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Artykuły w czasopismach na temat "World drama"

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Hajdu, Péter. "World drama." Neohelicon 46, no. 1 (2019): 1–6. http://dx.doi.org/10.1007/s11059-019-00482-5.

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Roach, Joseph. "World–Bank Drama." ESQ: A Journal of the American Renaissance 50, no. 1-3 (2004): 157–76. http://dx.doi.org/10.1353/esq.2004.0001.

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Xoun, Chuan Pom, Do Tien Dat, and Ming Nguyen Trinh. "Drama with Unique Setting and Profession based on the Point of View of Korean Drama Connoisseurs." Journal of Asian Multicultural Research for Social Sciences Study 3, no. 2 (2022): 21–25. http://dx.doi.org/10.47616/jamrsss.v3i2.271.

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This article aims to discuss K-Drama with a unique work profession background through the abstinence point of k-drama fans. The modern Korean entertainment landscape would not be complete without K-drama. Millions of people around the world enjoy watching Korean dramas. Many parallels are made between the characters, allowing viewers to gain a better understanding of Korean culture. K-drama fans will be paired with Korean drama works to write here. They are not your ordinary doctors, lawyers or professors, but people from all walks of life
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Carey, Phyllis. "Contemporary World Drama 101." Thought 66, no. 3 (1991): 317–28. http://dx.doi.org/10.5840/thought199166328.

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Haley, Madigan. "Modernism's World Drama: Joyce, Wagner, and the Anti-Systemic Stirrings of a Global Artwork." Journal of Modern Literature 46, no. 3 (2023): 1–19. http://dx.doi.org/10.2979/jmodelite.46.3.01.

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Abstract: Two of James Joyce's earliest essays identify a kind of artwork that would remain a model for his fiction: the world drama. Joyce's notion of the world drama built upon an aspect of Richard Wagner's theoretical writing that has been largely forgotten: the program for a revolutionary, nonnational artwork. Joyce reimagined this program within the conditions of colonial Ireland and an increasingly international print culture, conceiving of a work that is oriented toward the world at large and meant to articulate a revolutionary consciousness for its audience. Joyce's works of fiction ca
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Haley, Madigan. "Modernism's World Drama: Joyce, Wagner, and the Anti-Systemic Stirrings of a Global Artwork." Journal of Modern Literature 46, no. 3 (2023): 1–19. http://dx.doi.org/10.2979/jml.2023.a901928.

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Abstract: Two of James Joyce's earliest essays identify a kind of artwork that would remain a model for his fiction: the world drama. Joyce's notion of the world drama built upon an aspect of Richard Wagner's theoretical writing that has been largely forgotten: the program for a revolutionary, nonnational artwork. Joyce reimagined this program within the conditions of colonial Ireland and an increasingly international print culture, conceiving of a work that is oriented toward the world at large and meant to articulate a revolutionary consciousness for its audience. Joyce's works of fiction ca
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Yu, Minghuang. "A Critical Study of The Emperor Jones and The Yama Chao from the Perspective of Expressionism." Journal of Social Science and Humanities 7, no. 3 (2025): 12–14. https://doi.org/10.53469/jssh.2025.7(03).03.

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Expressionism is an important genre of modernism that comes arise at the beginning of 20th Century in Europe. It is a philosophical movement due to the modern industrialization, urbanization, social transformation and the World War which brought the shock to traditional culture and humanity from late 19th century to early 20th century in Western society. Expressionism generally includes the activities and creations of art, literature, drama, philosophy, architecture that fit the new culture, economic, society, politic of modern industrialize world. In China, after the New Cultural Movement in
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Josephine Elvira, Dwi Setyo Riani, Irma Rasita Gloria Barus, and Ira Resmayasari. "WOMEN SELF-IMAGE ON JI SUN WOO'S CHARACTER IN KOREAN DRAMA ”THE WORLD OF THE MARRIED”." Jurnal Pendidikan dan Kebudayaan 2, no. 1 (2022): 40–44. http://dx.doi.org/10.55606/jurdikbud.v2i1.126.

