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Artigos de revistas sobre o tema "Angers Cathedral"

Autor: Grafiati

Publicado: 26 de julho de 2024

Última modificação: 27 de julho de 2024

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1

Demailly, Sylvie, Paulette Hugon, Marcel Stefanaggi, and Witold Nowik. "The technique of the mural paintings in the choir of Angers Cathedral." Studies in Conservation 43, sup1 (1998): 10–15. http://dx.doi.org/10.1179/sic.1998.43.supplement-1.10.

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2

Bernier, Ronald R., and Rachel Hostetter Smith. "Editors’ Introduction: Christianity and Latin American Art." Religion and the Arts 18, no. 1-2 (2014): 1–4. http://dx.doi.org/10.1163/15685292-01801001.

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‭This brief introduction discusses the need for scholars to turn their attention to the intersections between art and Christianity in Latin America, and traces the origins of this special double-issue of Religion and the Arts to a one-day scholarly symposium entitled “Christianity and Latin American Art: Apprehension, Appropriation, Assimilation.” This symposium was sponsored by the Association of Scholars of Christianity in the History of Art (ASCHA), and held at the Cathedral of Our Lady of the Angels in Los Angeles, California, in February 2012.‬

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3

Stanfield-Mazzi, Maya. "Introduction to Part I: Time and its Transformations from the Old World to the New." Religion and the Arts 18, no. 1-2 (2014): 5–10. http://dx.doi.org/10.1163/15685292-01801002.

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‭The four articles in Part I, Time and its Transformations from the Old World to the New, suggest that as Christianity was transmitted to the New World, this transmission necessitated new ways of conceiving of time and history. The articles thus point to new ways of thinking about the legacy of Christianity in Latin America. They also lead to a re-envisioning of the wider history of the Christian faith, a vision similarly expressed by artist Robert Graham on the doors of the Cathedral of Our Lady of the Angels in Los Angeles.‬

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León, Sebastián. ""¡A ver la comeria nueva / que la negla representa!": Villancicos de negros en la Bogotá virreinal." Bulletin of the Comediantes 74, no. 1 (2022): 89–106. http://dx.doi.org/10.1353/boc.2022.a927750.

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Abstract: Sung inside and beyond the confines of cathedrals during the principal religious celebrations, the musical-poetic genre of the villancico took on a special vibrancy in the viceregal city of Santafé (today, Bogotá, Colombia) from the later sixteenth century onward. The singers themselves not only played (sung) the roles of angels and shepherds, but also of others, often adapted from stock comic characters, such as the "Negro" or "Negra" (Black man or woman), found in the widely popular short comic dramas of the Spanish-speaking world. This article studies the manuscript evidence of ho

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5

Gallegos, Matthew E. "Cathedral of Our Lady of the Angels (review)." Catholic Historical Review 92, no. 1 (2006): 149. http://dx.doi.org/10.1353/cat.2006.0092.

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6

JANG Tyson. "Lady of Our the Angels Cathedral: Type as Paradigm." Journal of Korea Intitute of Spatial Design 6, no. 1 (2011): 55–63. http://dx.doi.org/10.35216/kisd.2011.6.1.55.

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7

Cashner, Andrew A. "Imitating Africans, Listening for Angels." Journal of Musicology 38, no. 2 (2021): 141–82. http://dx.doi.org/10.1525/jm.2021.38.2.141.

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Church ensembles of Spaniards across the Spanish Empire regularly impersonated African and other non-Castilian characters in the villancicos they performed in the Christmas Matins liturgy. Although some scholars and performers still mistakenly assume that ethnic villancicos preserve authentic Black or Native voices, and others have critiqued them as Spaniards’ racist caricatures, there have been few studies of the actual music or of specific local contexts. This article analyzes Al establo más dichoso (At the happiest stable), an ensaladilla composed by Juan Gutiérrez de Padilla for Christmas

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8

Ryba, Grażyna. "Interpretacja jako inspiracja? Dekoracja drzwi do kruchty katedry poznańskiej." Artium Quaestiones, no. 26 (September 19, 2018): 171–93. http://dx.doi.org/10.14746/aq.2015.26.8.

