Bibliografias temáticas / Aleister Crowley

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Literatura científica selecionada sobre o tema "Aleister Crowley"

Autor: Grafiati
Publicado: 4 de junho de 2021
Última modificação: 29 de julho de 2024

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Artigos de revistas sobre o assunto "Aleister Crowley"

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Partridge, Christopher. "Aleister Crowley on Drugs." International Journal for the Study of New Religions 7, no. 2 (2017): 125–51. http://dx.doi.org/10.1558/ijsnr.v7i2.31941.

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While much has been written about the life, work and influence of Aleister Crowley, relatively little attention has been directed to his drug use. This is a little surprising because, not only did he become addicted to heroin, but he incorporated psychoactive substances in his occult work, discussed their psychological effects, commented on drug-related social issues, critiqued contemporary drug legislation, published drug literature, and even translated Charles Baudelaire’s "Poem of Hashish." This article discusses his thought on drugs and religious experience and suggests that they were, largely because of his addiction, a more important force in his life than has thus far been acknowledged.
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Whitehouse, Deja. "‘Mercury is in a Very Ape-Like Mood’." Aries 21, no. 1 (2020): 125–52. http://dx.doi.org/10.1163/15700593-02101005.

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Abstract Frieda, Lady Harris, wife of Sir Percy Harris, Liberal M.P. and party Chief Whip, created the magnificent Tarot paintings that underpin Aleister Crowley’s The Book of Thoth. Harris conformed to the conventional appearance of a respectable middle-class lady until she was in her sixties. However, her unwavering commitment to Aleister Crowley and the Tarot project eventually threatened not only her social standing, but also her marriage. Despite her dedication to the Thoth Tarot, she never fully engaged with Thelema, which she anthropomorphised as the bossy and interfering ‘Miss Thelema’. Nevertheless, she progressed through the grades of Crowley’s magical orders and remained loyal to Crowley and the Great Work to the end of her days, endeavouring to secure a publishing deal for a general release of The Book of Thoth and the Thoth Tarot deck. Using extracts from Harris and Crowley’s correspondence and Crowley’s diaries, this paper will explore Harris’s personal involvement with Thelema, both in her collaborative activities with Crowley, and her endeavours to preserve his legacy after his death.
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Hedenborg White, Manon. "Rethinking Aleister Crowley and Thelema." Aries 21, no. 1 (2020): 1–11. http://dx.doi.org/10.1163/15700593-02101004.

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Cornelius, Edward. "Aleister Crowley and the Ouija Board." Nova Religio 10, no. 1 (2006): 142. http://dx.doi.org/10.1525/nr.2006.10.1.142.

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Wilson, Ian S. "Moving Past Crowleyism." Nova Religio 26, no. 1 (2022): 83–101. http://dx.doi.org/10.1525/nr.2022.26.1.83.

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Aleister Crowley is one of the most famous esotericists of the twentieth century. His religion, Thelema, is still practiced today. His acolytes, however, have not been given equal or equitable historical representation. When they are included, they are generally secondary—regarded as followers of Crowley, rather than of Crowley’s religion. This article argues that acolytes were more important in the development and organization of Thelema than they have been portrayed. Through the story of Hollywood actress turned Thelemite Jane Wolfe, based on her diaries written at Cefalù, Italy, Crowley is shown to be dreamy and distracted, while Wolfe was focused and expressed agency within the structure of Crowley’s religion. Wolfe’s discipleship provides a new and different lens through which to study Thelema, and demonstrates that Thelema can and does exist separately from Crowley.
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Owen, Alex. "The Sorcerer and His Apprentice: Aleister Crowley and the Magical Exploration of Edwardian Subjectivity." Journal of British Studies 36, no. 1 (1997): 99–133. http://dx.doi.org/10.1086/386129.

