Artigos de revistas: "Bodies and spaces in literature"

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Worthington, Marjorie. "“The Territory Named Women's Bodies”: The Public and Pirate Spaces of Kathy Acker." Lit: Literature Interpretation Theory 15, no. 4 (October 2004): 389–408. http://dx.doi.org/10.1080/10436920490534406.

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Butler, Ruth, and Sophia Bowlby. "Bodies and Spaces: An Exploration of Disabled People's Experiences of Public Space." Environment and Planning D: Society and Space 15, no. 4 (August 1997): 411–33. http://dx.doi.org/10.1068/d150411.

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In this paper we consider the ways in which concepts of and attitudes towards ‘disability’ affect disabled people's ability to move freely within public spaces. We first set the paper in context by briefly discussing recent developments in and ongoing debates on the conceptualisation of disability which have accompanied the growing disability rights movement. Next we examine feminist literature relating to the links between biology and the body and the social status of women and draw out parallels for the analysis of disabled people's social situation. We then discuss a possible framework for the analysis of disabled people's experience of public space. Finally, to illustrate the reflexive relationship between bodily and social experience, we draw on in-depth interview material from a case study of visually impaired people in Reading and Leeds, England.

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Fayard, Nicole. "Spaces of (Re)Connections: Performing Experiences of Disabling Gender Violence." Text Matters, no. 9 (December 30, 2019): 273–91. http://dx.doi.org/10.18778/2083-2931.09.17.

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The article explores the potential “healing” role performance art can have when representing disabling trauma, and engaging, as part of the creative process, participants who have experienced in their lives significant trauma and physical, as well as mental health concerns arising from gender violence. It focuses on the show cicatrix macula, performed during the exhibition Speaking Out: Women Healing from the Trauma of Violence (Leicester, 2014). The exhibition involved disabled visual and creative artists, and engaged participants in the process of performance making. It was held at the Attenborough Arts Centre in Leicester (UK), a pioneering arts centre designed to be inclusive and accessible. The show cicatrix macula focused on social, cultural, mental, and physical representations of trauma and disability, using three lacerated life-size puppets to illustrate these depictions. Working under the direction of the audience, two artists attempted to “repair” the bodies. The creative process was a collaborative endeavour: the decision-making process rested with the audience, whose privileged positions of witness and meaning-maker were underscored. Fayard demonstrates the significance of cicatrix macula in debunking ablist gender norms, as well as in highlighting the role played by social and cultural enablers. She calls attention to its potential for mobilizing positive identity politics, including for viewers who had experienced trauma. For example, the environment of the participatory performance space offered some opportunities for the survivor to become the author or arbiter of her own recovery. In addition, the constant physical exchange of bodies within this space of debate was well-suited to the (re)connection with the self and with others.

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Weingarten, Susan. "Food and Fear: Metaphors of Bodies and Spaces in the Stories of Destruction." Journal of Jewish Studies 67, no. 2 (October 1, 2016): 424–25. http://dx.doi.org/10.18647/3291/jjs-2016.

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Somacarrera, Pilar. "“The emotional housekeeping of the world”: Affect in Alice Munro’s and A. L. Kennedy’s post-millennial short stories." Journal of Commonwealth Literature 55, no. 2 (November 3, 2018): 309–25. http://dx.doi.org/10.1177/0021989418807241.

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In his introduction to Scottish Literature and Postcolonial Literature, Michael Gardiner argues for bringing together these two separate bodies of texts which are intimately joined. Within the context of the “‘postcolonial’ spaces of Scotland and Canada” (Gittings, 1995: 135), in this article I offer a comparative reading from the standpoint of Sara Ahmed’s affect theory of the post-millennial short stories of A. L. Kennedy and Alice Munro, based on their shared belief in a transatlantic new humanism which privileges emotions.

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Martín, Desirée A. "Translating the Eastside: Embodied Translation in Helena María Viramontes’s Their Dogs Came with Them." MELUS 45, no. 1 (2020): 49–72. http://dx.doi.org/10.1093/melus/mlaa002.

