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1
Rodrigues, Victor Miranda Macedo. "Fernando Peixoto como crítico teatral na imprensa alternativa : jornais Opinião (1973-1975) e Movimento (1975-1979)". Universidade Federal de Uberlândia, 2008. https://repositorio.ufu.br/handle/123456789/16359.
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The present work has as objective to analyze the trajectory of the actor and Brazilian
director Fernando Peixoto, as teatral critic, in the alternative press , specifically, in two
periodic ones: Opinião, between 1973 and 1975, and Movimento, between 1975 and 1979.
We search to understand the character differentiated of the alternative press during the
period of the Brazilian military regimen, the heterogeneity of its proposal, its relation with
the sectors of opposition of the country and the meaning politician to be part of this
journalistic segment. The critical ones of Peixoto, in both the periodicals, are important
documents to apprehend strike them that they occurred in the Brazilian theater: the artistic
trends in dispute, the new forms of expression and resistance under the sign of the
censorship and, mainly, the meaning of the enrollment of the critic for a politically
responsible, transforming and conscientious theater of its function in the fight for national
and popular aspirations.O presente trabalho tem como objetivo analisar a trajetória do ator e diretor brasileiro Fernando Peixoto, como crítico teatral, na imprensa alternativa, especificamente, em dois periódicos: no Opinião, entre 1973 e 1975, e no Movimento, entre 1975 e 1979. Buscamos entender o caráter diferenciado da imprensa alternativa durante o período do regime militar brasileiro, a heterogeneidade de sua proposta, a sua relação com os setores de oposição do país e o significado político de fazer parte deste segmento jornalístico. As críticas de Peixoto, em ambos os jornais, são importantes documentos para apreendermos os embates que ocorriam no teatro brasileiro: as tendências artísticas em disputa, as novas formas de expressão e de resistência sob o signo da censura e, principalmente, o significado do engajamento do crítico por um teatro politicamente responsável, transformador e consciente de seu papel na luta pelas aspirações nacionais e populares .
Mestre em História
2
Behroun, Amirsoleymani Mahnaz. "Etude de situations autoritaires : l'Espagne (1957-1975), l'Iran (1964-1978) et le Brésil (1964-1985)". Nice, 1989. http://www.theses.fr/1989NICE0012.
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L’Espagne de 1957 à 1975, l’Iran de 1964 à 1978 et le brésil de 1964 à 1985 sont des sociétés avancées sur la voie de l'industrialisation qui, sous des régimes autoritaires hautement répressifs, entreprennent une modernisation accélérée pour accomplir un miracle économique. Les dirigeants assurent la stabilité pour réaliser la croissance économique et faire entre le pays dans le groupe des nations industrielles avancées. Sur le plan social, ils empêchent la prise de conscience populaire, interdisent les partis de gauche, et des syndicats indépendants de l'état, suppriment le droit de grève et s'opposent à la mobilisation des masses. Ce mode de gouvernement se caractérise par la présence des technocrates dans les hautes sphères de l'état. Ils reçoivent l'appui des pays étrangers et facilitent ainsi la pénétration des investissements. Les classes moyennes dont le niveau de vie s'améliore sont les principales bénéficiaires du développement, tandis que les paysans et les ouvriers payent le prix de la croissance économique. Le régime corporatiste du général Franco et le régime militaire brésilien font une transition relativement longue et calme a la démocratie. Par contre, la monarchie constitutionnelle de l’Iran se heurte au soulèvement populaire et devient une théocratie islamique. La genèse et le devenir de ces régimes sont ainsi le test de validité des théories et des pratiques du développement autoritaire. Elles permettent d'en mesurer les lacunes en découvrant d'autres paramètres explicatifs tels que : l'environnement régional et international, les cultures politiques domestiques, voire les facteurs conjoncturelsSpain from 1957 to 1975, Iran from 1964 to 1978 and Brazil from 1964 to 1985 are advanced societies on the way of industrialization which under a highly repressive authoritarian regim undertake an accelerated modernization in order to accomply an economic miracle. The political leaders, insure the stability in order to carry out an economic growth and make the country enter into the group of advanced industrialized nations. On the social level, they stop the awakening of the popular consciousness, forbid the leftist parties and independant labour organizations, suppress the strikes and oppose to the mobilization of the masses. One of the caracteristics of this type of government is the presence of technocrats in the high sphere of the state. They are backed by the foreign countries and consequently facilitate the penetration of investments. The middle classes whose standard of living improves are the main beneficiaries of the development, but the peasants and the workers have to pay the price of the growth. The corporatist regime of general Franco and the Brazilian military regime succeed to go through a relatively long and quiet transition period in order to become democracies. On the contrary, the constitutional monarchy of Iran faces a popular uprising and changes into an Islamic theocracy. The origins and the endings of these regimes are thus a validity test for the theories and practices of authoritarian development
3
Al, Kharusi Khalid. "Dhofar War, 1965-1975". Thesis, University of Central Lancashire, 2018. http://clok.uclan.ac.uk/24029/.
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This project examines the nature of UK relations with the Omani Sultans, Sultan Said bin Taimur (1932-1970) and his son, Sultan Qaboos (1970- present), in the context of the Dhofar War (1965-1975). The internal and external circumstances of this conflict give valuable insights into Omani independence and sovereignty, thereby addressing the paucity of Omani writing on this conflict (e.g. Al Hamdani, 2010, Al Amri, 2012, Ja'boub, 2010; Muqaibl, 2002). This study utilises a qualitative descriptive analytical methodology to study documents from British, American, Egyptian, and Omani sources, including archival texts from government officials and the revolutionaries. Interviews were also conducted with key military and civilian figures in the Sultanate of Oman and Britain. Examination of the actions undertaken by Sultan Said and Sultan Qaboos in the war highlights a dichotomy between the need to ensure compatibility with British politics at that time and the desire of the Omani leaders to maintain independence in the face of British imperialism. Despite the profound differences between the policies of both Sultans, this study shows that both governments had a developing and negotiable autonomy, rather than existing as a direct colony or an informal colony (see Abdalsatar, 1989, p. 46; Fadel, 1995, p. 212; Halliday, 2008, p. 331; Miles, 1920, pp.222-230; Omar, 2008, pp. 6-7; Owtram, 2004, p. 16;Samah, 2016, p. 273; Sultan & Naqeeb, 2008, p. 26; Wilson, 2012, pp. 331-332). Importantly, the relationship with the British is shown to have been a less important factor in the events and should therefore not be over-stated as informal imperialism. The main political values in the conflict were: (1) the support of tribal leaders; (2) the role of Islam and communism; (3) the unity of the leadership; and (4) the relations between the Sultans and other Gulf leaders. Overall, the relationship between the Omani rulers and the British was one of friendship, cooperation, and exchange of interests, which the Sultans used to maintain the independent needs of Oman.
4
Puente, Candamo José Agustín de la. "Crónica de Claustro (1975-1976)". Pontificia Universidad Católica del Perú, 2017. http://repositorio.pucp.edu.pe/index/handle/123456789/113724.
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Vasseur, Catherine. "Le cadavre exquis (1925-1975)". Paris 1, 1995. http://www.theses.fr/1995PA010523.
