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Artigos de revistas sobre o tema "Appearance (philosophy) – fiction"

Autor: Grafiati

Publicado: 25 de julho de 2024

Última modificação: 31 de julho de 2025

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1

Parent, Arnaud. "Science in Eighteenth-Century French Literary Fiction: A Step to Modern Science Fiction and a New Definition of the Human Being?" Acta Baltica Historiae et Philosophiae Scientiarum 10, no. 1 (2022): 78–103. http://dx.doi.org/10.11590/abhps.2022.1.05.

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In eighteenth-century France, scientific progress and its spreading met a growing interest among public, an enthusiasm that was to be reflected in literature. Fictional works including scientific knowledge in their narrative made their appearance, paving the ground for a genre promised to a growing success in the following centuries—science fiction. The article presents three eighteenth-century French literary works, each one centered on a different domain of science: Voltaire’s Micromégas (1752), Charles-François Tiphaigne’s Amilec, or the Seeds of Mankind (Amilec, ou la graine d’hommes, 1753

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Vinogradov, V. V. "Representation of World War One in Pre-Revolutionary Cinema in the Context of Russian Philosophy and Journalism of the Early Twentieth Century." Vestnik VGIK 16, no. 1(59) (2024): 26–40. http://dx.doi.org/10.69975/2074-0832-2024-59-1-26-40.

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The article examines the representation of World War One in Russian pre-revolutionary cinema. The author introduces a typology of war fiction films and analyzes its transformation from 1914 to 1916, focusing on the evolution of the enemy portrayal. To account for the appearance of certain screen images, the general historical and cultural context is described. Particular attention is paid to the works of Russian philosophers (N. Berdyaev, V. Rozanov, S. Bulgakov), who wrote about the world war, which would reshape European political and socio-cultural landscapes.

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Faraone, Mario. "Images and Reflections of the Spiritual Self in Christopher Isherwood’s Narratives." Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts 4, no. 3 (2010): 303–22. http://dx.doi.org/10.1558/post.v4i3.303.

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Throughout his life, Christopher Isherwood explored his sense of himself through a range of different genres of writing: autobiography, letters and journals, and fiction. The polysemic image of the mirror plays a major role in the structuring of his novels and other writings. Through the figure of the mirror, the writer signals many nearly imperceptible yet significant changes over time. This article explores this image in a range of Isherwood’s writings, and argues that, through its deployment, the artist very often questions himself about the dichotomy between appearance and reality. The pre

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Massie, Pascal. "Masks and the Space of Play." Research in Phenomenology 48, no. 1 (2018): 119–46. http://dx.doi.org/10.1163/15691640-12341387.

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Abstract Masks are devices and symbols. In the first instance, they are artifacts that allow opposite poles to take each other’s place. They split the world into appearance and reality, manifest and repressed, sacred and profane. In this sense, they are dualistic. But by so doing they invert these terms. In this sense, they are dialectical. In the second instance, they exemplify doubt about people’s identities and the veracity of their words; they denote duplicity, inauthenticity, and hypocrisy. The conjunction of these two senses resides in the fact that masks are at the threshold between rea

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Amangaziyeva, Meruyert, Akhmaral Khairzhanova, Gulnara Mustagaliyeva, Kalamkas Kalybekova, and Raigul Bissenbiyeva. "Structural characterization of chiasmatic constructs in Russian and French." XLinguae 15, no. 4 (2022): 113–28. http://dx.doi.org/10.18355/xl.2022.15.04.11.

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This article represents the author's experience in the comparative study of one of the figures of expressive syntax - chiasmatic constructions, functioning in fiction texts. The object of study in this study are chiasmas extracted from texts of fiction in Russian and French, the subject – linguopragmatic characteristics of chiasmatic constructions. Chiasmatic construction, or the figure of crossing, is one of the most complex and multifaceted rhetorical figures. Its appearance is the result of the interaction and fusion of several syntactic structures; this includes expressive constructions of

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Belaya, Irina V., and Sergey V. Dmitriev. "Following Xuanzang: about “The Journey to the West” of a Chinese Woman or Feminism in China by E.A. Sinetskaya." Voprosy Filosofii, no. 10 (2021): 208–14. http://dx.doi.org/10.21146/0042-8744-2021-10-208-214.

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The article is devoted to the problem of studying the history of feminism in China – from the activities of Christian missionaries to Chinese revolutionaries. The prerequisites and stages of the formation of the women's movement for their rights are considered on the example of the book “The Journey to the West” of a Chinese Woman or Feminism in China by Elvira A. Sinetskaya. This book actually presents the first for Russian science study of development of Chinese movement for women rights, as well as constitutes a try to describe its characteristic feature and to place it in the context of wo

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Brito, Maria Dos Remédios de. "A VERDADE SEM REPRESENTAÇÃO." Revista Observatório 4, no. 1 (2018): 42. http://dx.doi.org/10.20873/uft.2447-4266.2018v4n1p42.