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Abstract “Translating the Eastside: Embodied Translation in Helena María Viramontes’s Their Dogs Came With Them” argues that translation—specifically embodied translation—is the central mode through which Chicanx bodies confront the painful condition of inhabiting the fragmented spaces and temporalities that simultaneously construct and exclude them. In Dogs, translation is above all a process of carrying across, transferring, expressing and contesting meaning from one place to another through the physicality of the body. Embodied translation does not solely carry across meaning across texts or languages, but is itself a source of new knowledge, including insofar as it refuses to transfer meaning through the body. However, embodied translation is only transformative as much as it disrupts the direct translation imposed by the state which contains and regulates Chicanx bodies. Rather than straightforwardly carrying meaning across, embodied translation foregrounds excess and lack, seemingly producing too much or not enough translation to produce and transfer meaning. Excessive modes of embodied translation, such as repetition or recycling, and those that indicate a lack, such as silence or muteness, are practices of dissent that continually reference space and temporality while calling other kinds of translation into question. As such, embodied translation stands as an excessive, persistent site of resistance that places systemic pressure on dominant institutions, marked through the intersection between bodies, space and temporality. In the process, embodied translation calls both the present and presence of Chicanx peoples into being in the face of their erasure in spaces like East Los Angeles.

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Wright, Alex. "Embodied Organizational Routines: Explicating a Practice Understanding." Journal of Management Inquiry 28, no. 2 (June 9, 2017): 153–65. http://dx.doi.org/10.1177/1056492617713717.

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This article contributes to theory development through advancing an embodied framing of organizational routines. It addresses the absence of bodies in a literature that tends to treat the “people” involved in organizational routines as disembodied actors. One consequence of this is that progress toward a theory of “routines as practices” has tended to ignore how bodies contribute to their unfolding. Theorizing embodied communicative acts brings the body and embodiment into organizational routines research. Existing knowledge is extended by drawing from multiple empirical illustrations to explain how routines are accomplished when power is exercised through gesture and bodily movement, the spaces where routines unfold cohere with human bodies making a difference in how they are constituted and experienced, and, the routineness of routines is made manifest when mutual intelligibility is discerned in the silences that characterize how embodied actors interrelate.

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Hussain, Ghulam. "Appropriation of Caste Spaces in Pakistan: The Theo-Politics of Short Stories in Sindhi Progressive Literature." Religions 10, no. 11 (November 12, 2019): 627. http://dx.doi.org/10.3390/rel10110627.

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This paper is an attempt to understand the appropriation of spaces of Dalits by Sindhi progressive activists and short story writers in Pakistan as they construct, or rather undermine, caste at the anvil of religion and gender to reframe their own theo-political agenda premised on political Sufism or Sufi nationalism. I specifically discuss the narratives emergent of the three popular short stories that are reframed as having exceptional emancipatory potential for the Dalits. Assessing the emancipatory limits of the Sindhi progressive narrative, I argue that while the short stories purport to give fuller expression to religious, gender-based, and class dimensions of the problem, it elides the problem of casteism and the subsequent existential demand of Dalit emancipation. Given the hegemonic influence of local Ashrafia class, the internal caste frictions are glossed over through political Sufism or Sindhi nationalism. This gloss of politicized Sufism hampers Dalit agency and rather facilitates the appropriation of Dalit spaces by the Ashrafia class. This leads to the conclusion that the seemingly progressive literary-political narratives framed in theo-political idiom may offer to the oppressed no more than token sympathy, compassion, self-pity, and false pride in legends. Instead, they allow the appropriation of spaces and events of the oppressed, and the objectification of oppressed bodies by the oppressor.

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Emily Dalton. "“Clansyd hom in Cristes nome”: Translation of Spaces and Bodies in St. Erkenwald." Journal of English and Germanic Philology 117, no. 1 (2018): 56. http://dx.doi.org/10.5406/jenglgermphil.117.1.0056.

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Gatwiri, Kathomi, and Leticia Anderson. "Boundaries of Belonging: Theorizing Black African Migrant Experiences in Australia." International Journal of Environmental Research and Public Health 18, no. 1 (December 23, 2020): 38. http://dx.doi.org/10.3390/ijerph18010038.

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As nationalist ideologies intensify in Australia, so do the experiences of ‘everyday racism’ and exclusion for Black African immigrants. In this article, we utilize critical theories and engage with colonial histories to contextualize Afrodiasporic experiences in Australia, arguing that the conditional acceptance of Black bodies within Australian spaces is contingent upon the status quo of the white hegemony. The tropes and discourses that render the bodies of Black African migrants simultaneously invisible and hyper-visible indicate that immigration is not only a movement of bodies, but also a phenomenon solidly tied to global inequality, power, and the abjection of blackness. Drawing on critical race perspectives and theories of belonging, we highlight through use of literature how Black Africans in Australia are constructed as ‘perpetual strangers’. As moral panics and discourses of hyper-criminality are summoned, the bordering processes are also simultaneously co-opted to reinforce scrutiny and securitization, with significant implications for social cohesion, belonging and public health.

