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Bibliografias temáticas / Art and technology

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Teses / dissertações
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Literatura científica selecionada sobre o tema "Art and technology"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 25 de julho de 2025

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Artigos de revistas sobre o assunto "Art and technology"

1

Chestney-Harvey, Kim. "Art + technology." ACM SIGGRAPH Computer Graphics 45, no. 1 (2011): 1–6. http://dx.doi.org/10.1145/1982562.1982566.

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Carlisle, Anne. "Art & Technology: Interactive Art." Circa, no. 73 (1995): 18. http://dx.doi.org/10.2307/25562848.

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3

Adie, Anthonia Ugiebeme. "Art and Technology: Graphic art." International Journal of Arts and Social Science 5, no. 3 (2023): 252–67. https://doi.org/10.5281/zenodo.7751120.

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The emergence of technologies has led to advancement in art production. Over the years, the field of art has witnessed a great transformation as a result of technology. Technology has redefined the art field in terms of art materials, medium and means of production thereby giving art a different dimension. Contemporary art practices are far appreciated now than before as a result of the fusion of technology. Graphic art practices have changed rapidly from what it used to be before early 19th century. There are technologies that have been used by graphic artists in creating suitable designs for

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4

Allen, Barry. "The Art of Technology and the Technology of Art." Roczniki Kulturoznawcze 13, no. 4 (2022): 21–23. http://dx.doi.org/10.18290/rkult22134.1.

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The presented statement is part of the volume it covers a variety of responses from people who interact with art in different ways. The aim is to suggest to the participant of the contemporary world a new, personal perspective to rethink what is this area of our world that we label with art; thoughts with and without theoretical suggestions - reflections by the creators and reflections by the audience, teaching humility and uniqueness, perhaps - forming a fresh perspective on art.

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Vandiver, Pamela, and Jim Druzik. "Art and Technology." MRS Bulletin 17, no. 1 (1992): 14–17. http://dx.doi.org/10.1557/s0883769400043189.

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Art has as many meanings as contexts in which it operates. It can mean surface decoration or the integral sum of parts and whole which a historian analyzes as structure using visual, musical, theatrical or other criteria. Art serves as decoration, but also serves to signal or sign a particular meaning. Art often confers an elite social status on its patrons or provides goods which support the power and prestige of a special group or person. Art is also used to describe the experience of viewers, usually as “aesthetic experience”; for instance, we experience art as beauty, as a shared emotional

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Utida, Yositika. "Technology and Art." TRENDS IN THE SCIENCES 2, no. 9 (1997): 18–21. http://dx.doi.org/10.5363/tits.2.9_18.

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O'Brien, Paul. "Art and Technology." Circa, no. 44 (1989): 15. http://dx.doi.org/10.2307/25557394.

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Förster, Yvonne. "Art and Technology." Yearbook for Eastern and Western Philosophy 2018, no. 3 (2019): 122–34. http://dx.doi.org/10.1515/yewph-2018-0009.

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AbstractThe world we live in is shaped by technology and its development. This process is observed and debated in the humanities as well as in computer science and cognitive sciences. Narratives of human life being merged with and transcended by technology not only belong to science fiction but also to science: Theorists like Katherine Hayles or Mark B. N. Hansen speak of a technogenesis of consciousness. These accounts hold that our cognitive abilities are deeply influenced by technology and digital media. The digitalization of the lifeworld is a global phenomenon, which unfolds regardless of

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Rajcetic, Zdravko. "Art and technology." Kultura, no. 136 (2012): 123–29. http://dx.doi.org/10.5937/kultura1236123r.

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Miller, Paul. "Art & technology." IEEE Spectrum 35, no. 7 (1998): 19. http://dx.doi.org/10.1109/mspec.1998.8362901.

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Teses / dissertações sobre o assunto "Art and technology"

1

Grosheva, A. A. "Art and technology." Thesis, Київський національний університет технологій та дизайну, 2019. https://er.knutd.edu.ua/handle/123456789/14369.

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2

Merline, Mark. "Art and technology." The Ohio State University, 1990. http://rave.ohiolink.edu/etdc/view?acc_num=osu1314899963.

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Wallenstein, Sven-Olov. "Nihilism, Art, and Technology." Doctoral thesis, Stockholms universitet, Filosofiska institutionen, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-38737.

