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Teses / dissertações sobre o tema "1901-1974 Criticism and interpretation"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 9 de fevereiro de 2022

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1

Cobern, Lucy Rebecca. "The suspension of mastery and the desire for imaginary : applying Jacques Lacan's theory of the imaginary to the beholder/image dialectic as realised in selected paintings by Lucy Cobern and Gerhard Richter." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1007806.

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This dissertation seeks to explore the nature of the self/other, subject/object dialectic that can be found in Jacques Lacan's theory of the Minor Stage and his notion of Imaginary mastery, and how this relationship can be re-read in terms of a beholder/image relationship. What I seek to demonstrate in exploring the relationship between the beholder and the image is the staging of two opposing emotions, aggression and desire and the consequential tussle for mastery that arises from the self/other, and hence the beholder/image, dichotomy. I seek to explore the reasons why such a beholder/image

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2

Marusza, Julie A. "The transforming art of Anne Sexton /." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69619.

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By using rigorous conventional structure in her early work Anne Sexton was able to successfully contain some of her severe psychological instabilities stemming from childhood in poetic form. Sexton's artistic direction underwent a sharp change midway into her poetic career after she wrote the volume Transformations, a collection of story-poems based on narratives from the Grimm fairy tales. In this collection, Sexton took on the external persona of a witch, and with her new voice, she was boldly able to re-tell her version of the Grimm tales. The new persona enabled Sexton to shed her previous

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3

Brochard, Anna Di Blasio. "Le commedie ariostesche nella storia della critica : saggio di bibliografia critica, 1901-1979." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65475.

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4

Stelle, Ginger. "A swipe at the dragon of the commonplace : a re-evaluation of George MacDonald's fiction." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1974.

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This thesis offers a re-evaluation of the fiction of George MacDonald (1824-1905), both fantasy and non-fantasy. The general trend in MacDonald studies is to focus primarily on his works of fantasy, either ignoring the rest (which includes non-fantasy fiction, sermons, poetry, and criticism) or using them to illuminate the fantasies. The overall critical consensus is that these works, particularly MacDonald’s non-fantasy fiction, possess little inherent value. Though many critics acknowledge similarities between MacDonald’s fantasy fiction and his non-fantasy fiction, MacDonald has been the vi

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5

Liddington, John Hugh. "The philosophy of Michael Oakeshott and its relation to politics." Thesis, University of Oxford, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670402.

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6

Hoedekie, Nelson G. U. (Nelson Gustaaf Urbain). "Naar analogie van schaduwen aan de wand : een wijsgerige interpretatie van 'de schaduw als kunstwerk' aan de hand van Plato's grotvergelijking." Thesis, Stellenbosch : Stellenbosch University, 2003. http://hdl.handle.net/10019.1/53511.

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Thesis (MPhil)--University of Stellenbosch, 2003.<br>ENGLISH ABSTRACT: In this thesis, 'shadow' is investigated as an object of thought and (analogically connected to this) of perception. This dialectical process is structured through means of a series of experiments and Plato's allegory of the cave, which is interpreted as a process directed towards selfconciousness. This process is further explained through thinkers such as, Blumenberg, Heidegger, Levinas en Voegelin. The purpose of this study is to break with the self-evident way in which 'shadow' is 'normally' treated and to bring b

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7

Vázquez-Medina, Olivia. "Cuerpo presente : imaginería corporal, representación histórica y textura narrativa en Yo el Supremo (1974), Noticias del Imperio (1987) y el General en su Laberinto (1989)." Thesis, University of Oxford, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670014.

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8

Valent, Joseph Arthur. "An examination of the conducting method of Hideo Saito." Virtual Press, 2000. http://liblink.bsu.edu/uhtbin/catkey/1173782.