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Les surréalistes ont inventes de nombreux jeux, parmi lesquels le cadavre exquis fut sans doute le plus intensément et le plus durablement pratique. Ce travail porte uniquement sur les productions plastiques (dessins, collages, peintures) issues de ce jeu. Il comprend un catalogue raisonne couvrant la période de 1925 - date de création de ce jeu - à 1975, et un texte d'accompagnement. Le cadavre exquis y est abordé sous l'angle historique de sa création, de sa diffusion, de ses applications dans les diverses sphères touchées par le surréalisme - en Europe et Outre-Atlantique - durant cette période. Il propose également une réflexion sur les implications découlant de la transposition d'un jeu d'origine verbale a sa version plastique, et tente de mettre en rapport la conception de l'image surréaliste avec divers aspects de la redéfinition plus globale de l'image, telle qu'elle se dessine au tournant de notre siècle et jusqu'à nos jours, à la fois dans sa fonction et ses modes d'élaboration, dans diverses disciplines qui ont pour dénominateur commun la mise en visibilité du réel. L'image se révèle alors aussi comme un instrument de traduction d'une vision du réel - et non comme le réel lui-mêmeThe surrealists created a lot of collective games ; among them, the exquisiste corpse is no doublt the most famous and the one which was most practised. This research concerns the "plastic" (drawings, collages, even paintings) productions created from the proceed of the surrealist game. It consists in a catalogue raisonne - assembling productions betwwen 1925 and 1975 - and an accompanying text, in which the different historical aspects are studied and analysed (applications of the game, diffusion in europe and america). Secondly, a reflection is proposed about the implications of the transposition from the verbal game to a plastic version of the same. Through a confrontation between surrealist conception of the "poetic" image and the "image" in different domains - such as painting, phtotography, illustration, collage - we try tosee how the exquisite corpse take part of the re-definition of the image - as an element of visibility of the world - in our century. The image seems to reveal itself as a translation of a conception of the world - and not as the world by itself
6
Goddard, Louis. "J.H. Prynne in context, 1955-1975". Thesis, University of Sussex, 2017. http://sro.sussex.ac.uk/id/eprint/68758/.
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This thesis presents a partial survey of the intellectual and cultural environment in which the contemporary British poet J.H. Prynne began his literary career. Its primary contribution to knowledge consists of a reorientation of critical perspective towards Prynne's early career and its specifically British contexts, as well as a detailed literary-historical account of his relation to those contexts. This account proceeds by analysis of Prynne's prose works rather than his poetry, leading to a secondary contribution in the form of a number of new readings of those works and a consideration of Prynne's attitude towards prose as a form. Extensive use is made of archival material, much of which has not been examined in previous scholarship. The Introduction sets out the methodology of the thesis and argues that existing work on Prynne suffers from interlinked biases against consideration of Prynne's early career and his British influences. Chapter 1 offers an account of a particular network of such influences centred on the University of Cambridge, looking at one regularly cited influence, Donald Davie, and arguing for recognition of a new one in F.R. Leavis. In Chapter 2, Prynne's involvement with the ‘little magazine' scene is considered in detail and an extended reading of his 1967 piece ‘A Note on Metal' is used to reflect on the relationship between prose and its publication contexts. Chapter 3, meanwhile, proposes a third key context for Prynne's early career in the prose fiction of Wyndham Lewis, Edward Upward and Douglas Oliver, before offering a model for Prynne's poetic thinking in this period based on the panspermia hypothesis. The Conclusion attempts to name this model more specifically, while reflecting on the validity of the thesis's semi-biographical approach.
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Beard, Alice. "Nova magazine 1965-1975 : a history". Thesis, Goldsmiths College (University of London), 2015. http://research.gold.ac.uk/12286/.
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This thesis provides an original case history of Nova magazine from 1965-1975, and analyses the magazine’s construction, content and consumption through material culture. Nova made a distinct offering to the world of women’s magazines in the Sixties and Seventies and can be defined by its unique synthesis of editorial breadth and visual innovation. The study considers the correlation between a magazine’s intended, implied and realised meanings. In my analysis of Nova, intended meanings are revealed through an examination of the production process; implied meaning is found within the magazine as an object and text; and Nova’s realised meanings are those articulated through oral history by its readers. Interviews with staff cover the four key areas of Nova’s production; Caroline Baker, Fashion Editor 1967-1975; Gillian Cooke, Editor 1970-1975; David Hillman, Art Director 1969-1975; Maggy Meade-King, Features Writer, 1970-1975. Analysis of these interviews and the design and content of Nova reveals the motivation and ambitions of individual production staff, and evaluates the crucial collaborative practice, creative conflicts and networks of production at the heart of Nova’s making. To better understand magazines, their histories and their futures, it is time that these individuals, working practices and creative networks are both acknowledged and critically evaluated. Recognising the nature and importance of the magazine as composite I adopt a holistic approach as a methodological model for Nova’s analysis. In this thesis I examine the magazine as a whole entity; I analyse its design and contents, alongside a narrative of the processes of its production from its staff and contributors, and consider the use and value of the magazine by its contemporary readers. The agenda for this work, is to plot the processes of production and consumption of Nova in order to reveal the various elements and practices that construct the identity and history of the magazine as a visual, textual and material object.
8
Robinson, Peter Forbes. "Workers' councils in Portugal 1974-1975". n.p, 1989. http://dart.open.ac.uk/abstracts/page.php?thesisid=173.
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Krippner, Janine Barbara. "Ngauruhoe inner crater volcanic processes of the 1954-1955 and 1974-1975 eruptions". The University of Waikato, 2009. http://hdl.handle.net/10289/2760.
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Ngauruhoe is an active basaltic andesite to andesite composite cone volcano at the southern end of the Tongariro volcanic complex, and most recently erupted in 1954-55 and 1974-75. These eruptions constructed the inner crater of Ngauruhoe, largely composed of 1954-55 deposits, which are the basis of this study. The inner crater stratigraphy, exposed on the southern wall, is divided into seven lithostratigraphic units (A to G), while the northern stratigraphy is obscured by the inward collapse of the crater rim. The units are, from oldest to youngest: Unit A, (17.5 m thick), a densely agglutinated spatter deposit with sharp clast outlines; Unit B, (11.2 m) a thick scoria lapilli deposit with local agglutination and scattered spatter bombs up to 1 m in length; Unit C, (6.4 m thick) a clastogenic lava deposit with lateral variations in agglutination; and Unit D, (10 m thick) a scoria lapilli with varying local agglutination. The overlying Unit E (15 cm thick) is a fine ash fallout bed that represents the final vulcanian phase of the 1954-55 eruption. Unit F is a series of six lapilli and ash beds that represent the early vulcanian episode of the 1974-75 eruption. The uppermost Unit G (averaging 10 m thick) is a densely agglutinated spatter deposit that represents the later strombolian phase of the 1974-75 eruption. Units A-D juvenile clasts are porphyritic, with phenocrysts of plagioclase, orthopyroxene, clinopyroxene, minor olivine, within a microlitic glassy groundmass. Quartzose and greywacke xenoliths are common in most units, and are derived from the underlying basement. The 1954-55 and 1974-75 eruptions are a product of a short-lived, continental arc medium-K calc-alkaline magma. The magma originated from the mantle, then filtered through the crust, undergoing assimilation and fractionation, and evolving to basaltic andesite and andesite compositions. The magma body stagnated in shallow reservoirs where it underwent further crustal assimilation and fractionation of plagioclase and olivine, and homogenisation through magma mixing. Prior to the 1954-55 eruption a more primitive magma body was incorporated into the melt. The melt homogenised and fed both the 1954-55 and 1974-75 eruptions, with a residence time of at least 20 years. The 1954-55 eruption produced alternating basaltic andesite and andesite strombolian activity and more intense fire fountaining, erupting scoria and spatter that built up the bulk of the inner crater. A period of relative quiescence allowed the formation of a cooled, solid cap rock that resulted in the accumulation of pressure due to volatile exsolution and bubble coalescence. The fracturing of the cap rock then resulted in a vulcanian eruption, depositing a thin layer of fine ash and ballistic blocks. The 1974-75 eruption commenced with the rupturing of the near-solid cap rock from the 1954-55 eruption in an explosive vulcanian blast, the result of decompressional volatile exsolution and bubble coalescence, and possible magma-water interaction. The eruption later changed to strombolian style, producing a clastogenic lava that partially flowed back into the crater.
