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Bibliografias temáticas / Adaptation (Motion picture)

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Literatura científica selecionada sobre o tema "Adaptation (Motion picture)"

Autor: Grafiati

Publicado: 25 de julho de 2024

Última modificação: 31 de julho de 2025

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Artigos de revistas sobre o assunto "Adaptation (Motion picture)"

1

Luiz, Tiago Marques. "Romeo and Juliet’s Rewriting in the Walt Disney Animated Movie Pocahontas: Adaptation Studies, Comparative Literature and Theory of Intertextuality." Cadernos de Tradução 43, no. 1 (2023): 1–23. http://dx.doi.org/10.5007/2175-7968.2023.e87714.

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Intertextuality has been a driving force for Adaptation Studies, but few scholars have highlighted its relevance, rather prioritizing issues such as audience reception, cinematographic technique or aesthetics and, occasionally, fidelity. However, the starting point for any audiovisual production (be it film, television or theater) is the written matter, the text. Inserted within the field of Adaptation Studies in dialogue with Comparative Literature and Theory of Intertextuality, the present papers assesses the extent to which there are points of contact between William Shakespeare’s tragedy R

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Cartmell, D. "Now A Major Motion Picture: Film Adaptations of Literature and Drama * Authorship in Film Adaptation." Screen 50, no. 4 (2009): 462–65. http://dx.doi.org/10.1093/screen/hjp034.

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Shulman, Gordon L. "Attentional Effects on Adaptation of Rotary Motion in the Plane." Perception 22, no. 8 (1993): 947–61. http://dx.doi.org/10.1068/p220947.

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The effect of attention on the adaptation effects produced by stimuli rotating in the picture plane was examined in five experiments. In experiment 1, subjects performed a task either on a rotating adapting stimulus or on an irrelevant distractor stimulus. Adaptation of a subsequent ambiguous test stimulus was greater when the adapting stimulus was attended than when the irrelevant stimulus was attended. In experiments 2, 3, and 5, two adapting stimuli were presented, rotating in opposite directions, and subjects attended to one or the other. The direction of rotation of the ambiguous test sti

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4

Ochonicky, Adam. "Memory patterns." Science Fiction Film & Television 17, no. 1 (2024): 1–27. http://dx.doi.org/10.3828/sfftv.2024.1.

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This article asserts that the original Star Trek films (1979–91) have importance for the study of memory and media in the digital era. I advance several interrelated arguments, with a special emphasis on Star Trek: The Motion Picture . First, I address how Star Trek: The Motion Picture ’s treatment of memory corresponds to scientific models of human recollection and theories of archives and databases. Notably, the first Star Trek film expresses anxiety about the mutability of memory and potential ramifications of digitalization. Such elements anticipate major strands of scholarship on memory,

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Neri, Peter, and Dennis M. Levi. "Evidence for Joint Encoding of Motion and Disparity in Human Visual Perception." Journal of Neurophysiology 100, no. 6 (2008): 3117–33. http://dx.doi.org/10.1152/jn.90271.2008.

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Electrophysiological recordings have established that motion and disparity signals are jointly encoded by subpopulations of neurons in visual cortex. However, the question of whether these neurons play a perceptual role has proven challenging and remains open. To answer this question we combined two powerful psychophysical techniques: perceptual adaptation and reverse correlation. Our results provide a detailed picture of how visual information about motion and disparity is processed by human observers, and how this processing is modified by prolonged sensory stimulation. We were able to isola

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Schreiber, Christoph, Behnam Amiri, Johannes C. J. Heyn, Joachim O. Rädler, and Martin Falcke. "On the adhesion–velocity relation and length adaptation of motile cells on stepped fibronectin lanes." Proceedings of the National Academy of Sciences 118, no. 4 (2021): e2009959118. http://dx.doi.org/10.1073/pnas.2009959118.