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In late 1909, two Englishmen, scions of the comfortable middle classes, undertook a journey to Algiers. Aleister Crowley, later to be dubbed “the wickedest man in the world,” was in his early thirties; his companion, Victor Neuburg, had only recently graduated from Cambridge. The stated purpose of the trip was pleasure. Crowley, widely traveled and an experienced mountaineer and big-game hunter, loved North Africa and had personal reasons for wanting to be out of England. Neuburg probably had little say in the matter. Junior in years, dreamy and mystical by nature, and in awe of a man whom he both loved and admired, Neuburg was inclined to acquiesce without demur in Crowley's various projects. There was, however, another highly significant factor in Neuburg's quiescence. He was Crowley's chela, a novice initiate of the magical Order of the Silver Star which Crowley had founded two years earlier. As such, Neuburg had taken a vow of obedience to Crowley as his Master and affectionately dubbed “holy guru” and had already learned that in much that related to his life Crowley's word was now law. It was at Crowley's instigation that the two men began to make their way, first by tram and then by foot, into the North African desert to the southwest of Algiers; and it was Crowley's decision to perform there a series of magical ceremonies which prefigured his elaboration of the techniques of sex magic. In this case, the ceremonies combined the performance of advanced ritual magic with homosexual acts.
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Nilsson, Johan. "Aleister Crowley and the Temptation of Politics." Nova Religio 18, no. 3 (2014): 140–41. http://dx.doi.org/10.1525/nr.2015.18.3.140.

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Bristow, Joseph. "Aleister Crowley's Poetic Fin de Siècle: Swinburne's Legacy, Decadent Drag, and Spiritual Sex Magick." Victorian Literature and Culture 49, no. 4 (2021): 777–805. http://dx.doi.org/10.1017/s1060150320000212.

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This article explores the extreme type of decadent eroticism that Aleister Crowley developed while an undergraduate at Cambridge in the later 1890s. The discussion focuses of Crowley's desire to appear as the main legatee of Algernon Charles Swinburne's poetry from the 1860s and 1870s. Especially significant here is Crowley's volume White Stains, which the maverick publisher Leonard Smithers issued in a privately circulated edition in 1898. In the 1920s, Crowley acknowledged that his sexual affair with Herbert Charles (“Jerome”) Pollitt was largely responsible for introducing him to the works of English and French decadent writers. Pollitt—who gained celebrity as an aesthete, art collector, and drag artist in fin de siècle Cambridge—became the major patron of Aubrey Beardsley. In 1910 Crowley acknowledged the legacy of Pollitt's decadent influence into the two concluding faux-ghazals that appear in The Scented Garden of Abdullah the Satirist of Shiraz, which is in part modeled upon Richard Burton's translation of The Perfumed Garden (1886), based on the fifteenth-century heteroerotic manual by Muhammad ibn Muhammad al-Nefzawi. This 1910 volume, which celebrates sodomy through the voice of an imaginary seventeenth-century Persian poet, belongs to Crowley's established interest in taboo forms of erotic experience that relate to the occult rituals he practiced in relation to sex magick.
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Cei, Vitor, and Luana Gabriela Paslawski. "ALEISTER CROWLEY NAS CANÇÕES DE BRUCE DICKINSON E IRON MAIDEN." Policromias - Revista de Estudos do Discurso, Imagem e Som 8, no. 3 (2023): 214–43. http://dx.doi.org/10.61358/policromias.2023.v8n3.57507.

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Aleister Crowley foi um escritor mítico e controverso, poeta da liberdade irrestrita e da vontade como máxima soberana. O seu discurso impulsionou trajetórias existenciais de grande força contestatória, tornando-o guru do rock. O objetivo geral deste trabalho é apresentar os principais aspectos da recepção de Crowley pelo cantor e compositor Bruce Dickinson, por meio do levantamento de características recorrentes em letras das suas canções. Como objetivos específicos, planejamos: 1) identificar a existência de um projeto ético e ao mesmo tempo estético na obra de Dickinson; 2) entender de que modo a doutrina do Novo Aeon elaborada peloescritor inglêsAleister Crowley e apropriada por Dickinson influenciou o heavy metal dos anos 1980 até hoje.
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Bogdan, Henrik. "Branding the Beast." Religion and the Arts 28, no. 1-2 (2024): 13–65. http://dx.doi.org/10.1163/15685292-02801002.