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The thesis investigates the role of technology in the formation of the artistic avant-garde, along with various forms of philosophical reflection on this development, with a particular emphasis on Heidegger. Setting out from an analysis of three paradigmatic cases in the interplay between art and technology—the invention of photography, the shift from Futurism to Constructivism, and the interpretation of technology in debates on architectural theory in the 1920s and ’30s—it proceeds to a discussion of three philosophical responses to this development, those found in Walter Benjamin, Martin Hei

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Blackwell, Kerry J., University of Western Sydney, and Faculty of Visual and Performing Arts. "Martin Heidegger: art and technology." THESIS_FVPA_xxx_Blackwell_K.xml, 1997. http://handle.uws.edu.au:8081/1959.7/33.

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An artists's approach to studio practice reflects knowledge acquired from a variety of source. Various methods are tried, modified, and re-interpreted, culmination in a studio practice that reflects one's own understanding of process and work ethic. This process is the work and the work practice concealed in the artwork, is rarely framed in verbal language. Martin Heidegger offers a particular philosophy of work practice that is clarified in words, allowing me to place my present understanding of studio practice within the notion of Greek techne. This essay is an explication of two works by th

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Blackwell, Kerry. "Martin Heidegger: art & technology." [S.l. : s.n.], 1997. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030811.151320/.

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Blackwell, Kerry J. "Martin Heidegger: art and technology." Thesis, View thesis, 1997. http://handle.uws.edu.au:8081/1959.7/33.

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An artists's approach to studio practice reflects knowledge acquired from a variety of source. Various methods are tried, modified, and re-interpreted, culmination in a studio practice that reflects one's own understanding of process and work ethic. This process is the work and the work practice concealed in the artwork, is rarely framed in verbal language. Martin Heidegger offers a particular philosophy of work practice that is clarified in words, allowing me to place my present understanding of studio practice within the notion of Greek techne. This essay is an explication of two works by th

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7

Blackwell, Kerry J. "Martin Heidegger : art & technology /." View thesis, 1997. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030811.151320/index.html.

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Thesis (M.A. (Hons.)- Visual Arts) -- University of Western Sydney, Nepean, 1997.<br>The thesis includes : Appendix 1- Catalogue of Works which comprises 59 coloured slides. The intent of this body of work is to visually interpret the book of poems "Akhenaten" by the Australian contemporary poet, Dorothy Porter. Thesis submitted for the degree of Master of Arts (Honuors) Visual Arts, University of Western Sydney, Nepean, Faculty of Visual and Performing Arts. Bibliography : p. 58-61.

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Langstaff, Holly. "Maurice Blanchot : art and technology." Thesis, University of Warwick, 2017. http://wrap.warwick.ac.uk/101267/.

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Maurice Blanchot (1907-2003), writer of fiction, literary critic, political journalist and thinker, is one of the most influential figures in twentieth-century literature and thought. The relationship between art and technology is a largely unexplored aspect of Blanchot’s writing; this thesis examines his engagement with the question of techne in criticism and fiction over a fifty-year period and demonstrates that he is far from subscribing to the technophobia of probably the most influential thinker of technology, Martin Heidegger. It is argued that writing for Blanchot is a mode of techne wh

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Swayze, Eddie. "Techno art /." Online version of thesis, 1995. http://hdl.handle.net/1850/12179.

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Campbell, Kurt (Kurt Denver). "The tensions in technology : influences of technology in the modern age." Thesis, Stellenbosch : University of Stellenbosch, 2002. http://hdl.handle.net/10019.1/16268.

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Thesis (MA(BK))--University of Stellenbosch, 2004.<br>ENGLISH ABSTRACT: Technology as a formal structure has been given pride of place in many developing countries because of its association with modernity and social development. It has been grouped with Science as a force that operates beyond reproach because of its perceived rational and instrumental nature. By surveying current theories of technology, philosophy and technology development modules, I investigate the implications that modern technology and technological artifacts have beyond merely their instrumental role. I will quest

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Mais fontes

Livros sobre o assunto "Art and technology"

1

Johan, Pijnappel, ed. Art and technology. Academy Editions, 1994.

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2

Menano, Luisa, and Patricia Fidalgo, eds. Art and Technology. SensePublishers, 2017. http://dx.doi.org/10.1007/978-94-6300-863-1.

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3

Linda, Jacobson, ed. CyberArts: Exploring art & technology. Miller Freeman, 1992.

