Literatura científica selecionada sobre o tema "American poetry (collections), 19th century"

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Artigos de revistas sobre o assunto "American poetry (collections), 19th century"

1

Budrewicz, Aleksandra. "„Poezje polsko-amerykańskie” Pawła Gawrzyjelskiego (1882)." Prace Literackie 61 (February 15, 2023): 67–82. http://dx.doi.org/10.19195/0079-4767.61.5.

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The article is devoted to the literary achievement of Paweł Gawrzyjelski (1844?–1889), the author of a volume of poetry Odgłos z za morza. Poezye polsko-amerykańskie [Sounds from overseas. Polish-American poems] (Chicago 1882). This collection discusses some questions related to psychological and ethical problems of the Polish people in the USA in the 19th century. The content of the volume is presented in the context of other poetry published in “Gazeta Polska w Chicago” [Polish Daily in Chicago] between 1870 and 1890 (this is where Gawrzyjelski’s work was published for the first time). “Gazet
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2

Arianto, Tomi. "NATIONAL ROMANTICISM IN WALT WHITMAN POEMS." Lire Journal (Journal of Linguistics and Literature) 2, no. 1 (2018): 14–20. http://dx.doi.org/10.33019/lire.v2i1.18.

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Romanticism is often misunderstood as something genuine love and merely about romance. In fact, romanticism is an understanding of great ideas that also be delivered great ideas. The development of Romanticism delivered a new orientation that called National Romanticism by maintaining the freedom of individual, sovereignty, and independent of human rights. This study took data from three Walt Whitman poems; Patriotic, War Democracy, and Poem of America. Researcher was using the concept of interpretation to explore the meaning of poetry and the influence of romanticism in Whitman poetry. Resear
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Abushihab, Ibrahim. "A Stylistic Analysis of Arab-American Poetry: Mahjar (Place of Emigration) Poetry." Journal of Language Teaching and Research 11, no. 4 (2020): 652. http://dx.doi.org/10.17507/jltr.1104.17.

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The present paper represents an attempt to focus upon analyzing and describing the major features of Arab American poetry written by prominent Arab poets who had arrived in America on behalf of millions of immigrants during the 19th century. Some of who wrote in English and Arabic like Ameen Rihani (1876-1940); Khalil Gibran (1883-1931) and Mikhail Naimy (1889-1988). Others wrote in Arabic like Elia Abumadi (1890-1957). Most of their poems in Mahjar (place of emigration) reveal nostalgia, their love to their countries and their ancestors and issues relating to Arab countries. The paper analyze
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Scheyer, Lauri, and Zanyar Kareem Abdul. "THE FUNCTION OF POETRY IN THE MODERN WORLD: A CASE STUDY OF WALT WHITMAN AND AUDRE LORDE’S POEMS." Language Literacy: Journal of Linguistics, Literature, and Language Teaching 6, no. 2 (2022): 245–50. http://dx.doi.org/10.30743/ll.v6i2.5226.

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Lyric poetry has historically referred to a genre that we think of as brief, musical, and personal as well as subjective. This article addresses the role of lyric poetry in the modern world, and how critical analysis enables us to better appreciate the potential impact of poetry today. Specifically, we will offer brief contrastive assessments of two landmark exemplars of American poets, Walt Whitman and Audre Lorde. These two figures demonstrate some of the varied ways of the American poetry tradition. We compare Walt Whitman, a canonical white male poet from the 19th century, with an equally
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Ūsaitytė, Jurgita. "Personal Collections of Texts from the Second Half of the 19th Century along with Their Historical Context." Tautosakos darbai 55 (June 25, 2018): 107–33. http://dx.doi.org/10.51554/td.2018.28501.