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In the southern porch of the Poznań cathedral there is a swinging door etched inbronze and brass, made in 1972. Together with a bronze bas-relief placed above, itwas the most important element of the decoration of the passage from the residenceof Poznań archbishops to the cathedral. Both artworks were made by Ireneusz Daczkoand Bogdan Fijałkowski – graduates of the Poznań Academy of Fine Arts. Theirproject was inspired by Rev. Stefan Tomaszkiewicz, who supervised constructionwork in the cathedral, and Rev. Bolesław Dzierwa, involved in the restoration of thecathedral in Gniezno. Both priests d

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Stuard, Susan Mosher, and C. Stephen Jaeger. "The Envy of Angels: Cathedral Schools and Social Ideals in Medieval Europe, 950-1200." American Historical Review 101, no. 2 (1996): 463. http://dx.doi.org/10.2307/2170419.

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Radding, Charles M., and C. Stephen Jaeger. "The Envy of Angels: Cathedral Schools and Social Ideals in Medieval Europe, 950-1200." History of Education Quarterly 36, no. 3 (1996): 317. http://dx.doi.org/10.2307/369396.

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11

Roberts, Nicholas W. "Design as materials research: building a cathedral to last 500 years." Architectural Research Quarterly 7, no. 3-4 (2003): 333–51. http://dx.doi.org/10.1017/s1359135503002276.

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‘A city seventy miles square but rarely seventy years deep apart from a small downtown not yet two centuries old and a few other pockets of ancientry, Los Angeles is instant architecture on an instant townscape.’ (Banham, 1971)Two opposing attitudes shape the built environment of North America: the myth of transience and the myth of permanence.

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12

Fee, Nancy H. "La Entrada Angelopolitana: Ritual and Myth in the Viceregal Entry in Puebla de Los Angeles." Americas 52, no. 3 (1996): 283–320. http://dx.doi.org/10.2307/1008003.

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The celebration of the entry of the viceroy was the most lavish, costly civic ritual in seventeenth-century Puebla de los Angeles. Staged by Puebla elites to honor the viceroy, this ritual event was orchestrated to assert and display the religiosity and superiority of Angelópolis (the literary title for Puebla). Invoking the journey of Hernán Cortés, the routing of the viceregal entry through Puebla prior to Mexico City heightened the competitive spirit of the Puebla Cabildo. The Puebla Cathedral, erected on the main plaza largely under the influence of Bishop Juan de Palafox y Mendoza from 16

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13

CLARK, MARK J. "AN EARLY VERSION OF PETER LOMBARD'S LECTURES ON THE SENTENCES." Traditio 74 (2019): 223–47. http://dx.doi.org/10.1017/tdo.2019.2.

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The discovery of a copy (in Lincoln MS 230) of Peter Lombard's lectures on the Sentences in three books (starting with the hexameral discussion that follows the treatise on the angels in the four-book version edited by Brady) makes possible for the first time investigating the development of the Lombard's theological teaching during his Parisian teaching career and the fortuna of that teaching outside of Paris. The fact that the Lombard began his early-career lectures on the Sentences in precisely the same place as he began his lectures on Genesis means that all of his teaching originated with

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14

Bond, Gerald A. "The Envy of Angels: Cathedral Schools and Social Ideals in Medieval Europe, 950-1200.C. Stephen Jaeger." Speculum 71, no. 3 (1996): 722–23. http://dx.doi.org/10.2307/2865822.

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Chaidar, Al, Herdi Sahrasad, and Dedy Tabrani. "THE BATIH FAMILY AS A WEAPON: ANALYSIS OF THE JOLO CATHEDRAL BOMB, PHILIPPINES." Aceh Anthropological Journal 3, no. 2 (2019): 114. http://dx.doi.org/10.29103/aaj.v3i2.2776.