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Há na cena filosófica uma exclusão da aparência, pois a verdade é um conceito fundamental para a filosofia. No cenário contemporâneo tal conceito é posto em questionamento como valor filosófico. É Nietzsche quem faz uma reversão do valor da verdade como essência, como representação universal, com ele a verdade tem ligações com a vida e suas avaliações. O texto elabora algumas notas sobre essa questão, destacando o conceito de verdade e pontuando motivações que levam o temor ao ficcional.  PALAVRAS-CHAVE: Verdade; Nietzsche; Ficcional.   ABSTRACT There is, in

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Khramov, Alexander. "Did God create fossils? Notes on the history of an idea." St. Tikhons' University Review 104 (December 29, 2022): 29–45. http://dx.doi.org/10.15382/sturi2022104.29-45.

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The subject of the paper is prochronism, e.g. the teaching which says that the world was created with the appearance of old age. It is shown that the sources of prochronism could be traced to the medieval doctrine of double truth and philosophy of Descartes, who suggested that cosmological theories on the origin of the Universe are purely conditional, while in fact the world was instantly created complete and mature. The idea of apparent, but non-existent past gained much credence during the first half of the 19th century, when paleontological and geological discoveries raised a question on ho

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Shuvalova, Mariia. "THE SHORT STORY GENRE IN THE ENGLISH-LANGUAGE WORKS OF WESTERN LITERARY SCHOLARS OF THE 20TH —21ST CENTURIES." Слово і Час, no. 5 (October 17, 2021): 101–17. http://dx.doi.org/10.33608/0236-1477.2021.05.101-117.

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The paper is focused on the perception of the short story genre in the western literary theory of the 20th —21st centuries. At the end of the 19th and the beginning of the 20th century, the term 'short story' was a neologism, and its appearance indicated the rethinking of established literary forms. This process led to the development of new literary theories. The works of Brander Matthews (“The Philosophy of the Short Story”, 1901) and Frank O’Connor (“The Lonely Voice”, 1962), prominent writers and literary scholars of the 20th century, established academic short story studies in the English

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SARAKAEVA, ASIA A. "Strategies and Strategists in Chinese Historical TV Series." Art and Science of Television 18, no. 3 (2022): 147–76. http://dx.doi.org/10.30628/1994-9529-2022-18.3-147-176.

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In his article, I examine the image of a political strategist, popular in Chinese historical cinema, the origin of which can be traced to historical chronicles and fiction. Analysis of their cinematographic representation allows to single out the characteristic features of this image, distinguishing it from the functionally close, yet not identical image of a noble minister. Further, I suggest that the literary and cinematic image of Zhuge Liang, the famous politician and strategist of the Three Kingdoms, serves as an archetype of a political and military advisor in general, and substantiate t

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ბაიდოშვილი, ანი. "ადამიანის ცნების დეკონსტრუქციის ანალიზი არტურ კლარკის „კოსმოსური ოდისეა 2001-ში“". სჯანი 25 (18 жовтня 2024): 332–46. http://dx.doi.org/10.62119/sjn.25.2024.8123.

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For the last decade, the topic of Artificial intelligence (AI) has been on the boil. A Few years ago, a significant milestone came about in the history of AI: On November 30, 2022, a new generation of AI chatbots was launched. The brisk evolution of AI technology and the potential risks associated with this development caused utmost concern in one part of a global society. This international uneasiness resulted in a further rise of heed in the Science Fiction works that deal with the same trope. As a matter of course, "2001: A Space Odyssey" is among such works. Generally, science fiction exam

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Sultanbekova, Sagima, Magdina Anafinova, Almash Seidikenova, Aigul Bizhkenova, and Zhibek Tleshova. "Dominant forms of neologisms in linguistics: functional and pragmatic analysis." XLinguae 15, no. 4 (2022): 49–57. http://dx.doi.org/10.18355/xl.2022.15.04.05.

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Linguistics, at different times of its existence, has constantly raised the question of how and by what means a person designates the world around him, which, being, in essence, a dynamic and developing substance, always brings new phenomena that require designation by new words. However, the language already has a certain lexical system which imposes restrictions on the creative process of creating new words. As an object of study, we have selected the neologisms of the English and French languages, with a temporal arc from the beginning of the year 2010 to the present day. The objective of t

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Stojanović, Pavle. "CHRYSIPPUS ON IMAGINATION IN AETIUS 4.12." Classical Quarterly 70, no. 1 (2020): 332–46. http://dx.doi.org/10.1017/s0009838820000567.