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The subject of the article comprises Lithuanian collections of texts from the second half of the 19th century, compiled by individuals of peasant origins and preserved at the Lithuanian Folklore Archives. The research involves over 40 of such collections, in which part or majority of the inscriptions consist of poetic pieces: personal poetic compositions or folksongs chiefly selected from printed sources of the time. The analysis in the article focuses on the contents of these texts, describing various components of their repertoire, attempting at establishing and identifying the sources, from
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6

Peric, Djordje. "The life and forgotten poetry collections of Danica-Zorka Raskovic." Prilozi za knjizevnost, jezik, istoriju i folklor, no. 81 (2015): 129–46. http://dx.doi.org/10.2298/pkjif1581129p.

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The paper discusses a little-known Serbian poetess from the second half of the 19th century, Danica-Zorka Raskovic (1849-1910). Based on archival research and a lot of new information, it also features her compiled biography. All her poetical works which she wrote between ages 17 and 19 are presented in the text. They include: Eulogy (Slavopoj, two collections, 1866, 1867), Euphony (Milosplet, 1868) and Elegy (Tugospev, 1868). The last book, Elegy, composed as an integral work, is an attempt at writing an epic. Eulogy celebrates the 50th anniversary of the Principality of Serbia (1815-1865), g
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Satorno, Marla Do Vale. "Urban scenarios in Walt Whitman’s poetry." Babel: Revista Eletrônica de Línguas e Literaturas Estrangeiras 7, no. 1 (2017): 28–35. http://dx.doi.org/10.69969/revistababel.v7i1.3626.

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One of the most striking features in 19th century poetry is the scenes of astonishing industrial progress, the development of the cities, the people who rush around, either working or just living their lives. Such urban scenarios are constant images in poems of this period. American poet Walt Whitman is also one of the poets who conveys urban movement through his poetry. With these characteristics as a starting point, the purpose of this article is to focus on the urban images in Whitman’s poetry, analyzing the poetry of the cities. Closely linked to Baudelaire’s flâneur, Whitman also observes
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Raza, Aqeel, and Nurjis Zahra. "Exploring the Metaphorical Significance of Death in Emily Dickinson's poem 'Because I Could Not Stop for Death' and Its Influence on 19th-Century American Poetry." Indonesian Journal of Interdisciplinary Research in Science and Technology 2, no. 2 (2024): 147–58. http://dx.doi.org/10.55927/marcopolo.v2i2.7966.

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This research embarks on an exploration of the nuanced and evolving metaphorical representations of death within 19th-century American poetry focus on Emily Dickinson's poem 'Because I Could Not Stop for Death. The methodology integrates close textual analysis with historical contextualization, shedding light on the broader sociocultural landscape that influenced poetic expressions of death. By scrutinizing metaphorical intricacies, symbolism, and linguistic choices, the study aims to elucidate how Dickinson's portrayal of death diverges or aligns with the works of her peers. Moreover, it ende
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Korchagin, Kirill M. "Bureau “Transatlantic”: French and US Poets on Rendezvous." Literature of the Americas, no. 12 (2022): 261–73. http://dx.doi.org/10.22455/2541-7894-2022-12-261-273.

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Since the middle of the 19th century, American literature has been perceived by French poets as a kind of Other, at the same time alien and attractive, capable of teaching the experience of liberation, which the French poets themselves lack. Nevertheless, the situation is more familiar when other poets of the world are looking for inspiration in French poetry. French poetry for American modernists of the first quarter of the 20th century was synonymous with everything that expands the horizons of literature. At the same time, the reverse situation, when French poetry is saturated with outside
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Perger, Gyula. "Somogy megyei népdalok és gyermekjátékok egy Győrött őrzött kéziratban." Kaposvári Rippl-Rónai Múzeum Közleményei, no. 1 (2013): 299–304. http://dx.doi.org/10.26080/krrmkozl.2013.1.299.

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The folk poetry of Somogy County have been known by the public from the end of the 18th century. After the initial sporadic publications the methodical collecting work of the folk-songs and children’s games started at the end of the 19th centu-ry. Béla Vikár introduced a considerable part of the folk traditions of the region in a complete volume of the Hungarian Folklore Collection series. In the 20th century a great number of collec-tions and monographs were dedicated to this topic, however, a part of the unpublished collections were unfortunately lost. The presently published folklore collec
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