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This article explain about terrorist’s bombing toward a Roman Catholic cathedral in Jolo, southern Philippines, Sunday 27 January 2019 morning. At least 22 people were reportedly killed tragically and nearly 50 others were injured. The suicide bombing of the husband and wife exploded during Sunday Mass in Jolo is the first bomb explosion was carried out by a woman from inside the church who smashed benches, smashed windows and left the body of the victim at the Catholic church located in Jolo. The first explosion occurred at Jolo Cathedral in Sulu Province. The second bomb exploded outside the

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16

CHIOJDEANU, CATALINA, ANGELA VASILESCU, MIHAELA MANEA, FLORIN CONSTANTIN, and JAMES SALIBA. "SPECTROMETRIC INVESTIGATION OF PIGMENTS AND SUBSTRATA IN WOOD PAINTINGS." International Journal of Modern Physics: Conference Series 27 (January 2014): 1460134. http://dx.doi.org/10.1142/s2010194514601343.

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A polychrome and gilded wooden artifact was found, in a heavily deteriorated state, in the stores of the Mdina Cathedral Museum, Malta. The object represents two zoomorphic angels holding a coat of arms. Stylistically, the artifact matches with parts of a late 16th century Organ balcony, currently exhibited at the same Museum. The present study aims to establish whether or not the newly recovered artifact might have formed part of the balcony ensemble by means of material identification techniques. The combined use of XRF, FT-IR and FT-Raman spectroscopy ensure a detailed characterization of t

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17

Jakubek-Raczkowska, Monika, and Juliusz Raczkowski. "The So-called Copernicus’ Chapel: a Jubilee Creation in the Gothic St John’s Cathedral in Toruń." Ikonotheka, no. 31 (September 20, 2022): 83–111. http://dx.doi.org/10.31338/2657-6015ik.31.4.

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The article is devoted to the history of transformation and re-arrangement of the first from the West chapel on the South side of the Gothic parish church of the Old Town in Toruń, at present the Toruń Cathedral of St John the Baptist and St John the Evangelist. The former merchants’ chapel dedicated to St Nicholas over its history had changed its furnishing and patrocinium twice (St Michael the Archangel/ The Guardian Angels), which had been dictated by religious needs. In the 19th century it had also assumed the function of baptismal chapel and in 1973 – the Copernicus Jubilee Year – gained

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18

Eisenstadt, Peter. "Joshua B. Freeman, Behemoth: A History of the Factory and the Making of the Modern World." Business History Review 92, no. 3 (2018): 537–42. http://dx.doi.org/10.1017/s0007680518000739.

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Sir Christopher Wren was the architect of St. Paul's Cathedral in London, in which he is buried in a simple tomb with a famous Latin epitaph, which can be paraphrased for our purposes as “if you are searching for a monument, look about you.” Joshua Freeman, in his sparkling history of the factory, says much the same about his book's subject: if you want a monument to the factory, look about you, to your house, your study, your clothes, or your desk. What is there that hasn't been manufactured in a factory? And yet Freeman's book is also something of an epitaph to a business model. We live, we

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19

Marković, Predrag. "Anđeo štitonoša s grbom obitelji de Judicibus – još jedan nepoznati suradnik Bonina Jakovljeva iz Milana." Ars Adriatica, no. 4 (January 1, 2014): 199. http://dx.doi.org/10.15291/ars.495.

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Bonino di Jacopo da Milano occupies a significant place in Dalmatian sculpture of the first half of the fifteenth century. In a relatively short period of time during which he was active – less than twenty years – this master managed to create numerous carvings and sculptures in almost every major Dalmatian town. Despite the fact that in the last ten years or so, a number of new and rather important works have been attributed to Bonino, while the works of a lesser quality have been identified as being produced by his collaborators, the assessment of this Lombard sculptor as an artist has remai

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20

Pintarić, Mario. "“…far et intagliar, e scolpir il nuovo Tabernacolo”: Alvise Tagliapietra i mramorni tabernakul za nekadašnju katedralu u Osoru." Radovi Instituta za povijest umjetnosti, no. 47 (March 2024): 43–56. http://dx.doi.org/10.31664/ripu.2023.47.04.

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This paper presents an unknown document about the construction of the marble tabernacle in the Corpus Christi chapel in the former Osor Cathedral, which has been attributed to the Venetian sculptor Alvise Tagliapietra (Venice, 1670–1747) through stylistic analysis. An archival source reveals an agreement concluded in Venice on September 20, 1708, between the representatives of the confraternity of Corpus Christi from Osor and Tagliapietra, whose workshop was located in the parish of San Moisè. The sculptor agreed that he would complete the works within five months. He was also to procure a sma

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21

Veress, Ferenc. "Following the Star : Nativity Scenes and Sacred Drama from the Middle Ages to the Baroque." Uránia 1, no. 1 (2021): 58–77. http://dx.doi.org/10.56044/ua.2021.1.4.eng.