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The ideas of Hideo Saito regarding conducting and conducting pedagogy are a valuable addition to the field, an addition that English-speaking people are likely to be unfamiliar with. Besides devising a unique collection of terms for talking about conducting, and assembling a set of exercises designed to facilitate the practice of a variety of gestures, Saito develops and operates from a framework which allows for the description and evaluation of almost any conceivable rhythmic gesture. While he pays attention to time, space, direction, size, and expectations, he often explores the ways veloci

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9

Prisco, Mario. "Journeys beyond binaries : storytelling and polyphony in the narratives of Gabriella Ghermandi, Igiaba Scego, Ubax Cristina Ali Farah and Amara Lakhous." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/11947.

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In the last two decades, in media and political discourses, Italianness has been increasingly represented as a homogeneous and compact entity, which is intruded on and contaminated by immigrants. In this study, the binary opposition between Italians and migrants is investigated from the perspective of writers who inhabit a liminal space, between at least two cultures, with the main intent to problematize the binary itself and to show its nature of fabrication. On the basis of Said's contrapuntal method, the novels by Ghermandi, Scego, Ali Farah and Lakhous are thought to establish a counterpoi

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10

Wulf, Catharina. "Desire in Beckett : a Lacanian approach to Samuel Beckett's plays Krapp's last tape, Not I, That time, Footfalls and Rockaby." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59554.

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This thesis argues that desire is a major theme in Samuel Beckett's dramatic works. Central to our analysis is Jacques Lacan's concept of the Desire for the Other, as the outcome of the human subject's division. We will investigate how desire is expressed at the level of Beckett's characters' utterance. The characters' attempts at and inability to achieve a reconciliation with their speech correlate with the impossibility of reunifying Lacan's split subject. The first part of our discussion focuses upon desire-as-paradox--the lack of will to desire and the continuation of desire--in Not I, Foo

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11

Sena, Yara Máximo de. "Uma leitura do Relatório do Inquérito "Leituras infantis" de Cecília Meireles." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/251328.

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Orientador: Norma Sandra de Almeida Ferreira<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação<br>Made available in DSpace on 2018-08-17T20:00:18Z (GMT). No. of bitstreams: 1 Sena_YaraMaximode_M.pdf: 2867380 bytes, checksum: 8a4566ac80dc92d955beabe1393f926b (MD5) Previous issue date: 2010<br>Resumo: Este trabalho tem o intuito de tomar o Relatório do Inquérito "Leituras Infantis" realizado por Cecília Meireles com estudantes cariocas do terceiro ao quinto ano da escola primária, no ano de 1931 e publicado em 1934, como objeto-fonte de investigação, no âmbit

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12

Van, der Merwe Petrus Lodewikus. "Lacan and Freud : beyond the pleasure principle." Thesis, Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/4262.

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Thesis (MA (Psychology))--University of Stellenbosch, 2010.<br>ENGLISH ABSTRACT: Jacques Lacan and Sigmund Freud‟s ideas are presented with specific emphasis on the themes presented in Freud‟s (1920a) Beyond the Pleasure Principle. Freud‟s Project for a Scientific Psychology (1950) provides important clues to describe the pleasure principle in terms of Quantity (Q), facilitations [Bahnung] and contact-barriers. Therefore, the implications of the pleasure principle relate greatly to 1) Freud‟s notion of the unconscious, 2) Lacan‟s explanation of das Ding, 3) the difference between jouissance an

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13

Cain, Christina. "Between the Waves: Truth-Telling, Feminism, and Silence in the Modernist Era Poetics of Laura Riding Jackson and Muriel Rukeyser." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5419/.

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This paper presents the lives and early feminist works of two modernist era poets, Laura Riding Jackson and Muriel Rukeyser. Despite differences of style, the two poets shared a common theme of essentialist feminism before its popularization by 1950s and 60s second wave feminists. The two poets also endured periods of poetic silence or self censorship which can be attributed to modernism, McCarthyism, and rising conservatism. Analysis of their poems helps to remedy their exclusion from the common canon.

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14

Taggart, Emma. "Corporeal identification in selected works by Berni Searle." Thesis, Rhodes University, 2008. http://hdl.handle.net/10962/d1004576.