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The biphasic adhesion–velocity relation is a universal observation in mesenchymal cell motility. It has been explained by adhesion-promoted forces pushing the front and resisting motion at the rear. Yet, there is little quantitative understanding of how these forces control cell velocity. We study motion of MDA-MB-231 cells on microlanes with fields of alternating Fibronectin densities to address this topic and derive a mathematical model from the leading-edge force balance and the force-dependent polymerization rate. It reproduces quantitatively our measured adhesion–velocity relation and res

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Musser, Charles. "The Hidden and the Unspeakable: On Theatrical Culture, Oscar Wilde and Ernst Lubitsch‘s Lady Windermeres Fan." Film Studies 4, no. 1 (2004): 12–47. http://dx.doi.org/10.7227/fs.4.2.

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The cinema is as much a theatrical form of entertainment as performance on the stage, a fact that is crucial to a full appreciation of Ernst Lubitsch‘s Lady Windermere‘s Fan (Warner Brothers, 1925). Particularly in the cinemas silent era (1895-1925), when motion picture exhibition relied on numerous performance elements, theatrical performance and film exhibition interpenetrated. This underscores a basic conundrum: cinema has been integral to, and an extension of, theatrical culture, even though it has also been something quite different - a new art form. Indeed, the unity of stage and screen

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Finke, Laurie A. "The Medieval Motion Picture: The Politics of Adaptation ed. by Andrew James Johnston, Margitta Rouse, and Philipp Hinz." Arthuriana 24, no. 4 (2014): 143–45. http://dx.doi.org/10.1353/art.2014.0050.

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Fauser, Annegret. "Sounding the Tricolore: France and the United States during World War ii." Les musiques franco-européennes en Amérique du Nord (1900-1950) : études des transferts culturels 16, no. 1-2 (2017): 9–21. http://dx.doi.org/10.7202/1039609ar.

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During World War ii, French music found itself in a unique position in the United States. As the sonic embodiment of an Allied nation, it was nonetheless subjected to musical identity politics that drew on stereotypes of France as an elegant, cosmopolitan, and even effeminate culture whose products needed the transformation of US reception to toughen themselves up for the global war, fought both on the battlefield and through propaganda. I focus on three aspects of this complex story of cultural mediation: the reception and adaptation of Claude Debussy’s music, especially Pelléas et Mélisande;

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Mik, Anna. "Disability, Race, and the Black Satyr of the United States of America: The Case of Grover Underwood from Rick Riordan’s The Lightning Thief and its Film Adaptation by Chris Columbus." Dzieciństwo. Literatura i Kultura 1, no. 1 (2019): 130–46. http://dx.doi.org/10.32798/dlk.20.

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This article aims to present the book-to-film metamorphosis of Grover Underwood from Rick Riordan’s novel The Lightning Thief (2005), adapted in 2010 by Chris Columbus for the screen. This character in both works is presented as an excluded member of the society: in the empirical world, as a disabled person, in the mythological one, as a satyr. What is more, in the motion picture, Grover, played by a Black actor, poses as an even more marginalised character, as a representative of a community discriminated in the USA. Therefore, the images of this character reflect the various levels of exclus

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Teses / dissertações sobre o assunto "Adaptation (Motion picture)"

1

Orfall, Blair. "Bollywood retakes : literary adaptation and appropriation in contemporary Hindi cinema /." Connect to title online (ProQuest), 2009. http://proquest.umi.com/pqdweb?did=1883677651&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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2

Negrisolo, Letizia <1994&gt. "Tarzan of the Apes: the first motion picture adaptation (1918)." Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/13372.

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Smyth, Pamela Lou. "The marriage of two minds: The divine deliverance of Peter Shaffer's Amadeus from stage to film." CSUSB ScholarWorks, 1994. https://scholarworks.lib.csusb.edu/etd-project/903.

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4

Whitehurst, Katherine F. "Adapting Snow White : tracing female maturation and ageing across film, television and the comic book." Thesis, University of Stirling, 2016. http://hdl.handle.net/1893/24054.

