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Bibliografias temáticas / Americn Art

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Literatura científica selecionada sobre o tema "Americn Art"

Autor: Grafiati

Publicado: 29 de julho de 2024

Última modificação: 31 de julho de 2025

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Artigos de revistas sobre o assunto "Americn Art"

1

Caragol, Taína. "Documenting Latin American art at the Museum of Modern Art Library." Art Libraries Journal 30, no. 3 (2005): 33–36. http://dx.doi.org/10.1017/s0307472200014085.

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This article traces the history of the Latin American holdings of the Museum of Modern Art Library, one of the first institutions outside Latin America to start documenting the art of this geopolitical region, and one of the best research centers on modern Latin American art in the world. This success story dates back to the thirties, when the Museum Library began building a Latin American and Caribbean collection that currently comprises over 15,000 volumes of catalogues and art books. The launch of various research tools and facilities for scholars and the general public in recent years also

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Piñero, Gabriela A. "Re-estructurar el proyecto de un arte latinoamericano: el modelo constelar." Intervención Revista Internacional de Conservación Restauración y Museología 1, no. 1 (2010): 11–20. http://dx.doi.org/10.30763/intervencion.2013.7.83.

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3

Kempe, Deborah, Deirdre E. Lawrence, and Milan R. Hughston. "Latin American art resources north of the border: an overview of the collections of the New York Art Resources Consortium (NYARC)." Art Libraries Journal 37, no. 4 (2012): 5–14. http://dx.doi.org/10.1017/s0307472200017673.

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The New York Art Resources Consortium (NYARC), consisting of The Frick Art Reference Library and the libraries of the Brooklyn Museum and the Museum of Modern Art (MoMA), houses significant collections of material on Latin American art that document the cultural history of Mexico, Central America, the Caribbean and South America, as well as the foundation of New York City as an epicenter of US Latino and Latin American cultural production since the 19th century. Ranging from historic archeological photographs to contemporary artists’ books, the holdings of the NYARC libraries are varied in the

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Berehovska, Khrystyna, Yuliya Babunych, Ivanna Pavelchuk, Tetiana Pavlova, and Andrii Korniev. "Evolution of S. Hordynsky's views on art practice and theory in the late XX century." Salud, Ciencia y Tecnología - Serie de Conferencias 3 (June 28, 2024): 1010. http://dx.doi.org/10.56294/sctconf20241010.

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The purpose of this study is to analyze and elucidate the development, contradictions, and influences of Ukrainian artists in America, focusing on the theoretical and practical contributions of Sviatoslav Hordynsky to both American and Ukrainian art traditions. The methodology employed includes a comprehensive historical analysis of archival materials, a comparative analysis of Ukrainian and American artworks, a thematic analysis of recurring motifs in Hordynsky's writings and works, and an interpretative analysis of critical reviews and scholarly articles on Ukrainian artists in America. The

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Pohl, Frances K. "Framing America: A Social History of American Art." American Art 16, no. 2 (2002): 10–12. http://dx.doi.org/10.1086/444663.

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Barberena, Elsa. "Latinoarte: information on Latin American art." Art Libraries Journal 20, no. 3 (1995): 8–10. http://dx.doi.org/10.1017/s0307472200009433.

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Latin American culture is very rich, yet there is insufficient documentation on Latin American art, and much of the documentation which does exist is not adequately covered by the major art indexes. A number of magazines have set out, especially since the 1940s, to disseminate information about Latin American art, but most have been short-lived. The LATINOARTE project, based in the Facultad de Filosofía y Letras at the Universidad Nacional Autónoma de México (UNAM), aims to develop and to network a database including citations to documentation available in 62 libraries and information centres

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Shandler, Jeffrey. "¿Dónde están los Judíos en la “Vida Americana?”: Art, Politics, and Identity on Exhibit." IMAGES 13, no. 1 (2020): 144–56. http://dx.doi.org/10.1163/18718000-12340138.