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According to Diogenes Laertius (7.49–51), the concept of ‘appearance’ (φαντασία) played a central role in Stoic philosophy. As staunch corporealists, the Stoics believed that appearances are physical structures in our corporeal soul which provide the foundation for all our thoughts (Sext. Emp. Math. 7.228–41). One of the crucial features of appearance is that it is a representational mental state that has the ability to provide us with accurate awareness of the world through causal interaction between our senses and external objects, and thus supply the means for acquiring knowledge about the

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Bassols, M. Margarida, Anna Cros, and Anna M. Torrent. "Emotionalization in new television formats of science popularization." Pragmatics. Quarterly Publication of the International Pragmatics Association (IPrA) 23, no. 4 (2013): 605–32. http://dx.doi.org/10.1075/prag.23.4.02bas.

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The fierce struggle for television audiences is greatest when the content shown is not strictly entertainment, such as, for example, when specialized knowledge is brought to a wide audience. However, the appearance of new television formats has enabled scientific and technical contents to be brought closer to an unprepared and very diverse audience. What resources do these programs use to achieve this? Is emotionalization, which is increasingly dominant in the media, an important strategy in programs that seek to spread scientific knowledge among the general public? Do they use the pluri-locut

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Dubakov, Leonid V. "Buddhist aspects of the image of Baron Ungern von Sternberg in the story Horsemen of the Sands by Leonid Yuzefovich." Vestnik Tomskogo gosudarstvennogo universiteta, no. 483 (2022): 16–23. http://dx.doi.org/10.17223/15617793/483/2.

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The article explores the Buddhist components of the image of Baron Roman Ungern von Sternberg in the works of Leonid Yuzefovich. The analysis is carried out within the framework of the concept of the “Buddhist text” in modern Russian literature. The author of the article discovers and comprehends Buddhist ideas and motifs present in the story Horsemen of the Sands and the documentary novel The Autocrat of the Desert. Indirectly, the article also uses the essay “The Six-Armed God and His ‘Sons’ ” from Yuzefovich’s The Most Famous Impostors. The story and the novel were reprinted several times,

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Newberry, Frederick. ""The Artist of the Beautiful": Crossing the Transcendent Divide in Hawthorne's Fiction." Nineteenth-Century Literature 50, no. 1 (1995): 78–96. http://dx.doi.org/10.2307/2933874.

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To examine how the narrative structure of "The Artist of the Beautiful" leads up to the climactic moment of the butterfly's appearance is to recognize Hawthorne's endorsement not only of Owen Warland but also, more significantly, of the transcendent power of imagination over the empirical orientation of nineteenth-century America. When the tale is analyzed in relation to its contemporaneously composed counterpart, "Drowne's Wooden Image," it becomes clear that Hawthorne believes that imaginative art can make believers out of observers whose typically no-nonsense version of reality aligns them

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MÄKINEN, JUKKA, and MARJA-LIISA KAKKURI-KNUUTTILA. "The Defence of Utilitarianism in Early Rawls: A Study of Methodological Development." Utilitas 25, no. 1 (2013): 1–31. http://dx.doi.org/10.1017/s0953820812000222.

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Rawls scholarship has not paid much attention to Rawls's early methodological writings so far, pretty much focusing on the reflective equilibrium (RE) which he is understood to have adopted in A Theory of Justice. Nelson Goodman's coherence-theoretical formulations concerning the justification of inductive logic in Fact, Fiction and Forecast have been suggested as the source of the RE. Following Rawls's methodological development in his early works, we shall challenge both these views. Our analysis reveals that the basic elements of RE can be located in his ‘Two Concepts of Rules’ essay. We sh

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Raza, Sabahat, and Naila Usman Siddiqui. "Writings Of Ismat Chughtai: A Document Analysis Through Symbolic Interaction Paradigm." Pakistan Journal of Gender Studies 12, no. 1 (2016): 141–64. http://dx.doi.org/10.46568/pjgs.v12i1.205.

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Ismat Chughtai is undoubtedly one of the biggest names in Urdu Literature. The following research paper intends to analyse the appearance of social issues such as informal social control over women in a patriarchal structure, portrayal of a female body in the advertisement, relationship pattern of men and women, notions of women as inferior being of society, in the selected writings of Ismat Chughtai, in relation to symbolic-interaction paradigm. The core idea of Symbolic-interaction is that social realities are based on the social experiences, cognition and perception of an individual. The so

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Veliyeva, Sh. "FROM VICTORIAN SOCIETY TO LITERARY REALISM: THE EVOLUTION OF CRITICAL REALISM IN ENGLISH LITERATURE." Slovak international scientific journal, no. 86 (August 12, 2024): 75–78. https://doi.org/10.5281/zenodo.13299574.