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Through a detailed analysis of a selection of works produced between 1999 and 2003 by the South African artist Berni Searle, this thesis explores the need to theorise a corporeal viewer in the process of interpreting art works. Such an approach is particularly necessary when dealing with an artist such as Searle because her work, which deals predominantly with the theme of identity, appeals not only to conceptual but also to experiential and corporeal understandings of identity. Searle incorporates the viewer into an experience of her own identity through a physical identification that the vie

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15

O'Connor, Bryan M. (Brian Michael) 1958. "A Lacanian reading of Boswell's morbid will : melancholia and "angst"." Monash University, Centre for Comparative Literature and Cultural Studies, 2000. http://arrow.monash.edu.au/hdl/1959.1/8768.

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16

Noble, Jenny Austin School of English UNSW. "Representations of the mother-figure in the novels of Katharine Susannah Prichard and Eleanor Dark." Awarded by:University of New South Wales. School of English, 2005. http://handle.unsw.edu.au/1959.4/23897.

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This thesis argues that through bringing together two branches of inquiry???the literary work of Katharine Susannah Prichard and Eleanor Dark and socio-feminist theory on health, contagion and the female body???the discursive body of the mother-figure in their novels serves as a trope through which otherwise unspoken tensions???between the personal and the political, between family and nation and between identity and race in Australian cultural formation???are explored. The methodology I use is to analyse the literary mother-figure through a ???discourse on health??? from a soma-political, soc

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17

歐陽艷華. "唐圭璋及其詞學研究". Thesis, University of Macau, 2007. http://umaclib3.umac.mo/record=b2101679.

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18

Claudiano, Leonardo da Silva. "Ruas que não envelhecem: o veloz percurso de Piratininga a São Paulo pela obra de António de Alcântara Machado." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21570.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-11-09T10:25:46Z No. of bitstreams: 1 Leonardo da Silva Claudiano.pdf: 1127772 bytes, checksum: 56fcb8781328c3028d14b101a9e2d8c8 (MD5)<br>Made available in DSpace on 2018-11-09T10:25:46Z (GMT). No. of bitstreams: 1 Leonardo da Silva Claudiano.pdf: 1127772 bytes, checksum: 56fcb8781328c3028d14b101a9e2d8c8 (MD5) Previous issue date: 2018-09-21<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The present dissertation aims to detect by the modernist view of António de Alcântara Machado, the physical transformat

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19

Leme, Patrícia de Oliveira 1986. "Borges, um estranho : litorais entre a literatura e a psicanálise." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/271102.

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Orientador: Nina Virgínia de Araújo Leite<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-21T22:47:56Z (GMT). No. of bitstreams: 1 Leme_PatriciadeOliveira_M.pdf: 1354597 bytes, checksum: 5dae4738b3554f602db88d197ab3ebad (MD5) Previous issue date: 2013<br>Resumo: O presente trabalho consiste em uma leitura do estilo de Jorge Luis Borges a partir de um inquietante efeito narrativo, passível de ser abordado na área psicanalítica através do enigmático conceito de estranho. Para a elaboração dessa hipótese, in

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20

Ribeiro, Vanessa Lopes. "Discursos sobre o universo do trabalho e da tecnologia no romance Usina, de José Lins do Rego." Universidade Tecnológica Federal do Paraná, 2015. http://repositorio.utfpr.edu.br/jspui/handle/1/2008.

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Esta tese consiste em uma análise dialógica das construções discursivas sobre o universo do trabalho e da tecnologia no romance Usina, de José Lins do Rego, publicado em 1936. Para conduzir a análise proposta, esta pesquisa parte dos pressupostos teóricos de Mikhail Bakhtin e do círculo, estudiosos da linguagem, para quem o romance é um grande enunciado que nasce de um espaço sócio-interativo. Nessa mesma perspectiva dialógica, em relação ao universo do trabalho e da tecnologia, este estudo busca reflexões de importantes pensadores, a saber: Marx, Engels, Lafargue, Lukács, Sennett e Heidegger.

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21

Van, der Watt Gerhardus Daniël. "The songs of Gerald Finzi (1901-1956) to poems by Thomas Hardy." Thesis, 1996. http://hdl.handle.net/10500/16287.