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Trentin, Filippo. "Rome 1945-1975 : an archaeology of modernity". Thesis, University of Warwick, 2013. http://wrap.warwick.ac.uk/63031/.
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This thesis investigates Rome as a site of modernity and an incubator of aesthetic modernism. More specifically, it analyses Rome’s visual and discursive imagery during the three decades that stretch from the end of the Second World War to the 1970s. It does so through a comparative analysis of literary, cinematic and critical texts. These include novels such as Levi’s L’orologio (1950) and Pasolini’s Petrolio (1992); films such as Rossellini’s Roma, città aperta (1945) and Fellini’s La dolce vita (1959); critical texts stemming from Roman intellectual circles in journals such as Rinascita, La strada, Presente, and Nuovi argomenti; and historical analyses of Rome’s urban development such as those of Benevolo, Insolera, Cederna, and Vidotto. The aim of this study is twofold. On the one hand it challenges traditional readings of Rome as an anti-modern or pre-modern urban entity (i.e. the myth of the ‘Eternal City’), which was generated during the Grand Tour and has continued to inform academic scholarship on Rome. On the other, it shows that Rome lies at the centre of extremely significant constellations of modern images and discourses which can be compared to most studied examples of urban modernity such as Paris, London, Berlin or New York. From a methodological perspective, this thesis delves into Foucault’s notion of ‘Archaeology’. Instead of analysing texts in a strictly philological way, attempting to detect their affiliation or their belonging to specific traditions, this thesis investigates its sources as symptoms of history’s movements. Instead of framing Rome through traditional categories such as ‘Eternal City’ or ‘Modern Hell’, this archaeological analysis suggests the coexistence of three discursive formations of Rome’s modern image, which are based on the concepts of fleetingness, dilation and entropy. These three terms inform the three sections of the thesis. Furthermore, it argues that Rome represents a case of ‘anachronistic’ modernity that might allows us to depart from canonical interpretations of Italian modernity as ‘backward’.
11
Билецкая, Л. В. "Партийное руководство промышленным строительством (1971-1975 гг.)". Dissertação de Candidato em Ciências Históricas, КГУ им. Т. Г. Шевченко, 1985.
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Koerner, Stephen. "The British motor cycle industry, 1935-1975". Thesis, University of Warwick, 1995. http://wrap.warwick.ac.uk/2614/.
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Between 1935 and 1975, the British motor cycle industry declined from world supremacy to bankruptcy. The industry blamed its troubles on government policy, specifically taxation and regulation. These, it was maintained, had weakened and manufacturers' ability to effectively meet foreign competition, particularly after 1960 from Japan. The existing historiography has identified boardroom mismanagement as the main culprit. However, what the literature lacks is a wider perspective, especially one which extends to the period before 1945. Those years are critical to understanding the nature of the industry. This dissertation provides such a perspective combined with an analysis based on extensive primary research, particularly amongst recently opened trade and company records, as well as government documents at the Public Records Office. Although no single factor was entirely responsible for the industry's downfall, this dissertation will offer several explanations of varying importance. The failure to develop a cheap, lightweight motor cycle is particularly significant. This, in turn, reflected a 'management culture' which prevailed within many company boardrooms. The 'culture' was closely related to and influenced by a deep seated dedication to motor cycle sport and resulted in a narrow view of the market and the 'typical' consumer, both in Britain and abroad.
13
Stevens, Timothy. "Chess in the Cold War 1945-1975". Thesis, Keele University, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.423427.
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Taela, Judite de Fatima Paulo. "Ideas and foreign policy : Mozambique 1975-1995". Thesis, Keele University, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.397481.
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Reckiling, Tobias. "Foreign correspondents in Francoist Spain (1945-1975)". Thesis, University of Portsmouth, 2016. https://researchportal.port.ac.uk/portal/en/theses/foreign-correspondents-in-francoist-spain-19451975(fd597296-4470-410a-9bc6-4c74a8e538e1).html.
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This thesis will examine the foreign press corps in Francoist Spain from 1945 until 1975. After the end of the Second World War, the Franco regime was internationally isolated as a result of its ties with Nazi Germany and Fascist Italy. However, the dictatorship returned to the international stage during the 1950s and managed to survive on the margins of the Cold War world order until the death of Franco in 1975. Throughout these 30 years and while never loosening its dictatorial control over Spain, the Franco regime continuously tried to improve its international position and image beyond mere toleration. Foreign correspondents were working at the centre of this balancing act. Against this backdrop, this thesis has two central aims. First, it will examine the regime’s policy towards the foreign press. The thesis will show that the Francoist authorities never fully accepted the foreign press corps’ work within Spain and tried to exercise control over the foreign press corps until the end of the regime. Throughout the regime’s internal and external development, however, the Francoist authorities adapted the means they employed. At the same time, conflicting interests and strategies within the Franco regime shaped its policy towards the foreign press. This thesis will further show that conflicts with correspondents partially had their roots in the importance of the foreign press, distributed within Spain, for the Spanish public in general and the political opposition in particular. Second, this thesis will examine the foreign press corps itself. The presence of correspondents in Spain reflected the international media interest and the Franco regime’s changing international perception. As this thesis will further show, the composition of the foreign press corps also reflected the right-wing dictatorship’s ideological orientation and changing foreign relations. Through the examination of the foreign press corps, this thesis will break new ground in the understanding of the Franco regime. It will do so based on archival research in Spain, Germany, France, and Great Britain as well as interviews with former correspondents. The thesis applies a mixed-method approach, combining concepts and methods from historical research and the social sciences. As such, it will also contribute from a methodological perspective to current research on foreign correspondence.
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Jaime, Antoine. "Littérature et cinéma en Espagne (1975-1995)". Toulouse 2, 1998. http://www.theses.fr/1998TOU20061.
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Recadrées dans leur dimension économique, commerciale et industrielle, les relations esthétiques entre littérature et cinéma sont analysées du point de vue du créateur : comment est rendue à l'écran l'expression littéraire, depuis les figures rhétoriques jusqu'aux sensations affectives et les idées. Exemples tirés de la production espagnole. Une méthode d'analyse des œuvres, applicable aux deux arts, ainsi qu'une typologie des recréations (films nés de textes préexistants) sont proposées. L'historique des recréations en Espagne entre 1975 et 1995, associé à l'analyse d'œuvres significatives, montre l'influence de la littérature sur le cinéma, dans l'évolution de ce dernier vers des techniques d'écriture plus fines. Filmographie des recréations espagnoles (cinéma et télévision) pour chacune des vingt années. Bibliographie. Index des œuvres, des auteurs et realisateursThe aesthetic relations beetween literature and cinema are set into their economical, industrial and commercial dimensions; they are analysed from the creator's point of view: how the literary expression is conveyed on the screen, from rhetorical figures up to emotional feelings and ideas. Examples taken from the Spanish production. A method to analyse works, applicable to both arts, and a typology of recreations (films from pre-existing texts) are proposed. The review of the recreations in Spain between 1975 and 1995, combined with the analysis of signficant works shows the influence of literature on the cinema in the evolution of the latter towards subtle writing technics. Filmography of the Spanish recreations (cinema and television) for each of the twenty years. Bibliography. Index of works, authors and film-directors
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Loukili-Zai͏̈d, Assia. "Les politiques d'influence au Liban : 1975-1985". lyon 3, 1991. http://www.theses.fr/1991LYO33004.