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Abstract This article discusses the British occultist Aleister Crowley (1875–1947) as an advertiser of the occult. Relying on theories of advertising and branding, it is argued that Crowley’s main branding strategy was the use of irony and humor in order to distance himself from other actors on the occult market. Furthermore, it is argued that this can be understood as a strategy of legitimization rooted in class consciousness, and more specifically in the elite intellectualism of turn-of-the-century Oxbridge. Crowley’s brand identity as the Great Beast 666, the Prophet of a New Age or Aeon, is analyzed with a special focus on his branding strategies in advertising, divided into (1) advertisements in books, (2) prospectuses, (3) marketing campaigns, and (4) the marketing of Crowley as a spiritual teacher.
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Teses / dissertações sobre o assunto "Aleister Crowley"

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Pasi, Marco. "Aleister Crowley und die Versuchung der Politik." Graz Ares-Verl, 1993. http://deposit.ddb.de/cgi-bin/dokserv?id=2657338&prov=M&dok_var=1&dok_ext=htm.

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Bouchet, Christian. "Aleister Crowley (1875-1947) et le mouvement thélémite." Paris 7, 1994. http://www.theses.fr/1994PA070136.

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Le but de cette thèse est d'exposer la pensée d'aleister Crowley et l'influence de celle-ci. Aleister Crowley est un des acteurs du renouveau de la magie rituelique au 20e siècle. A ce titre il a influencé la majorité des nouveaux mouvements magiques contemporains. Ceux-ci font l'objet d'une description détaillée. Aleister Crowley est aussi un poète, un écrivain et un peintre, ainsi qu'un militant politique. Ces diverses facettes de son activité sont examinées
The aim of this thesis is to expose the thought of Aleister Crowley and the influence of it. Aleister Crowley is one of the actors of the renewal of the ritual magic in the 20e century. He influenced the majority of the new magical movements of our days. Those are the object of a circumstancial description. Aleister Crowley is too a poet, a writer and a painter. He is too a political militant. All this activities are described
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Tupman, Tracy Ward. "Theatre magick Aleister Crowley and the Rites of Eleusis /." Connect to this title online, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1054580207.

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Thesis (Ph. D.)--Ohio State University, 2003.
Title from first page of PDF file. Document formatted into pages; contains xi, 355 p.; also includes graphics (some col.). Includes bibliographical references (p. 341-355). Available online via OhioLINK's ETD Center.
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Campos, Humberto Miranda de. "Thelema em Aleister Crowley: Magick e Ciência da Religião." Universidade Federal de Juiz de Fora (UFJF), 2018. https://repositorio.ufjf.br/jspui/handle/ufjf/8011.

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O objetivo deste trabalho é analisar Thelema de Aleister Crowley, tendo como ponto de partida o livro Magick Without Tears. Parte-se da hipótese de que, pelo fato de Aleister Crowley ter experiência com filosofias esotéricas ocidentais, e por ter recebido uma educação cristã, sua concepção e estruturação dos dogmas e doutrinas apresentem considerável viés judaico-cristão que podem não ter sido descartados e sim reconstruídos e relidos. Desta maneira, a investigação se focará em realizar uma pesquisa genealógica das leituras e dos símbolos trabalhados por Aleister Crowley. Como referencial teórico, adota-se Wouter J. Hanegraaff e sua metodologia denominada História das Ideias. Através deste paradigma, pretende-se identificar e analisar pontos de diálogo entre elementos do corpus de Thelema e as variadas influências esotéricas com as quais o autor trabalhou, e que são encontrados no livro escolhido. Além disso, tenta-se explicar como a mesma se desdobra num corpo de práticas denominadas Magick, resultando naquilo que Crowley definiu como Iluminismo Científico. Culminando assim, na resposta à pergunta: Thelema é uma Religião?
The aim of this research is to analyze Thelema of Aleister Crowley. Taking as a starting point the book Magick Without Tears. It is hypothesized that, based in Aleister Crowley’s experience with Western Esoteric philosophies, and in function of his christian education, his conception and structuring of dogmas and doctrines present considerable Judeo-Christian bias that may not have been discarded but reconstructed and reread. In this way, the research will focus on performing a genealogical investigation on the readings and symbols worked on by Aleister Crowley. As a theoretical reference, Wouter J. Hanegraaff and his methodology called History of ideas are adopted. Through this paradigm, we intend to identify and analyze points of dialogue between elements of the corpus of Thelema and the various esoteric influences with which the author worked, and which are found in the chosen book. In addition, it attempts to explain how it unfolds in a body of practices called Magick, resulting in what Crowley defined as Scientific Enlightenment. Culminating thus, in the answer to the question: Is Thelema a Religion?.
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Clanton, Amy M. "Religion as Aesthetic Creation: Ritual and Belief in William Butler Yeats and Aleister Crowley." Scholar Commons, 2011. http://scholarcommons.usf.edu/etd/3718.

