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1

Carrier, David. "Meditations on a Chinese Ancestor Portrait." Artus 2011 - 2012: The Collector's Edition 32, no. 1 (2013): 200–207. http://dx.doi.org/10.1386/artus.32.1.200_3.

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Stamm, Laura. "Delphinium’s portrait of queer history." Alphaville: Journal of Film and Screen Media, no. 16 (January 30, 2019): 38–52. http://dx.doi.org/10.33178/alpha.16.03.

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Delphinium: A Childhood Portrait of Derek Jarman (2009) portrays filmmaker Matthew Mishory’s interpretation of the childhood of Derek Jarman described in interviews and autobiographical writing such as At Your Own Risk. The portrait of Jarman honours his memory with a Super 8 inscription that repeats the queer sensibility of Jarman’s cinematic and painterly work. Mishory’s film positions Jarman as his filmmaking predecessor; even more so, it positions Jarman as a sort of queer ancestor. Delphinium’s sense of ancestry demands a reappraisal of Jarman’s work that foregrounds its creation of queer
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Chikhladze, Nino. "House of Vardanisdze and the Painting of Jumati Church of Archangels of the First Half of the Fourteenth Century." Caucasus Journal of Social Sciences 17, no. 1 (2024): 11–28. https://doi.org/10.62343/cjss.2024.237.

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The article looks at the issues of establishing a powerful medieval Georgian feudal clan – the Vardanisdze – in Guria and, consequently, those of adopting the hereditary title of Gurieli seen through the portraits identified in the murals of Jumati Monastery. Based on the analysis of artistic style, the painting of the Church dates from the first half of the fourteenth century. The memorial portrait of the prideworthy ancestor of the Vardanisdze family was identified during the 2022 expedition of Tamaz Beradze Institute of Georgian Studies of the University of Georgia. Indeed, in the first hal
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Mezhzherina, H. "THE ANNALISTIC PORTRAITS OF THE XI–XIII CENTURIES AND THE HIERARCHY OF MEANINGS IN THE LEXEMS ПЛЕМЯ AND РОДЪ SEMANTIC STRUCTURE". Comparative studies of Slavic languages and literatures. In memory of Academician Leonid Bulakhovsky, № 35 (2019): 78–91. http://dx.doi.org/10.17721/2075-437x.2019.35.08.

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The research focuses on the fragment «socio-ethical assessment of person» of the early East Slavic world view. The conceptual domain of the fragment has been illuminated in the substantive-adjectival discours. It is the first time that the hierarchy of lexicalsemantic variants in the structure of the meaning of the terms племя and родъ (descendant → family → tribe → genus, clan → social strata → people) coincides with the hierarchy of individualized and generalized socio-ethical portraits (an individualized portrait of a person → a portrait of a clan, a genus; a generalized portrait of a tribe
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Popko, V. M. "The cult of the field marshal prince Piotr Wittgenstein in families of his descendants: portraits of glorious ancestor and family relics." Proceedings of the National Academy of Sciences of Belarus, Humanitarian Series 64, no. 1 (2019): 81–92. http://dx.doi.org/10.29235/2524-2369-2019-64-1-81-92.

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The author analyzed the collections of descendants of the marshal prince Piotr Wittgenstein in which the artifacts connected with this historic figure are stored. Special attention is paid to lifetime portraits of the prince and also their copies. Some of works are attributed and dated, historical circumstances of their creation are specified. In 1834 the marshal has last time visited St. Petersburg. The author connects with this event the emergence of several works of art which weren’t earlier known to experts. The most interesting ones among them are works of the French artist A. Ladurner. T
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Salavessa, Eunice, José Aranha, Rafael Moreira, and David M. Freire-Lista. "Proto-Early Renaissance Depictions, Iconographic Analysis and Computerised Facial Similarity Assessment Connections: The 16th Century Mural Paintings of St. Leocadia Church (Chaves, North of Portugal)." Heritage 7, no. 4 (2024): 2031–54. http://dx.doi.org/10.3390/heritage7040096.

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The aim of this paper is to analyse facial similarity and apply it to identify the individuals depicted in the mural paintings of the apse of St. Leocadia Church, located in Chaves Municipality (North of Portugal), which were painted during the first quarter of the 16th century. This study also compares the portraits of this mural paintings with the oil paintings by the Proto-Renaissance Portuguese painter Nuno Gonçalves. Through this research, the feasibility of face recognition technology is explored to answer many ambiguities about Manueline stylistic identity and iconography. Additionally,
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Lomi, Benedetta. "Withered Wood and Dead Ashes—Making Sense of the Sacred Bodies of Kamatari at Tōnomine." Religions 13, no. 5 (2022): 439. http://dx.doi.org/10.3390/rel13050439.