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Abstract Vida Americana: Mexican Muralists Remake American Art, 1925–1945, an exhibition that opened at the Whitney Museum of American Art in February, 2020, proposed to remake art history by demonstrating the profound impact Mexican painters had on their counterparts in the United States, inspiring American artists “to use their art to protest economic, social, and racial injustices.” An unexamined part of this chapter of art history concerns the role of radical Jews, who constitute almost one half of the American artists whose work appears in the exhibition. Rooted in a distinct experience,

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Ipsen, Max. "Danish Sixties Avant-Garde and American Minimal Art." Nordlit 11, no. 1 (2007): 169. http://dx.doi.org/10.7557/13.1758.

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Denmark is peripheral in the history of minimalism in the arts. In an international perspective Danish artists made almost no contributions to minimalism, according to art historians. But the fact is that Danish artists made minimalist works of art, and they did it very early.Art historians tend to describe minimal art as an entirely American phenomenon. America is the centre, Europe the periphery that lagged behind the centre, imitating American art. I will try to query this view with examples from Danish minimalism. I will discuss minimalist tendencies in Danish art and literature in the 196

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LESENCIUC, Adrian. "AMERICAN ART EDUCATION IN THE LIGHT OF GLOCALIST APPROACH." Review of the Air Force Academy 16, no. 3 (2018): 99–103. http://dx.doi.org/10.19062/1842-9238.2018.16.3.12.

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Lee, Chaeeun. "Between Abstraction and Materiality: Carlos Villa and the Politics of Asian American Art." Asian Diasporic Visual Cultures and the Americas 8, no. 1-2 (2023): 15–42. http://dx.doi.org/10.1163/23523085-08010002.

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Abstract In the 1970s and early 1980s, Filipino American artist Carlos Villa developed a set of experimental methods and idioms—namely, abstraction, abject sensibility, and intense materiality—that would accompany his renewed interest in self-identity and community expression. While these strategies coincided with the broader artistic tendency of the 1960s and ’70s toward unconventional materiality and a deliberately indecorous sensibility, Villa’s far-reaching concern for the racialized condition of Filipinx America compels a reconsideration of his work vis-à-vis the historical and discursive

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Teses / dissertações sobre o assunto "Americn Art"

1

Gartside, Steven. "Appropriations of 'America' and American art in the 1950s." Thesis, Manchester Metropolitan University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327710.

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Lynch, Sylvio III. "Morality and Aspiration: Some Conditions of Norman Rockwell's Four Freedoms." Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1577554501384163.

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Gittinger, Anne Meredith. "Class Act: Negotiating Art and Market in the Career of Isadora Duncan." W&M ScholarWorks, 2010. https://scholarworks.wm.edu/etd/1539626615.

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Bickerstaff, Meghan Triplett. "Okay, Maybe You Are Your Khakis: Consumerism, Art, and Identity in American Culture." Oxford, Ohio : Miami University, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1092258380.

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Haight, Sarah M. "American Art Lending, 1895-1975." Thesis, School of Information and Library Science, 2006. http://hdl.handle.net/1901/344.

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This paper documents the range of art lending in the United States to individuals by libraries, museums, and other cultural institutions from roughly 1895-1975. The historical analysis includes the reasons and motivations behind the creation of each kind of lending scheme and what its proponents hoped to accomplish, as well as how these collections fit into the broader goals of each type of institution. Loans of originals and reproductions are discussed.

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Мосіна, Елеонора. "Trends in American Modern Art." Thesis, Київський національний університет технологій та дизайну, 2017. https://er.knutd.edu.ua/handle/123456789/7340.

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Claxton, Ronald Wayne. "The infusion of African American art from eighteen-eighty to the early nineteen-nineties for middle and high school art education." The Ohio State University, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=osu1387379149.

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Buchanan, Mariah Spann. "Educating black youth moral principles through black art." Click here to access dissertation, 2008. http://www.georgiasouthern.edu/etd/archive/spring2008/mariah_s_buchanan/buchanan_mariah_s_200801_edd.pdf.

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Thesis (Ed.D.)--Georgia Southern University, 2008.<br>"A dissertation submitted to the Graduate Faculty of Georgia Southern University in partial fulfillment of the requirements for the degree Doctor of Education." Under the direction of Ming Fang He. ETD. Electronic version approved: May 2008. Includes bibliographical references (p. 203-215) and appendices.