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Mbatha, Bongani, and Gabi Mkhize. "RETRACTED ARTICLE: Kwaito’s Busiswa Gqulu, ‘Among men’: Female perspectives on black women’s bodies in club spaces of South Africa." Agenda 34, no. 1 (January 2, 2020): i—ix. http://dx.doi.org/10.1080/10130950.2020.1738724.

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Gagné, Mathew. "The Many Scenes of Queer Damascus." Kohl: A Journal for Body and Gender Research 2, Winter (December 1, 2016): 182–99. http://dx.doi.org/10.36583/2016020211.

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This paper examines the multiple queer spaces that constitute a queer socio-spatial landscape in Damascus, from a shopping street, to a small bar, cruising parks, public baths, and the Internet. Men deliberately cross the borders that differentiate, yet connect, these spaces, from the physical environment to personal and social histories, the codes and social networks embedded within these scenes. Based on an ethnography conducted between 2010 and 2011, this paper considers how movement among these spaces produces the collective makings of differentiated queer subjectivities. I focus on movement to explore the ways in which queer bodies and subjectivities take shape as effects of the relations between these bordering spaces while men pass through and inhabit them. There is no monolithic sexuality in Damascus, but many kinds that are bordered and porous, and come together in complex ways. Movement is a form of expression and of articulating claims to certain relations that make queerness intelligible in Damascus’ urban space. This paper builds on literature in queer geography and ethnography about the social production of queer space to think about a framework of movement by which men narrate and express different forms of queer subjectivity.

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Bryant, Lia, and Mona Livholts. "Exploring the Gendering of Space by Using Memory Work as a Reflexive Research Method." International Journal of Qualitative Methods 6, no. 3 (September 2007): 29–44. http://dx.doi.org/10.1177/160940690700600304.

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How can memory work be used as a pathway to reflect on the situatedness of the researcher and field of inquiry? The key aim of this article is to contribute to knowledge about the gendering of space developed by feminist geographers by using memory work as a reflexive research method. The authors present a brief review of feminist literature that covers the local and global symbolic meanings of spaces and the power relations within which space is experienced. From the literature they interpret themes of the interconnections between space, place, and time; sexualization of public space; and the bodily praxis of using space. Memories of gendered bodies and landscapes, movement and restricted space, and the disrupting of space allow the exploration of conceptualizations within the literature as active, situated, fragmented, and contextualized.

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Oliveira, Viviane Cristina. "Contemporâneos – o sertão, a literatura e a tragédia / Contemporary Ones – The Backland, Literature and Tragedy." O Eixo e a Roda: Revista de Literatura Brasileira 30, no. 2 (June 30, 2021): 175. http://dx.doi.org/10.17851/2358-9787.30.2.175-193.

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Resumo: Muitos são os sentidos possíveis, literais e literários, para a palavra sertão. Neste artigo, aciono especialmente um sentido topográfico mais geral, ligado à ruralidade, como destacado está em verbetes como o do dicionário Houaiss, para ensaiar uma leitura do caráter trágico de textos de autores contemporâneos, como Ronaldo Correia de Brito. É partindo do sertão como toponímia, física, subjetiva e imaginada, espaço marcante na ficção nacional, que no texto aqui apresentado se desdobram algumas considerações sobre a refiguração da tragédia na literatura brasileira contemporânea. Refiguração que possibilita a percepção de múltiplas e heterogêneas experiências que, no presente, embaralham corpos, narrativas, tempos e espaços, de forma a permitir novas miradas para conceitos polêmicos, e não menos interessantes, como literatura regional ou regionalista.Palavras-chave: literatura brasileira; sertão; tragédia.Abstract: There are many possible meanings, literal and literary, for the word backland. In this paper, I mainly stand out a more general topographic sense, linked to rurality, as highlighted is in entries like the one present in the dictionary Houaiss, to rehearse a reading of the tragic character of texts by contemporary authors, such as Ronaldo Correia de Brito. It starts from the backlands as toponymy, physical, subjective and imagined, a remarkable space in national fiction, which in the text presented here some considerations unfold about the refiguring of tragedy in contemporary Brazilian literature. Refiguration which allows the perception of multiple and heterogeneous experiences that, in the actual days, they mix up bodies, narratives, times and spaces, in order to allow new glances at controversial, and no less interesting concepts, like regional or regionalist literature.Keywords: Brazilian literature; backland; tragedy.