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This study discusses the origin, and liturgical function, of a popular accessory of the Christmas celebrations, that is, the Bethlehem nativity scene. The events of the life of Jesus attracted much attention in the early period of Christianity, as a result of which the Holy Land was visited by flocks of pilgrims. Descriptions of the sentiments aroused by a pilgrimage to Bethlehem may be found in sources as early as the letters of Saint Jerome. Fragments of the Bethlehem manger were kept in the Santa Maria Maggiore Cathedral in Rome, so it is here that one of the first nativity scenes, a sculpt

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22

Tulić, Damir. "Nepoznati anđeli Giuseppea Groppellija u Zadru i nekadašnji oltar svete Stošije u Katedrali." Ars Adriatica, no. 6 (January 1, 2016): 155. http://dx.doi.org/10.15291/ars.182.

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As the former capital of Dalmatia, Zadar abounded in monuments produced during the 17th and 18th century, especially altars, statues, and paintings. Most of this cultural heritage had been lost by the late 18th and the first decades of the 19th century, when the former Venetian Dalmatia was taken over by Austrian administration, followed by the French and then again by the Austrian one. Many churches were closed down, their furnishings were sold away or lost, and the buildings were either repurposed or demolished. One of them had been home to two hitherto unpublished angels-putti located on th

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23

Nikitin, Valentin. "Metropoliet Isodoor van Moskou en het russische cesaropapisme." Het Christelijk Oosten 45, no. 1 (1993): 4–14. http://dx.doi.org/10.1163/29497663-04601003.

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Metropolitan Isidor of Moscow and Russian Caesaropapism Moscovian Russia inherited the caesaropapism in the church-state relations from the Byzantine empire. This caesaropapism appeared for the first time when grand-duke Vasili II of Moscow deposed metropolitan Isidor after his return from the council in Florence. The later Russian sources on this council are highly tendentious. Unpartial study of the primary sources shows that Isidor was not the only Russian in favour of the union. Neither was the union as such the direct reason for his deposition. The reading of the bull in the Uspensky cath

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24

Hidalgo Lehuedé, Jorge, Nelson Casto Flores, Alberto Díaz Araya, and Priscila Cisternas. "De músico a extirpador: Algunas notas sobre Francisco Otal en Lima y La Plata de 1613 a 1618." Allpanchis 45, no. 81/82 (2020): 119–54. http://dx.doi.org/10.36901/allpanchis.v45i81/82.223.

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En este trabajo se analizan los años iniciales del sacerdote Francisco Otal en las arquidiócesis de Lima y La Plata. Su carrera eclesiástica, que lo condujo de doctrinero en San Francisco de Chiuchiu hasta racionero de la catedral de La Plata, estuvo precedida por una trayectoria como músico y cantor, facilitada por la fuerza interpretativa de su registro como capón tiple. Fue precisamente este "oficio de ángeles" en que acercó a Francisco Otal tanto a las capillas catedralicias de Lima y La Plata como a los prelados y miembros de los cabildos eclesiásticos. Ahora bien, su primer nombramiento

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Christianson, Gerald. "The Envy of Angels: Cathedral Schools and Social Ideals in Medieval Europe, 950–1200. By C. Stephen Jaeger. Philadelphia, Pa.: University of Pennsylvania Press, 1994. xvi + 515 pp." Church History 65, no. 3 (1996): 459–60. http://dx.doi.org/10.2307/3169953.

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Tulić, Damir. "Spomenik ninskom biskupu Francescu Grassiju u Chioggi: prilog najranijoj aktivnosti venecijanskog kipara Paola Callala." Ars Adriatica, no. 4 (January 1, 2014): 335. http://dx.doi.org/10.15291/ars.507.

