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1

Luckenbill, Katie M. "Cavalry in Xenophon." Wright State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=wright1432044265.

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Humble, Noreen Mary. "Xenophon's view of Sparta : a study of the Anabasis, Hellenica and Respublica lacedaemoniorum /." *McMaster only, 1997.

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Katsaros, Andrea Helen. "Literary perspectives on Pseudo-Xenophon's Athenaion Politeia." Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phk196.pdf.

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Gushue, Alison E. "A Comparison of Xenophon and Plato's Apologies." Scholarship @ Claremont, 2011. http://scholarship.claremont.edu/cmc_theses/268.

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Wilms, Hartmut. "Techne und Paideia bei Xenophon und Isokrates /." Stuttgart : B. G. Teubner, 1995. http://catalogue.bnf.fr/ark:/12148/cb376213972.

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Harman, Rosie. "Viewing Sparta, viewing Asia : vision and Greek identity in Xenophon." Thesis, University of Nottingham, 2009. http://etheses.nottingham.ac.uk/1969/.

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What happens when we look at others, and when others look at us? How does the experience of looking at or being seen by others shape our perceptions of ourselves? This thesis addresses these questions with reference to a specific historical and cultural moment; I examine scenes of vision and display in the Athenian writer Xenophon's representations of Spartans, Persians and other non-Greek peoples in Asia as a means of investigating the place of Sparta, Persia and the non-Greek in fourth century Athenian thought. Focusing in particular on the Anabasis, Cyropaedia, Lakedaimonion Politeia and Ag
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Higginson, T. "Greek attitudes to Persian kingship down to the time of Xenophon." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.384799.

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Tuplin, Christopher J. "The failings of empire : a reading of Xenophon "Hellenica" 2.3.11-7.5.27 /." Stuttgart : F. Steiner, 1993. http://catalogue.bnf.fr/ark:/12148/cb35582522r.

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Tagliabue, Aldo Carlo Fernando. "Commentary on the first book of the Ephesiaca of Xenophon of Ephesus." Thesis, Swansea University, 2011. https://cronfa.swan.ac.uk/Record/cronfa43155.

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Tagliabue, Aldo. "Commentary on the first book of the "Ephesiaca" of Xenophon of Ephesus." Doctoral thesis, Università degli studi di Padova, 2011. http://hdl.handle.net/11577/3427452.

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Most of the previous studies of the novel of Xenophon of Ephesus have pointed out its apparent lack of literary quality and consistency, coming to the conclusion that the version we have is an epitome. Conversely, my commentary offers a new interpretation of the "Ephesiaca" as a Bildungsroman, in which there is a progress from a physical conception of love to a more spiritual one, along with a systematic use of the two most important hypotexts of the genre: Homer's Odyssey and Plato's love dialogues.<br>Le "Efesiache" di Senofonte Efesio sono da sempre state considerate dagli studiosi del mon
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Wu, Yidi, and Yidi Wu. "Socrates' Daimonion." Thesis, The University of Arizona, 2017. http://hdl.handle.net/10150/625687.

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Socrates' daimonion [δαιμόνιον] is a very complicated issue. What the daimonion is and what roles it played in Socratic way of life are the two central and probably most difficult questions about this issue, since Plato and Xenophon provided different images of Socrates' daimonion. Still, this paper tries to list and analyze all Plato's and Xenophon's accounts concerning the daimonion in order to examine both similarities and differences between them and offer a comprehensive image of Socrates' daimonion that can answer the two central questions. In fact, these two questions are so important f
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Lu, Houliang. "Xenophon's theory of moral education." Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/9868.

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Xenophon the Athenian, who is well known as a historian and a witness of Socratic philosophy but is usually excluded from the list of classical writers on education, actually developed his own systematic thought on moral education from a social and mainly political perspective in his extant works. His discourse on moral education presents for us the view of an unusual historical figure, an innovative thinker as well as a man of action, a mercenary general and a world citizen in his age; and is therefore different from that of contemporary pure philosophers, such as Plato and Aristotle. Further
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13

Hobden, Fiona. "Representing the symposion : identity and performance in the 'Symposia' of Plato and Xenophon." Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/13817.