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Tuncturk, F. Ruya, Lokman Uzun, M. Tayyar Kalcioglu, Oguz Kadir Egilmez, Emine Timurlenk, and Muferet Erguven. "Carotid Sheath Abscess Caused by a Tooth Decay Infection on the Opposite Side." Case Reports in Otolaryngology 2015 (2015): 1–4. http://dx.doi.org/10.1155/2015/739630.

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Deep neck infections are mortal diseases that need emergency treatment. It can occur at any age but usually in pediatric ages. In this report, a left cervical carotid space abscess of a pediatric patient was discussed. It was interesting that the only origin of the left carotid sheath abscess was right inferior first molar tooth decay. Right neck spaces were all clean. Patient had no immunosupression and also there were no congenital masses such as branchial cleft cysts, foreign bodies, or masses suspicious for malignancies in cervical ultrasound and MRI. We discussed this rare condition under the light of the literature.

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Shi, Shuhan, G. Kondolf, and Dihua Li. "Urban River Transformation and the Landscape Garden City Movement in China." Sustainability 10, no. 11 (November 8, 2018): 4103. http://dx.doi.org/10.3390/su10114103.

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The practice of enhancing existing rivers and creating entirely new waterscapes has exploded in China over the past two decades. In our study of 104 randomly selected cities across China, we identified 14 types of river projects based on grey literature reports and their appearance on sequential aerial imagery, falling into three categories: ‘engineering’, ‘waterfront spaces’ and ‘ecological’ projects. ‘Waterfront spaces’ is the most common (60.5%), followed by ‘engineering’ (28.7%) and ‘ecological’ (10.8%). Using multiple stepwise regression, we found that the types of projects undertaken were strongly influenced by factors such as climate, social-economic setting, and ‘Landscape Garden City’ designation. Designation as a ‘Landscape Garden City’ was correlated with ‘waterfront spaces’, but not ‘engineering’ and ‘ecological’ projects. We found that cities in drier climates (as measured by ‘precipitation minus evaporation’) constructed more projects and they included many projects that impounded seasonal rivers to create year-round water bodies. Based on our results, we conclude that Chinese cities are still in the process of ‘decorating’ rivers, and that the ‘Landscape Garden City’ designation promoted such ‘decorating’ projects, especially ‘linear greening’ projects and ‘public spaces along rivers’. The results also demonstrate that the new river projects in China are often at odds with the local climate.

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Smith, Candis Watts, and Sarah Mayorga-Gallo. "The New Principle-policy Gap: How Diversity Ideology Subverts Diversity Initiatives." Sociological Perspectives 60, no. 5 (July 17, 2017): 889–911. http://dx.doi.org/10.1177/0731121417719693.

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Colorblind ideology is a dominant mode of thinking about race matters in the United States, but it is not the only racial ideology that operates today. The United States appears to be shifting toward becoming more race conscious. We add to the critical diversity studies literature, and argue that even though we see a greater appreciation for the presence of nonwhite bodies in various spaces, we are not likely to see real systemic change in the American racial hierarchy because of a reliance on diversity ideology. Through an analysis of semistructured interviews with 43 white Millennials, this article outlines the ways in which diversity ideology’s four tenets—diversity as acceptance, commodity, intent, and liability—help whites maintain power in multiracial spaces. This article pinpoints how whites employ these tenets to subvert policy efforts that aim to incorporate people of color into predominately white institutions, introducing a new principle-policy gap for the twenty-first century.

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Hallett, Nicky. "Did Mrs Danvers Warm Rebecca's Pearls? Significant Exchanges and the Extension of Lesbian Space and Time in Literature." Feminist Review 74, no. 1 (July 2003): 35–49. http://dx.doi.org/10.1057/palgrave.fr.9400109.

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This article is concerned with the ways in which literary spaces can become sexualized by the transfer of objects between women, as well as by the ways in which bodies themselves touch. It discusses how lesbian desire changes both spatial and temporal structures, via a consideration of the use of pearl imagery. In particular, it analyses the link between sexual, class and bodily construction in two texts: Daphne du Maurier's novel Rebecca (1938) and Carol Ann Duffy's poem ‘Warming Her Pearls’ (1987). These texts encode contrasting ideas about the lesbian body, ideas that are discursively textured by the periods in which they were written and by the relative ideological resistance of their writers. While du Maurier's novel establishes a concept of spatial and temporal enclosure, Duffy's poem creates an unconfined and unstable lesbian body-text. Within this, the pearl can be seen as a subversive device, destructuring and stretching the parameters of lesbian desire.

