Bibliografias temáticas / Architecture – Italy

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Literatura científica selecionada sobre o tema "Architecture – Italy"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 30 de julho de 2024

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Artigos de revistas sobre o assunto "Architecture – Italy"

Joost-Gaugier, Christiane L., Ludwig H. Heydenreich, Paul Davies e Wolfgang Lotz. "Architecture in Italy, 1400-1500." Sixteenth Century Journal 27, n.º 3 (1996): 963. http://dx.doi.org/10.2307/2544126.

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Godfrey, Aaron W. "Book Review: Architecture of Italy". Forum Italicum: A Journal of Italian Studies 42, n.º 2 (setembro de 2008): 427–28. http://dx.doi.org/10.1177/001458580804200217.

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Lepine, Ayla. "Building Ruskin's Italy: Watching Architecture". Journal of Architecture 19, n.º 6 (2 de novembro de 2014): 998–1003. http://dx.doi.org/10.1080/13602365.2014.988918.

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Jones, Kay Bea. "The Architecture of Modern Italy". Journal of Architectural Education 59, n.º 3 (fevereiro de 2006): 94–95. http://dx.doi.org/10.1111/j.1531-314x.2006.00043.x.

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Bonfanti, Angelo, Enrico Battisti e Luca Pasqualino. "Social entrepreneurship and corporate architecture: evidence from Italy". Management Decision 54, n.º 2 (21 de março de 2016): 390–417. http://dx.doi.org/10.1108/md-08-2014-0532.

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Purpose – The purpose of this paper is to examine the contribution of corporate architecture to social value creation. It especially analyses the social effects of investments in experiential corporate architecture that have been carried out by Italian industrial companies. Design/methodology/approach – This study follows a qualitative approach. It is based on a survey and semi-structured in-depth interviews undertaken with six Italian industrial companies. The dimensions of the social-entrepreneurship model (innovativeness, proactiveness, risk management) proposed by Weerawardena and Sullivan Mort were chosen as a framework to investigate the social effects of investments in corporate architecture. Findings – The social effects of the innovativeness dimension are the integration of the company with the territory and development of sustainability. Proactiveness is related to improving the employees’ wellbeing in the workplace and the community’s quality of life. Risk management ensures the development of the local economic-social fabric. Research limitations/implications – This study combines social entrepreneurship and corporate architecture by highlighting the social effects of corporate architecture. Further, it proposes the structural embeddedness of the company in the territory of reference, a sense for beauty, and a sense of gift giving as further entrepreneurial traits that are generally not proposed in the social entrepreneurship literature. Practical/implications – The results of this study suggest that top management should consider: that investments in corporate architecture are a deliberate strategy of the company; that profits are not a purpose in and of themselves, but rather a means to achieve the social mission’s objectives; and the relationship with architects in terms of mutual involvement in order to understand corporate and local needs and effectively transform them into appropriate architectural solutions. Social/implications – Corporate architecture can help to solve a number of social problems, such as improving the community’s quality of life, providing employments opportunities, allowing the community to benefit from places of socialisation and aggregation, and offering facilities and services that support culture and encourage cultural exchange. Given that the social benefits are reciprocal, all stakeholders should financially support companies that invest in corporate architecture. Originality/value – To the knowledge, this is the first study to connect social entrepreneurship and corporate architecture. This research brings to light some Italian industrial companies that are investing in corporate architecture to create social value in the twenty-first century, after the pioneering investments of the Olivetti company.

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Rodeš, Sanja. "Italy/Australia: Postmodern Architecture in Translation". Fabrications 30, n.º 2 (3 de maio de 2020): 284–86. http://dx.doi.org/10.1080/10331867.2020.1769605.

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Ben-Ghiat, Ruth. "Architecture and Urbanism in Fascist Italy". Journal of Urban History 20, n.º 1 (novembro de 1993): 123–32. http://dx.doi.org/10.1177/009614429302000107.

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Ghirardo, Diane. "Architecture and Culture in Fascist Italy". Journal of Architectural Education 45, n.º 2 (fevereiro de 1992): 66. http://dx.doi.org/10.1080/10464883.1992.10734491.