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Korean dramas are very popular with audiences from various mass media and social media. With a very interesting storyline, it is able to hypnotize Indonesian audiences to become active viewers and bring up various assumptions about Korean drama content. The Korean drama adopted in this study is entitled The World of the Married. The drama that was broadcast by Trans TV a few months ago was very successful in anesthetizing the general public and making viewers adopt drama in their daily lives. This study aims to describe the female self-image of the main character, Ji Sun Woo’s in the Korean dr
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Mouton, M. "Fiksionaliteit in die Dramawêreld." Literator 7, no. 3 (1986): 39–51. http://dx.doi.org/10.4102/lit.v7i3.887.

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The fictional drama world differs from the fictional world encountered in other literary genres, and the difference can be traced back to the link of the text with the performance.A general, traditional view is that the fictional world of the dramatic text takes place in a fictional “here and now” .Elam has postulated a theory following a study of the fictional drama world. He uses a term from logical semantics, viz. the “theory of possible worlds” and adjusts this to enable him to speak of a dramatic possible world. Elam mentions three aspects which help towards the establishment of the ficti
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Kirwan, Michael Joseph. "The Drama of the World, the Drama of Theology." Religions 13, no. 11 (2022): 1093. http://dx.doi.org/10.3390/rel13111093.

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Hans Urs von Balthasar speaks of a diversity of contemporary philosophies moving ‘concentrically’ toward a ‘dramatic theology’. This article affirms the coherence of this claim, by establishing some of these convergences, beginning with Gaudium et Spes, and a number of theologians, pre-eminently Balthasar. Attention is then turned to the ‘Dramatic Theology’ project of the Innsbruck School, inspired by Raymund Schwager; a conception of theodrama which builds on Balthasar’s insight, while also utilising the mimetic theory of René Girard. The third section considers ways in which the insights of
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Rozprawy doktorskie na temat "World drama"

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Thacker, Jonathan. "Role-play and the world as stage in the 'comedia' /." Liverpool : Liverpool Univ. Press, 2002. http://www.gbv.de/dms/sub-hamburg/341398217.pdf.

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Chang, Sabina. "Madang-Geuk : a missing component of third world drama /." Title page and contents only, 1995. http://web4.library.adelaide.edu.au/theses/09AR/09arc456.pdf.

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Dennis, Harold Edward Brokaw. "How We Saved the World: A Multimedia Musical Drama." Diss., Temple University Libraries, 2013. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/254032.

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Music Composition<br>D.M.A.<br>A monograph on the musical composition How We Saved the World, a multimedia musical drama written by the author, describes in detail the history of the writing of the piece, its context within his development as a composer, its context within our times, the writing and structure of the libretto, the characters and character types within the piece, their relationships with one another, the music of the piece and its construction. The two hour long composition requires 44 performers to stage: 14 singers, 8 dancers, and a conducted 21 piece orchestra. In addition to
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Vassilopoulou, Christine. "A world of drama : a critical investigation into the opening up of the world view zone of proximal development through drama in 3 year-7 classes." Thesis, Birmingham City University, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.442683.

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McKeown, Ailish Marie. "Saints and the world in four late medieval British saint plays." Thesis, The University of Sydney, 2014. http://hdl.handle.net/2123/10619.

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This thesis examines the four surviving medieval British saint plays, the East Anglian Digby Mary Magdalene and Conversion of Saint Paul, and the Cornish plays Beunans Meriasek and Bewnans Ke. With reference to Walter Hilton’s Epistle on the Mixed Life, Dives and Pauper and Gregory the Great’s Regulae Pastoralis Liber, it considers ways in which the saints related to the world and achieved sanctity within it, and some implications for medieval audiences. I argue that the saints moved in the world in two senses, the moral and the geographic inasmuch as the Cornish saints were commemorated in th
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Pilhuj, Katherine. "A Mirror for the World: Gender, Geography, and Identity in Early Modern English Drama." Scholarly Repository, 2008. http://scholarlyrepository.miami.edu/oa_dissertations/90.