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The portrait statue of Fujiwara Kamatari (614–669) enshrined at Tōnomine is well known for its agency and mantic powers. Known to crack whenever the stability of the clan was under threat, the icon was carefully observed and cared for. However, not one but two portrait statues of the Fujiwara ancestor existed at Tōnomine in the Heian period, until one was destroyed in the infamous 1208 attack by armed supporters of Kinpusen. This article proposes first to investigate the relationship between these two icons, to show how their dynamic interaction is at the source of the cracking episodes that c
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Robinson, Francis. "Anniversary General Meeting of the Royal Asiatic Society, Thursday 12 May 2005." Journal of the Royal Asiatic Society 15, no. 3 (2005): 395–97. http://dx.doi.org/10.1017/s1356186305005328.

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AbstractI begin by thanking the Honorary Treasurer for his report for 2004. You will note that, sadly, this will be his last report to the Society's anniversary general meeting. During the coming year Kit Naylor will step down as Honorary Treasurer. He would like to do so now, but has very kindly agreed to see the Society through its move. This has the added benefit of permitting his intended successor, Brampton Mundy, to shadow him. Kit, the Society is hugely in your debt for the time, the judgement and the goodwill you have, over the past eight years, brought to its affairs. This meeting sho
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Baidhawy, Zakiyuddin. "DINAMIKA RADIKALISME DAN KONFLIK BERSENTIMEN KEAGAMAAN DI SURAKARTA." Ri'ayah: Jurnal Sosial dan Keagamaan 3, no. 02 (2019): 43. http://dx.doi.org/10.32332/riayah.v3i02.1319.

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This paper tries to search for religious portrait that supports the process of radicalization which is potential in rising social fragmentation; and to study process and dynamics of conflicts, and ethnic, social-economic, political, and intra and inter-religious based radicalism. This study finds out that: Firstly, Surakarta has been known as burning city in political and SARA issues in Central Java and national level. Facts has shown that since 1910 this city witnessed mass riots and amok which are nuanced by ethnic, religious, and political issues. Indeed, some riots outspread their excess a
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Donde, Dipanwita. "Selfhood and Subjectivity in Sufi Thought: Image of a Mole on Emperor Akbar’s Nose." Teosofi: Jurnal Tasawuf dan Pemikiran Islam 11, no. 2 (2021): 216–39. http://dx.doi.org/10.15642/teosofi.2021.11.2.216-239.

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This paper addresses the making of portrait-images of Mughal emperors, in which distinctness and particularity in individual features distinguished portraits of emperor Akbar from his ancestors and successors. Scholars have argued that the technique of ‘accurate’ portraits or mimesis was introduced to Mughal artists with the arrival of renaissance paintings and prints from Europe, brought by Jesuit priests to the Mughal court. However, the question of why Mughal emperors saw a need to arrive at portraiture in the likeness of individuals remains to be addressed. This paper argues that the desir
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Lebeau, Bernard. "Oocyte recruitment and spawning chronology in pike, Esox lucius, and muskellunge, Esox masquinongy." Canadian Journal of Zoology 69, no. 8 (1991): 2194–201. http://dx.doi.org/10.1139/z91-306.

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During the reproductive cycle, the progression of oogenesis differs markedly between northern pike, Esox lucius Linnaeus, and muskellunge, Esox masquinongy Mitchill. Both species have group-synchronous ovaries but have different oocyte recruitment strategies. Pike is a single spawner, developing eggs in a single clutch annually, whereas muskellunge is a fractional spawner, producing two clutches of eggs per year. During the spawning period in large female muskellunge, oocyte counts indicate that the second clutch of eggs is equally important to the first. An event portrait of the spawning peri
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Blashchuk, Svitlana. "Stepan Borysenok: to the Portrait of the Scientist." Ukraina Lithuanica. Studìï z ìstorìï Velikogo knâzìvstva Litovsʹkogo 2021, no. 6 (2021): 199–218. http://dx.doi.org/10.15407/ul2021.06.199.