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Caskey, Jill. "Steam and "Sanitas" in the Domestic Realm: Baths and Bathing in Southern Italy in the Middle Ages". Journal of the Society of Architectural Historians 58, n.º 2 (1 de junho de 1999): 170–95. http://dx.doi.org/10.2307/991483.

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This study presents five little-known bathing chambers from the region of Amalfi in southern Italy. Dating from the thirteenth century, the baths define with remarkable consistency a type of structure that has not previously been identified or considered in histories of medieval architecture in the West. The study begins with an analysis of the five bathing chambers and their specific architectural features, technological remains, and domestic contexts. The diverse antecedents of the buildings, which appear in ancient Roman, medieval Italian, Byzantine, and Islamic architecture, are explored, along with the implications of this eclecticism for the history of southern Italy. Utilizing the rich array of surviving medieval documents for the region, including episcopal charters, royal decrees, and medical treatises, the study then reconstructs the economic, social, and scientific significance of the baths within medieval Amalfi. As monuments outside the traditional contexts of art production in southern Italy, the baths challenge long-standing characterizations of southern Italy's art and architecture, and point to the existence of a Mediterranean-wide balneal culture in which Byzantine, Islamic, and southern Italian communities participated.

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Ben-Ghiat, Ruth, e Dennis P. Doordan. "Building Modern Italy: Italian Architecture, 1914-36". Journal of Architectural Education (1984-) 43, n.º 4 (1990): 43. http://dx.doi.org/10.2307/1425049.

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Teses / dissertações sobre o assunto "Architecture – Italy"

Skerry, Nathaniel S. (Nathaniel Standish) 1971. "Transformed materials : a material research center in Milan, Italy". Thesis, Massachusetts Institute of Technology, 2002. http://hdl.handle.net/1721.1/70358.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2002.
Includes bibliographical references (p. 74-75).
[Transformed Materials] is an exploration into today's design methodologies of architecture production. The emergence of architectural form is questioned in relation to the temporal state of design intent and the physical material construct. At a time when there is an increased awareness of the current state of technology, material innovation and methods of fabrication, there are new speculations of what materiality is and can be. This thesis will propose an architecture that emerges through an exploration of the material concept that directly informs and expresses the fundamental ideas of the project. Building methods have changed widely over time, and are co-responsible for creating a dialog between functional requirements, technological invention, and material implication that reflects the current cultural state. Today's architectural products have in a sense reverted back to thin surfaces. Current cultural issues such as socioeconomic, environmental impact, transportability, efficiency, lightness, storability, technology, and mass production, have over time created a state of "thinness ". This project tries to offset the current trend of building by accepting the norms of architectural products, and reinventing their role within a contemporary language that explores more deeply the material qualities and properties associates with it. This thesis will use steel as the primary building material. Steel is a material that has become standardized in how it is shaped and formed, thus its ability to produce an architecture has been reduced purely to a dogmatiC approach of engineered solutions or preconceived results. Steel, is artificial by nature; if we suspend our preconceptions of steel, could the material be designed such that its role is critical in defining space, structure and program in a tectonic system? The area of research and examination will be focused on the design of a Material Research Center (mRC). located in Milan, Italy.
by Nathaniel S. Skerry.
M.Arch.

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Kirkbride, Robert. "The renaissance studioli of Federico da Montefeltro and the architecture of memory /". Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82902.

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This investigation of the studioli, small contemplation chambers in the ducal palaces of Urbino and Gubbio, considers their position in the western tradition of the memory arts. Drawing upon select images in the studioli, as well as text sources readily available to Duke Federico da Montefeltro (1422--82) and the members of his court, this inquiry examines how the discipline of architecture equipped the late quattrocento mind with a bridge between the mathematical arts, which lend themselves to mechanical practices, and the art of rhetoric, a discipline central to the cultivation of memory and eloquence. As ramifications of material and mental craft, the studioli offered the Urbino court models for education and prudent governance.

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Godfrey, Sara Elizabeth. "Patriotic heterotopias : architecture, city and the nation (Italy 1861-1911)". Thesis, University College London (University of London), 2005. http://discovery.ucl.ac.uk/1445558/.