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Victorian literature is defined by the period of time in which it was written, not a central philosophy or style. However, a lot of Victorian literature does have particular themes or showcases similar forms and styles. This was caused by changing trends in thinking and taste. Following the Romantic period, writers of the Victorian age turned away from the abstract expressionism of the former period and focused on realism, with an attention towards social issues and the sciences. Both poetry and fictional prose were popular throughout the Victorian Age, producing some of the greatest writers i

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Kalytenko, Tetyana. "Current Problems and the Ways to their Solution (on the Basis of Lewis Carrol’s Alice’s Adventures in Wonderland and Through the Looking-Glass)." NaUKMA Research Papers. Literary Studies 3 (September 2, 2022): 82–90. http://dx.doi.org/10.18523/2618-0537.2022.3.82-90.

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We are living in the Multiverse realized in artistic phenomena, ontological states, revolutionary scientific discoveries and assumptions, and other areas of being. For instance, contemporary popular and nongenre literature base on the plural structure of the fictional Universe. Interpersonal conflicts escalated into interworld battles, interplanetary collisions have become the base of the fantasy genre, and hidden parallel dimensions are more and more often collapsing in various forms and interpretations. Despite the fact that multiple Universe structure has a form and appearance of modern art

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Turner, Alaena. "Fictioning painting: Or imagining an ‘outside’ to art history." Journal of Contemporary Painting 9, no. 2 (2023): 223–43. http://dx.doi.org/10.1386/jcp_00057_1.

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This article seeks to explore the relationship between contemporary painting and fictioning practices, examining the implications for historicization, authenticity and authorship. Taking as a starting point the re-appearance of Walter Benjamin in 1986, I will trace the ways in which painting practice and fictioning discourse have intersected, drawing on recent interviews with the authors of these projects and ongoing research into artist novels. I will discuss Albert Oehlen’s 2021 film The Painter, which is set in Oehlen’s studio and documents the struggle to produce an abstract painting, aski

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Han, Seong Suk. "Narrative of Eliade Novel Snake and Study of Coincidentia Oppositorum." East European and Balkan Institute 46, no. 3 (2022): 91–111. http://dx.doi.org/10.19170/eebs.2022.46.3.91.

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For Mircea Eliade, Romanian historian of religion fiction writer philosopher of the 20th century Coincidentia oppositorum is coexistence of opposite parts without contradiction and it is the desire to recover the unification by understanding complimentary elements of opposite parts. What Eliade is pursuing is that we need to open a new perspective in this era with a total insight rather then practicality for humans. It is generally believed that existence and non-existence, reality and fantasy, day and night, history and mythology sacred and profane have opposite properties. However Eliade say

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Proskuryakova, Daria, Thierry Ponchon, Tatiana Retinskaya, Jerome Baghana, and Olga Prokhorova. "The functions of slang in the work of Faïza Guène." XLinguae 15, no. 4 (2022): 148–84. http://dx.doi.org/10.18355/xl.2022.15.04.14.

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This article analyzes the slang linguistic elements of Faïza Guène's entire fictional work. The writer inscribes her creations in the literary genre "beur" (literature of generations born of Algerian immigration) and urban (suburban) literature, two connected areas of modern French prose. It also studies the phenomenon of « contemporary French in cities » (a term introduced by argotologist J.-P. Goudaillier) as a variety of French argots. Indeed, the author's language is special in the sense that it is characterized by several marks of oral character at all levels. The wide use that she makes

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Morgan, T. J. "Literate education in classical Athens." Classical Quarterly 49, no. 1 (1999): 46–61. http://dx.doi.org/10.1093/cq/49.1.46.

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In the study of education, as in many more travelled regions of Classical scholarship, democratic Athens is something of a special case. The cautions formulation is appropriate: in the case of education, surprisingly few studies have sought to establish quite how special Athens was, and those which have, have often raised more questions than they answered. The subject itself is partly to blame. The history of education invites comparison with the present day, while those planning the future of education rarely fail to invoke the past. The place of Classical Athens in European culture has ensur

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Ahmad Hilmi, Ahmad Bazli, Mohd Hamidi Ismail, Musa Mohamad, and Zulkarnin Zakaria. "Pengakhiran Dunia Menurut Kefahaman Barat: Kajian Berdasarkan Filem Terminator Salvation." Sains Insani 3, no. 3 (2018): 45–51. http://dx.doi.org/10.33102/sainsinsani.vol3no3.71.