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The history of the law in the Grand Duchy of Lithuania has always attracted the attention of researchers. The productive period in its study was the activity of the Commission for the Study of the History of Western-Ruthenian and Ukrainian Law of All-Ukrainian Academy of Sciences (hereafter AUAS). The theoretical achievements of the commission are significant. Nowadays some of its members’ works have been republished with modern commentaries, and separate studies have been devoted to them. But there are such members whose works do not have any historiographical researches despite their great s
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13

Kumar, Sudhir, Qiqing Tao, Steven Weaver, et al. "An Evolutionary Portrait of the Progenitor SARS-CoV-2 and Its Dominant Offshoots in COVID-19 Pandemic." Molecular Biology and Evolution 38, no. 8 (2021): 3046–59. http://dx.doi.org/10.1093/molbev/msab118.

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Abstract Global sequencing of genomes of severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2) has continued to reveal new genetic variants that are the key to unraveling its early evolutionary history and tracking its global spread over time. Here we present the heretofore cryptic mutational history and spatiotemporal dynamics of SARS-CoV-2 from an analysis of thousands of high-quality genomes. We report the likely most recent common ancestor of SARS-CoV-2, reconstructed through a novel application and advancement of computational methods initially developed to infer the mutational his
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14

Popko, O. N. "Ceremonial portraits of Prince Peter Lvovich Wittgenstein in the context of his iconography." Proceedings of the National Academy of Sciences of Belarus, Humanitarian Series 66, no. 3 (2021): 333–42. http://dx.doi.org/10.29235/2524-2369-2021-66-3-333-342.

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The article is devoted to the study of three ceremonial portraits of Prince Peter Lvovich Wittgenstein, a general of the Russian army and the richest landowner in Belarus in the 19th century. Most of ceremonial portraits of 19th century military men were perished in the whirlwind of wars and revolutions of the 20th century. Finding each such work, even outside our country, is of great interest.The prince’s maternal ancestors were representatives of the most famous aristocratic family in the history of Belarus. His father was the son of a Russian field marshal, hero of the war with Napoleon. Pri
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15

Lee, Robyn S., Nicolas Radomski, Jean-Francois Proulx, et al. "Population genomics of Mycobacterium tuberculosis in the Inuit." Proceedings of the National Academy of Sciences 112, no. 44 (2015): 13609–14. http://dx.doi.org/10.1073/pnas.1507071112.

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Nunavik, Québec suffers from epidemic tuberculosis (TB), with an incidence 50-fold higher than the Canadian average. Molecular studies in this region have documented limited bacterial genetic diversity among Mycobacterium tuberculosis isolates, consistent with a founder strain and/or ongoing spread. We have used whole-genome sequencing on 163 M. tuberculosis isolates from 11 geographically isolated villages to provide a high-resolution portrait of bacterial genetic diversity in this setting. All isolates were lineage 4 (Euro-American), with two sublineages present (major, n = 153; minor, n = 1
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Markulyak, Larysa Vasylivna. "Means of Character Portraying in Mykhailo Kotsiubynsky's Literary Works." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 14, no. 24 (2021): 36–43. http://dx.doi.org/10.34079/2226-3055-2021-14-24-36-43.

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The article examines a portrait as a means of creating a character in the works of Mykhailo Kotsiubynsky, an outstanding Ukrainian writer of the fin de sièclе period. It is traced that an important category of poetics is the portrayal of a character. It helps to better understand the writer's intention, to reveal his creative individuality, to understand the problems of prose. Various types of portraits are identified, and the features of portraying in the novels of M. Kotsiubynsky's works are analysed. It is proved that the portrait is an emphasis on the anthropocentrism of fiction. The signi
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Son, Myenghee. "Features and Functions of Sŏnwŏnjŏn of the Late Chosŏn Period Reflected in Ritual Foods and Vessels, Interior Setting, and the Enshrined Portraits." Korean Journal of Art History 312 (December 31, 2021): 35–74. http://dx.doi.org/10.31065/kjah.312.202112.002.

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Sŏnwŏnjŏn (璿源殿, Hall of Jade Source) stands out from other royal portrait halls within the late Chosŏn period on account of its unofficiality. This comes through in its rites, ritual foods and vessels, interior setting, and the enshrined portraits. Sŏnwŏnjŏn was an informal sacred hall where royal family members could personally present offerings and worship before portraits of late Chosŏn kings in the inner court. Birthday tea rituals (誕辰茶禮), which drew on non-Confucian traditions, were established as the representative rite of this hall. Unlike many other ritual halls at the time, these tea
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18

Tarasenko, A. A., and O. A. Tarasenko. "TRANSFORMATION OF THE RITUAL GENEALOGICAL PORTRAIT IN PAINTING OF MIKHAILO GUIDA: EUROPEAN CONTEXT." Art and Design, no. 1 (May 23, 2023): 53–64. http://dx.doi.org/10.30857/2617-0272.2023.1.5.