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This thesis is an enquiry into what patriotism means as an experience, which is considered through the historical context of the birth of the Italian nation and the 'making' of the patriotic subject. It seeks to raise questions on how patriotism is produced by the subject's dynamic interaction with Others and how it is through the repetition of patriotic spatial practices that a national psyche is formed. To undertake this enquiry four of the most significant spaces in Liberal Italy are analysed---the Cimitero Monumentale (Milan), the Vittorio Emanuele Monument (Rome), Lake Fucino (Abruzzo), the Torre Monumentale di San Martino (Lake Garda)---using Michel Foucault's notion of heterotopias as Other spaces where social identity is formed. At each site it is argued that the individual becomes patriotic through falling in love with the Other. The ideological processes by which this infatuation with the patriotic Other occurs is considered through the different ways in which each site appeals to Utopian images of fathers and mothers. This process is developed from Gilles Deleuze's theory that the boy becomes a man through a tragic oscillation between a paternal sadistic symbolic economy and a maternal masochistic one. From studying the patriotic heterotopias it is apparent that sites situated in the city are characterized by a maternal experience, whereas those in the countryside tend to be dominated by a paternal arrangement. Thus, it is suggested that a national psyche develops from an inner motherland, from which it spirals outwards until it reaches the outer limits of patriotic experience that are defended and guarded by a protective fatherland. These inner and outer experiences are united by what is argued is the principal component of patriotism: learning to live for Others more than for oneself.

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Seegmullser, Rainer Karl. "Shelley and architecture : Romanticism and the semiotics of the architectural descriptions in Shelley's letters from Italy". Thesis, University of Oxford, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.306809.

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Ketcham, Barbara. "The use of water in the gardens of the Villa d'Este at Tivoli, Italy". Thesis, Georgia Institute of Technology, 1989. http://hdl.handle.net/1853/22726.

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Madge, P. "Architecture and politics in Europe : Italy and the Netherlands 1927-34". Thesis, University of Leeds, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.376365.

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Roy, Brian E. "The Baptistery San Giovanni in Florence and its placement within the chronology of Tuscan Romanesque churches /". Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68134.

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The controversial dating of the Baptistery San Giovanni is approached through formalistic considerations. Formal analyses of the Baptistery and the Duomo of Pisa lead to comparison and isolation of definitive features of Pisan and Florentine styles. As such, the buildings are shown to be prototypes and their respective receptions are traced in the Romanesque churches of Fiesole, Empoli, Lucca, Pistoia and Sardinia. It is concluded that the Baptistery must have been completed before the Duomo of Pisa was begun.

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Schilling, Martina. "The thirteenth-century abbey of Sant'Andrea in Vercelli : the Gothic architecture and its historical context". Thesis, University of Warwick, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369453.

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Seremetis, Constantine M. ""Multi-use" airport design : a new terminal for Malpensa International Airport, Milan, Italy". Thesis, Massachusetts Institute of Technology, 1986. http://hdl.handle.net/1721.1/77313.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1986.
MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH
Includes bibliographical references (p. 101).
The design of an airport terminal building can be viewed as a specialized case of the design of a large building. One of the major planning and design issues of typical large buildings is that of accommodating multiple uses. Airport terminals are not mixed-use in the sense that commercial and residential space share the same building, but they are from the point of view that they enclose some very specialized functions together with commercial, hotel, office, and meeting space. The trend has been to increase these functions at airports since they are highly concentrated nodes of long range transportation. The particular uses depend largely on the city which the airport serves. The airport's location and proximity to a city should also influence its architecture. The image, materials, and theme of any building are important, but especially so for a terminal which is to welcome people from distant locations. These considerations were applied to a specific case: the design of a new terminal building for Malpensa International Airport in Milan, Italy. The main effort here was to develop a major terminal facility based on a local theme. the arcade.
by Constantine Seremetis.
M.Arch.

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Andreotti, Libero. "Art and politics in Fascist Italy : the Exhibition of the Fascist Revolution (1932)". Thesis, Massachusetts Institute of Technology, 1989. http://hdl.handle.net/1721.1/14179.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Architecture, 1989.
Title as it appeared in M.I.T. Graduate List, Sept. 1989: Art and politics in Italy; the Exhibition of the Fascist Revolution.
Includes bibliographical references.
by Libero Andreotti.
Ph.D.