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Perez, Alyssa Cathryn. "“Make America Great Again”: Political Rhetoric of the American Alt-Right Movement." Universität Leipzig, 2018. https://ul.qucosa.de/id/qucosa%3A21128.

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On November 8th, 2016, Republican nominee Donald Trump was elected President of the United States of America. On November 9th, 2016, Twitter was flooded with messages hashtagged #TrumpsAmerica which narrated various ways that marginalized groups were being attacked, verbally or physically, by self-proclaimed Trump supporters whose inappropriate actions had been legitimized by Trump’s election into office. Many Americans were in shock upon receiving the news of the new President Elect. Jon Ronson, journalist and author of The Elephant in the Room: A Journey into the Trump Campaign and the Alt-R

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Leach, William H. "Droit de Suite in the United States: The American Royalties Too (ART) Act of 2014." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/cmc_theses/927.

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The American Royalties Too (ART) Act of 2014 is the most recent attempt to create a resale royalty, or droit de suite, for visual artists in America. This would entitle visual artists to collect a royalty payment for sales of their work in the secondary market, specifically sales occurring at public auctions. The droit de suite was created in France in 1920, and is now part of the Berne Convention for the Protection of Literary and Artistic Works, which protects copyrights internationally. The purpose of this paper is to examine the history of droit de suite rights in the United States and abr

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Mais fontes

Livros sobre o assunto "Americn Art"

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Shore, Virginia, Tabitha Brackens, and Victoria See. Abuja, Nigeria: Art Collection of the United States Embassy. Edited by United States. Department of State, United States Embassy (Nigeria), Art in Embassies Program (U.S.), and Global Publishing Solutions (U.S.). ART in Embassies, U.S. Department of State, 2017.

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David, Fineberg Jonathan, ed. Imagining America: Icons of 20th-century American art. Yale University Press, 2005.

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3

Carlin, John. Imagining America: Icons of 20th-century American art. Yale University Press, 2006.

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4

Margo, Machida, Desai Vishakha N, Tchen John Kuo Wei, and Asia Society Galleries, eds. Asia/America: Identities in contemporary Asian American art. Asia Society Galleries, 1994.

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5

1949-, Adams Henry, and Johnson Kathryn C, eds. Made in America: Ten centuries of American art. Hudson Hills Press, 1995.

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6

George, Gurney, and Smithsonian American Art Museum, eds. Variations on America: Masterworks from American Art Forum Collections. Smithsonian American Art Museum, 2007.

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7

Janice, Lehmberg, ed. American art. Davis Publications, 1998.

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8

Phillips New York (Auctioneers : 2001). American art. Phillips, de Pury & Luxembourg, 2003.

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Phillips New York (Auctioneers : 2001). American art. Phillips de Pury & Luxembourg, 2002.

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10

Ursus Books (New York, N.Y.). American art. Ursus Books, 1987.

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Capítulos de livros sobre o assunto "Americn Art"

1

Yun Mapplethorpe, Michelle. "America in China: Cross-cultural Confluences in Contemporary American Art." In American Art in Asia. Routledge, 2022. http://dx.doi.org/10.4324/9781003130284-14.

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2

Motta, Ana Paula, and Guadalupe Romero Villanueva. "South American Art." In Encyclopedia of Global Archaeology. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-51726-1_2914-1.

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Bradley, Patricia. "Outsider Art." In Making American Culture. Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230100473_3.

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Ciornai, Selma, and Maria Cristina Ruiz. "Latin American Art Therapy." In The Wiley Handbook of Art Therapy. John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781118306543.ch74.

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Podestá, María Mercedes, and Matthias Strecker. "South American Rock Art." In Encyclopedia of Global Archaeology. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_1623.

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Whitley, David S. "North American Rock Art." In Encyclopedia of Global Archaeology. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_2144.

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Podestá, María Mercedes, and Matthias Strecker. "South American Rock Art." In Encyclopedia of Global Archaeology. Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-0465-2_1623.

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Whitley, David S. "North American Rock Art." In Encyclopedia of Global Archaeology. Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-0465-2_2144.

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Podestá, María Mercedes, and Matthias Strecker. "South American Rock Art." In Encyclopedia of Global Archaeology. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-51726-1_1623-2.