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The purpose of the article is to investigate the significance of the European portrait canon in the genre painting by Mikhailo Guida: "Kuban Wedding: Dedication to Great-Grandfather Demian Doroshenko" (2004).
 Methodology. The historical-cultural, comparative, iconographic, iconological, and hermeneutic methods are used.
 Results. Based on a comparison with compositions on the theme of marriage in the art of antiquity, the Renaissance, and the Modern era, in Guida's painting the following has been identified: the presence of a spiritual centre (icon); the role of symmetry in construc
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Abt, Oded. "Muslim Ancestor, Chinese Hero or Tutelary God." Asian Journal of Social Science 42, no. 6 (2014): 747–76. http://dx.doi.org/10.1163/15685314-04206004.

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This paper examines the dynamic boundaries of Chinese identities and the role of family narratives in their formation. It examines the interplay between history and memory, focusing on traditions regarding ancestors of the Fujian Guo lineage of Muslim descent in China, Taiwan and the Philippines, over six centuries. Existing scholarship approaches these traditions in ethnic terms, corresponding to the ethnic discourse prevalent in the P.R.C., focusing solely on mainland groups, but overlooking other variations found overseas. Hence, scholars portray the changing narratives as reflecting a line
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Daniel, Wilson. "Honouring the ancestors." Ata: Journal of Psychotherapy Aotearoa New Zealand 11, no. 1 (2005): 202–9. http://dx.doi.org/10.9791/ajpanz.2005.15.

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 I feel privileged to have been invited to write in honour of Lewis as one of the tipuna (ancestors) of this Association. In this enjoyable exercise I have been helped greatly by the generous input of information from Joy Lowery, members of the immediate family, friends and colleagues who have shared a wide variety of perspectives. What follows is not meant to be a eulogy or a repetition of tributes offered already in the aftermath of Lewis's death, but rather a personal portrait of the man in his essential humanity.
 
 
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VESELOVSKAYA, Elizaveta. "WHAT DID OUR ANCESTORS LOOK LIKE? OR, THE CAPABILITIES OF ANTHROPOLOGICAL RECONSTRUCTION." LIFE OF THE EARTH 43, no. 3 (2021): 347–60. http://dx.doi.org/10.29003/m2439.0514-7468.2020_43_3/347-360.

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Anthropological Reconstruction Laboratory of the Center for Physical Anthropology, Institute of Ethnology and Anthropology RAS. The article relates the current state of the M.M. Gerasimov Laboratory of Anthropological Reconstruction of the Center for Physical Anthropology, Institute of Ethnology and Anthropology, Russian Academy of Sciences. Emphasizing the role of the founder of the method of face reconstruction from the skull, the author discusses the latest improvements to this method. The data bank on the thickness of the facial integument in representatives of various ethnic groups, and t
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Schlüter, Lucy L. E. "'gedaen door N. de Vos, tot Antwerpen'. Lotgevallen van de portretten van Joris Vezelaer en Margaretha Boghe, voorouders van Constantijn Huygens, geschilderd door Joos van Cleve." Oud Holland - Quarterly for Dutch Art History 119, no. 4 (2006): 147–58. http://dx.doi.org/10.1163/187501706x00302.

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AbstractBased on four letters dating from the period between December 1652 to January 1653, the article documents the vicissitudes of the portraits (and copies of them) of Joris Vezelaer and Margaretha Boghe. This couple, portrayed by Joos van Cleve in about 1518, were identified by Horst Gerson as the parents of Constantijn Huygens on his mother's side. Huygens, eager to obtain the original portraits or at least copies of them, makes enquiries from the art dealer Matthijs Musson in Antwerp and from the nephew (and niece) Buyex Alewyn, former guardians of the parental heritage in Deurne, but t
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Michael Gebreyohannes, Nigus, and Abiye Daniel Ambachew. "An Ecofeminist Analysis of Aminatta Forna’s Ancestor Stones." Routledge Open Research 3 (February 6, 2025): 36. https://doi.org/10.12688/routledgeopenres.18648.2.