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Price, Steven, and Stanton B. Garner. "Bodied Spaces: Phenomenology and Performance in Contemporary Drama." Modern Language Review 93, no. 1 (January 1998): 163. http://dx.doi.org/10.2307/3733645.

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Ertan, Tuğçe, and Hamit Gokay Meric. "An Evaluation of the Nature of Public Spaces in the Private Realm over the Examples of Privately Owned Public Spaces in NYC." European Journal of Interdisciplinary Studies 3, no. 1 (January 21, 2017): 7. http://dx.doi.org/10.26417/ejis.v3i1.7-14.

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The designing and implementation of public spaces have a crucial role in the development of cities. A city’s success is generally based on the quality of its public spaces and it is a fact that public space is an elementary aspect of urban life. Moreover, one mandatory standard for big cities to function well is there to be a welcoming public space, where a number of urban activities can take place. According to the general notion, parks, streets, city squares, sidewalks, etc. can be included in public spaces. In addition to these, some indoor spaces such as below ground stories, plaza entrances and places like waterfronts or elevated structures with new functions have been considered as public space nowadays. In order to create, design and finance public spaces, sometimes private organizations and public governmental bodies cooperate. However, a game changer in the public and private realm was the 1961 zoning program of New York City Department of City Planning. This program gave permission to private developers build more floor space than they were allowed in exchange for supplying public spaces. As a result of this act, privately owned public spaces (POPS) were created blurring the definition of public space. Today there are more than five hundred POPS in NYC including indoor and outdoor spaces. This study will try to provide an analysis and general view of POPS as public spaces questioning the issues about their use, control and ownership. The criteria of successful urban design for public spaces and the role of governmental authorities in regulating and planning the public spaces will be discussed along with the boundaries and scope of public activities that can take place in public spaces. Finally, the question of whether the ownership of public space by private harms the concept of public space and the rights of citizens will be approached via different perspectives. After looking at the conceptual definitions of public space in literature and analyzing specific examples of POPS, this paper will attempt to come up with a functioning definition of public space in the private realm.

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Ertan, Tuğçe, and Hamit Gokay Meric. "An Evaluation of the Nature of Public Spaces in the Private Realm over the Examples of Privately Owned Public Spaces in NYC." European Journal of Interdisciplinary Studies 3, no. 1 (January 21, 2017): 7. http://dx.doi.org/10.26417/ejis.v3i1.p7-14.

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The designing and implementation of public spaces have a crucial role in the development of cities. A city’s success is generally based on the quality of its public spaces and it is a fact that public space is an elementary aspect of urban life. Moreover, one mandatory standard for big cities to function well is there to be a welcoming public space, where a number of urban activities can take place. According to the general notion, parks, streets, city squares, sidewalks, etc. can be included in public spaces. In addition to these, some indoor spaces such as below ground stories, plaza entrances and places like waterfronts or elevated structures with new functions have been considered as public space nowadays. In order to create, design and finance public spaces, sometimes private organizations and public governmental bodies cooperate. However, a game changer in the public and private realm was the 1961 zoning program of New York City Department of City Planning. This program gave permission to private developers build more floor space than they were allowed in exchange for supplying public spaces. As a result of this act, privately owned public spaces (POPS) were created blurring the definition of public space. Today there are more than five hundred POPS in NYC including indoor and outdoor spaces. This study will try to provide an analysis and general view of POPS as public spaces questioning the issues about their use, control and ownership. The criteria of successful urban design for public spaces and the role of governmental authorities in regulating and planning the public spaces will be discussed along with the boundaries and scope of public activities that can take place in public spaces. Finally, the question of whether the ownership of public space by private harms the concept of public space and the rights of citizens will be approached via different perspectives. After looking at the conceptual definitions of public space in literature and analyzing specific examples of POPS, this paper will attempt to come up with a functioning definition of public space in the private realm.

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Ertan, Tuğçe, and Hamit Gokay Meric. "An Evaluation of the Nature of Public Spaces in the Private Realm over the Examples of Privately Owned Public Spaces in NYC." European Journal of Interdisciplinary Studies 7, no. 1 (January 21, 2017): 7. http://dx.doi.org/10.26417/ejis.v7i1.p7-14.