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Lambakan filem daripada Barat di Malaysia mencetuskan kebimbangan dalam kalangan masyarakat. Hal ini kerana pembikinan filem-filem tersebut bukanlah sekadar cerita, namun sarat dengan elemen falsafah dan budaya daripada Barat, tidak terkecuali juga elemen agama. Perkara ini secara tidak langsung memberikan pengaruh yang cukup besar terhadap pemikiran dan pegangan umat Islam terutama kepada golongan yang belum memiliki akidah yang mantap terutama kanak-kanak. Kajian ini bertujuan mengkaji konsep pengakhiran dunia menurut kefahaman Barat dalam filem bertajuk “Terminator Salvation”. Kajian yang m

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Mitra, Kamalika. "A Home in the World: People and Places in Rabindranath Tagore’s Chaturanga." Gitanjali & Beyond 2, no. 1 (2018): 66–78. http://dx.doi.org/10.14297/gnb.2.1.66-78.

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There is a tendency in literature to poeticise rural settings over their urban counterparts based on the proposition that villages bring human beings closer to nature, whereas cities come between them. Problems born and accentuated in urban environments are often, in fiction and poetry, resolved in a more rural atmosphere. In his 1916 novella Chaturanga, Rabindranath Tagore seems to challenge this popular inclination. The story begins in Calcutta, moves to rural Bengal and then returns to the city. After his uncle, who was also his father-figure, philosopher and guide, dies, Sachish disappears

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Fillon, Alexandre. "La pensée de l’éternel retour : du discours à la doctrine." Nietzsche-Studien, November 25, 2023. http://dx.doi.org/10.1515/nietzstu-2023-0017.

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Abstract The Thought of Eternal Recurrence: From Discourse to Doctrine. This article gives a new interpretation of eternal recurrence, based on the observation that the central debate about this idea in Nietzsche studies is quite unique in the history of philosophy. This debate is based on a rather radical conflict between Lehre and Rede, doctrine and discourse. Purely doctrinal interpretations tend to underestimate the significance of the discursive form chosen by Nietzsche to express his thought in favor of the Nachlass, whereas discursive readings are generally characterized by an anti-doct

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Okay, Ayşe Melis, Burak Taşdizen, Charles John McKinnon Bell, Beyza Dilem Topdal, and Melike Şahinol. "Cyborg Encounters: Three Art-Science Interactions." NanoEthics, September 2, 2022. http://dx.doi.org/10.1007/s11569-022-00423-0.

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AbstractThis contribution includes three selected works from an exhibition on Cyborg Encounters. These works deal with hybrid connections of human and non-human species that (might) emerge as a result of enhancement technologies and bio-technological developments. They offer not only an artistic exploration of contemporary but also futuristic aspects of the subject. Followed by an introduction by Melike Şahinol, Critically Endangered Artwork (by Ayşe Melis Okay) highlights Turkey’s ongoing problems of food poverty and the amount of decreasing agricultural lands. It displays seeds of a promisin

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D’Ambrosio, Ubiratan. "SOBRE LAS PROPUESTAS CURRICULARES STEM ( SCIENCE, TECHNOLOGY, ENGINEERING, MATHEMATICS) Y STEAM (SCIENCE, TECHNOLOGY, ENGINEERING, ARTS, MATHEMATICS) Y EL PROGRAMA DE ETNOMATEMÁTICA." PARADIGMA, June 30, 2020, 151–67. http://dx.doi.org/10.37618/paradigma.1011-2251.0.p151-167.id876.

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En este ensayo, se realizan reflexiones sobre los movimientos STEM y STEAM, desde laperspectiva de la Etnomatemática. En prime r lugar, el asunto se ubica en el contexto de laurgencia que está experimentando la humanidad, debido a la aparición de un nuevo viruscorona que generó el COVID 19, que ha propiciado la pandemia que el mundo ha sufridodesde fines de 2019 y que para el m omento de la aparición de este número de la RevistaParadigma (junio de 2020) ha causado cientos de miles de muertes en casi todos los países.Posteriormente, se ofrece una visión crítica del movimiento STEM que generó la

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D’Ambrosio, Ubiratan. "SOBRE LAS PROPUESTAS CURRICULARES STEM ( SCIENCE, TECHNOLOGY, ENGINEERING, MATHEMATICS) Y STEAM (SCIENCE, TECHNOLOGY, ENGINEERING, ARTS, MATHEMATICS) Y EL PROGRAMA DE ETNOMATEMÁTICA." PARADIGMA, June 30, 2020, 151–67. http://dx.doi.org/10.37618/paradigma.1011-2251.2020.p151-167.id876.