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Background This article examines Aminatta Forna’s Ancestor Stones from an ecofeminist point of view. Aminatta has four novels, and Ancestor Stones is one novel that addresses various significant themes of ecofeminism. Methods Textual analysis was applied as a method to investigate the extracted texts from the novel. This approach enabled an in depth examination of the novel’s themes and characters representations. Results The analysis of the novel portrays the deep interconnection between women and the natural environment by representing women as expert gardeners, which shows their deep indige
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Bell, Catherine. "Worshiping the Ancestors: Chinese Commemorative Portraits. By Jan Stuart and Evelyn S. Rawski. [Washington, DC and Stanford, CA: Freer Gallery of Art and the Arthur M. Sackler Gallery in association with Stanford University Press, 2001. 216pp. $75.00. ISBN 08047 4262 6.]." China Quarterly 173 (March 2003): 214–51. http://dx.doi.org/10.1017/s000944390343012x.

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This lovely book accompanies a show of ancestor portraits from the mid-15th to the 20th century held at the Smithsonian's Arthur M. Sackler Gallery in 2001. The Sackler's recently acquired collection, supplemented for the show with contributions from the Freer Gallery and private collections, consists of 85 paintings depicting mostly noble and upper-class men and women, probably sold by families caught in the disruptions of the late Qing.
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Kirziuk, A. A., A. S. Arkhipova, M. V. Gavrilova, I. V. Kozlova, and S. V. Belyanin. "Ancestors against order: two models of Immortal regiment." Etnograficheskoe obozrenie, no. 2 (April 15, 2023): 153–75. http://dx.doi.org/10.31857/s0869541523020082.

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The paper focuses on the two most common models of organization of the Immortal Regiment. We call the first the “social order” model. Its aim is to demonstrate the local community in its ideal condition. Such a procession is clearly structured, its participants are often uniformed, and the place of each participant depends on his or her belonging to one or another professional/age group. The second type of organization of the procession is called the “cult of ancestors” model. In this case, the order of the columns and the appearance of the portrait bearers do not matter, since the main partic
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Bogumil, Tatiana. "Commemorative Literary Portrait of V. M. Shukshin." Philology & Human, no. 4 (December 3, 2022): 127–40. http://dx.doi.org/10.14258/filichel(2022)4-08.

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The article focuses on the memorial lyrics about V. M. Shukshin as a way to model his image as a writer, director and actor. The focus is on the poetic obituaries by V. Vysotsky, A. Voznesensky, E. Yevtushenko, R. Rozhdestvensky as precedent texts for the subsequent memorial tradition which developed into a corpus of works by less known poets. The memorial "supertext" on Shukshin includes a regional component associated with the "native place" of the writer, as well as more universal motifs of life and cinema in their contradictory unity, creative method (author “from grassroots”), literary ev
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Якушевич, И. В., and Н. С. Ивашинина. "TYPOLOGY AND SYMBOLIC MEANINGS OF THE HOUSE SPIRIT NOMINATIONS IN RUSSIAN NATIONAL DIALECTS." Русистика и компаративистика, no. 15 (February 2, 2022): 122–44. http://dx.doi.org/10.25688/2619-0656.2021.15.08.

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В статье собраны и систематизированы диалектные названия домового разных регионов России. Актуальность исследования обусловлена необходимостью реконструировать локус, внешний облик, характерное поведение, оценочность образа русского домового и объективно противопоставить национальный образ сложившимся медийным стереотипам. Источником данной семантики является внутренняя форма диалектизмов. Найденные мотивационные семы легли в основу типологии диалектизмов и ряда их символических значений: 1) предок, 2) огонь, 3) потусторонний мир, 4) достаток, 5) двойник. Статью завершает собирательный семанти
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Lee, Valerie, Xiangmei Gu, and Yuan-Li Hou. "The Treatment of Chinese Ancestor Portraits: An Introduction to Chinese Painting Conservation Techniques." Journal of the American Institute for Conservation 42, no. 3 (2003): 463. http://dx.doi.org/10.2307/3179868.

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Lee, Valerie, Xiangmei Gu, and Yuan-Li Hou. "The Treatment of Chinese Ancestor Portraits: An Introduction to Chinese Painting Conservation Techniques." Journal of the American Institute for Conservation 42, no. 3 (2003): 463–77. http://dx.doi.org/10.1179/019713603806112697.

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Ng, Roy. "Rumah Abu : Death and the Photographic Medium in Straits Chinese Ancestral Halls." Southeast of Now: Directions in Contemporary and Modern Art in Asia 7, no. 2 (2023): 3–45. http://dx.doi.org/10.56159/sen.2023.a916546.