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This thesis contends that to uncover the 'real' symposion from its literary and artistic representations is a difficult task. Every representation of the symposion is informed by its author's wider textual ambitions. Its shape, the roles it plays, and the meanings it conveys are all determined by considerations other than providing an authentic snapshot of sympotic life. However, by acknowledging and investigating these authorial strategies, it might just be possible to catch a glimpse of the event they purport to represent, as this close reading of the Symposia of Plato and Xenophon aims to s
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14

Doulamis, Konstantinos. "The rhetoric of Eros in Xenophon of Ephesus and Chariton : a stylistic and interpretive study." Thesis, University of Exeter, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.269809.

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Pappas, Xenophon [Verfasser], and Angela [Akademischer Betreuer] Geissler. "Eine retrospektive Studie zur Therapiebewertung der Radiatio bei invasivem Mammakarzinom / Xenophon Pappas ; Betreuer: Angela Geissler." Tübingen : Universitätsbibliothek Tübingen, 2015. http://d-nb.info/1163320897/34.

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Hoag, Gary G. "The teachings on riches in 1 Timothy in light of Ephesiaca by Xenophon of Ephesus." Thesis, University of Bristol, 2013. http://hdl.handle.net/1983/bd009f3c-aef2-4918-9af0-e8480c6a0bdf.

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Scholars are divided on reading the teachings on riches in 1 Tim. Evidence that has been largely overlooked in NT scholarship, Ephesiaca by Xenophon of Ephesus, suggests that the topic be revisited. Ephesiaca is a story about a rich Ephesian couple. This text brings to life what is known from ancient sources about the social setting and cultural rules of the rich in Ephesus and adds derails to enhance our knowledge of life and society. Recent scholarship has dated Ephesiaca to the mid-first century CE. If the Acts narrative is reliable, this locates the story in broadly the same timeframe as t
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Kondo, Kazutaka. "Socrates' Understanding of his Trial: The Political Presentation of Philosophy." Thesis, Boston College, 2011. http://hdl.handle.net/2345/3926.

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Thesis advisor: Robert C. Bartlett<br>This dissertation investigates how Socrates understands his trial. It is a well-known fact that Socrates is accused of impiety and corruption of the young and is subsequently executed. Unlike an ordinary defendant who is supposed to make every effort to be acquitted, Socrates, behaving provocatively, seems even to induce the death penalty. By reading Plato's and Xenophon's works, this dissertation clarifies his thoughts on the trial that must be the basis of his conduct and explains how he achieves his aim. To deal with Socrates' view of the trial as a who
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18

Lorch, Benjamin. "Moderation as a Political and Philosophical Virtue in Xenophon’s Memorabilia." Thesis, Boston College, 2008. http://hdl.handle.net/2345/1952.

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Thesis advisor: Christopher Bruell<br>This study of Xenophon’s Memorabilia investigates the famous Socratic thesis that virtue is knowledge. Specifically, it is an attempt to understand the claim that anyone who knows what the right thing is to do, automatically chooses to do it. I concentrate on Socrates’ view of one particular virtue, namely moderation. This is both because moderation is the virtue that Xenophon’s Socrates most often identifies with knowledge, and because it is the virtue that Xenophon associates most closely with Socrates himself. The first part of the dissertation consider
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19

Brennan, Shane Geoffrey. "Apologia in Xenophon's Anabasis." Thesis, University of Exeter, 2011. http://hdl.handle.net/10036/3034.

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Xenophon of Athens probably did not write his Anabasis until thirty years or more after the events which it describes. This remarkable gap, taken together with the absence of a prologue, the presence of a number of prominent themes and authorial concerns, and the complex literary construction of the work, has made the task of explaining it problematic. Situating the text in the context of Xenophon's later life and wide-ranging literary output, in this dissertation I argue that apologia is the defining element in the work. Through his elaborate narrative structure and representation of his own
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Huang, Juin-Lung. "Law, reconciliation and philosophy : Athenian democracy at the end of the fifth century B.C. /." St Andrews, 2008. http://hdl.handle.net/10023/437.

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McCloskey, Benjamin Orion. "Xenophon’s Kyrou Amathia: Deceitful Narrative and The Birth of Tyranny." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1354721463.