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La guerre qui sevit au liban depuis le treize avril mille neuf cent soixante quinze a differentes causes. Les unes internes propres aux institutions politique libanaises qui n'ont pas su evoluer dans un pays fragile compartimente en communautes religieuses. L'etat au sens classique du terme n'existe pas ou n'existe plus dans la periode mille neuf cent soixante quinze - mille neuf cent quatre vingt cinq. Dans la conception classique, l'etat est seul detenteur de l'usage legitime de la violence et assure exclusivement certaines fonctions regaliennes : ordre interieur, justice, defense, etc. . Or au liban c'est le regne des milices qui dispensent ordre et desordre. Par communautes interposees, il y a des luttes d'influences externes. Le pays fragilise, des pays pour des raisons tres diverses interviennent. Nous prenons quatre etudes de cas : trois etats et un peuple : les etats-unis, la syrie, israel et les palestiniensThe war that been waged in lebanon since 13 april 1975 has various causes, external and internal. These latter are linked with lebanese political institutions which have been unable to develop in this fragile country divided into religious communities. The state in its classical sense had ceased to exist by nineteen hundred and seventy five (1975). In its classical conception, the state is the sole arbiter of the legitimate use of violence and is the exclusive holder of certain police functions: internal order, justice, defense, etc. . In lebanon, however, order and disorder are decided by the rule of militia groups. External influences, on the other hand, have led to struggles by interposed communities. Once the country had been thus weakened, other countries, for very different reasons, have intervened. We shall treat from case studies ; three states and on people: the united states, syria, israel and the palestinians
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Angoustures, Aline. "L'Opinion publique française et l'Espagne, 1945-1975". Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb376023716.
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Garreau, Laurent Rigaud Jacques. "Archives secrètes du cinéma français, 1945-1975 /". Paris : Presses universitaires de France, 2009. http://catalogue.bnf.fr/ark:/12148/cb414735794.
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Texte remanié de: Thèse de doctorat--Histoire du cinéma--Paris 1, 2008. Titre de soutenance : La censure des films en France de 1945 à 1975 à partir des archives du Centre national de la cinématographie.Index.
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Angoustures, Aline. "L'opinion publique française et l'Espagne, 1945-1975". Paris, Institut d'études politiques, 1987. http://www.theses.fr/1987IEPP0006.
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Ce travail porte sur l'opinion publique, notion qui se voit proposer de nombreuses tentatives de définition. Elle est ici abordée dans une perspective historique et définie plutôt par ses manifestations et ses effets. Ceci est réalisé par l'étude de l'opinion-réaction et des mentalités à plus long terme, deux éléments qui s'imbriquent dans l'opinion globale. Les mentalités sont nourries en premier lieu par le passé. Dans le cas de l'Espagne, celles de la France sont surtout héritières du mouvement romantique et de la Guerre civile, telle qu'elle est vue par les Francais. Les sources sont constituées de la presse écrite nationale, des sondages, de l'audiovisuel dans une moindre mesure, du cinéma, de l'émigration, du tourisme et enfin des éléments de culture comme la fiction littéraire, théâtrale, expositions, chanson, opéra, opérette. . . De 1945 à 1950 l'Espagne entraîne, dans l'opinion un double mouvement : espoir de chute du dernier "fascisme" et investissement mythologique tant dans une image glorifiée du conflit de 36 que dans le folklore héritier du romantisme. De 1950 à 1963 l'Espagne qui vit dans le Franquisme est l'objet d'un désintérêt, voire d'un rejet total. C'est la période où s'installe une sous-information qui va durer. Mais les Espagnes "éternelles" sont au contraire mises en scène. De 1963 à 1970 se produit un réveil de la mobilisation politique sur des références à l'image de la Guerre civile. L'espagne devient un vaste pays côtier et folklorique pourvoyeur d'ouvriers et de domestiques à l'image nettement archai͏̈que. De 1970 à 1975 les stéréotypes explicatifs du caractère national et l'ignorance de l'opinion se heurtent aux réalités, créant un effet de stupeur assez négatif. Le pays des douceurs andalouses et de l'austérité castillane, méconnu dans son actualité était un stéréotypeThis work is about public opinion, a notion for wich attemts of defintions are often given. It is here approached in a historical prospect and mostly defined by its manifestations and effects. This is accomplished by the study of what we call reaction-opinion and mentalities, that both compose global opinion. Mentalities are mostly influenced by the past. Concerning spain they have inherited of the romantic image and the French vision of the Spanish Civil War. The documents are composed by the national newspapers, sample surveys, audio-visual press sometimes, cinema, emigration, tourism and at last novels, music. . . From 1945 to 1950 French public opinion has a double movment concerning Spain : the hope that the last "fascims" will disapear and a mythological investment in both a glorified image of the war of 1936 and a folklorique idea coming from the romantic period. From 1950 to 1963, actual Spain is completly ignored, indeed, rejected. In that period takes place a lack of information that will last long enough. But the so calles "eternal Spains" are on the contrary more and more commented upon. From 1963 to 1970 one can observe an awaiking of political mobilization based upon ideas of the Civil War. In the mean time, Spain becomes a great coast country, archaiq, offering sun and workers. From 1970 to 1975 the cliches explaining Spanish "national caracter" and the ignorance of most of the French come up against realities, creatins an impression of astonishment quite negative. The country of exotic Andalusia and severe Castile was a cliche
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Lumpkin, Michael D. "Microviolence at sea, 1975-1995 : a data analysis /". Thesis, Monterey, Calif.: Naval Postgraduate School; Springfield, Va.: Available from National Technical Information Service, 1995. http://handle.dtic.mil/100.2/ADA305891.
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Thesis (M.A. in National Security Affairs) Naval Postgraduate School, December 1995."December 1995." Thesis advisor(s): Gordon McCormick. Includes bibliographical references. Also available online.
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Pitchford, Mark Joseph. "Conservative Party and the extreme right, 1945-1975". Thesis, Cardiff University, 2009. http://orca.cf.ac.uk/54807/.
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My thesis examines the Conservative Party's relationship with the extreme right in the period 1945-75 by investigating its actions towards various groups and individuals. It reveals how the Conservative Party adopted some of the extreme-right's themes, whilst at the same time sticking to its long constitutional practice. It also investigates the role of the Conservative Party's bureaucracy and wider Conservatism. I begin by outlining the Conservative Party's connections with the extreme right before the Second World War. I then show that after 1945, the extreme-right re-emerged as difficult issues arose, such as decolonisation, immigration, industrial unrest and Europe. The Conservative Party shunned any groups or individuals that espoused or even exhibited any form of fascism. The Party was also wary of non-fascist groups that occupied political space to the right of the party. I explain why and how the Conservative Party approved or disapproved of these particular groups and individuals, and how it consistently posed dilemmas for them, whether they were inside or outside the party. The thesis concludes that the Conservative Party did indeed help to thwart the extreme right. However, it also argues that this is as much a consequence of the Conservative Party's practical measures against such groups as its attraction of its supporters. Thus, whilst the Conservative Party's critics might be correct in identifying the role the party played in ensuring the extreme-right's failure, the reasons why, and methods by which this occurred, does not confirm their perception of the Conservative Party as 'semi-fascist itself.