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The oeuvre of the sculptor Paolo Callalo (Venice 1655-1725) is a paradigmatic example of how the oeuvres of seventeenth- and eighteenth-century Venetian sculptors have been expanded, supplemented and revised during the last twenty years. Until Simone Guerriero’s ground-breaking article of 1997, Paolo Callalo was almost completely unknown. In his search for Callalo’s earliest preserved work, Simone Guerriero suggested that Callalo was responsible for the stipes of the altar of St Joseph, featuring the relief of the Flight into Egypt flanked by two putti which are almost free standing, which was

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Barczyk, Alina. "Rokokowe rzeźby z ogrodzenia pałacu Mniszchów w Gdańsku. Autorstwo – styl – program ikonograficzny." Porta Aurea, no. 20 (December 21, 2021): 26–55. http://dx.doi.org/10.26881/porta.2021.20.02.

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In 1751, Jerzy August Mniszech purchased a plot in Długie Ogrody Street: the area where a large -scale residence was erected. Its designer was most probably Pierre Ricaud de Tirregaille. An important element in shaping the spatial composition of the entire palace and garden ensemble was formed by the main gate, characterized by an extremely dynamic, sculptural form, typical of Rococo art. At the top of the gate and on the fence posts there were figures: personifications of Minerva and Ceres, four putti representing the seasons and vases. At the beginning, the article presents the history and s

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Colish, Marcia L. "The envy of angels. Cathedral schools and social ideals in medieval Europe, 950–1200. By C. Stephen Jaeger. (Middle Ages Series.) Pp. xvi + 515 incl. 7 ills and frontispiece. Philadelphia: University of Pennsylvania Press, 1994. £37.95. 0 8122 3246 1." Journal of Ecclesiastical History 47, no. 3 (1996): 560–63. http://dx.doi.org/10.1017/s0022046900076168.

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Mitrovic, Katarina. "Detestabile scelus Perastinorum - the psychological and social background of the murder of Pompejus de Pasqualibus, the abbot of the St George Abbey near Perast." Prilozi za knjizevnost, jezik, istoriju i folklor, no. 81 (2015): 19–33. http://dx.doi.org/10.2298/pkjif1581019m.

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The St George Abbey was founded on an island near Perast by the Benedictine Monastic Order by the beginning of the 11th century. From the mid-13th century, the community of Kotor had the right of patronage over the abbey, which allowed the patriciate of Kotor to elect abbots as well as have a say in numerous monastery affairs, including propriety rights. Therefore, on November the 2nd 1530, Minor Council of Kotor named Pompejus de Pasqualibus, a nobleman from Kotor, the abbot of the St George Abbey. After the official consent from Rome and Venice, father Pompejus took over the abbey. Soon afte

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Richiero, Sarah, Claudio Sandoval, Christine Oberlin, et al. "Archaeological Mortar Characterization Using Laser-Induced Breakdown Spectroscopy (LIBS) Imaging Microscopy." Applied Spectroscopy, February 14, 2022, 000370282110711. http://dx.doi.org/10.1177/00037028211071141.

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Lime mortar is a complex mixture resulting from hardening of lime, water, and aggregates. Lime mortar was used from the time of the Roman Empire until the Industrial Revolution. The recipes used differ according to the period, geographical area of preparation, craftsman, or function. This is why the study of archaeological mortars is of such great importance in building archaeology. In this study, we used laser-induced breakdown spectroscopy (LIBS) to characterize the elemental composition of three lime mortar samples with a µ-LIBS instrument, allowing elemental image compilation. These sample

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Griffin, Sean. "Putin’s Holy War of the Fatherland: Sacred Memory and the Russian Invasion of Ukraine." Russian Review, December 3, 2023. http://dx.doi.org/10.1111/russ.12578.

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AbstractIn mid‐2020, Patriarch Kirill (Gundiaev) consecrated a new church known as the Main Cathedral of the Armed Forces of the Russian Federation. The cathedral was dedicated to the Soviet Union’s “Great Victory” over Nazi Germany, and its interior was covered with grandiose mosaics depicting Soviet glory on the battlefields of World War II. In this version of the past, however, Soviet soldiers were shown to have supernatural help from Jesus Christ and the Virgin Mary. This merging of Orthodoxy and Communism shocked many observers, who viewed the two ideologies as bitter enemies, dating back

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"The envy of angels: cathedral schools and social ideals in medieval Europe, 950-1200." Choice Reviews Online 33, no. 01 (1995): 33–0477. http://dx.doi.org/10.5860/choice.33-0477.