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The designing and implementation of public spaces have a crucial role in the development of cities. A city’s success is generally based on the quality of its public spaces and it is a fact that public space is an elementary aspect of urban life. Moreover, one mandatory standard for big cities to function well is there to be a welcoming public space, where a number of urban activities can take place. According to the general notion, parks, streets, city squares, sidewalks, etc. can be included in public spaces. In addition to these, some indoor spaces such as below ground stories, plaza entrances and places like waterfronts or elevated structures with new functions have been considered as public space nowadays. In order to create, design and finance public spaces, sometimes private organizations and public governmental bodies cooperate. However, a game changer in the public and private realm was the 1961 zoning program of New York City Department of City Planning. This program gave permission to private developers build more floor space than they were allowed in exchange for supplying public spaces. As a result of this act, privately owned public spaces (POPS) were created blurring the definition of public space. Today there are more than five hundred POPS in NYC including indoor and outdoor spaces. This study will try to provide an analysis and general view of POPS as public spaces questioning the issues about their use, control and ownership. The criteria of successful urban design for public spaces and the role of governmental authorities in regulating and planning the public spaces will be discussed along with the boundaries and scope of public activities that can take place in public spaces. Finally, the question of whether the ownership of public space by private harms the concept of public space and the rights of citizens will be approached via different perspectives. After looking at the conceptual definitions of public space in literature and analyzing specific examples of POPS, this paper will attempt to come up with a functioning definition of public space in the private realm.

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Miller, Alyson. "“Reopening the Grave”: Reading Trauma and Abjection in Hibakusha Poetry." arcadia 53, no. 2 (October 29, 2018): 379–96. http://dx.doi.org/10.1515/arcadia-2018-0023.

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Abstract Representations of the devastation of nuclear annihilation are undoubtedly confrontational, yet crucial to understanding the ongoing trauma and impact of atomic warfare. In examining how survivors “translate into words an extraordinarily painful landscape” (Tōge 1952), this paper explores the abject imagery utilized by hibakusha poets in order to express the violent horrors of the A-bomb. It focuses on how explicitly grotesque images function to give shape to events regarded as ineffable, and to make potently real the experiences of those whose identities were defined by shame and revulsion. Drawing upon Kristevan notions of abjection, and the poetry of hibakusha such as Kurihara Sadako, Tōge Sankichi, Kawamura Sachiko, and Shōda Shinoe, it contends that by seeking to graphically confront that which is ineffable, hibakusha poets are able to contest the liminal spaces to which their bodies and experiences have been relegated; indeed, by “reopening the grave” (Gotō, qtd. in Treat 1995, 29), survivor poets refuse silence, and give form and shape to trauma.

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Ting, T. C. T. "Mechanics of a thin anisotropic elastic layer and a layer that is bonded to an anisotropic elastic body or bodies." Proceedings of the Royal Society A: Mathematical, Physical and Engineering Sciences 463, no. 2085 (July 3, 2007): 2223–39. http://dx.doi.org/10.1098/rspa.2007.1875.

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When a very thin elastic layer is bonded to an elastic body, it is desirable to have effective boundary conditions for the interface between the layer and the body that take into account the existence of the layer. In the literature, this has been done for special anisotropic elastic layers. We consider here the layer that is a general anisotropic elastic material. The mechanics of a thin layer is studied for elastostatics as well as steady state waves. It is shown that one-component surface waves cannot propagate in a semi-infinite thin layer. We then present Love waves in an anisotropic elastic half-space bonded to a thin anisotropic elastic layer. The dispersion equation so obtained is valid for long wavelength. Finally, effective boundary conditions are presented for two thin layers bonded to two surfaces of a plate and a thin layer bonded between two anisotropic elastic half-spaces.

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Malone, Meaghan. "Jane Austen’s Balls." Nineteenth-Century Literature 70, no. 4 (March 1, 2016): 427–47. http://dx.doi.org/10.1525/ncl.2016.70.4.427.

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Meaghan Malone, “Jane Austen’s Balls: Emma’s Dance of Masculinity” (pp. 427–447) Jane Austen’s scenes of dance are at the narrative heart of each of her novels, places where heroine and hero meet and flirt according to rigid prescriptions for chaste courtship. In this essay, I argue that Austen develops her characters’ sexuality within these very conventions, and uses dance as her primary means for sexualized social interaction. Austen’s ballrooms are spaces of intense erotic intimacy, sites that foreground her characters’ bodies and allow women to gaze upon men. This inversion of the male gaze is especially pronounced in Emma (1816), a novel in which the male body is systemically filtered through the eyes of women. Men become objects of female scrutiny in the ballroom as Austen highlights the social and sexual power of the female gaze. The masculine ideal that Austen subsequently creates validates female desire and facilitates reciprocity between Mr. Knightley and Emma: ultimately, each adapts to the other’s expectations of what they “ought to be.”