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Affonso, Rui de Britto Alvares 1957. "Federalismo tributario e crise economica : Brasil, 1975-1985". [s.n.], 1988. http://repositorio.unicamp.br/jspui/handle/REPOSIP/286265.
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Orientador: Jose SerraDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Economia
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Abstract: Not informed.
Mestrado
Mestre em Economia
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Possas, Maria Silvia 1957. "Mudança estrutural na industria brasileira, 1970 a 1975". [s.n.], 1985. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285978.
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Orientador: Maria da Conceição TavaresDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Economia
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Resumo: Não informado
Abstract: Not informed
Mestrado
Mestre em Economia
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McKay, James. "Labour Party attitudes to European Integration, 1945-1975". Thesis, University of Birmingham, 2006. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.756587.
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Pandi, Diamantina. "Approches systémiques dans le dessin c. 1965-1975". Thesis, Paris 10, 2018. http://www.theses.fr/2018PA100014.
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Ce projet de thèse vise à explorer les réalisations artistiques ainsi que les approches critiques et théoriques du concept complexe de « système » en lien avec les transformations du dessin entre 1965 et 1975. Le discours autour de la notion de « système » prévaut dans le monde de l’après-guerre, notamment dans les années 1960 et 1970. L’ « esthétique des systèmes » telle que théorisée par le critique d’art Jack Burnham dans son article « Systems Aesthetics » publié dans Artforum en 1968, qui signale la transition radicale d’une culture orientée vers les objets vers une culture orientée vers les systèmes, constitue notre point de départ. Nous examinons la notion du système en essayant de mettre en lumière les interconnexions entre les théories de l'information et des systèmes, le modèle cybernétique, le « tournant linguistique » dans la période 1965-1975. Au cours de cette période, le dessin devient un champ privilégié pour le développement des méthodologies systémiques. A travers les cas de onze artistes, Sol LeWitt, Mel Bochner, Hanne Darboven, Dorothea Rockburne, Robert Morris, Alighiero Boetti, John Latham, Bernar Venet, Lee Lozano, Stanley Brouwn et William Anastasi, nous examinons les expérimentations artistiques autour de « systèmes de dessins » : des systèmes linguistiques et arithmétiques, des systèmes auto-poïétiques, ainsi que des stratégies systémiques se déroulant dans le contexte spatiotemporel. En se focalisant sur l’hétérogénéité et la diversification de ces pratiques, nous analysons les traductions formelles et conceptuelles du dessin qui manifestent l’autonomisation et la reconceptualisation de ce medium durant la période examinéeThis thesis aims at exploring the artistic realizations as well as the critical and theoretical approaches of the complex and multidimensional concept of "system" in relation to the transformation of drawing between 1965 and 1975. The discourse around the notion of “system” prevails the post-war world, especially in the 1960s and 1970s. The aesthetics of systems, as theorized by art critic Jack Burnham in his article “Systems Aesthetics” published at the Artforum in 1968- which signals the radical transition from an object-oriented culture to a systems-oriented culture - is the starting point of this thesis. We examine the notion of the system by attempting to highlight the interconnections between information and systems theories, the cybernetic model, the “linguistic turn” and its implications for the development of conceptual artistic practices in the period 1965-1975. In this period, drawing became a privileged field for the development of systemic methodologies. Through the cases of eleven artists, Sol LeWitt, Mel Bochner, Hanne Darboven, Dorothea Rockburne, Robert Morris, Alighiero Boetti, John Latham, Bernar Venet, Lee Lozano, Stanley Brouwn and William Anastasi, this thesis examines the artistic experimentation on “systems of drawings”: linguistic and arithmetic systems of diagrammatic order, autopoietic systems, as well as systemic strategies that take place in the spatiotemporal context. By focusing on the heterogeneity, the diversification and the hybridization of these practices, the thesis analyzes the formal and conceptual translations of the drawing which demand the autonomisation and the reconceptualisation of this medium in the period that we examine
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Raoera-Chandoutis, Herinony. "L'hebdomadaire malgache Lakroan'i madagasikara 1975-1985 : essai d'analyse". Aix-Marseille 3, 1987. http://www.theses.fr/1988AIX32005.
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Cette etude, portant sur toute une decennie, se propose de faire l'analyse du contenu du journal "lakoran'i madagasikara" (etude du fond et de la forme). Il a fallu remonter a la connaissance de la vie du journal propement dit : son historique, son equipe, sa structure, les problemes de son administration. . . L'etude de son contenu a ete axee sur les problemes ideologiques, les mentalites et comportements. . . Et a permis par la meme : - d'apprecier le fonctionnement de la democracie, la complexite des realires malgaches en matiere de presse : conditions d'existence des journalistes, problemes de censure, de liberte d'expression. . . - d'avoir un bref apercu du systeme politique malgacheThis research concerns a whole decennial period and means to analyse the contents of the malagasy weekly paper "lakroan'i madagasikara3"(a study of its form and subtance) it was necessary to proceed back to what this paper has properly gone through : to its historical account, its staff and structure, its administrative problems and so on. . . This analysis of its subtance has been centered on ideological problems, mentalities or reactions, which thus enlightens : - an appreciable display of the malagasy democracy and intricated realities, as far as the press is concerned, such as the staff conditions of living, the problems of censorship, of the press freedom. - a brief glimpse of the malagasy political system
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Druet, Anne-Cécile. "La psychanalyse dans l’Espagne post-franquiste (1975-1985)". Paris 4, 2006. http://www.theses.fr/2006PA040040.
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Ce travail étudie la situation de la psychanalyse dans l’Espagne post-franquiste, durant la période qui va de 1975 à 1985. Dans une première partie, nous présentons l’histoire de l’introduction du freudisme en Espagne et celle de la situation de la psychanalyse au sein des domaines psychiatrique et psychologique pendant le franquisme. Ensuite, nous abordons la question des mouvements psychanalytiques à partir de 1975 ; nous étudions l’évolution des groupes liés à l’International Psychoanalytical Association (IPA) et les différentes étapes de la naissance, du développement et de l’institutionnalisation du mouvement lacanien durant la même période. Le rôle des analystes argentins exilés en Espagne, en particulier celui d’Oscar Masotta, est longuement abordé, ainsi que l’histoire de la première institution lacanienne d’Espagne, la Bibliothèque freudienne de Barcelone. Dans une troisième partie, nous analysons les liens entre psychanalyse, culture et société dans l’Espagne de la transition démocratique ; l’introduction du lacanisme dans le domaine culturel et son retentissement social en sont les fils conducteursThis work studies the situation of psychoanalysis in the post-Franco Spain in the 1975 -1985 period. In the first part, we present the history of the introduction of Freudism in Spain and the history of the condition of psychoanalysis inside the domains of psychiatry and psychology during Franco Spain. After that, we address the question of the psychoanalytical groups from 1975 on, we study the evolution of the group linked to the International Psychoanalytical Association (IPA) and the various stages of the origin, the development and the institutionalization of the lacanian movement during the same period. The role played by the Argentinean analysts exiled in Spain, particularly Oscar Masotta, as well as the history of the first lacanian institution in Spain, the Biblioteca Freudiana de Barcelona, are dealt with in extension. In the third part, we analyse the bonds between psychoanalysis, culture and society in Spain’s democratic transition; the main guidelines are the introduction of Lacanism in the cultural field and its social outcome
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Trochon, Jean-Marc. "La politique spatiale des Etats-Unis, 1945-1975". Paris 1, 1995. http://www.theses.fr/1995PA010521.