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Birbragher-Rozencwaig, Francine. "Modern Latin American Art." In Essays on 20th Century Latin American Art. Routledge, 2022. http://dx.doi.org/10.4324/9781003037507-1.

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Trabalhos de conferências sobre o assunto "Americn Art"

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Zea, Luis, José Antonio Bagur Nájera, Leonora De Lemos, et al. "The Central American Space Congress (CEC) - Connecting Governments, Industry, and Academia in Central America with the World." In IAF Symposium on Emerging Space Ecosystems, Held at the 75th International Astronautical Congress (IAC 2024). International Astronautical Federation (IAF), 2024. https://doi.org/10.52202/078388-0035.

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2

Mendez-Galindo, Carlos, Juan Carlos Delgado Trejo, Julio Rojas-Palacios, et al. "State of the Art of Seismic Isolation Systems in Latin America." In IABSE Congress, San José 2024: Beyond Structural Engineering in a Changing World. International Association for Bridge and Structural Engineering (IABSE), 2024. https://doi.org/10.2749/sanjose.2024.0707.

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<p>This paper provides a review of seismic isolation systems in Latin America. Seismic isolation is essential for preventing structural damage and maintaining functionality during and after earthquakes, especially for critical infrastructure such as hospitals and bridges. Key systems, including lead rubber bearings and friction pendulum bearings, are analyzed for their effectiveness in controlling dynamic responses. The paper also highlights the increasing use of these systems in Latin America. Recent earthquakes in Chile, Mexico, and Peru demonstrate the success of seismic isolation in

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Linnemann, Steven R. "Resolving the Dual-Laminate Mystery!" In CORROSION 1997. NACE International, 1997. https://doi.org/10.5006/c1997-97361.

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Abstract Proper specifications are critical for the success of dual-laminate equipment. This paper details the first national standard in North America for dual-laminate vessels, The Dual-laminate Appendix [draft] for ASME (American Society of Mechanical Engineers) RTP-1-1995 Edition, Reinforced Thermoset Corrosion Resistant Equipment.

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4

Boddie, Susan. "EXPANDING THE ART SONG CANON STUDIED BY UNDERGRADUATE VOICE STUDENTS IN NORTH AMERICA." In 17th International Conference on Education and New Learning Technologies. IATED, 2025. https://doi.org/10.21125/edulearn.2025.2335.

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Ojars, Lams. "REFUGEES-IMMIGRANTS-INTEGRANTS: NARRATIVES ABOUT FORCED DISPLACEMENT IN BALTIC REGION AT THE END OF WW2." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/s10.26.

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The process of displacement and the large numbers of Baltic refugees due to the return of Soviet occupation at the end of World War II is important theme in literature. In the literatures of Latvia, Lithuania and Estonia after war a new and long-lasting phenomenon appeared � literature of exile. This paper will turn to three texts that are from different decades and are written in different styles about displacement. The research focus will be on the novel �After Doomesday� (1968, English translation 2017) [3] by Latvian author Gunars Janovskis (1916�2000) who started his career as a writer in

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Mariategui, Jose-Carlos. "A Latin America Network for Art and Cybernetics: The Centre for Art and Communication (CAyC)." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-71-full-mariategui-cayc.

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Towards the end of the 1960s—a period of intense creative, technological and political changes—the Argentinian art critic and entrepreneur Jorge Glusberg founded the CAyC in Buenos Aires. CAyC was an interdisciplinary experimental project that explored the relationship between art, technology and society. It sought to articulate a network of discussions and productions by a new style of Latin American artist, deeply influenced by science, technology and society. Glusberg defined such practice as Systems Art, which appeared in three ways, namely as a system of collective representation; a syste

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Ibañez Sandoval, Marita. "Nippo-Latin American Land." In SA '22: SIGGRAPH Asia 2022 Art Gallery. ACM, 2022. http://dx.doi.org/10.1145/3550470.3558437.

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da Rocha Montanari, Matheus, and Gilbertto Prado. "Techno-bio-diversities in Latin American Art." In ARTECH 2021: 10th International Conference on Digital and Interactive Arts. ACM, 2021. http://dx.doi.org/10.1145/3483529.3483699.