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Kirtley, Patricia M., and William M. Kirtley. "Where Angels Tread: The Art and Architecture of Guardian Angel Cathedral in Las Vegas, Nevada." Popular Culture Review 31, no. 2 (2020). http://dx.doi.org/10.18278/pcr.31.2.4.

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"Remembrance of a Christian Brothers’ Education." Journal of Catholic Education, October 2019, 73–97. http://dx.doi.org/10.15365/joce.2202042019.

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This study describes the experiences of a group of individuals who attended a southern California Catholic boys’ high school, and the men who taught them. The goal of this study was to relate a narrative that explained how an education, steeped in the Christian Brothers’ mission provided a quality education for the poor, and shaped the lives, perspectives, and values of the graduates. The narrative, reported through a social perspective inspired by Catholic Social Teaching (CST), the philosophical writings of Jacques Maritain and Alisdair MacIntyre, showed how the graduates received a quality

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Reuvekamp-Felber, Timo. "C. Stephen Jaeger, The Envy of Angels. Cathedral Schools and Social Ideals in Medieval Europe, 950–1200, Philadelphia 1994 (University of Pennsylvania Press: Middle Ages Series)." Zeitschrift für deutsche Philologie, no. 1 (January 1, 1999). http://dx.doi.org/10.37307/j.1868-7806.1999.01.08.

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"C. Stephen Jaeger. The Envy of Angels: Cathedral Schools and Social Ideals in Medieval Europe, 950–1200. (Middle Ages Series.) Philadelphia: University of Pennsylvania Press. 1994. Pp. xvi, 515. $39.95." American Historical Review, April 1996. http://dx.doi.org/10.1086/ahr/101.2.463.

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Mardosa, Jonas. "The Three Kings Celebration in Vilnius: Its Origin and Evolution in the Twentieth and the Early Twenty-first Centuries." Lituanistica 65, no. 1 (2019). http://dx.doi.org/10.6001/lituanistica.v65i1.3945.

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The article sets out to analyse the feast of Epiphany (Three Kings’ Day) held on 6 January in Vilnius in the twentieth century and the early twenty-first century. In many parts of the world, the first holiday after the celebration of the New Year is Epiphany celebrated on 6 January. The Catholics call this celebration the Feast of the Three Kings, and it goes back to the roots of the New Testament texts. The solemn commemoration of the celebration of Epiphany in Lithuania came from medieval European cities. The mummers of the first decades of the twentieth century were present in the context o

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Samorè, Ilaria. "Simboli religiosi e beni culturali nei videogiochi: intersezioni tra gaming and religion, ovvero due destini ineludibilmente comunicanti. Nuovi spazi di ricerca e riflessione teorica." Stato, Chiese e pluralismo confessionale, October 19, 2022. http://dx.doi.org/10.54103/1971-8543/18919.

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SOMMARIO: 1. ‘E la mirabile coppia apparve’: prolegomeni allo studio dei rapporti tra gaming and religion ˗ 2. Una mappatura del campo di indagine dei Digital Religion Studies: gaming as religion, didactic digital games … ˗ 3. … religion in gaming: ovvero cattedrali, moschee, schiere di angeli e demoni nelle narrazioni videoludiche ˗ 4. ‘Gli amori difficili’: la problematica relazione tra gaming and religion ˗ 5. Il diritto sulla scena: gaming and religion con gli ‘occhiali del giurista’ ˗ 6. Un puzzle di norme diverse e contrastanti: una radiografia sulla libertà di panorama in Europa … ˗ 7.

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"Inhalt." Zeitschrift für Historische Forschung 47, no. 1 (2020): 1–4. http://dx.doi.org/10.3790/zhf.47.1.toc.