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Mais fontes

Livros sobre o assunto "Architecture – Italy"

Heydenreich, Ludwig Heinrich. Architecture in Italy, 1400-1500. New Haven: Yale University Press, 1996.

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Kirk, Terry, ed. The Architecture of Modern Italy. New York, NY: Princeton Archit.Press, 2005. http://dx.doi.org/10.1007/1-56898-632-7.

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1912-, Lotz Wolfgang, e Davies Paul, eds. Architecture in Italy, 1400-1500. 2^a ed. New Haven: Yale University Press, 1996.

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Clemente, Manenti, ed. Art & architecture Florence. Cologne: Könemann, 2000.

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Mauduit, Caroline. An architect in Italy. New York: C.N. Potter, 1988.

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Macarthur, John, e Silvia Michelli. Italy/Australia: Postmodern architecture in translation. Melbourne, Victoria: Uro Publications, 2018.

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FitzRoy, Charles. Italy revealed. Boston: Little, Brown, 1994.

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Museo nazionale delle arti del XXI secolo (Italy), ed. Zaha Hadid in Italy. Macerata]: Quodlibet, 2017.

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John, White. Art and architecture in Italy 1250-1400. 2^a ed. N.Y: Penguin, 1987.

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Wittkower, Rudolf. Art and architecture in Italy 1600-1750. 3^a ed. Harmondsworth: Penguin Books, 1986.

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Capítulos de livros sobre o assunto "Architecture – Italy"

Howe, Thomas Noble. "Hellenistic Architecture in Italy". In A Companion to Greek Architecture, 470–86. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2016. http://dx.doi.org/10.1002/9781118327586.ch32.

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Mazzino, Francesca, e Bianca Maria Rinaldi. "Landscape Architecture Education in Italy". In The Routledge Handbook of Landscape Architecture Education, 278–91. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003212645-31.

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Laird, Margaret L. "Diversity in Architecture and Urbanism". In A Companion to Roman Italy, 181–216. Chichester, UK: John Wiley & Sons, Ltd, 2016. http://dx.doi.org/10.1002/9781118993125.ch10.

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Ricchi, Daria. "Introduction". In Writing Architecture in Modern Italy, 1–12. Abingdon, Oxon; New York, NY : Routledge, 2021. |: Routledge, 2020. http://dx.doi.org/10.4324/9781003001270-1.

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Ricchi, Daria. "Americana". In Writing Architecture in Modern Italy, 13–40. Abingdon, Oxon; New York, NY : Routledge, 2021. |: Routledge, 2020. http://dx.doi.org/10.4324/9781003001270-2.

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Ricchi, Daria. "From building interiors to real estate". In Writing Architecture in Modern Italy, 41–66. Abingdon, Oxon; New York, NY : Routledge, 2021. |: Routledge, 2020. http://dx.doi.org/10.4324/9781003001270-3.

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Ricchi, Daria. "From chronicles to Storia". In Writing Architecture in Modern Italy, 67–94. Abingdon, Oxon; New York, NY : Routledge, 2021. |: Routledge, 2020. http://dx.doi.org/10.4324/9781003001270-4.

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Ricchi, Daria. "Officina Einaudi". In Writing Architecture in Modern Italy, 95–116. Abingdon, Oxon; New York, NY : Routledge, 2021. |: Routledge, 2020. http://dx.doi.org/10.4324/9781003001270-5.

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Ricchi, Daria. "Storia ‘quasi una fantasia’". In Writing Architecture in Modern Italy, 117–36. Abingdon, Oxon; New York, NY : Routledge, 2021. |: Routledge, 2020. http://dx.doi.org/10.4324/9781003001270-6.

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Ricchi, Daria. "Conclusion". In Writing Architecture in Modern Italy, 137–42. Abingdon, Oxon; New York, NY : Routledge, 2021. |: Routledge, 2020. http://dx.doi.org/10.4324/9781003001270-7.