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This dissertation focuses on the particular ways in which early modern English playwrights connect geographical territory depicted in charts, travel, and colonial literature to the female body. By examining the rhetorical methods that both male and female writers employ, I demonstrate how the emerging imperial discourse relies upon the idea that through marriage, women represent and convey territory for their male relatives. But as physical embodiments of family wealth and property that serve as crucial links between males, these women can subvert this use of their bodies in order to formulate
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Sumner, Carolyne. "John Weinzweig, Leftist Politics, and Radio Drama at the CBC During the Second World War." Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/35215.

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Since its rise to prominence in the 1920s, Canadian radio drama has become a topic of growing interest among scholars in the fields of media studies, communications, and literature. During the Second World War, radio drama became an important medium of entertainment for home front civilians, and was utilized as propaganda by the CBC to garner support for the Canadian war effort. At this time, radio drama also became an important artistic outlet for wartime artists to express their political and social values and beliefs during the war. While scholars have examined the art of radio drama in l
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Sawada, Keiji. "From The floating world to The 7 stages of grieving the presentation of contemporary Australian plays in Japan /." Phd thesis, Australia : Macquarie University, 2005. http://hdl.handle.net/1959.14/13213.

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Thesis (PhD)--Macquarie University, Division of Society, Culture, Media & Philosophy, Department of Critical and Cultural Studies, 2005.<br>Bibliography: p. 274-291.<br>Introduction -- The emergence of "honyakugeki" -- Shôgekijô and the quest for national identity -- "Honyakugeki" after the rise of Shôgekijô -- The presentation of Australian plays as "honyakugeki" -- Representations of Aborigines in Japan -- Minorities in Japan and theatre -- The Japanese productions of translated Aboriginal plays -- Significance of the productions of Aboriginal plays in Japan -- Conclusion.<br>Many Austra
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Onions, J. "The ideal of heroism in English fiction and drama about the First World War, 1918-1939." Thesis, Keele University, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.373170.

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Smyth, Catherine Lee. "Primary Teachers’ Historical Knowledge and Ways of Knowing: Sense Making and Practice in a Disciplinary World." Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/28581.

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This qualitative study investigated the relationship between primary teachers’ social and personal epistemology. Specifically, the study examined how teachers without formal history education nor a disciplinary background made sense of the past, how they organised their understanding of what doing history entails, and how they constructed new personal and collective understandings to inform their professional practice. This case study was situated within a long-term professional learning primary history project between the researcher and regional schools in northern New South Wales, Australia.
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Książki na temat "World drama"

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1931-, Johnson Donald, ed. The human drama: World history. Wiener, 2000.

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Trensky, Paul I. Czech drama since World War II. M.E. Sharpe, 1996.

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Mușat, Mircea. Drama României mari. Editura Fundației România Mare, 1992.

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Ìbítókun, Benedict M. African drama and the Yorùbá world-view. Ibadan University Press, 1995.

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Tripković, Đoko. Srpska ratna drama 1915-1916. In-t za savremenu istoriju, 2001.

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Trachet, Tim. Het drama van Abbeville. Houtekiet, 2009.

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Zavorotni︠u︡k, Anastasii︠a︡. Okhota na gauli︠a︡ĭtera: Voennai︠a︡ drama. Star Media, 2012.

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Coculuzzi, Chris. Shakespeare's world cup. Upstart Crow Pub., 2006.

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Purvis, Neal, Pierce Brosnan, Albert R. Broccoli, et al. The world is not enough. MGM Home Entertainment, 2000.