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22

Breunig, Oliver [Verfasser], Thomas [Akademischer Betreuer] Lorenz, Achim [Akademischer Betreuer] Rosch, and Xenophon [Akademischer Betreuer] Zotos. "Thermodynamics of the Spin-Chain Compounds Cs2CoCl4 and Cu(C4H4N2)(NO3)2 / Oliver Breunig. Gutachter: Thomas Lorenz ; Achim Rosch ; Xenophon Zotos." Köln : Universitäts- und Stadtbibliothek Köln, 2015. http://d-nb.info/1074998979/34.

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Hogan, Conor. "A Merely Comic Conclusion: A Comparative Analysis of Xenophon’s Spartan Constitution." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/cmc_theses/2162.

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In this paper, I hope to do a small part to bridge the gap that has emerged in this scholarly debate between the historicist and Straussian views of Spartan society. To that end, this paper will analyze the Spartan Constitution according to the Straussian method. That is, I will engage in a close reading of the text, only referencing outside, secondary sources directly when necessary and appropriate. In other cases, their views will simply color this analysis and be referenced as supporting evidence in footnotes. Strauss chose to have only a superficial interaction with the existing schola
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24

Palazzo, D. "L'AGESILAO DI SENOFONTE: FRA ENCOMIO E APOLOGIA." Doctoral thesis, Università degli Studi di Milano, 2012. http://hdl.handle.net/2434/169908.

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The present dissertation provides a commentary to Xenophon's Agesilaus, focusing on the text's literary, rhetorical, narrative and stylistic aspects. Though said to be an encomium in the words of its author, the work is basically an attempt to defend the Spartan king from the accusation of having caused the crisis and ultimate downfall of the Spartan egemony. In order to outline the apologetic strategies, by which Xenophon twists the historical truth about Agesilaus and his policies as a king and general, the text is compared with the narratives offered by Xenophon's Hellenica, especially in t
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25

Pinard, Giorgia. "La perception de Socrate dans les études philosophiques en france et en italie de 1900 à 1950." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040160.

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Ce projet, sous le contrôle et la responsabilité de M. le Pr. Carlos Lévy, Professeur de l’Université Paris-Sorbonne, et de M. le Pr. Emidio Spinelli, professeur à l’Université de Rome La Sapienza, se propose comme objectif un travail approfondi, critique et comparatif des études de philosophie ancienne ayant Socrate comme sujet, en France et en Italie, entre 1900 et 1950. Il ne s'agit pas de poursuivre une coincidentia oppositorum, mais d'analyser une polarité dialogique en mouvement perpétuel et une altérité qui s’enrichit de la prise de conscience des différences spécifiques. Quatre leitmot
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26

Cerdas, Emerson. "A Ciropedia de Xenofonte : um romance de formação na Antiguidade /." Araraquara : [s.n.], 2011. http://hdl.handle.net/11449/91515.

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Orientador: Maria Celeste Consolin Dezotti<br>Banca: Cláudio Aquati<br>Banca: Márcia Valéria Zamboni Gobbi<br>Resumo: A Ciropedia de Xenofonte, escrita no século IV a.C., é uma obra de caráter híbrido, em que a ficção e a história se mesclam com muita liberdade. Em virtude disto, tem-se discutido qual seria a melhor classificação de gênero para a obra: romance biográfico, obra historiográfica, romance histórico. A presente dissertação investiga em que medida a Ciropedia de Xenofonte apresenta elementos narrativos que nos permitam reconhecer nela aspectos do gênero do romance, mais especificame
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Cerdas, Emerson [UNESP]. "A Ciropedia de Xenofonte: um romance de formação na Antiguidade." Universidade Estadual Paulista (UNESP), 2011. http://hdl.handle.net/11449/91515.

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Made available in DSpace on 2014-06-11T19:25:22Z (GMT). No. of bitstreams: 0 Previous issue date: 2011Bitstream added on 2014-06-13T19:32:22Z : No. of bitstreams: 1 cerdas_e_me_arafcl.pdf: 1363277 bytes, checksum: 291cb7b1d704a1db2f811f424606b048 (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)<br>A Ciropedia de Xenofonte, escrita no século IV a.C., é uma obra de caráter híbrido, em que a ficção e a história se mesclam com muita liberdade. Em virtude disto, tem-se discutido qual seria a melhor classi
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Leonetti, Flavio Luis Mestriner. "O princípio da integridade como o princípio de potência na figura de Sócrates, segundo a obra de Xenofonte." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-19122013-110148/.