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William Butler Yeats and Aleister Crowley created literary works intending them to comprise religious systems, thus negotiating the often-conflicting roles of religion and modern art and literature. Both men credited Percy Bysshe Shelley as a major influence, and Shelley's ideas of art as religion may have shaped their pursuit to create working religions from their art. This study analyzes the beliefs, prophetic practices, myths, rituals, and invocations found in their literature, focusing particularly on Yeats's Supernatural Songs, Celtic Mysteries, and Island of Statues, and Crowley's "Philosopher's Progress," "Garden of Janus," Rites of Eleusis, and "Hymn to Pan." While anthropological definitions generally distinguish art from religion, Crowley's religion, Thelema, satisfies requirements for both categories, as Yeats's Celtic Mysteries may have done had he completed the project.
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Keane, Lloyd Kenton. "Magick/Liber Aba and Mysterium coniunctionis, a comparison of the writings of Aleister Crowley and C.G. Jung." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape10/PQDD_0003/MQ43310.pdf.

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Keane, Lloyd Kenton Carleton University Dissertation Religion. "Magic/Liber Aba and Mysterium Coniunctionis; a comparison of the writings of Aleister Crowley and C.G. Jung." Ottawa, 1999.

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Albin, Irgens. "Det Stora Vilddjuret och Yogan : En religionshistorisk studie av Aleister Crowleys yoga och hans påverkan på sentida efterföljare i Sverige." Thesis, Umeå universitet, Institutionen för idé- och samhällsstudier, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-153216.

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Den här uppsatsen behandlar den brittiske tänkaren Aleister Crowley, hans tolkning avyoga, och hans tankars påverkan på moderna efterföljare av hans religion i Sverige.Uppsatsen behandlar frågorna om hur Crowleys syn på yoga utvecklats och hur denkan ses i svenska efterföljares tankar idag. Uppsatsen använder sig av litteraturstudierav Crowleys verk, samt intervjuer med medlemmar i ordern Ordo Templi OrientisSverige. Uppsatsen utmynnar i att Crowleys tankar om yoga kan ses i sin historiskakontext påverkad av bland annat orientalism och religionism, och att Crowleys tankarfortsätter påverka moderna utövare av yoga inom O.T.O.
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Marino, Joseph A. "The Will to Chaos and a Dancing Star: Aleister Crowley, Neo-Paganism and the Technologies of the Selves." The Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392818598.

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Mizanzuk, Ivan Alexander. ""Faze o que tu queres": as noções de ética e moral nos escritos de Aleister Crowley em sua Thelema sob a luz da sociologia sensível de Michel Maffesoli." Pontifícia Universidade Católica de São Paulo, 2010. https://tede2.pucsp.br/handle/handle/2145.