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Woolaver, Lance. Lance Gerard Woolaver's World without shadows. Stage Hand, 1996.

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Części książek na temat "World drama"

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Jones, Richard. "World Drama in Translation." In Teaching Literature in Translation. Routledge, 2022. http://dx.doi.org/10.4324/9781003105220-25.

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Hart, Jonathan. "Temporality Drama vs. History." In Theater and World. Routledge, 2021. http://dx.doi.org/10.4324/9781003174578-3.

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Pickering, Kenneth, Bill Horrocks, and David Male. "You and the World ‘The Kick-Off's at Three’." In Investigating Drama. Routledge, 2023. http://dx.doi.org/10.4324/9781003388951-20.

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Klimas, Janina. "Video and Drama Activities." In Building Proficiency for World Language Learners. Eye on Education, 2024. http://dx.doi.org/10.4324/9781032622507-16.

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Amoia, Alba. "The Heroic World of Jean Anouilh." In Twentieth-Century European Drama. Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1007/978-1-349-23073-0_8.

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Trojanowska, Tamara. "The drama of otherness." In The Routledge World Companion to Polish Literature. Routledge, 2021. http://dx.doi.org/10.4324/9781003140689-34.

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Cassidy, David C. "Science, History, Drama." In Farm Hall and the German Atomic Project of World War II. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-59578-8_3.

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Almohanna, Mohammad. "Greek Drama in the Arab World." In A Handbook to the Reception of Greek Drama. John Wiley & Sons, Inc, 2016. http://dx.doi.org/10.1002/9781118347805.ch19.

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Miles, Sarah. "Greek Drama in the Hellenistic World." In A Handbook to the Reception of Greek Drama. John Wiley & Sons, Inc, 2016. http://dx.doi.org/10.1002/9781118347805.ch3.

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Symes, Carol. "Ancient Drama in the Medieval World." In A Handbook to the Reception of Greek Drama. John Wiley & Sons, Inc, 2016. http://dx.doi.org/10.1002/9781118347805.ch6.

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Streszczenia konferencji na temat "World drama"

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Zou, Rujia, Shih-Chun Lin, Motoharu Matsuura, Hiroshi Hasegawa, Gustavo B. Figueiredo, and Suresh Subramaniam. "DRAMA-PRO: Disaster Recovery Algorithm with Mitigation Awareness for Protected Elastic Optical Networks." In 2024 IEEE Future Networks World Forum (FNWF). IEEE, 2024. https://doi.org/10.1109/fnwf63303.2024.11028802.

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Nam, Jongwon, Youmin Kim, Jinhyeon Han, et al. "Analysis of 3row Failure Caused by Vulnerable Data Retention Failure Adjacent to Disconnected BCAT." In ISTFA 2024. ASM International, 2024. http://dx.doi.org/10.31399/asm.cp.istfa2024p0157.

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Abstract As dynamic random access memory (DRAM) chips grow in density and complexity, tightly packed word lines become increasingly susceptible to interference, potentially causing data retention failures. This study investigates a novel failure mechanism where disconnected buried channel array transistors (BCATs) create interference affecting three adjacent word lines (3row failure). Through systematic analysis of voltage, temperature, and operational sequences, we demonstrate that the pass gate effect significantly impairs dynamic data retention, leading to these 3row failures. Our findings
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Lee, Sunah, Jihoon Son, Jihoon Park, et al. "The Advanced Failure Analysis Methods Based on Dynamic Hot Electron Analyzer and IDD3P Measurements for HKMG Sub-nm DRAM." In ISTFA 2024. ASM International, 2024. http://dx.doi.org/10.31399/asm.cp.istfa2024p0005.