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A partir do referencial paradigmático e exemplar da figura e disciplina (eu zen) de Sócrates na obra de Xenofonte, desenvolvem-se a análise, a reflexão sobre o princípio reintegrador perante a inexorabilidade, o desconhecimento e a incerteza do real, com vistas à reconciliação proporcional, ao desenvolvimento satisfatório da integridade razoável, para que o homem possa adquirir não somente a compreensão filosófica, mas também condições de resistência, de flexibilidade estratégica - enfim, a capacidade suficiente de transformação e relacionamento com os problemas fundamentais da existência.<br>
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Gilfillan, Upton Bridget. "'For they were afraid....' : towards an aural hermeneutic for ancient popular texts; Speech Act readings of the endings of Xenophon of Ephesus; an Ephesian tale and the Gospel of Mark." Thesis, King's College London (University of London), 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313896.

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Lima, Alessandra Carbonero. "Xenofonte e a paideia do governante." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/48/48134/tde-26112012-112556/.

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Nossa investigação explora a possibilidade de o tema da paideia ser um eixo comum em torno do qual se articulam os textos de Xenofonte de Atenas, autor do século IV a.C. Julgamos que essa perspectiva se justifica em razão da importância que esse autor atribui à construção de retratos de homens paradigmáticos. Ilustramos esse procedimento com a análise do retrato que o próprio Xenofonte constrói para si, na Anabase. É sobretudo a partir da análise desses retratos que podemos ver, em Xenofonte, a discussão do tema da paideia. Os estudos que aqui empreendemos concentram-se no tema da paideia do g
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Silva, Cleyton Tavares da Silveira. "Da Pena ? Espada: Xenofonte e a Representa??o de Esparta em A Constitui??o dos Lacedem?nios." Universidade Federal do Rio Grande do Norte, 2012. http://repositorio.ufrn.br:8080/jspui/handle/123456789/16963.

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Made available in DSpace on 2014-12-17T15:25:17Z (GMT). No. of bitstreams: 1 CleytonTSS_DISSERT.pdf: 1577692 bytes, checksum: b389b56a4b9bb7d748505f8f6a52af75 (MD5) Previous issue date: 2012-08-17<br>Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior<br>We intend to analyze how, through your own views and social practices, Xenophon composed the image of Spartans and their poliad regime during the period following the end of the 5th century to the early 4th century before BCE a time of great political turbulence in the Hellenic Poleis. In order to do so, we will use the writings in
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32

Porceddu, Maria Lavinia. "L'Athenaion Politeia pseudosenofontea e il suo tempo: studio di contestualizzazione." Doctoral thesis, Università degli studi di Trento, 2022. http://hdl.handle.net/11572/326795.

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La Costituzione degli Ateniesi, tramandataci dalla tradizione tra le opere di Senofonte, ha suscitato nel corso del tempo un considerevole interesse tra gli studiosi del mondo greco. All’opera, a partire dal XIX secolo, sono state dedicate analisi di natura filologica, linguistica e storica, e, in tempi più recenti, un elevato numero di commenti. Oggetto della riflessione dell’Autore – dichiaratamente ostile al regime politico in vigore ad Atene – sono i meccanismi costitutivi e funzionali della democrazia. L’opera propone una riflessione economico-politica di notevole rilievo teorico il cui i
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33

Huang, Juin-lung. "Law, reconciliation and philosophy : Athenian democracy at the end of the fifth century B.C." Thesis, University of St Andrews, 2008. http://hdl.handle.net/10023/437.

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The purpose of this thesis is to defend Athenian democracy against a long-established suspicion that the Athenian government, with its radical form of popular participation, was not only incompetent but also dangerous. There are two serious misunderstandings in this traditional view; one is the myth of the decline of Athens after the death of Pericles, the other being the outright denial of Athenian democracy by its philosophers, Xenophon and Plato. These two common presumptions about Athenian history and philosophy are therefore examined. The historical examination focuses on three important
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34

Niese, Derrick A. "PELTASTS AND JAVELINEERS IN CLASSICAL GREEK WARFARE: ROLES, TACTICS, AND FIGHTING METHODS." Wright State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=wright1334275977.