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Abstract: This article seeks to establish ancestral photographs as objects of worship and examines the relationship between death and the photographic medium in Straits Chinese ancestral halls, also known as rumah abu , in the former British colonies of Singapore, Malacca, and Penang. Various scholars have argued for a conceptual link between photography and death, but the case for diasporic communities such as the Straits Chinese have been under-studied and rarely discussed in meta-physical terms. Portraits of Straits Chinese matriarchs and patriarchs are commissioned as not merely images of
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Charleux, Isabelle. "Jan Stuart, Evelyn S. Rawski, Worshipping the Ancestors. Chinese Commemorative Portraits." Archives de sciences sociales des religions, no. 124 (October 1, 2003): 63–170. http://dx.doi.org/10.4000/assr.919.

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Michael Gebreyohannes, Nigus, and Abiye Daniel Ambachew. "The Relationship between Women and Nature: An Ecofeminist Analysis of Aminatta Forna’s Ancestor Stones." Routledge Open Research 3 (October 15, 2024): 36. http://dx.doi.org/10.12688/routledgeopenres.18648.1.

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Background This article examines the relationship between women and nature in Aminatta Forna’s Ancestor Stones from an ecofeminist point of view. Aminatta has four novels, and Ancestor Stones is one that addresses various significant themes. One issue the novel portrays is the interlinkage between African women and their natural environment, which this article focuses on. Methods To address and obtain the objective of this research, therefore, textual analysis was applied as a method to investigate the extracted texts from the novel. This approach enabled an in depth examination of the novel’s
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33

Shcherban, A. "Transformations of Hryhorii Skovoroda’s visual image in the XIX century." Culture of Ukraine, no. 85 (September 25, 2024): 70–78. http://dx.doi.org/10.31516/2410-5325.085.08.

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The relevance of the study. Ukrainians have been interested in the figure of H. Skovoroda for 200 years. A great number of portraits with the philosopher’s diffe-rent faces have been created. In modern informational space we can come across a statement that there is no picture reflecting his real features. Yet, in fact such portraits do exist, though they are sparsely known to the public that is currently using mostly the variants transformed during the XIX century. Taking all the mentioned into account, the relevance of the research is extremely topical. The purpose of the article. To charact
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Behar, Doron M., Ene Metspalu, Toomas Kivisild, et al. "The Matrilineal Ancestry of Ashkenazi Jewry: Portrait of a Recent Founder Event." American Journal of Human Genetics 78, no. 3 (2006): 487–97. http://dx.doi.org/10.1086/500307.

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Bax, Dirk. "GOLD IS EARNED FROM THE PRODUCTION OF THAI GOLD LEAF." Indonesian Journal of Chemistry 1, no. 3 (2010): 157–59. http://dx.doi.org/10.22146/ijc.21943.

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Thai people like to cover sacred objects or things dear to them with gold leaf.. Statues of Buddha are sometimes covered with so many layers of gold leaf that they become formless figures, that can hardly be recognized. Portraits of beloved ancestors, statues of elephants and grave tombs are often covered with gold leaf. If one considers the number of Thai people and the popularity of the habit, the amount of gold involved could be considerable.
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Sudakov, Mikhail Alexandrovich. "Portrait of the landowner and Slavophil V.A. Panov." Samara Journal of Science 6, no. 2 (2017): 140–44. http://dx.doi.org/10.17816/snv201762210.

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The purpose of this paper is to analyze V.A. Panovs activities. He was one of the early representatives of Slavophilism. His biography is of great interest in the context of the Russian social thought history. The author characterizes V.A. Panovs main activities in scientific, editorial and publishing fields. The author also shows his cooperation with N.V. Gogol. It is shown that the most important aspect of V.A. Panovs activities was his work on two editions of the Slavophil anthology The Moscow literary and scientific collection. This edition brought together almost all prominent representat
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Halimah, Lili Halimah, Arnie Fajar, and Heni Heryani. "KAMPUNG MAHMUD, A PORTRAIT OF SOCIAL, CULTURAL, AND TECHNOLOGICAL TRANSFORMATION." International Conference on Aplied Social Sciences in Education 1, no. 1 (2024): 77–82. https://doi.org/10.31316/icasse.v1i1.6883.

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Identity, lifestyle, and overall societal structure are often influenced by socio-cultural transformations. Kampung Mahmud has undergone socio-cultural transformation marked by the influx of technology and the onset of globalization, leading to social, cultural, and local lifestyle changes. The aim of this research is to depict the social and cultural changes in Kampung Mahmud and the impact of technology introduction on the local community. This study employs a qualitative approach involving interviews and documentation. The research aims to determine the questions to be investigated, and how
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Muslim, Azis. "ISLAM NUSANTARA: A STUDY ON THE EFFECT OF LOCAL WISDOM VALUE ON CUSTOMARY COMMUNITY’S PIETY IN KAMPUNG NAGA." Indonesian Journal of Islamic Literature and Muslim Society 5, no. 2 (2021): 159–86. http://dx.doi.org/10.22515/islimus.v5i2.2348.