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En este ensayo, se realizan reflexiones sobre los movimientos STEM y STEAM, desde laperspectiva de la Etnomatemática. En prime r lugar, el asunto se ubica en el contexto de laurgencia que está experimentando la humanidad, debido a la aparición de un nuevo viruscorona que generó el COVID 19, que ha propiciado la pandemia que el mundo ha sufridodesde fines de 2019 y que para el m omento de la aparición de este número de la RevistaParadigma (junio de 2020) ha causado cientos de miles de muertes en casi todos los países.Posteriormente, se ofrece una visión crítica del movimiento STEM que generó la

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Т.Г., Скороходова. "МОРАЛИЗАТОРСТВО КАК ФЕНОМЕНМЫСЛИ И КУЛЬТУРЫ БЕНГАЛЬСКОГО РЕНЕССАНСА". Диалог со временем, № 63(63) (6 червня 2018). https://doi.org/10.21267/aquilo.2018.63.13447.

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Феномен морализаторства в мысли и культуре Бенгальского Возрождения XIX – первой трети XX в. описан как результат трансформации идеи морали, морального сознания и моральной жизни в религиозной философии и реформаторской практике Раммохана Рая, мыслителей Брахмо Самаджа (Дебендронатх Тагор, Кешобчондро Сен) и неоиндуизма (Бонкимчондро Чоттопаддхай, Свами Вивекананда). Процессы переосмысления традиционной морали индуизма и создания новой норма-тивной этики в общественной мысли и культуре Бенгалии рассматриваются с позиций концепции П. Рикёра, различающего этическое (благое) и моральное (обязател

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Levine, Michael, and William Taylor. "The Upside of Down: Disaster and the Imagination 50 Years On." M/C Journal 16, no. 1 (2013). http://dx.doi.org/10.5204/mcj.586.

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IntroductionIt has been nearly half a century since the appearance of Susan Sontag’s landmark essay “The Imagination of Disaster.” The critic wrote of the public fascination with science fiction disaster films, claiming that, on the one hand “from a psychological point of view, the imagination of disaster does not greatly differ from one period in history to another [but, on the other hand] from a political and moral point of view, it does” (224). Even if Sontag is right about aspects of the imagination of disaster not changing, the types, frequency, and magnitude of disasters and their repres

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Masson, Sophie Veronique. "Fairy Tale Transformation: The Pied Piper Theme in Australian Fiction." M/C Journal 19, no. 4 (2016). http://dx.doi.org/10.5204/mcj.1116.

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The traditional German tale of the Pied Piper of Hamelin inhabits an ambiguous narrative borderland, a liminal space between fact and fiction, fantasy and horror, concrete details and elusive mystery. In his study of the Pied Piper in Tradition and Innovation in Folk Literature, Wolfgang Mieder describes how manuscripts and other evidence appear to confirm the historical base of the story. Precise details from a fifteenth-century manuscript, based on earlier sources, specify that in 1284 on the 26th of June, the feast-day of Saints John and Paul, 130 children from Hamelin were led away by a pi

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Mills, Brett. "Those Pig-Men Things." M/C Journal 13, no. 5 (2010). http://dx.doi.org/10.5204/mcj.277.

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Since its return in 2005 the science fiction series Doctor Who (BBC1) has featured many alien creatures which bear a striking similarity to non-human Earth species: the Judoon in “Smith and Jones” (2007) have heads like rhinoceroses; the nurses in “New Earth” (2006) are cats in wimples; the Tritovores in “Planet of the Dead” (2009) are giant flies in boilersuits. Yet only one non-human animal has appeared twice in the series, in unrelated stories: the pig. Furthermore, alien races such as the Judoon and the Tritovores simply happen to look like human species, and the series offers no narrative

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Jolivet, Vincent. "Existe-t-il une sagesse de l’apiculteur ?" Sociopoétiques, no. 8 (November 6, 2023). http://dx.doi.org/10.52497/sociopoetiques.1831.

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Since Virgil, there has been a discrete but constant association of beekeeping with some sort of epicurean wisdom. Living a frugal live in the quietness of Nature, far from the urban whirl of agitation, the beekeeper was supposed to experience the happiness of the philosopher detached from the world. This old vision, as illusory as it might be, seems to have encountered a new popularity in the contemporary novel. Many current writers tend indeed to depict beekeepers characters in their fictions as philosophing misfits, good-hearted wise men or anti-modernity fighters. This article tries to mak

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Palmer, Daniel. "Nostalgia for the Future." M/C Journal 2, no. 9 (2000). http://dx.doi.org/10.5204/mcj.1818.

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Futuristic fiction almost by definition enters into a dialogue with the present as a future past. As a consequence, history haunts even the most inane visions of the future in often quite subtle ways. An excellent prompt to speculate on this issue is provided by Luc Besson's popular film The Fifth Element (1997). Like many science-fiction films, it is about a future troubled by its own promises. It almost goes without saying that while not specifically figured around Y2K, the attention to dates and time in the film combined with its late '90s release date also inscribe it within Millennial anx

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Czigányik, Zsolt, and Judit Bánházi. "The Cyclical Nature of History, according to Anthony Burgess in the Light of the Augustinian–Pelagian Dichotomy of The Wanting Seed." AnaChronisT 20 (January 11, 2023). http://dx.doi.org/10.53720/ekep6063.