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L'activité spatiale a connu un développement considérable aux Etats-Unis entre 1945 et 1975. Les progrès techniques ont permis d'organiser des missions de plus en plus avancées et spectaculaires, jusqu'à l'envoi d'un homme sur la lune dans le cadre du programme Apollo en 1969. L’état s’est trouvé directement implique dans la prise de décision pour fixer les grandes orientations du programme national. Mais malgré l'importance accordée pendant quelque temps au spatial, principalement en raison de la rivalité soviétique au coeur de la guerre froide, aucune véritable politique à long terme n'est appliquée. Une analyse des principales orientations, des grands programmes étudiés, et des raisons qui ont conduit à engager ces programmes, peut permettre de définir avec plus de précisions ce que fut réellement la politique spatiale des Etats-Unis pendant ces 30 annéesThe American space program was considerably accelerated between 1945 and 1975. Technological progress allowed the organization of more and more advanced and spectacular missions. It eventually led to the landing of a man on the moon in 1969. The administration was directly involved in the decision making and the president fixed the major goals for the national space program. But although the importance given to the space program was significant for a few years, mostly because of the rivalry with the Soviet Union in the middle of the cold war, no real long term policy was adopted. An analysis of the principals orientations, of the most important programs studied, and of the reasons why those programs were made, can allow us to define more precisely what the space policy of the United States really was during these 30 years
30
Nassif, Fadia. "Les rumeurs dans la guerre, Liban 1975-1977". Paris 5, 1993. http://www.theses.fr/1993PA05H022.
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Butler, Nicholas. "Anti-war, radical youth revolt, Victoria, 1965-1975". Thesis, Federation University Australia, 2018. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/166770.
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This thesis is a political history of the emergence and evolution of selected radical, left, student and workers movements in Victoria between 1965 and 1975. It examines the development of radical alliances, demonstrations and public actions using documentary materials and oral accounts provided during interviews. It argues that the radical left movement in Victoria began within the Monash University Labor Club, which subsequently generated radical groups outside the university. During this timeframe, both military conscription for the Vietnam War and the war itself became focal points for oppositional political mobilisation in Victoria. In 1967, the Monash Labor Club’s disruptive campaign against university authority was sufficiently popular for the club to turn its attention to disrupting the war effort. Soon, its locus of operations shifted into the general anti-war movement and the Labor Club established new, non-student, and avowedly communist and revolutionary organisations. Roughly termed the “Maoists,” by 1970 these organisations coalesced into the Worker Student Alliance (WSA), which grew rapidly to become a “left-wing” body that challenged the leadership of the established “left” organisations. The cessation of Australia’s involvement in the Vietnam War removed a major cause for radical action and, despite the generation of some important campaigns to replace it, the WSA dissolved itself in 1974.Doctor of Philosophy
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Noviello, Massimiliano <1985>. "La transizione catalana verso la democrazia (1975-1979)". Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/2612.
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La tesi si propone di esaminare il periodo della storia catalana, parallelamente ai fatti nazionali, che va dalla morte di Francisco Franco (1975) fino alla promulgazione della Costituzione (1978) e dello Statuto d’Autonomia (1979), conosciuto come “transizione verso la democrazia. La tesi sarà suddivisa in tre capitoli.
Nel primo costituiranno oggetto di analisi i concetti di nazione e nazionalismo. Verrà ripercorsa per grandi linee la storia della Catalogna, si cercherà di individuare i tratti distintivi del nazionalismo catalano, le modalità in cui esso nasce e sopravvive nonostante quasi quaranta anni di regime autoritario, tornando alla ribalta negli ultimi anni di vita del dittatore. Si darà enfasi alla questione linguistica e all’importanza del riconoscimento dello status politico di lingua per il catalano. Inoltre si tenterà di descrivere le tipologie di nazionalismo sviluppatesi a seconda delle varie influenze politiche, culturali o religiose.
Il secondo capitolo si propone di studiare i cambiamenti sociali e politici verificatisi nel panorama iberico dopo la morte del caudillo. Oggetto d’analisi saranno le vicissitudini politiche tra il 1975 e il 1978, quali la demolizione del centralismo statale in favore di un trasferimento di parte dei poteri verso le comunità autonome, il primo periodo di governo Suárez e il processo di negoziazione che dotò la Spagna di un nuovo testo costituzionale.
Nel terzo capitolo, infine, saranno analizzati nello specifico le vicissitudini politiche, economiche e sociali relative alla popolazione catalana. Si tenterà di illustrare il ruolo cardine svolto dall’istituzione locale della Generalitat (istituita di nuovo dopo un quarantennio di esilio) nell’ambito del processo politico che portò al riconoscimento dello Statuto d’Autonomia catalano da parte dello Stato.
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Hervé, Frédéric. "Les enfants du cinématographe et d'Anastasie : la censure cinématographique et la jeunesse en France (1945-1975)". Paris 1, 2012. http://www.theses.fr/2012PA010577.
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A partir d'un échantillon constitué d'un dossier de censure sur cinq parmi les 2715 films de longs-métrages interdits aux mineurs entre 1945 et 1975, cette thèse retrace l'histoire de la Commission de contrôle des films depuis sa création, à la Libération, jusqu'à la proclamation de la fin de la censure par Valéry Giscard d'Estaing (suivie de l'instauration du classement X). Durant cette période, les jeunes, plus nombreux, changent et l'inquiétude qu'ils suscitent croît. Cette histoire est donc celle d'une politique de la jeunesse en même temps que celle d'une politique culturelle. On a aussi voulu mettre à jour un rituel censorial fait de discours, de protocoles et de stratégies, celles des censeurs et celles des gens de cinéma confrontés à cette instance de régulation culturelle. Il fallait aussi mesurer le rendement de la censure - c'est-à-dire la quantité annuelle d'interdictions aux mineurs, de coupures, de restrictions à l'exportation et d'interdictions totales - ainsi que la conflictualité engendrée par ces entraves à la liberté d'expression. L'examen des dossiers et, surtout, l'analyse des films censurés, permettent de tracer les contours d'une jurisprudence censoriale non écrite mais réelle. Elle consiste en dix-huit motifs de censure qui renvoient à la sexualité, à la violence, à la politique et aux questions sociétales. La fréquence des occurrences de ces motifs de censure dans les avis de la Commission varie tout autant que le contenu des images et des dialogues auxquels ils renvoient. En creux, apparaissent l'ensemble des représentations, coproduites par les censeurs et les cinéastes, dont s'est nourrie la jeunesse des Trente Glorieuses.
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Conord, Fabien. "Les rets de la modernité". Clermont-Ferrand 2, 2007. http://www.theses.fr/2007CLF20025.
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Le milieu du XXe siècle correspond à une mutation décisive dans l'histoire du monde rural, parfois qualifié de "révolution silencieuse". Face à ces changements structurels, les forces politiques doivent adapter leurs doctrines, qui datent souvent de la fin du XIXe siècle. Le rapport entre la gauche non communiste et la modernisation des campagnes est l'objet de cette recherche. La période qui sépare les années 1950 des années 1970 correspond à un déclin prononcé de la gauche non communiste en France. Or, les aires de résistance de ce courant politique se situent pour la plupart dans les zones rurales, et plus spécifiquement au Sud de la Loire. Le choix de terrains d'enquête (Aisne, Allier, Basses-Alpes, Aude, Côtes-du-Nord, Creuse et Lot-et-Garonne) autorise une approche plus fine des réalités politiques. Les investigations portent sur socialistes, radicaux-socialistes et DVG. L'analyse de ce corpus montre la sociologie du personnel politique mais aussi l'activation de réseaux par ces hommes (partis politiques, syndicats agricoles, mouvement de pensée). La mise en lumière de sensibilités diverses (laïcité, propriété, dirigisme), grâce à l'examen des programmes adoptés à l'issue des congrés, la lecture de la presse interne et les témoignages des acteurs, permet de développer une approche culturelle du politique. Cette recherche permet de montrer que la gauche non communiste, qui prône la modernisation économique et technique des campagnes françaises, peine à en assumer politiquement les conséquences sociales
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Reichel, Clemens. "Vom Verbund zum Konzern : die Metallgesellschaft AG 1945 - 1975". Darmstadt Hessisches Wirtschaftsarchiv, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&docl̲ibrary=BVB01&docn̲umber=016986507&linen̲umber=0001&funcc̲ode=DBR̲ECORDS&servicet̲ype=MEDIA.