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Trabalhos de conferências sobre o assunto "Architecture – Italy"

Boeri, A., e D. Longo. "Eco-technologies for energy efficient buildings in Italy". In ECO-ARCHITECTURE 2010. Southampton, UK: WIT Press, 2010. http://dx.doi.org/10.2495/arc100341.

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Camiz, Alessandro, Erol Tan Atayurt, Berke Baybaş e Erdinç Can. "Processual design: Torre Rinalda, Lecce, Italy (XVI cent.)". In FORTMED2024 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2024. http://dx.doi.org/10.4995/fortmed2024.2024.17962.

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The design interprets the identified ongoing process of the tower, a restored ruin, projecting it into the future as a sustainable beach resort and bicycle rental station. The new structure, entirely in timber and lightweight panels is removable and does not bear loads on the ancient walls. The project follows Cesare Brandi’s restoration principles applied to architectural composition and is reversible, compatible, recognisable and based on the minimum intervention principle. The platform, built with local stone gabions, protects the structure from the action of the sea. The new pavilion, hosting a small bar and a bicycle rental office, is designed as a fallen piece of the complete structure. A bicycle path connects this tower with the other coastal towers creating a cultural itinerary. Photovoltaic panels on the southern side provide sufficient energy to run the interior as a museum of the coastal defence of Apulia and to illuminate the tower as a contemporary urban landmark.

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Cinquepalmi, F., F. Cumo, F. Gugliermetti e V. Sforzini. "Advanced technologies for sustainable building in the protected areas: two case studies in Italy". In ECO-ARCHITECTURE 2010. Southampton, UK: WIT Press, 2010. http://dx.doi.org/10.2495/arc100471.

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Brunoro, S. "Sustainable strategies and methods for the energetic improvement of social housing stock in Italy". In ECO-ARCHITECTURE 2012. Southampton, UK: WIT Press, 2012. http://dx.doi.org/10.2495/arc120271.

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Bravaglieri, Simona. "Identification and preservation of the Cold War sites in Italy". In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11470.

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Since the Fall of the Berlin Wall, more than 8000 militaries installations worldwide have been made available for civilian use. To many, the idea of attempting to conserve military sites from the Cold War sounds discordant due to the awkward or “uncomfortable” nature of the subject matter and the generally unappealing aesthetics associated. Even if the Cold War influenced many aspects of the popular culture, science and technology, architecture, landscape and people’s perception of the world, the legacy of this war is less tangible than others, and for this reason it is important to make an attempt to preserve its relics. Military sites might be the only representative Cold War remains of a country and reflect issues beyond their military functions. The aim of this contribution is to present few cases of reuse of Cold War military structures in Italy and to introduce the lack of their identification and preservation.

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Fratini, Fabio, Manuela Mattone e Silvia Rescic. "The building materials of “Colle del Melogno” Central Fort (Liguria, Italy)". In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11544.

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The Melogno pass (Colle del Melogno) is located at 1026 m above sea level, between the high Val Bormida and the hinterland of the Finalese (province of Savona) and is one of the highest mountain passes in the Ligurian Alps. In ancient times, this zone was considered strategically important from the military point of view since it is located at the crossroads of many communication routes. In these areas, in November 1795, during the “Battle of Loano”, the French army, commanded by Andrea Massena and the allied army of Austria, prevailed over the Kingdom of Sardinia, led by Oliver Remigius von Wallis. However, the territory remained possession of the Kingdom of Sardinia and, between 1883 and 1895, the worsening of relations with France induced the government to erect, near the pass, three imposing fortifications (Tortagna, Settepani and Centrale) to prevent an entry into Piedmont by armies coming from the coast. For the same purpose other fortifications were erected near the passes of Tenda, Nava, Turchino and near the villages of Zuccarello, Altare and Vado. The most impressive among the three fortifications of Melogno pass is the Central Fort. It occupies all the saddle of the pass and it is crossed by the provincial road 490 connecting the coast of Finale Ligure to Piedmont. The fort, still of military property, is a listed historical artefact. It has a polygonal shape, with a main barrack developed on two floors. Four defensive and attacking emplacements were located outside the main complex, along a detached hill, with heavy artillery pointed towards the coast. The study will examine the natural and artificial stone materials used for the building through mineralogical and petrographic analysis and will verify both the variations occurred during the construction phases and the relations with the local supply sources.

