crisis of action, his theater i

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Drossinou-Korea, Maria. "Targeted, individually structured special education and training intervention programs and pedagogical applications in museum." In 7th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2021. http://dx.doi.org/10.32591/coas.e-conf.07.11107d.

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Anthropocentric museums are “an important place in public debate, creation and questioning ideas” because they can have a positive impact on the lives of underprivileged or marginalized people. They can also strengthen specific communities and contribute to the creation of fairer societies. The science of Museology together with the science of Special Education and Training (SET) support with the Targeted Individual Structured and Integrated Program for Students with Special Educational needs (TISIPfSEN), in children and young people with special educational needs and disabilities (SENDs). The

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