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Tydén, Mattias. "Från politik till praktik : de svenska steriliseringslagarna 1935-1975". Doctoral thesis, Stockholms universitet, Historiska institutionen, 2002. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-80907.
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Боева, С. Ю. "Критика антисоветских фальсификаций внешнеполитической деятельности КПСС 1971-1975 гг." Dissertação de Candidato em Ciências Históricas, МВ ССО УССР, Киевск. инжен.-строит. инст., 1985.
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Cowan, Malcolm I. "The decriminalisation of homosexuality in South Australia, 1972-1975 /". Title page, contents and conclusion only, 1990. http://web4.library.adelaide.edu.au/theses/09AR/09arc8742.pdf.
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Carmeli, Yoram. "Family and economics in an English circus 1975-1979". Thesis, University College London (University of London), 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.283183.
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Macnaughtan, Helen Joy. "Female labour in Japan's cotton textile industry, 1955-1975". Thesis, London School of Economics and Political Science (University of London), 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.271234.
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Oliveira, Jaqueline da SIlva de. "Pol?mica no ar : o caso Borregaard (1970-1975)". Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2016. http://tede2.pucrs.br/tede2/handle/tede/6727.
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The dissertation looking for to understand the installation process, the production and failure of the Norwegian company Borregaard in southern Brazil in the 1970's. Inside the incipient industrialisation Brazilian context, the pulp producer company decides to expand from Scandinavian production to Gua?ba town in Rio Grande do Sul state; become the largest producer of pulp in the world. This process involves a migration of Scandinavian workers to the area, as skilled labor, along with their families, modifying and impacting the local reality. Important to note that in addition to bibliographic historical sources, be used Oral History to contextualize the period. The narratives presented here were fundamental to understand how these immigrants are connect to the local culture, and help to understanding of why the company of Norway was not successful with its plant in Brazil. It concluded also that Borregaard faced a strong campaign against to stay in the state, mainly because of environmental issues and cultural differences that separated the country of origin of Brazil dictatorial in the 1970's. To understand the whole process, this dissertation analyzes the context of the two countries in this period, the immigrants, local media, the political influence of this industrial project and its social consequences.
A disserta??o busca entender o processo de instala??o, produ??o e fracasso da empresa norueguesa Borregaard no sul do Brasil na d?cada de 1970. Dentro do contexto da incipiente industrializa??o brasileira, a companhia produtora de celulose decide expandir sua produ??o da Escandin?via para Gua?ba, RS, e tornar-se a maior produtora de celulose do mundo. Este processo envolve uma migra??o de trabalhadores escandinavos para a regi?o, como m?o de obra especializada, junto com suas fam?lias, modificando e impactando a realidade local. Importante salientar que al?m de fontes hist?ricas bibliogr?ficas, utilizar-se-? da Hist?ria Oral para contextualizar o per?odo. Os relatos aqui apresentados foram fundamentais para compreender como estes imigrantes se relacionaram com a cultura local, al?m de auxiliar no entendimento do porqu? a empresa da Noruega n?o obteve sucesso com sua planta em territ?rio brasileiro. Conclui-se ainda que a Borregaard enfrentou uma forte campanha contra a sua perman?ncia no estado, muito em fun??o da quest?o ambiental e da diferen?a cultural que separava o pa?s de origem com o Brasil ditatorial dos anos 1970. Para compreender todo o processo, esta disserta??o analisa o contexto dos dois pa?ses neste per?odo, os imigrantes, a imprensa local, a influ?ncia pol?tica deste projeto fabril e suas consequ?ncias sociais.
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Campos, Luciana Cristina. "Relações Brasil-Moçambique : da desconfiança à cooperação (1975-1985)". reponame:Repositório Institucional da UnB, 2015. http://repositorio.unb.br/handle/10482/18906.
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Dissertação (mestrado)—Universidade de Brasília, Instituto de Relações Internacionais, 2015.Submitted by Guimaraes Jacqueline (jacqueline.guimaraes@bce.unb.br) on 2015-10-23T11:22:06Z No. of bitstreams: 1 2015_LucianaCristinaCampos.pdf: 1060350 bytes, checksum: 68d8ed8323900f6eae56e2fea310f52f (MD5)
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A presente dissertação tem por objetivo analisar as relações político-diplomáticas entre Brasil e Moçambique entre 1975 e 1985, correspondentes aos governos ditatoriais de Ernesto Geisel e João Figueiredo, no Brasil, e de Samora Moisés Machel, de Moçambique. Argumenta-se que o posicionamento e a neutralidade brasileira frente às lutas de libertação africanas na segunda metade do século XX causou em Samora Machel um profundo ressentimento, fator que inicialmente travou a aproximação política entre os Estados. A dissertação partiu da análise das transformações da política externa brasileira para a África para examinar em que medida as relações com Moçambique apareciam no discurso e na prática da diplomacia brasileira. Primeiramente dentro de um projeto maior de reformulação de política externa brasileira para o continente africano, no qual se constitui a aproximação com os países colonizados por Portugal, Brasil e Moçambique. O segundo capítulo tratou da inserção internacional moçambicana e os condicionantes internos e externos que influenciaram nesse processo, bem como o projeto de condução de política externa encetado pela FRELIMO. No terceiro e último capítulo analisou-se como se deu o processo de entendimento político entre Brasil e Moçambique em seu primeiro governo independente, com o desenvolvimento dos projetos de cooperação. Outrossim, é necessário destacar a atuação dos homens de Estado na condução do entendimento político entre as partes, Ítalo Zappa como expoente brasileiro e Joaquim Chissano em Moçambique, além dos chefes de Estado. Da dinâmica interna do período observou-se três fases distintas, mas que se complementam, e que explicam os dez primeiros anos de relações bilaterais: a primeira, de desconfiança e distanciamento relativo, que vai de 1975 a 1977; a segunda, de aproximação, entre 1977 e 1979; e a terceira, mais longa, de entendimento político e cooperação, de 1980 a 1985, fase que se mantém contínua até os dias atuais. ______________________________________________________________________________________________ ABSTRACT
This thesis aims to analyze the political and diplomatic relations between Brazil and Mozambique between 1975 and 1985, corresponding to the dictatorial governments of Ernesto Geisel and Figueiredo, Brazil, and Samora Machel of Mozambique. It is argued that the positioning and the Brazilian forward neutrality to African liberation struggles in the second half of the twentieth century caused Samora Machel a deep resentment, which caught the political rapprochement between states. The first chapter analyses the transformations of Brazilian foreign policy for Africa in order to examine how Mozambique appeared in the discourse and practice of Brazilian diplomacy. The second chapter deals with the Mozambican international integration and how internal and external conditions that influenced this process, as well as the foreign policy of driving project initiated by FRELIMO. The third and final chapter analyzes how was the political understanding between Brazil and Mozambique in its first independent government. Furthermore, it is necessary to highlight the work of statesmen in conducting the political agreement between the parties, Italo Zappa as a Brazilian exponent and Joaquim Chissano of Mozambique. The internal dynamics of the period observed three distinct phases, but complementary, and explain the first ten years of bilateral relations: the first, distrust and relative distance, from 1975 to 1977; the second, approach, between 1977 and 1979; and the third, political understanding and cooperation from 1980 to 1985, phase which remains ongoing to this day.