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This thesis analyses 21st century filmic, televisual and comic “Snow White” adaptations. The research is interdisciplinary, bringing together scholarship on gender, childhood, ageing, adaptation, media and fairy tales. The first half of the thesis contextualises the broader historical and sociocultural conversation “Snow White” tellings are immersed in by nature of their shared culture and history. It also identifies the tale’s core and traces the tale’s formation as a tale type from the seventeenth to the twenty–first century. The second half of this thesis moves to an analysis of two films (

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5

Wright, Barbara Irene. "La bête humaine : an examination of the problems inherent in the process of adaptation from novel to film." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26943.

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In this thesis the process of adaptation from novel to film is examined. La Bête humaine by Emile Zola and the film version by Jean Renoir provide specific examples. The starting point is the assumption, often made by cinema audiences, that the film should be "faithful" to the novel upon which it is based. A statement made by Renoir regarding his efforts to be true to what he describes as the "spirit of the book" is quoted to illustrate the prevalence of this attitude. Novel and film are then compared in order to test Renoir's claim to fidelity. What is revealed are the differences between the

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6

Lee, Sin-man. "Adaptation of Hong Kong films in 1990's." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22199172.

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7

Armanno, Venero. "Three screenplay adaptations and the ownership effect." Thesis, Queensland University of Technology, 2003.

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This PhD consists of three screenplays adapted from my novels and an exegesis which explores the involvement and influences producers have had on the eventual screenplay outcomes. In developing a first draft of original screenplays writers often work alone and without critical feedback, development assistance or encouragement from third parties. The writing process can continue in this way for some time, through many drafts, until the writer either abandons the project or finds some development assistance either from government film support agencies, producers, or both. At that stage, the writ

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8

Lee, Sin-man, and 李善雯. "Adaptation of Hong Kong films in 1990's." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31952689.

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Faithfull, Denise. "Adaptations : Australian literature to film, 1989-1998." Thesis, Connect to full text, 2001. http://hdl.handle.net/2123/1771.

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Thesis (Ph. D.)--University of Sydney, 2001.<br>Title from title screen (viewed January 22, 2009) Submitted in fullfilment of the requirements for the degree of Doctor of Philososphy to the Dept. of English, University of Sydney. Includes bibliography. Also available in print form.

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Faithfull, Denise. "Adaptations Australian literature to film, 1989-1998 /." Connect to full text, 2001. http://hdl.handle.net/2123/1771.

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Thesis (Ph. D.)--University of Sydney, 2001.<br>Title from title screen (viewed January 22, 2009) Submitted in fullfilment of the requirements for the degree of Doctor of Philososphy to the Dept. of English, University of Sydney. Includes bibliography. Also available in print form.

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Livros sobre o assunto "Adaptation (Motion picture)"

1

Kaufman, Charlie. Adaptation. Newmarket Press, 2002.

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2

Kaufman, Charlie. Adaptation: The shooting script. Newmarket Press, 2002.

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3

1944-, Boozer Jack, ed. Authorship in film adaptation. University of Texas Press, 2008.

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4

Gumen, Murad. Wonderguy: The official adaptation of the minor major motion picture. Take Twelve Productions, 1992.

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5

O'Neil, Dennis. Batman: The official comic adaptation of the Warner Bros. motion picture. DC Comics, 1989.

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6

Simonson, Louise. Steel: The official comic adaptation of the Warner Bros. motion picture. DC Comics, 1997.

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7

O'Neil, Dennis. The official comic adaptation of the Warner Bros. motion picture Batman & Robin. DC Comics, 1997.

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8

1963-, Cutchins Dennis R., Raw Laurence, and Welsh James Michael, eds. Redefining adaptation studies. The Scarecrow Press, Inc., 2010.

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9

O'Neil, Dennis. Batman forever: The official comic adaptation of the Warner Bros. motion picture. DC Comics, 1995.

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10

O'Neil, Dennis. Batman forever: The official comic adaptation of the Warner Bros. motion picture. DC Comics, 1995.

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Capítulos de livros sobre o assunto "Adaptation (Motion picture)"

1

Johnston, Andrew James, and Margitta Rouse. "Introduction: Temporalities of Adaptation." In The Medieval Motion Picture. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137074249_1.