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Community empowerment takes a long time and an appropriate strategy to achieve success. Moreover, innovation delivered constitutes the regulations restricting the empowered community’s moving space. This research generally portraits pamali (taboo) strategy in conducting community empowerment and particularly aims to study local wisdom value in building the piety of Kampung Naga community. The research was conducted using phenomenological descriptive qualitative approach with an interactive technique of analysis. Data collection was carried out through interview, observation, and documentation.
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Lynn, Spencer K., and Irene M. Pepperberg. "Culture: In the beak of the beholder?" Behavioral and Brain Sciences 24, no. 2 (2001): 341–42. http://dx.doi.org/10.1017/s0140525x01413963.

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We disagree with two of Rendell and Whitehead's assertions. Culture may be an ancestral characteristic of terrestrial cetacean ancestors; not derived via marine variability, modern cetacean mobility, or any living cetacean social structure. Furthermore, evidence for vocal behavior as culture, social stability, and cognitive ability, is richer in birds than Rendell and Whitehead portray and comparable to that of cetaceans and primates.
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Haught, John. "Darwin and Contemporary Theology." Worldviews: Global Religions, Culture, and Ecology 11, no. 1 (2007): 44–57. http://dx.doi.org/10.1163/156853507x173496.

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AbstractDarwin's "dangerous idea" challenges religious trust in a providential God, that is, one who influences and eternally cares for the world. Our religious ancestors had no knowledge of biological evolution, although they were certainly aware of the suffering of humans and other living beings. Evolutionary science vastly extends the story of life and life's suffering (and creativity as well) beyond those of traditional theological awareness. In what sense, then, after Darwin, might the doctrine of divine providence still be credible, if at all? Is it perhaps possible that evolutionary por
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Shan, Muhammad Adnan, Mie Refn, Niels Morling, Claus Børsting, and Vania Pereira. "GENETIC PORTRAIT OF THE PUNJABI POPULATION FROM PAKISTAN USING THE PRECISION ID ANCESTRY PANEL." Forensic Science International: Genetics Supplement Series 7, no. 1 (2019): 87–89. http://dx.doi.org/10.1016/j.fsigss.2019.09.034.

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Watt, D. C. "Lionel Penrose, F.R.S. (1898–1972) and eugenics: Part one." Notes and Records of the Royal Society of London 52, no. 1 (1998): 137–51. http://dx.doi.org/10.1098/rsnr.1998.0041.

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Lionel Penrose was born in London. His father, James Doyle Penrose a portrait painter, and his mother, Elizabeth Josephine (née Peckover) Penrose, were both members of the Society of Friends (Quakers) as their ancestors had been for 200 years. As Dr Harry Harris F.R.S., a colleague and author of Penrose's memoir in Biographical Memoirs of the Royal Society , observes, Lionel and his three brothers ‘were brought up strictly according to the religious principles of the Society of friends ... in later life though he remained a member of the Society of Friends he was not particularly zealous about
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Shotwell, Trent. "Book Review: History of African Americans: Exploring Diverse Roots." Reference & User Services Quarterly 58, no. 4 (2019): 265. http://dx.doi.org/10.5860/rusq.58.4.7164.

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History of African Americans: Exploring Diverse Roots by Thomas J. Davis chronicles the remarkable past of African Americans from the earliest arrival of their ancestors to the election of President Barack Obama. This work was produced to recognize every triumph and tragedy that separates African Americans as a group from others in America. By distinguishing the rich and unique history of African Americans, History of African Americans: Exploring Diverse Roots provides an account of inspiration, courage, and progress. Each chapter details a significant piece of African American history, and th
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Cheng, Wanli. "Examining Tang and Song Yingtang image halls from a clan sacrificial perspective." Trans/Form/Ação 46, no. 3 (2023): 229–48. http://dx.doi.org/10.1590/0101-3173.2023.v46n3.p229.