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The present dissertation provides a research about the writings of the English magus Aleister Crowley (1875-1946), founder of the religion Thelema, which deal with the subjects of Ethics and Moral, aiming as such a study about the possible aspects of a postmodern ethics as so understood in relation with the works of the French sociologist Michel Maffesoli in the religious field. It is followed the hypothesis that Crowley preshaped a religious thinker of a post-modern ethics, and the whole work is developed with the objective to prove such. By the end, it is concluded that, although the crowleyan ethics does possess many of the aspects of the so-called maffesolian ethic-aesthetics, there is still the presence of a categorical imperative, his concept of Will, which is inseparable of his thoughts on ethics and moral due to the mystic nature of his philosophy
A presente dissertação busca realizar uma investigação teórica acerca dos escritos do mago inglês Aleister Crowley (1875-1946), fundador da religião Thelema, que tocam nos temas da Ética e da Moral, visando assim um estudo sobre os possíveis aspectos de uma ética pós-moderna termo assim compreendido de acordo com a obra do sociólogo francês Michel Maffesoli no campo religioso. Parte-se da hipótese de que Crowley préfigurava um pensador religioso de uma ética pós-moderna, e se desenvolve o trabalho com o objetivo de comprovar tal desconfiança inicial. Ao final, conclui-se que, apesar da ética crowleyana possuir muitos aspectos da chamada ética estética maffesoliana, ainda há a presença de um imperativo categórico, o seu conceito de Vontade, que é indissociável de seu pensamento ético-moral devido à natureza mística de sua filosofia
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Livros sobre o assunto "Aleister Crowley"

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Grant, Kenneth. Remembering Aleister Crowley. Skoob Books Pub., 1991.

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Grant, Kenneth. Remembering Aleister Crowley. Skoob Books Pub., 1991.

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Crowley, Aleister. Aleister Crowley: Selected poems. Crucible, 1986.

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Roger, Hutchinson. Aleister Crowley: The beast demystified. Mainstream Pub., 2006.

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Stewart, R. H. (Roy H.) illustrator, ed. Aleister Crowley: Wandering the waste. Markosia Enterprises Ltd, 2013.

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Roger, Hutchinson. Aleister Crowley: The beast demystified. Mainstream Pub., 2006.

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Roger, Hutchinson. Aleister Crowley: The beast demystified. Mainstream Pub., 1998.

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Cornelius, J. Edward. Aleister Crowley and the Ouija Board. Feral House, 2009.

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Crowley, Aleister. Portable darkness: An Aleister Crowley reader. Harmony Books, 1989.

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Bouchet, Christian. Aleister Crowley et le mouvement thélèmite. Editions du Chaos, 1998.

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Capítulos de livros sobre o assunto "Aleister Crowley"

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Martin, Stoddard. "Aleister Crowley." In Orthodox Heresy. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19669-2_8.

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Pasi, Marco. "Aleister Crowley and Islam." In Esoteric Transfers and Constructions. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-61788-2_8.

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Machin, James. "Aleister Crowley and Occult Meaning." In The Palgrave Handbook of Contemporary Gothic. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33136-8_20.

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Jones, Timothy. "Aleister Crowley and the Black Magic Story." In The Palgrave Handbook of Contemporary Gothic. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33136-8_21.

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Drury, Nevill. "Aleister Crowley and the Aeon of Horus." In Don Juan, Mescalito and Modern Magic. Routledge, 2023. http://dx.doi.org/10.4324/9781003405009-11.

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Lingan, Edmund B. "Aleister Crowley’s Thelemic Theatre." In The Theatre of the Occult Revival. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137448613_5.

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Djurdjevic, Gordan. "Solve et Coagula: Attitudes toward the Ambrosial Aspects of Human Seed in Certain Yogic Traditions and in the Sexual Magick of Aleister Crowley." In India and the Occult. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137404992_4.

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Djurdjevic, Gordan. "The Great Beast as a Tantric Hero: The Role of Yoga and Tantra in Aleister Crowley’s Magick." In India and the Occult. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137404992_3.

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Starr, Martin P. "Aleister Crowley—Freemason?!" In Aleister Crowley and Western Esotericism. Oxford University Press, 2012. http://dx.doi.org/10.1093/acprof:oso/9780199863075.003.0009.

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Hutton, Ronald. "Crowley and Wicca." In Aleister Crowley and Western Esotericism. Oxford University Press, 2012. http://dx.doi.org/10.1093/acprof:oso/9780199863075.003.0012.

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