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Abstract In this paper, we propose an advanced failure analysis method for specifying the location of gate-related fails in the High-k Metal Gate (HKMG) MOSFET. The test sample for this experiment is the sub-15nm technology DRAM (Dynamic Random Access Memory) which consists of high speed HKMG transistors. In terms of HKMG transistors, the modification of gate materials and process schemes provoke the various gate related failures in DRAM which makes it more difficult to examine the sample with conventional analyzing methods. So, IDD3P measurement methods along with dynamic Hot Electron Analyze
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Zenkin, Prof Konstantin. "Verbal and Musical Reflections on the Eternal in "Wozzeck" (“Woyzeck”) by G. Buechner – A. Berg." In 7th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2024. https://doi.org/10.62422/978-81-974314-5-6-001.

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The paper aims to explore how Alban Berg’s music reflects the thoughts of eternity, both intrinsic to Georg Büchner’s drama and introduced by the composer’s interpretation of the plot. Büchner’s drama presents negative images of the eternity, first, as “mill wheels”, i.e., cyclic rotations and “evil infinity” (Captain) and, second, as the illusory “immortality” of an inventor (Doctor). Contrary to Büchner’s drama, there is in Berg’s opera the concept of eternal as unconditionally valuable, as an ideal, which will be considered in the paper as well. On the basis of comprehensive analysis of 1)
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Cheung, Hiu Yan Alice. "Breaking the Boundaries: Drama Education in Virtual Worlds and Its Impact on Student Engagement." In World Congress on Education. Infonomics Society, 2024. http://dx.doi.org/10.20533/wce.2024.0006.

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Eliyanah, Evi, Andhika Afifah Nurjannah, M. Misbahul Amri, et al. "Writing Drama, Nurturing Tolerance: Indonesian Teachers’ Exploration of Creative Teaching Methods." In 2nd World Conference on Gender Studies (WCGS 2021). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220304.020.

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Шарипов, Марат. "FEATURES OF "NEW WAVE" IN THE TATAR DRAMA OF THE XX CENTURY." In Slavic ethnic groups, languages and cultures in the modern world. Baskir State University, 2021. http://dx.doi.org/10.33184/seyaikvsm-2021-09-23.49.

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Kumar, Manivendra, and Dr Ananya Ghoshal. "Theatre as a Catalyst for Social Change: Understanding Habib Tanvir as a Reformist Playwright in ‘Charandas Chor’ (1975)." In 5th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2024. http://dx.doi.org/10.62422/978-81-968539-1-4-015.

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Post-independence canon of Indian theatre is marked by a paradigmatic shift in the reformist agendas of the playwrights. Some playwrights used the method of proscenium plays, while others relied on street or folk theatre to present the socio-cultural turbulences of the time. Habib Tanvir is one reformist playwright of the period whose works can be traced at the intersections of proscenium and rural/folk theatre. Tanvir’s plays are considered milestones in the amalgamation of Indian folk theatre arts and the contemporary perspective of the world. Scholars such as Katheryn Hansen and Javed Malli
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Levina, Polina. "The impulse of classic stories in Václav Havel’s drama (on the example of the plays “Temptation” and “Leaving”)." In The Slavic world: Commonality and Diversity. Institute of Slavic Studies, Russian Academy of Sciences, 2023. http://dx.doi.org/10.31168/2619-0869.2023.3.02.

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Veljković Mekić, Jelena, and Dragana Dragutinović. "DRAMA WORKSHOPS FOR CHILDREN OF PRESCHOOL AND YOUNGER SCHOOL AGE." In The International Scientific Conference "Children, culture, education". University of Kragujevac, Faculty of Education in Užice, Serbia, 2024. http://dx.doi.org/10.46793/dko24.18jv.

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Drama workshops as a method of working with children and young people are used in kindergartens and primary schools all around the world. It is known that dramatic art and dramatic activities influence the emotional and intellectual development of children, enable them to explore alternative methods of communication, liberate them from egocentrism and public performance jitters, advocate spontaneity and individuality, develop their creativity and much more. However, it has been noticed that the dramatic method, despite all its positive effects, is underused in the work of educators and teacher
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