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Abstract: During the Tang and Song Dynasties, the ordinary officials’ patriarchal clan gradually dominated the clan community. This phenomenon has destroyed the strict hierarchical sacrificial system. Therefore, as a new form of private sacrifice, the yingtang image hall appears in the ordinary officials’ residence or at ordinary people’s homes. At present, when a statue is replaced by an image, this new cultural symbol will lead every worshiper to reach social recognition psychologically and emotionally. Through the images or portraits hanging in the hall, the worshippers can confirm whether
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Zhur, Kristina V., Fedor S. Sharko, Vkadimir V. Sedov, et al. "The Rurikids: The First Experience of Reconstructing the Genetic Portrait of the Ruling Family of Medieval Rus’ Based on Paleogenomic Data." Acta Naturae 15, no. 3 (2023): 50–65. http://dx.doi.org/10.32607/actanaturae.23425.

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The Rurikids were the reigning house of Rus, its principalities and, ultimately the Tsardom of Russia, for seven centuries: from the IX to the end of the XVI century. According to the Primary Chronicle (the Tale of Bygone Years), the main chronicle of Rus, the Rurik dynasty was founded by the Varangian prince Rurik, invited to reign in Novgorod in 862, but still there is no direct genetic evidence of the origin of the early Rurikids. This research, for the first time, provides a genome-wide paleogenetic analysis of bone remains belonging to one of the Rurikids, Prince Dmitry Alexandrovich (?12
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Chiluwa, Innocent, and Isioma M. Chiluwa. "Separatists or terrorists? Jews or Nigerians?" Journal of Language and Politics 19, no. 4 (2020): 583–603. http://dx.doi.org/10.1075/jlp.19041.chi.

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Abstract This study adopts a discourse analytical approach to examine the contested identity of the Igbos of the southeast of Nigeria. It analyses the significance of the social and political discourses in the media and the Internet about their claim to the Jewish ancestry and as “Biafrans” rather than Nigerians. The study highlights the implications of these claims and their larger political implications for Nigeria. The study also shows that ideological construction of group identity by IPOB consistently portrays them as the victim and the marginalized. And their claim to Jewish ancestry is
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Kirkus, M. Gregory. "Great Aunt and Great Niece: Two 17th/18th Century Members of the Bedingfield Family." Recusant History 25, no. 1 (2000): 29–42. http://dx.doi.org/10.1017/s0034193200031976.

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The portraits in the Great Parlour of the Bar Convent, York, include two of identical size and frame. The sitters both bear the name of Bedingfield and share the same illustrious ancestry. Both were members of the Institute of Mary and are seen wearing the same religious habit. They successively held the office of Superior of the convent and together they experienced imprisonment in the city’s infamous Ousebridge Gaol. There the similarities end, for two more different characters would be far to seek. It is the purpose of this paper to examine them.
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Matsuda, D. "The ethics of archaeology, subsistence digging, and artifact looting in Latin America: point muted counterpoint." International Journal of Cultural Property 7, no. 1 (1998): 87–97. http://dx.doi.org/10.1017/s0940739198770080.

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The author portrays the indigenous populations who engage in subsistence digging of sites in Latin America both as a means of supporting themselves economically and as a way of connecting themselves to their past and their ancestors who left the buried remains as a type of gift to their descendants. The article is also critical of the mainstream archaeologists, who, according to the author, hide behind the veil of scientific objectivity. Finally, the author juxtaposes the varying competing interests, particularly against the backdrop of denial of basic human and economic rights in these region
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Martin, Dale B. "The Construction of the Ancient Family: Methodological Considerations." Journal of Roman Studies 86 (November 1996): 40–60. http://dx.doi.org/10.2307/300422.

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A remarkable new consensus, recognized even by its critics, has emerged among classical historians that ‘the normal Roman family seems to have been a “nuclear family” like our own’. The consensus is remarkable because practically all historians who support it admit that the portrait of the Roman family that emerges from many literary accounts and is enshrined in Roman law and language is nothing like the modern nuclear family. Saller demonstrates that the Romans had no term equivalent to ‘family’ in the modern sense, that is, the father-mother-children triad of the ‘nuclear family’. The Englis
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50

Prahlad, Anand. "An Open Letter to the Wickhams (and Other Descendants of Slave Owners)." Journal of American Folklore 134, no. 534 (2021): 462–74. http://dx.doi.org/10.5406/jamerfolk.134.534.0462.

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Abstract This essay explores issues of race, power, and history and focuses on ancestry in Canaan’s Hill, a Black community descended from slaves on the adjoining plantation of Hickory Hill in Middle Virginia. It examines the idea of reparations and, in so doing, addresses nuances of the slave culture at Hickory Hill, as well as the enduring historical impact that the institution of slavery has had on American institutions in general and on common attitudes found among white Americans. These larger issues are highlighted by juxtaposing them with brief portraits and oral histories of specific f
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