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Campanini, Simone, Diego Cattaneo, Elia Bonomi, Francesca Merli e Lamberto Tronchin. "The Acoustics of the “Teatro all’Antica“, Sabbioneta, Italy". In 2021 Immersive and 3D Audio: from Architecture to Automotive (I3DA). IEEE, 2021. http://dx.doi.org/10.1109/i3da48870.2021.9610869.

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Poletti, Angela, e Daniele Galimberti. "Life cycle cost analysis of greening detached houses in Italy". In Annual International Conference on Architecture and Civil Engineering. Global Science & Technology Forum (GSTF), 2015. http://dx.doi.org/10.5176/2301-394x_ace15.47.

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Cope, Zoe Lynne. "Architectural Ghosts: Storytelling and the Urban Imaginary". In 2018 ACSA International Conference. ACSA Press, 2018. http://dx.doi.org/10.35483/acsa.intl.2018.50.

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‘Architectural Ghosts’ proposes architecture as a series of eleven speculative cities that function as characters engaged in a theatrical masque set in contemporary Rome, Italy. The project challenges traditional methods of architectural preservation and memory by presenting a new way to imagine history at the intersection of narrative and architecture. ‘Architectural Ghosts’ seeks to qualify experiences of architecture, performance and the social imaginary as catalyzed by the urban environment.

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Pulselli, R. M., B. Rugani, E. Tiezzi e N. Marchettini. "An emergy evaluation of a medieval water management system: the case of the underground “Bottini” in Siena (Italy)". In ECO-ARCHITECTURE 2010. Southampton, UK: WIT Press, 2010. http://dx.doi.org/10.2495/arc100311.

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Relatórios de organizações sobre o assunto "Architecture – Italy"

Plessi, Fabrizio, Celestino Soddu e Adriano Abbado. digitalyart: An exhibition honoring Italy, Host of the 44th Annual Meeting of the Board of Governors of the Inter-American Development Bank. Inter-American Development Bank, fevereiro de 2003. http://dx.doi.org/10.18235/0005909.

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An exhibition of technological art from Italy, featuring the seminal piece ROMA II by Venetian contemporary master Fabrizio Plessi, with digitally designed architectural projects by Celestino Soddu, and interactive images by Adriano Abbado. Held in honor of Italy and the City of Milan, host of the 44th Annual Meeting of the IDB Board of Governors, the show was organized by the IDB Cultural Center with support from the IDB Information and Communication Technology for Development Division, and cooperation from the Istituto Italiano di Cultura of Washington, D.C.

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Tadi, Massimo. New Lynn – Auckland IMM Case Study. Unitec ePress, abril de 2017. http://dx.doi.org/10.34074/book.062.

Texto completo da fonte

Resumo:

Integrated Modification Methodology (IMM) has already been applied in established metropolitan contexts, such as Porto Maravilha in Rio de Janeiro, the neighbourhood of Shahrak-e Golestan in Tehran, and Block 39 in New Belgrade. When Unitec Institute of Technology’s Associate Professor of Urban Design Dushko Bogunovich came up with the idea of a comparative analysis of two sprawling metropolitan contexts – Auckland and Milan – he and Massimo Tadi, Director of the IMMdesignlab in Milan and Associate Professor at the School of Architectural Engineering at the Politecnico di Milano, decided to apply IMM to a sample area of low-density suburban Auckland. The project presented in this book was developed in a joint international design workshop organised by Politecnico di Milano, IMMdesignlab and Unitec Institute of Technology. The workshop was held at Politecnico di Milano, Polo Territoriale di Lecco (Italy), from 25–29 May 2015, and the team, comprising 14 international students from different design disciplines, was coordinated by Tadi and Bogunovich, assisted by engineers Hadi Mohammad Zadeh and Frederico Zaniol (IMMdesignlab). The outcomes of the workshop were then further developed by IMMdesignlab to demonstrate how, by adopting IMM, it is possible to retrofit, renovate and reactivate an inefficient and energy consuming neighbourhood into a more integrated and sustainable one.

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