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2

Hinz, Philipp, and Margitta Rouse. "Adaptation as Hyperreality: The (A)Historicism of Trauma in Robert Zemeckis’s Beowulf." In The Medieval Motion Picture. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137074249_7.

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3

Chi, Huynh Thi Kim, Kosuke Takano, and Kin Fun Li. "A Color Adaptation Method in Picture Story with Emotional Expression of Body Motion." In Advanced Information Networking and Applications. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-75078-7_62.

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4

Hagberg, Garry L. "Adaptation, Translation, and Philosophical Investigation in Adaptation." In The Palgrave Handbook of the Philosophy of Film and Motion Pictures. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19601-1_35.

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Horne, Jennifer. "Babies and Brochures." In The Oxford Handbook of Silent Cinema. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780190496692.013.24.

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Abstract This chapter investigates why the US Children’s Bureau, the first federal agency in the United States to be led by a woman, decided to enter the educational film market. It describes the career trajectory of Julia Lathrop, whose legacy as the Bureau’s initial chief includes her staunch advocacy of motion pictures in public service. The filmmaker Carlyle Ellis was hired to make four non-theatrical films for the agency to loan to health departments. Among the most widely viewed short motion pictures of the day, these films were loose adaptations of the Children’s Bureau’s popular health

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Mayer, David. "Quo vadis on the Stage." In The Novel of Neronian Rome and its Multimedial Transformations. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198867531.003.0007.

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In contrast to the applause and attendance figures generated by the several film adaptations which followed from 1913, theatrical renderings of Quo vadis were ridiculed, and stage runs were conspicuously brief. Theatre was not able to realise the strongly physical episodes the novelist had imagined and that motion pictures could supply. Although posters advertising the play depicted Lygia’s ordeal in the arena and her rescue by the strong-man Ursus grappling with a maddened aurochs, this crucial ‘sensation scene’ was never brought before theatre audiences. At best, stage versions of Quo vadis

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Derex, Maxime, and Thomas J. H. Morgan. "The Cultural Transmission of Technological Skills." In The Oxford Handbook of Cultural Evolution. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780198869252.013.32.

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Abstract Human adaptation relies on the multigenerational transmission and accumulation of both skills and knowledge. Nonetheless, there is currently no agreement on which factor, or combination of factors, explains our peculiar ability to do so. Theoretical and empirical work, however, has identified many candidates that operate at both the individual and population levels. This chapter starts by giving a brief overview of these factors that support cultural transmission before highlighting the relative lack of research on the cultural transmission of skills. The chapter characterizes skills

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Trabalhos de conferências sobre o assunto "Adaptation (Motion picture)"

1

Adam, Christopher S., Ian R. Berry, Kevin M. Short, and Diana I. Saly. "A Dynamical Systems Approach to Stability Tracking of Treadmill Running." In ASME 2008 International Mechanical Engineering Congress and Exposition. ASMEDC, 2008. http://dx.doi.org/10.1115/imece2008-67331.

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Traditional analysis of running gait utilizes averaged biomechanical data from several strides to generate a mean curve. This curve is then used to define the average picture of a runners gait. However, such measures are frequently accompanied by time normalization, which results in a loss of temporal variations in the gait patterns. An examination of stability requires analysis of both time and position, therefore loss of such information makes stability analysis difficult. On the contrary, the use of a dynamical systems approach for gait analysis allows for a better understanding of how vari

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Spadafora, Giovanna, Gabriele Bellingeri, Marco Canciani, et al. "Rilievo 3D e modellazione avanzata nello studio dei Forti di Roma: il Forte Monte Antenne." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11424.

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3D survey and advanced modeling in the study of the Forts of Rome: the Forte Monte AntenneIn the studies the authors are conducting on the entrenched camp of Rome, 3D surveys and digital models are used as means to understand constructions with the aim of developing restoration and re-utilization projects. For Forte Monte Antenne (1882-1891), the authors have carried out systematic studies of the formal and structural aspects. The data acquired from a direct survey and with laser scanner, drone and photogrammetry, integrated with data obtained from iconographic and bibliographic sources, were

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