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Zhao, Xiao. "Ancestor Roots in a Seemingly Rootless “Les Lieux de Mémoire”: Reading Pangs of Love in the Light of Memory Theory." In 5th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2024. http://dx.doi.org/10.62422/978-81-968539-1-4-049.

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The debate about ethnicity in Pangs of Love never ceased since it was published in 1991. Some argued, instead of focusing on the impact of ancestor roots, it diluted ethnicity, depicting a rootless “Les Lieux de Mémoire”, expressing the shared dislocation and alienation in modern society. Some justified David Wong Louie as a Chinese-American Writer. Re-reading Pangs of love in the light of memory theory, this paper decodes the hidden writing intentions of Louie in writing it, concluding that in Pangs of Love, Louie seems to describe a rootless world, but the ancestor roots are always invisibly

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Weber, D. Brian. "American dream." In ACM SIGGRAPH 97 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '97. ACM Press, 1997. http://dx.doi.org/10.1145/259081.259322.

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Relatórios de organizações sobre o assunto "Americn Art"

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Wansley, William J. American Art: Toward an American Theory of Peace. Defense Technical Information Center, 1992. http://dx.doi.org/10.21236/ada253169.

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2

Fernández-Armesto, Felipe. Amerigo and America? Inter-American Development Bank, 2007. http://dx.doi.org/10.18235/0007957.

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Felipe Fernández-Armesto (1950-), distinguished British scholar of global environmental history, comparative colonial history, topics in Spanish and maritime history and the history of cartography; Principe de Asturias Chair at Tufts University.

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3

Yonemura, Ann. Art in Context: Aesthetics, Environment and Function in the Arts of Japan. Inter-American Development Bank, 1995. http://dx.doi.org/10.18235/0007915.

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Anastas, Kevin P. The American Way of Operational Art: Attrition or Maneuver. Defense Technical Information Center, 1992. http://dx.doi.org/10.21236/ada254194.

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5

Moreno Mejía, Luis Alberto, and Iván Duque Márquez. Contemporary Uruguayan Artists: An Uruguayan Presence in the About Change Exhibition. Inter-American Development Bank, 2012. http://dx.doi.org/10.18235/0006209.

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Contemporary Uruguayan Artists is part of About Change: Art from Latin America and the Caribbean, a project of the World Bank Art Program in cooperation with the Cultural Center of the Inter-American Development Bank and AMA | Art Museum of the Americas at the Organization of American States. The initiative comprises a series of exhibitions of art from Latin America and the Caribbean being offered in various venues in Washington during 2011-12. The exhibition is presented In honor of Uruguay and the City of Montevideo, site of the 53rd Annual Meeting of the Board of Governors of the IDB. The w

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6

Powell, Andrew. 2016 Latin American and Caribbean Macroeconomic Report: Time to Act: Latin America and the Caribbean Facing Strong Challenges. Inter-American Development Bank, 2016. http://dx.doi.org/10.18235/0005867.

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The commodities boom that once buoyed the regions economies is over, and countries have less fiscal space to undertake counter-cyclical policies than they did during the global financial crisis. This years Latin American and Caribbean Macro Report surveys the challenges facing the region in a new economic era and offers guidance on how policymakers can reduce long-term risks in a period of lower growth.

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McSpadden, James, and Claire Noel-Miller. The Older Americans Act. AARP Public Policy Institute, 2024. http://dx.doi.org/10.26419/ppi.00342.001.

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Flinn, Brendan, Jane Tilly, and Ari Houser. The Older Americans Act. AARP Public Policy Institute, 2024. http://dx.doi.org/10.26419/ppi.00343.001.

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Hoehler, Matthew S. American Competitiveness Of a More Productive Emerging Tech Economy Act (The American COMPETE Act) – Final Report. National Institute of Standards and Technology, 2023. http://dx.doi.org/10.6028/nist.gcr.23-039.

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Edwards, Sebastian. The Economics of Latin American Art: Creativity Patterns and Rates of Return. National Bureau of Economic Research, 2004. http://dx.doi.org/10.3386/w10302.

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