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    The interpretation of time has been a challenge to philosophers, writers, and common people alike since the dawn of mankind, more precisely, since the appearance of ancient, natural religions. This paper, after giving an overview of the various responses in the history of philosophy to the challenge of the concept of time since Augustine and Averroës, analyses the circular notion of history expounded in Anthony Burgess’s 1962 novel, The Wanting Seed. Linear time, the roots of which are found in both Antiquity and Judeo-Christian religious texts such as the Bible, i

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Bruce, Iain. "Fertile Ground in Hostile Lands." M/C Journal 27, no. 5 (2024). http://dx.doi.org/10.5204/mcj.3084.

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In this article, I will examine screenwriter Alex Garland's approach to world-building, with a particular focus on his screenplays Sunshine and Annihilation, exploring how Garland writes thematically for ‘genre’ stories and reflecting on the evolution of his world-building in his writing for film and television. The phrase ‘world-building’ conjures up images of physical settings and tangible places, but in a literary sense compelling world-building requires that a writer master their craft to create a landing for their readers in surprising new emotional and thematic spaces. Richard argues tha

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Brennan, Joseph. "Slash Manips: Remixing Popular Media with Gay Pornography." M/C Journal 16, no. 4 (2013). http://dx.doi.org/10.5204/mcj.677.

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A slash manip is a photo remix that montages visual signs from popular media with those from gay pornography, creating a new cultural artefact. Slash (see Russ) is a fannish practice that homoeroticises the bonds between male media characters and personalities—female pairings are categorised separately as ‘femslash’. Slash has been defined almost exclusively as a female practice. While fandom is indeed “women-centred” (Bury 2), such definitions have a tendency to exclude male contributions. Remix has been well acknowledged in discussions on slash, most notably video remix in relation to slash

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Gibson, Prue. "Machinic Interagency and Co-evolution." M/C Journal 16, no. 6 (2013). http://dx.doi.org/10.5204/mcj.719.

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The ontological equality and material vitality of all things, and efforts to remove “the human” from its apical position in a hierarchy of being, are Object-Oriented Ontology theory (OOO) concepts. These axioms are useful in a discussion of the aesthetics of augmented robotic art, alongside speculations regarding any interagency between the human/non-human and possible co-evolutionary relationships. In addition, they help to wash out the sticky habits of conventional art writing, such as removed critique or an authoritative expert voice. This article aims to address the robotic work Accomplice

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May, Lawrence. "Confronting Ecological Monstrosity." M/C Journal 24, no. 5 (2021). http://dx.doi.org/10.5204/mcj.2827.

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Introduction Amidst ecological collapse and environmental catastrophe, humankind is surrounded by indications that our habitat is turning against us in monstrous ways. The very environments we live within now evoke existential terror, and this state of ecological monstrosity has permeated popular media, including video games. Such cultural manifestations of planetary catastrophe are particularly evident in video game monsters. These virtual figures continue monsters’ long-held role in reflecting the socio-cultural anxieties of their particular era. The horrific figures that monsters present pl

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Vasques Vital, Andre, and Mariza Pinheiro Bezerra. "Climate Change as Dark Magic in <em>Miraculous: Tales of Ladybug & Cat Noir</em> Animation." M/C Journal 26, no. 5 (2023). http://dx.doi.org/10.5204/mcj.2990.

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Animations, in their various genres, are an important amalgamation of art and technology that suggest new ways of thinking, feeling, and experiencing contemporary issues (Wells; Whitley). Animations can provide a commentary on the current planetary crisis, such as climate change, by offering a radically altered reality (Lundberg et al. 9). In the case of environmental animations, these issues become more evident because at their core is the production of knowledge, subjectivities, and speculations about the future of the planet and humanity. These problematisations usually arise from the centr

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Davies, Elizabeth. "Bayonetta: A Journey through Time and Space." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1147.

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Art Imitating ArtThis article discusses the global, historical and literary references that are present in the video game franchise Bayonetta. In particular, references to Dante’s Divine Comedy, the works of Dr John Dee, and European traditions of witchcraft are examined. Bayonetta is modern in the sense that she is a woman of the world. Her character shows how history and literature may be used, re-used, and evolve into new formats, and how modern games travel abroad through time and space.Drawing creative inspiration from other works is nothing new. Ideas and themes, art and literature are f

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Temel, Anna. "To Be a Barbie Is to Perform." M/C Journal 27, no. 3 (2024). http://dx.doi.org/10.5204/mcj.3055.