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Narayan, Shamrendra, Kuldeep Kumar, Neha Singh, and Ragini Singh. "An Unusual Long Segment Spinal Epidural Cavernous Hemangioma: A Case Report." Indian Journal of Musculoskeletal Radiology 1 (December 30, 2019): 117–20. http://dx.doi.org/10.25259/ijmsr_23_2019.

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Spinal epidural hemangioma, mostly cavernous, is a rare lesion with many radiological mimics that has diagnostic difficulty. They can extend from one to multiple vertebral levels and may or may not be associated with vertebral hemangiomas. We are reporting a case of young adult presenting with features of compressive myelopathy. Plain and contrast-enhanced magnetic resonance imaging showed a large spinal epidural lesion extending from C7 to D10 vertebral levels with extension into adjacent neural foramina and paravertebral spaces. There were also signal changes in bodies and posterior elements of dorsal vertebrae. A provisional diagnosis of lymphoma was made. The patient was operated for decompression and histopathological diagnosis of cavernous hemangioma was made. As in our case, a review of literature shows that epidural cavernous hemangioma of spine may extend to multiple vertebral levels and difficult to diagnose on pre-operative imaging. However, such a long segment epidural cavernous hemangioma has not been reported in literature. Furthermore, we should be aware of these rare lesions to include it in our differential diagnosis the spinal epidural lesions for early diagnosis and management.

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FLEISHMAN, MARK. "The Difference of Performance as Research." Theatre Research International 37, no. 1 (January 26, 2012): 28–37. http://dx.doi.org/10.1017/s0307883311000745.

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This article considers the proposition that performance as research is a series of embodied repetitions in time, on both micro (bodies, movements, sounds, improvisations, moments) and macro (events, productions, projects, installations) levels, in search of a series of differences. It investigates the proposition in terms of Bergson's notion of ‘creative evolution’ and Deleuze's engagement with it, and is concerned with questions such as: what nature of differences does performance as research give rise to? Where do the differences lie, in the repetitions or in the spaces in between? And is there a point at which the unleashing of differences is exhausted, a point at which, perhaps, the evolution becomes an involution, either a shrinkage of difference, an inverted return to the same, or, in the Deleuzian sense, a new production no longer dependent on differentiation but on transversal modes of becoming?

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esparza, rafa. "Corpo Ranfla: Inter Rim." TDR: The Drama Review 65, no. 3 (September 2021): 2–3. http://dx.doi.org/10.1017/s1054204321000289.

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Corpo Ranfla explored formal aspects of “body-ness” in relation to cruising: lowrider car cruising and gay cruising. Mario Ayala, Tanya Melendez, and I worked my body into a lowrider car by giving it a paint job using an airbrush machine. At the helm of this production was my interest in the history of anthropomorphism, particularly of Mexican-Azteca iconography that illustrates the relationship between humans and nature. Inter Rim is a collage composition that takes on some questions that remain boisterous even after Corpo Ranfla materialized on my body: How can a lowriding body move? What attributes of a car, a machine, might a body take on as its own? What is there to gather about my and other bodies, the street, a neighborhood, one’s city, and the spaces between destinations when becoming a lowrider car?

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Dhua, Subha. "A rare case of plexiform schwannoma of the lower lip: Treatment and management." Indian Journal of Plastic Surgery 48, no. 02 (May 2015): 208–11. http://dx.doi.org/10.4103/0970-0358.163065.

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ABSTRACTAn 18-year-old female presented with a swelling on the lower lip, which was insidious in onset and gradually progressive. The mass was completely excised under local anaesthesia. Complete histopathologic and immunohistochemical studies were conducted. The Antoni A areas were found along with typical verocay bodies composed of palisading nuclei and surrounding spaces filled with eosinophilic filaments. No necrosis was noted and there were no atypical mitotic figures. In the Antoni B region, a closely textured matrix with areas of edema, myxomatous changes, cystic degeneration and dilated vessels were noted. On the basis of the histopathologic and immunohistochemical staining with S-100 protein, a diagnosis of plexiform schwannoma was made and has been reported in this study. The post-operative view confirmed complete recovery after 6 weeks of surgery. This is a rare case with the tumour located in the lower lip, as very few cases have been reported in literature and it may be the first one reported from India.