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Abhandlungen und Aufsätze Robert Gramsch-Stehfest, Von der Metapher zur Methode. Netzwerkanalyse als Instrument zur Erforschung vormoderner Gesellschaften . . . . . . . . . . . . . . . . . . . . . . 1 Sarah-Maria Schober, Zibet und Zeit. Timescapes eines frühneuzeitlichen Geruchs 41 Buchbesprechungen Crailsheim, Eberhard /Maria D. Elizalde (Hrsg.), The Representation of External Threats. From the Middle Ages to the Modern World (Wolfgang Reinhard) . . . . 79 Höfele, Andreas / Beate Kellner (Hrsg.), Natur in politischenOrdnungsentwürfen der Vormoderne. Unter Mitwirkung von Christian Kaiser (Ste

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"Buchbesprechungen." Zeitschrift für Historische Forschung 47, no. 1 (2020): 79–182. http://dx.doi.org/10.3790/zhf.47.1.79.

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Crailsheim, Eberhard / Maria D. Elizalde (Hrsg.), The Representation of External Threats. From the Middle Ages to the Modern World (History of Warfare, 123), Leiden / Boston 2019, Brill, XV u. 466 S., € 127,00. (Wolfgang Reinhard, Freiburg i. Br.) Höfele, Andreas / Beate Kellner (Hrsg.), Natur in politischen Ordnungsentwürfen der Vormoderne. Unter Mitwirkung von Christian Kaiser, Paderborn 2018, Fink, 224 S., € 59,00. (Stefano Saracino, Erfurt / München) Jütte, Robert / Romedio Schmitz-Esser (Hrsg.), Handgebrauch. Geschichten von der Hand aus dem Mittelalter und der Frühen Neuzeit, Paderborn 2

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Howley, Kevin. "Always Famous." M/C Journal 7, no. 5 (2004). http://dx.doi.org/10.5204/mcj.2452.

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Introduction A snapshot, not unlike countless photographs likely to be found in any number of family albums, shows two figures sitting on a park bench: an elderly and amiable looking man grins beneath the rim of a golf cap; a young boy of twelve smiles wide for the camera — a rather banal scene, captured on film. And yet, this seemingly innocent and unexceptional photograph was the site of a remarkable and wide ranging discourse — encompassing American conservatism, celebrity politics, and the end of the Cold War — as the image circulated around the globe during the weeklong state funeral of R

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Rice, Kate. "Casualties on the Road to Ethical Authenticity." M/C Journal 16, no. 1 (2013). http://dx.doi.org/10.5204/mcj.592.

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On 26 April 2002, in the German city of Erfurt, 19-year-old Robert Steinhäuser entered his former high school with two semi-automatic weapons. He killed the secretary, twelve teachers, two students, and a policeman before a staff member locked him in an empty classroom and he turned his gun on himself (Lemonick). Ten years later, I visited the city with the intention of writing a play about it. This was to be my fifth play based on primary research of an actual event. In previous projects, I had written about personal catastrophes of failed relationships, and reversals of fortune within privat

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Richardson, Nicholas. "Wandering a Metro: Actor-Network Theory Research and Rapid Rail Infrastructure Communication." M/C Journal 22, no. 4 (2019). http://dx.doi.org/10.5204/mcj.1560.

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IntroductionI have been studying the creation of Metro style train travel in Sydney for over a decade. My focus has been on the impact that media has had on the process (see Richardson, “Curatorial”; “Upheaval”; “Making”). Through extensive expert, public, and media research, I have investigated the coalitions and alliances that have formed (and disintegrated) between political, bureaucratic, news media, and public actors and the influences at work within these actor-networks. As part of this project, I visited an underground Métro turning fifty in Montreal, Canada. After many years studying t

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Pavlidis, Adele, and David Rowe. "The Sporting Bubble as Gilded Cage." M/C Journal 24, no. 1 (2021). http://dx.doi.org/10.5204/mcj.2736.

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Introduction: Bubbles and Sport The ephemeral materiality of bubbles – beautiful, spectacular, and distracting but ultimately fragile – when applied to protect or conserve in the interests of sport-media profit, creates conditions that exacerbate existing inequalities in sport and society. Bubbles are usually something to watch, admire, and chase after in their brief yet shiny lives. There is supposed to be, technically, nothing inside them other than one or more gasses, and yet we constantly refer to people and objects being inside bubbles. The metaphor of the bubble has been used to describe

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