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4

Aurandt, David. Art and technology: Paradise refracted. Robert McLaughlin Art Gallery, 2002.

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5

Aurandt, David. Art and technology: Paradise refracted. Robert McLaughlin Gallery, 2002.

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6

Candy, Linda, and Ernest Edmonds. Explorations in Art and Technology. Springer London, 2002. http://dx.doi.org/10.1007/978-1-4471-0197-0.

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7

Chau, Christina. Movement, Time, Technology, and Art. Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-4705-3.

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Candy, Linda, Ernest Edmonds, and Fabrizio Poltronieri. Explorations in Art and Technology. Springer London, 2018. http://dx.doi.org/10.1007/978-1-4471-7367-0.

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9

Gallery), Serious Games (Exhibition) (1996-1997 Laing Art Gallery and Barbican Art. Serious games: Art, interaction, technology. Barbican Art Gallery in association with Tyne & Wear Museums, 1996.

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10

Trivedi, Rohit. Materials in art and technology. Taylor Knowlton, 1998.

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Capítulos de livros sobre o assunto "Art and technology"

1

Costa, Mario. "Art Inside Technology." In Philosophy of Engineering and Technology. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-54522-2_14.

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2

Murphie, Andrew, and John Potts. "Art and Technology." In Culture and Technology. Macmillan Education UK, 2003. http://dx.doi.org/10.1007/978-1-137-08938-0_3.

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3

Ounjai, Kajornvut, and Boonserm Kaewkamnerdpong. "Growing Art: The Evolutionary Art Tools." In Advances in Information Technology. Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-35076-4_12.

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4

Newman, Richard. "Technology." In A Companion to Ancient Egyptian Art. John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118325070.ch26.

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5

Benirschke, Kurt, Graham J. Burton, and Rebecca N. Baergen. "Artificial Reproductive Technology (ART)." In Pathology of the Human Placenta. Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-23941-0_27.

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6

Edwards, Jean. "Digital technology and art." In Teaching and Learning with Technologies in the Primary School, 3rd ed. Routledge, 2024. http://dx.doi.org/10.4324/9781003408925-7.

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Case, Caroline, Tessa Dalley, and Dean Reddick. "Art therapy and technology." In The Handbook of Art Therapy, 4th ed. Routledge, 2022. http://dx.doi.org/10.4324/9781003197850-9.

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Carranza, Luis E. "Between art and technology." In Radical Functionalism. Routledge, 2021. http://dx.doi.org/10.4324/9781003173793-6.

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Edwards, Jean, Helen Caldwell, and Rebecca Heaton. "Digital technology and art." In Art in the Primary School, 2nd ed. Routledge, 2021. http://dx.doi.org/10.4324/9780429296208-4.

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Mohr, Manfred. "Generative Art." In Explorations in Art and Technology. Springer London, 2002. http://dx.doi.org/10.1007/978-1-4471-0197-0_9.

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Trabalhos de conferências sobre o assunto "Art and technology"

1

Cohen, Clifford. "Art before technology or technology before art?" In ACM SIGGRAPH 99 Conference abstracts and applications. ACM Press, 1999. http://dx.doi.org/10.1145/311625.311641.

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2

Ceric, Vlatko. "Algorithmic art: Technology, mathematics and art." In 2008 30th International Conference on Information Technology Interfaces (ITI). IEEE, 2008. http://dx.doi.org/10.1109/iti.2008.4588386.

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3

Duchêne, Yves, Sébastien Seret, Vincent de Ville de Goyet, Jérome Ligot, Edouard Verstraelen, and Arnaud Philippart. "The Arc Majeur, when art challenges technology." In IABSE Congress, Ghent 2021: Structural Engineering for Future Societal Needs. International Association for Bridge and Structural Engineering (IABSE), 2021. http://dx.doi.org/10.2749/ghent.2021.1658.

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<p>The “Arc Majeur” is a curved metal boxes with a square section of 2,25 m culminating about 60 m high. The square section of the arc is likely to produce vortex-induced vibrations in the direction perpendicular to that of the wind. The main arc is therefore equipped with a "Tuned Mass Damper" (TMD).</p><p>In the case of the “Arc Majeur”, the proper functioning of the damper is essential because the amplitudes of vibrations reached under vortex-induced vibrations would cause the arc to break. A monitoring system continuously records the vibrations of both the damper and the

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4

Rosenthal, Sally, Stephen R. Johnson, Mary Lou Jepsen, and Douglas Davis. "Art and technology." In the 21st annual conference, chair Tom Meyer. ACM Press, 1994. http://dx.doi.org/10.1145/192161.192296.