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Ferraz, de Maia Juarez. "Les médias dans le développement du Mozambique (1975-1995)". Paris 8, 2003. http://www.theses.fr/2003PA083768.
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Ponsot, Rose-Marie. "C. H. Waddington ou "l'évolution d'un évolutionniste" : 1905-1975". Paris 1, 1987. http://www.theses.fr/1987PA010570.
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Watfa, Mohammad. "Capitalisme, confessionnalisme et État : cas du Liban, 1945-1975". Paris 8, 1988. http://www.theses.fr/1988PA080296.
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Lebanon as a whole. In other words, "state" which can no longer constitute a place where a social class can establish its institutions became an object of the conflicts of these socio-confessionnel groups who are the centre of the capitalism. This thesis is composed of four parts. The first part deals with the capitalism in Lebanon and its relations with the rural society, the modes and conditions of this capitalist penetration and its resulting effects. The second one deals with the characters of the industrial capitalism. It is a capitalism dominated by banks and commercial capitals. But it is also a capitalism relay, distinguished by the domination of small productive activities and a proletariat which is numercially insignificant. The final aim of these two parts is to perceive and to grasp limits of this capitalism and the origin of the capitalist rent. The third part evoques mutations and strategies of the sociofamilial groups and socio-confessionnel ones. It retraces their role in the distribution of the capitalist rent. The fourth part tries to cease the logic of the "maronit" culture. This culture, which conciliates "modernity" and "tradition", unifies the maronites. It is this same culture which helps them first to be identified to the "mount of Lebanon" and afterwards to
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Tari-Costa, Luisa. "Recherches sur l'écriture narrative féminine post-franquiste : 1975-1995". Paris 8, 2004. http://www.theses.fr/2004PA082377.
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Cette thèse se propose d'analyser l'impact du processus démocratique dans la production romanesque de vingt romancières à partir de 1975, prenant comme point de départ l'année de décès de Francisco Franco Bahamonde, jusqu'en 1995. Une première partie, composée de quatre chapitres (la société espagnole, les tendances littéraires contemporaines, La femmes espagnole, de la pensée féministe vers la pensée féminine), présente un bref historique, sociologique, politique et culturel depuis l'entrée de l'Espagne dans la démocratie durant une vingtaine d'années jusqu'à sa consolidation. Cette partie expose ainsi les bouleversements survenus et l'impact sur la condition féminine. Une deuxième partie, organisée aussi en quatre chapitres (le récit, les points de vue, le temps et l'espace, le discours) se propose d'étudier les vingt romans sélectionnés pour en dégager la problématique posée qui est analysée dans la troisième partie : existe-t-il une écriture narrative spécifiquement féminine ? Une troisième partie, articulée en trois chapitres (Vers la création d'une identité culturelle féminine, Mémoire et identité à travers les différentes générations, l'Art d'écrire au féminin) s'attache à exposer les modèles identitaires traditionnels que remettent en question les personnages féminins des romans étudiés et à constater l'émergence de nouvelles images de la femme à travers l'écriture des romancières choisies, dans un contexte en pleine mutationThe present thesis sets to analyse the impact of the democratic process on the output of twenty women novel writers ; starting 1975, the year Francisco Bahamonde died, up to 1995. A firts part in four chapters (the spanish society, the contemporary litterary trends, the spanish woman, from the feminist thaught to the feminine thaught) displays abrief historical, sociological, political and cultural revue since the access of Spain to democracy to its consolidation. This part highlights the upheavals and their impact on the " feminine condition ". A second part in four chapters (narrative, points of view, time and space, discourse) aims through the study of the twenty selected novels at analyzing the folowing question (in part three of the thesis) : is their specifically a feminine narrative writing ? In fine, a third part around four chapters (towards a cultural feminine identity, Memory and identity through the different generations, the art of female writing) sets to highlight the traditionnal template for womanhood challenged by the female characters of the 20 novels in study and to state the emergence of the New Woman across the writing of the chosen novelists within a context in full mutation
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Brennan, John. "Intelligence Outcomes: Assessing the 1975-1976 Intelligence Oversight Reforms". Diss., Virginia Tech, 2015. http://hdl.handle.net/10919/73496.
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Legislative oversight of the executive branch is a significant feature of the separation of powers, and takes on greater importance in a persistent era of divided political control in the United States federal government. Agency theory and oversight theory have served as principal lenses for the design and evaluation of congressional oversight functions. For the purpose of this study, oversight is politically-guided and technically-supported systematic foresight and review by First Branch members over Second Branch members and their activities in furtherance of public value and the protection of private liberties. The 1975-76 reformulation of the congressional oversight of federal intelligence activities offers a research opportunity to contrast the intelligence outcomes of a laissez-faire period of oversight (1947-1975) with a second period of active oversight (1976-2004). It also allows for the determination of whether more oversight (Johnson 1980; Zegart 2011) led to improved intelligence outcomes, and could serve as a case study in the more versus less foreign policy oversight scholarship debate (Olson 1989; Hinkley 1994; Scigliano 1994). The research is multi-faceted and employs mixed methods, primarily content analysis, comparisons of descriptive statistics, and Poisson regressions with time series autocorrelation corrections. The research contributes to our understanding of agency theory by attempting to evaluate several outcomes of an oversight design intervention: the Congress's transition from overseeing US intelligence activities via a few individuals in defense subcommittees to creating permanent standing select committees (with professional staff) in each chamber. The research provides public administration with new datasets focused on intelligence leaks and intelligence outcomes, specifically a record of intelligence failures and unavoided, uninitiated military conflicts involving the United States. It also provides a series of implications and recommendations for theory and praxis.Ph. D.
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Christófoglou, Mártha-'Ellī. ""Avant-gardes" et politisation dans l'art néohellénique (1965-1975)". Paris 1, 1989. http://www.theses.fr/1989PA010508.
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Le principal objectif de cette thèse est de contribuer à l'examen de la réalité culturelle de la Grèce contemporaine. La période: 1965-1975, a été choisie pour son exemplarité: c'est pendant cette décennie que le rapport art-politique acquiert une importance fondamentale dans la vie artistique grecque. La place des formes d'art dites d'avant-garde, dans l'art néohellénique, doit être évaluée par rapport à certains facteurs propres à la culture grecque. Ces facteurs sont: 1. Le rôle idéologique et esthétique des modelés tirés de la tradition locale. 2. L'influence de l'art moderne occidental et, plus particulièrement, parisien. 3. L'émigration des artistes. 4. L'engagement politique très apparent pendant les années 1960 et 1970, c'est à dire avant, pendant, et après la dictature de 1967-1974. 5. La prédominance de l'individualisme des artistes grecs, qui défavorise les mouvements collectifs. L'étude de ces problèmes devrait permettre l'approche d'un aspect important de la culture grecque d'aujourd'hui.
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Watfa, Mohammad. "Capitalisme, confessionnalisme et état cas du Liban, 1945-1975 /". Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb376192082.
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Schnack, Christiane. "Die mittelalterlichen Schuhe aus Schleswig : Ausgrabung Schild 1971-1975 /". Neumünster : K. Wachholtz, 1992. http://catalogue.bnf.fr/ark:/12148/cb41001513k.
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