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This study consists of two volumes. Volume II contains the analysis of fifty-one songs by Gerald Finzi (1901-1956) to poems by Thomas Hardy (1840-1928). The analysis is based on a preconceived model which focuses on a critical examination of the texts and considers the basic elements of music in each song. Certain stylistic features are apparent from this study and are reflected in Volume I. After a biographical sketch of each artist and a discussion of the texts, a sample of the analysis is presented. The basic elements of music are then discussed: timbre, duration, pitch organization,

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22

Krzychylkiewicz, Agatha. "The grotesque in the works of Bruno Jasienski." Thesis, 1998. http://hdl.handle.net/10500/17149.

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The chief objective of this study is to examine the works of Bruno Jasienski in order to show that he used the grotesque throughout his creative career as the most effective artistic method of highlighting issues he deemed important, as well as a means of disguising his personal view of the world and its people. The study consists of two parts: Part I is devoted to a brief survey of the development of the grotesque, with particular emphasis on the relationship between grotesque art and those artistic movements with which Bruno Jasienski associated himself, namely avant-garde and socialis

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23

Johnson, Kevin Erdean 1977. "The unconscious as a rhetorical factor: toward a BurkeLacanian theory and method." Thesis, 2007. http://hdl.handle.net/2152/3260.

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This dissertation provides an exploration of the nature and scope of the category of the Unconscious as a necessary feature of rhetorical theory and criticism. In order to demonstrate the fundamental importance of the Unconscious to rhetorical theory and criticism, this dissertation focuses on Kenneth Burke's rhetorical theory of Dramatism. Burke is one of the most frequently cited theorists by rhetorical scholars, and offers a familiar site for rhetorical scholars to understand the Unconscious as a rhetorical factor. Burke formulated a theory of the Unconscious by drawing from Freudian psycho

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24

Fleming, Steven Peter. "The bed maker's model a thematic study of Louis I. Kahn's 1961 article "Form and design" in terms of Plato's theory of forms as treated in The Republic." Diss., 2003. http://www.newcastle.edu.au/services/library/adt/public/adt-NNCU20040329.192248/index.html.

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25

Hertenberger, Renate. "Drei Aspekte zu Leben und Werk Erich Kästners." Thesis, 2012. http://hdl.handle.net/10210/5728.

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M.A.<br>"Es gibt nichts Gutes, auger: man tut es!" 1 Diese Worte stammen von einem Mann, der nicht nur als Autor, sondern auch als Mensch heute noch als ein Moralist bezeichnet wird. Seine Werke sollen dazu dienen, den Erwachsenen und den Kindern ein Beispiel der Moralitat zu sein. Wie kommt es, daft ein Mann so hohe moralische AnsprOche stellt? Bei Erich Kastner kann man these AnsprOche auf seine Kindheit zuruckfuhren; seine Mutter war fOr ihn dieser Einflull und sollte es sein Leben lang bleiben. Der Muttertyp taucht in seinen Werken immer wieder auf, und Ida Kastner dient immer als der Mags

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26

"革命的性別與性別的革命: 透視茅盾和蔣光慈「革命加戀愛」小說中的革命女性". 2013. http://library.cuhk.edu.hk/record=b5549240.

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「革命加戀愛」小說在一九二零年代末中國的大量出現，反映了當時知識份子藉書寫對革命與性別之間的關係所展開的思考。而這些思考往往集中表現在文本中的革命女性身上。論文選擇以茅盾（1896 - 1981）及蔣光慈（1901 - 1931）這兩人創作的「革命加戀愛」小說為例，嘗試說明這些文本中的革命女性，蘊藏著一種未被充份理解的革命性。這一革命性，是以當時一套經翻譯進入中國的社會主義女性主義柯倫泰（1872 - 1952）的論述為參照而顯現出來。以此為基礎，我們重新發現通過《虹》這個文本中的革命女性，茅盾敘述了一個女性如何成為「革命的性別」的故事。而在《衝出雲圍的月亮》這本小說中，蔣光慈則在革命女性的思考、行動上，展示了革命如何可以是一場「性別的革命」。「革命的性別」及「性別的革命」說明了當時中國左翼知識份子對革命的思考及想像中，性別解放的可能的面向。<br>With the mushrooming of Revolution and Love stories in China during late 1920s, intellectuals at the time have begun their reflection on the relation between “revolution and “gender through their writings, and addressed