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Falk, Rachel, Harry Max, Denise Minter, et al. "Art-directed technology." In the conference. ACM Press, 2004. http://dx.doi.org/10.1145/1103900.1103913.

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Santos, Nara Cristina. "Art-Science-Technology." In ARTECH 2019: 9th International Conference on Digital and Interactive Arts. ACM, 2019. http://dx.doi.org/10.1145/3359852.3359910.

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Bagaybagayan, Ria. "Art and technology." In ACM SIGGRAPH 99 Conference abstracts and applications. ACM Press, 1999. http://dx.doi.org/10.1145/311625.311639.

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Undiana, Nala Nandana. "New Media Art: Between Art, Design, and Technology." In 4th International Conference on Arts Language and Culture (ICALC 2019). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200323.023.

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"Art of 3D technology." In 2015 15th International Conference on Control, Automation and Systems (ICCAS). IEEE, 2015. http://dx.doi.org/10.1109/iccas.2015.7365016.

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Sogabe, Milton. "Art, Technology and Sustainability." In ARTECH 2019: 9th International Conference on Digital and Interactive Arts. ACM, 2019. http://dx.doi.org/10.1145/3359852.3359882.

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Relatórios de organizações sobre o assunto "Art and technology"

1

Hasfurther, V., and M. Haass. State-of-the-art evaporation technology: Topical report. Office of Scientific and Technical Information (OSTI), 1986. http://dx.doi.org/10.2172/6967140.

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2

Grazia Mattei, María. Art and New Media in Italy. Inter-American Development Bank, 2003. http://dx.doi.org/10.18235/0006628.

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3

Moon, Suerie. Does TRIPS Art. 66.2 Encourage Technology Transfer To The LDCâs? International Centre for Trade and Sustainable Development, 2008. http://dx.doi.org/10.7215/ip_pb_20081223.

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4

Bennett, Richard H. Mine Burial Assessment State-Of-The Art Technology Inprediction and Modeling. Defense Technical Information Center, 1999. http://dx.doi.org/10.21236/ada636748.

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Fleury, Wayne, and Jan Ove Toskedal. PR-535-143745-R01 ART Scan Qualification Study. Pipeline Research Council International, Inc. (PRCI), 2015. http://dx.doi.org/10.55274/r0010879.

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This qualification study is based on the need for a new technology in the asset integrity lifecycle of pipelines including Subsea infrastructure. As of today it is challenging to identify a technology that combines adequate measurement accuracy combined with the ability to operate in gaseous atmosphere found inside natural gas pipelines. Halfwave�s inspection method developed over the last two decades is based on Acoustic Reso-nance Technology (ART), which utilizes the natural frequencies of the pipe wall to determine the remaining wall thickness. The most prominent advantages of ART comprise

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Nitkey, Spencer. The Eternal Life and Art of Maxwell Ardeen. Asimov Press, 2025. https://doi.org/10.62211/28he-13uu.

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Ashdown, Susan P., and Kimberly A. Phoenix. Half Scale, Full Engagement: Uniting Art, History and Technology to Teach Patternmaking. Iowa State University, Digital Repository, 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1342.

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Alexander, Chris. L52318 State of the Art Assessment of Composite Repair Systems. Pipeline Research Council International, Inc. (PRCI), 2010. http://dx.doi.org/10.55274/r0000005.

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Composite materials have been used to repair high pressure transmission pipelines. Over this time period a wide variety of composite systems have been developed and evaluated. With the increased demands being placed on pipeline systems around the world, it is expected that the market potential for composite repair systems will continue to expand. Additionally, as composite technology is further developed the opportunities for new applications will expand. An assessment of this composite repair technology is needed. This report has been developed to provide industry with a state of the art asse

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Emmerich, Steven J., and Andrew K. Persily. State-of-the-art review of CO2 demand controlled ventilation technology and application. National Institute of Standards and Technology, 2001. http://dx.doi.org/10.6028/nist.ir.6729.

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Carlin, P. W., A. S. Laxson, and E. B. Muljadi. The History and State of the Art of Variable-Speed Wind Turbine Technology. Office of Scientific and Technical Information (OSTI), 2001. http://dx.doi.org/10.2172/776935.

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