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Historically, the Barbie doll has embodied all things stereotypically feminine, ranging from fashion trends to societal roles, and reflected the contemporary image of “the perfect woman”. However, beneath the surface of Barbie’s seemingly innocent portrayal of femininity lies a complex web of societal expectations and norms, and the toy’s potential for instilling such norms within young girls. This function of the doll ties into Judith Butler’s concept of gender performativity, in which gender is masked as a pre-existing condition while being a construct constantly produced and reproduced by s

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Beyer, Sue. "Fantasyland Autofiction." M/C Journal 27, no. 5 (2024). http://dx.doi.org/10.5204/mcj.3104.

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This essay explores a return to hope and romanticism by contemporary artists looking at themes of fantasy worlds and mapping imaginary lands as a type of autofiction. These fantasylands are created in collaboration with hallucinating machine learning platforms, as a tool for contemporary art-making. Seen through the framework of Metamodernism, how does AI hallucination contribute to Metamodern structure of feeling? AI, as part of the metacrisis, places society and culture in a type of no man’s land or in-between, where rapid and unchecked advancements in machine learning and generative technol

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Nolan, Huw, Jenny Wise, and Lesley McLean. "The Clothes Maketh the Cult." M/C Journal 26, no. 1 (2023). http://dx.doi.org/10.5204/mcj.2971.

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Introduction Many people interpret the word ‘cult’ through specific connotations, including, but not limited to, a community of like-minded people on the edge of civilization, often led by a charismatic leader, with beliefs that are ‘other’ to societal ‘norms’. Cults are often perceived as deviant, regularly incorporating elements of crime, especially physical and sexual violence. The adoption by some cults of a special uniform or dress code has been readily picked up by popular culture and has become a key ‘defining’ characteristic of the nature of a cult. In this article, we use the semiotic

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Knowles, Claire Elizabeth. "A Woman’s Place Is in the Morgue: Understanding Scully in the Context of 1990s Feminism." M/C Journal 21, no. 5 (2018). http://dx.doi.org/10.5204/mcj.1465.

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SCULLY: I said, I got the lab to rush the results of the Szczesny autopsy, if you're interested.MULDER: I heard you, Scully.SCULLY: And Szczesny did indeed drown, but not as the result of the inhalation of ectoplasm as you so vehemently suggested.MULDER: Well, what else could she possibly have drowned in?SCULLY: Margarita mix, upchucked with about 40 ounces of Corcovado Gold tequila which, as it turns out, she and her friends rapidly consumed in the woods while trying to reenact the Blair Witch Project.MULDER: Well, I think that demands a little deeper investigation, don't you?SCULLY: No, I do

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Foith, Michael. "Virtually Witness Augmentation Now: Video Games and the Future of Human Enhancement." M/C Journal 16, no. 6 (2013). http://dx.doi.org/10.5204/mcj.729.

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Introduction Ever-enduring advancements in science and technology promise to offer solutions to problems or simply to make life a bit easier. However, not every advancement has only positive effects, but can also have undesired, negative ramifications. This article will take a closer look at Deus Ex: Human Revolution (DXHR), a dystopian video game which promises to put players in the position of deciding whether the science of human enhancement is a way to try to play God, or whether it enables us “to become the Gods we’ve always been striving to be” (Eidos Montreal, “Deus Ex: Human Revolution

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Tomkinson, Sian. "“This kind of life has no meaning”." M/C Journal 27, no. 2 (2024). http://dx.doi.org/10.5204/mcj.3037.

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Voice synthesising software Vocaloid (Yamaha Corporation) is a popular tool for professional and amateur music production. At the time of writing, there are over 770,000 videos tagged ‘vocaloid’ on Niconico; karaoke chain Karatez displays the top five thousand tracks on its Website (Karatetsu); Hatsune Miku Wiki has over 59,000 pages, while the Vocaloid Lyrics Wiki has over 90,000. Vocaloid is part of Japan’s unique media mix, comprising of the software and music but also official collaborations and a significant amount of fan culture. However, while there is academic research on the way that

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Knopp-Schwyn, Collin, and Michael Fracentese. "Ayo, Bisexual Check." M/C Journal 26, no. 1 (2023). http://dx.doi.org/10.5204/mcj.2967.

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Introduction A 2021 listicle pronouncing “10 Things That Are Bisexual Culture” concludes that “claiming that random things are ‘bi culture’ is the most bi-culture thing of all” (Wilber n.p.). While posed as tongue-in-cheek, the assignment of status as a signifier of bisexuality to seemingly arbitrary actions and items reinforces the notion that bi people seek a distinct visual and cultural identity and struggle to make one. We consider how creators on the algorithmically driven social media platform TikTok responded to an open-ended 2019 prompt (“ayo, bisexual check”) to show off styles and ac

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