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Sears, David C. "Xenophon's Anabasis lessons in leadership." Thesis, Monterey, Calif. : Naval Postgraduate School, 2007. http://bosun.nps.edu/uhtbin/hyperion-image.exe/07Jun%5FSears.pdf.

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36

Zitar, Brandon P. "Political Stability in Xenophon's "Cyropaedia"." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1752356/.

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While there have been several rich studies that have provided insight into the teachings of Xenophon that emerge from a careful reading of the Cyropaedia, the problem of reconciling the apparent good rule of Cyrus with the ruin of his empire persists. I argue that this problem can be reconciled by focusing on the problem that Xenophon initially informs us he is interested in, political stability.
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Finocchio, Erika. "Xénophon et Athènes." Thesis, Paris 10, 2009. http://www.theses.fr/2009PA100182.

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Cette étude a pour but d’analyser l’attitude de Xénophon vis-à-vis d’Athènes et de la démocratie. En retraçant les événements de l’histoire athénienne comme ils sont relatés dans les Helléniques et comme l’auteur les a vécus, le travail vise à démontrer : - que Xénophon ne condamne pas la démocratie comme une forme politique injuste, bien qu’il n’approuve pas ses choix politiques au cours du Ve siècle ; - que, grâce à la leçon tirée de l’expérience de l’échec subi au Ve siècle, Athènes est la seule cité capable, aux yeux de l’auteur, de résoudre le conflit entre Grecs et d’apporter la paix en
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38

Wong, Benjamin K. S. "Justice and friendship in Xenophon's Memorabilia." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ28084.pdf.

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Due, Bodil. "The Cyropaedia : Xenophon's aims and methods /." Aarhus : Danemark : Aarhus university press, 1989. http://catalogue.bnf.fr/ark:/12148/cb354585990.

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40

Erlinger, Christopher Michael. "How the Eunuch Works:Eunuchs as a Narrative Device in Greek and Roman Literature." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1465737368.

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41

Maxson, Brian. "Kings and Tyrants: Leonardo Bruni's translation of Xenophon's "Hiero"." Digital Commons @ East Tennessee State University, 2010. https://dc.etsu.edu/etsu-works/6179.

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Leonardo Bruni published one of his most widely copied translations, Xenophon's pro-monarchical Hiero, shortly before he penned his more famous original works, his Dialogues and Panegyric to the City of Florence. Scholars have traditionally focused on the political ideas present in these original treatises; yet, despite the centrality of political ideas to the Hiero, its temporal proximity to these works, and its enormous popularity (the work exists in 200 fifteenth-century manuscripts), scholars have neglected to offer a full assessment of Bruni's translation in the context of these works. Br
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42

Magnoli, Bocchi Giovanni Battista. "Politica e storia nella "Retorica" di Aristotele : per un commento ad exempla historica." Thesis, Mulhouse, 2018. http://www.theses.fr/2018MULH1860.

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Le projet avait pour objectif d'étudier les contenus historiques des trois volumes de la Rhétorique d'Aristote. Comme il été souligné à juste titre à plusieurs reprises, le rapport entre le Stagirite et l'histoire est un domaine de recherche absolument profitable et qui a bénéficié d'une attention particulière de la part des historiens au cours des dix dernière années. Nous ne parlons pas de ce que dit Aristote directement de l'histoire, à partir du célèbre passage de la "Poétique", mais de l'usage qu'il fait, à des fins argumentatives, de plusieurs épisodes historiquement pertinents. Si, de f
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43

Powell, Janet. "Xenophon's Poroi : risk, rationality and enterprise in fourth-century Attica." Thesis, Birkbeck (University of London), 2015. http://bbktheses.da.ulcc.ac.uk/137/.

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This thesis is a reassessment of Xenophon’s strategies in the Poroi in the light of recent scholarly studies of the Athenian mining industry, trade, honours and the scholarly debate around the ancient capacity for economically rational decision-making. It argues that Xenophon wrote for a wider audience than the Athenian citizenry alone, and that an interpretation of the Poroi as proposing a beneficent regime in which slaves would live semi-autonomous lives cannot be sustained. Primarily it focuses on three specific strands. Using archaeological, epigraphic and literary evidence, it argues that
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Privitera, Ludivine. "Le fait religieux dans les romans grecs : Un aperçu du paganisme à l’époque impériale ?" Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040193.