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27

Smith, Stephen. "Restoring the imprisoned community : a study of selected works of H. I. E. and R. R. R. Dhlomo and their role in constructing a sense of African modernity." Thesis, 2004. http://hdl.handle.net/10413/2559.

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This is a comparative study of a selection of the works of H.I.E. and R.R.R. Dhlomo in an attempt to specify the ways in which both writers contributed to constructing a sense of African modernity. While the focus will be on the content of the writing, it will include an analysis of the form and style of the literature, as well as the historical and political setting of the work, and of the authors. By employing the theoretical work of Alain Locke, David Attwell and Tim Couzens, I will address the issue of how Herbert and Rolfes Dhlomo negotiate the issue of a Christian modernity, as well as t

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28

Sicwebu, Noel Zanoxolo. "The representation of character in Es'kia Mphahlele's writings : a comparison of the autobiography Down Second Avenue (1959) and the novel The Wanderers (1971) with his philosophy in The African Image (1974)." Diss., 1999. http://hdl.handle.net/10500/16030.

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Literary representation of character in South Africa is not just problematic but also complicated by racial dynamics, which easily lead to prejudiced portrayal by most writers. Mphahlele's reaction to White writing's "distortion" of the image of Blacks, in his critical texts resulted in his being labelled a protest writer. Concerning his creative writing, he admits that he initially couldn't portray the character of a white person roundedly due to limited acquaintance with him. What he only knows about him and therefore depicts in his early writings is the White stereotype. His acquaint

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29

Yannacci, Christin Essin. "Landscapes of American modernity: a cultural history of theatrical design, 1912-1951." Thesis, 2006. http://hdl.handle.net/2152/3444.

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30

Lockett, Marcia Stephanie. "A comparative study of Roy Campbell's translation of the poetry of Federico Garcia Lorca." Thesis, 1994. http://hdl.handle.net/10500/17224.

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Roy Campbell (1901-1957), who ranks among South Africa's leading poets, was also a gifted and skilled translator. Shortly after the Second World War he was commissioned by the Spanish scholar Rafael Martinez Nadal to supply the English translations for a planned edition of the complete works of the Spanish poet and dramatist, Federico Garcia Lorca, to be published by Faber and Faber, London. However, most of these translations remained unpublished until 1985, when the poetry translations (but not the translations of the plays) were included in Volume II of a four-volume edition entitled

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31

Ewnetu, Anteneh Aweke. "The Representation of Ethiopian politics in selected Amharic novels, 1930 - 2010." Thesis, 2014. http://hdl.handle.net/10500/13857.

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Amharic literature has always occupied an important place in the history of the literary traditions of Ethiopia. Although this literature is believed to be strongly related to the politics of the country, there has been no study that proves this claim across the different political periods in the country. It would be ambitious to deal with all the literary genres in this respect. Therefore, delimiting the investigation of the problem is considered to be useful to filling the knowledge gap. Accordingly, this comparative research which investigates a representation of Ethiopian politics in sele

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32

Willet, Eugene Kenneth 1969. "Music as sinthome: joy riding with Lacan, Lynch, and Beethoven beyond postmodernism." Thesis, 2007. http://hdl.handle.net/2152/3231.

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The films of David Lynch are full of ambiguities that derive from his habitual distortion of time, inversion of characters, and creation of ironic, dreamlike worlds that are mired in crisis. While these ambiguities have been explored from numerous angles, scholars have only recently begun to closely examine music's role in Lynch's cinematic imagination. This dissertation explores the relationship between music and fantasy through the lens of Lacanian psychoanalysis where fantasy plays a crucial role in helping psychoanalytical subjects work through their psychical crises. In particular, I look

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