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Cette étude s’attache à l’observation et l’analyse du fait religieux dans les romans grecs. Les romans de Chariton, Xénophon d’Éphèse, Longus, Achille Tatius et Héliodore forment un corpus étonnamment cohérent, au vu de la distance temporelle qui les sépare. Ils se refusent pourtant à toute tentative de généralisation en matière religieuse. Prenant le contre-pied des études symbolistes, ce travail présente un relevé exhaustif de la religion observable dans les romans. Sont ainsi étudiés les lieux de culte et leur personnel, ansi que les actes rituels effectués par les personnages. La mise en r
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45

Labadie, Mathieu. "Xénophon et la divination." Thèse, Caen, 2014. http://hdl.handle.net/1866/11653.

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Cette thèse a pour but de dresser un panorama complet des croyances de Xénophon en la divination. À l’aide d’une analyse rigoureuse de la totalité des œuvres de cet auteur antique pendant longtemps déprécié, il ressort que le problème de la consultation des dieux, loin d’être abordé de manière anecdotique et spontanée à la façon d’un legs de la tradition que la pensée critique n’a pas touchée, est au contraire un élément essentiel de la formation d’une réflexion profonde sur la piété et plus généralement les rapports qu’entretiennent les hommes avec les dieux. D’autre part, en raison du zèle d
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46

Rubulotta, Gabriella. "La réception de Xénophon dans l'œuvre d'Ælius Aristide : rhétorique et imitation à l'époque impériale." Thesis, Strasbourg, 2019. http://www.theses.fr/2019STRAC006.

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Nombre d’œuvres d’époque impériale montrent que Xénophon était considéré comme un modèle littéraire éminent. La présente thèse offre une analyse de la réception de Xénophon dans les discours de l’orateur Ælius Aristide, lesquels n’ont pas encore été traités sous cet angle. Les œuvres aristidiennes examinées sont : les Discours platoniciens (or. 2-4), le discours Sur la digression (or. 28), la déclamation En faveur de la paix avec les Athéniens (or. 8), l’ensemble des cinq Discours leuctriens (or. 11-15), les témoignages sur la déclamation perdue Callixène, le Panathénaïque (or. 1) et l’éloge À
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47

Humble, Noreen M. "Xenophon's view of Sparta, a study of the Anabasis, Hellenica and Respublica Lacedaemoniorum." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ30093.pdf.

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48

Stanke, Stefan. "Tyrants, kings and generals : the relationship of leaders and their states in Xenophon's Hellenica." Thesis, University of Oxford, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.425399.

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49

Hogg, Graham Ian. "The self-education of Cyrus : a literary commentary on Book 1 of Xenophon's Cyropaedia." Thesis, University of Edinburgh, 1997. http://hdl.handle.net/1842/20573.

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The purpose of this thesis is to provide a literary commentary and analysis of the first book of Xenophon's <I>Cyropaedia</I>. The work has traditionally been regarded as an enigma, its subject matter being too diverse and its structure and purpose unclear. Moreover, in contrast with Xenophon's other works and other fourth-century prose literature, the text has been treated as being tedious and having little intrinsic worth. In recent years, however, there has been a resurgence of scholarly interest in the <I>Cyropaedia</I>. James Tatum's <I>Xenophon's Imperial Fiction</I>, Bodil Due's <I>The
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50

Lucciano, Mélanie. "Paene Socratico genere : figures de Socrate dans la littérature et la philosophie à Rome de Plaute à Sénèque." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040071.

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Lorsque, au IVe siècle, les Romains rendirent hommage à la sagesse, ils érigèrent une statue de Pythagore. Pline l’Ancien s’en étonne : pourquoi n’a-t-on pas plutôt choisi Socrate ? Cette interrogation reflète l’intégration progressive de la figure du philosophe athénien à Rome, depuis le IIe siècle av. J.C. jusqu’à l’œuvre de Sénèque qui intériorise le modèle socratique d’enseignement.Est d’abord réuni le corpus exhaustif des occurrences de Socrate dans une perspective diachronique. Les passages sont contextualisés dans l’économie de l’œuvre, son genre et les objectifs de chaque auteur. La so
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