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Schaefer, William. "Photographic Ecologies." October 161 (August 2017): 42–68. http://dx.doi.org/10.1162/octo_a_00303.

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In his body of photographs, Samalada (2008), the Chinese artist Adou uses extremely expired film; the resulting artifacts—marks of the animal, vegetable, and mineral matter composing film surfaces—are as visible a part of the photographs as their depictions of relations among humans, animals, plants, cultural artifacts, earth and sky in southwestern China. Adou and other photographers in China, Japan, and the West working in a time of environmental crisis understand film itself in ecological terms. The very materiality and forms of photographic images are emergent from and interact with larger ecosystems of matter, bodies, spaces, surfaces, markings, liquids, pollution, light, and the atmosphere, thereby allowing the human to be seen as one among many contingent agents within ecological processes. Photography thus becomes a crucial site for staging and rethinking fundamental questions of the relations between culture and nature—and for learning to picture the Anthropocene.

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Krasner, James. "Language in motion in Marilynne Robinson’s "Housekeeping" and the Book of "Ruth"." Journal of English Studies 18 (December 23, 2020): 109–24. http://dx.doi.org/10.18172/jes.3647.

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The terminology used to describe people living in socially or legally ambiguous housing conditions is contradictory and contested in often unpredictable ways. Homeless people, as well as the laws and government discourses designed to limit their behavior, frequently choose language that is at odds with what their bodies are actually doing in the spaces they occupy. In this essay I will discuss the oxymoronic verbal formulations for how transients, especially transient women, move through and live in social space by looking at two texts that focus on homeless women and their social power, Marilynne Robinson’s novel Housekeeping, and the biblical Book of Ruth (on which it is partially based). By placing these works in the context of the legal discourses of homelessness and squatting, and gender analyses of mobility, I hope to identify a mode of gendered embodiment based in the language of motion.

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Damlé, Amaleena. "Fasting, feasting: The resistant strategies of (not) eating in Ananda Devi's Le Voile de Draupadi and Manger l'autre." International Journal of Francophone Studies 22, no. 3 (December 1, 2019): 179–211. http://dx.doi.org/10.1386/ijfs_00001_1.

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Abstract This article explores representations of fasting and feasting in Le Voile de Draupadi (1993) and Manger l'autre (2018) by contemporary Francophone Mauritian author, Ananda Devi, teasing out the resistant strategies of (not) eating to the power dynamics entrenched within her global, postcolonial settings in which the politics of gender, neo-colonialism and advanced capitalist consumer culture compete in the regulatory domination of the individual body. Reading these two novels together offers space for reflection on the different meanings ‐ psychical, familial, religious, cultural, political, historical ‐ that converge on the bodies of her protagonists, and the ways that these meanings may exceed singular or conventional interpretations of both fasting and feasting. Written 25 years apart, and set in different locations, one in Mauritius, the second in an unnamed although recognizably western nation, Devi's novels speak to one another across these spaces, tracing the global flows of attitudes towards the body and practices of consumption. In so doing, Devi's writing illuminates the embedded, crisscrossing power dynamics and layered drives exhibited by these fasting, feasting bodies, and their divergent ‐ but resonant ‐ strategies of resistance in the practices of (not) eating across the contemporary, globalized world.

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FISCHER-LICHTE, ERIKA. "Reality and Fiction in Contemporary Theatre." Theatre Research International 33, no. 1 (March 2008): 84–96. http://dx.doi.org/10.1017/s0307883307003410.

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This article examines a particular aesthetic experience that is brought about by a destabilization, even a collapsing, of the dichotomous pair of concepts the ‘real’ and the ‘fictional’. While a tension between the two, even in differing degrees, proves characteristic of all kinds of theatre, recent developments on European stages emphasize this tension. In the paper it is examined with respect to 1) the actors' bodies and 2) the theatrical spaces. In each case, the point of departure is two examples which are analysed with regard to the particular function that the tension between the real and the fictional might serve. It is argued that what in everyday life is neatly separated into two different worlds to be fully grasped by the dichotomous pair of concepts becomes blurred in the performances discussed here. The particular aesthetic experience coming into being in such performances is an experience of ‘betwixt and between’ (Turner) – a liminal experience. This way, they stimulate a new discussion of the concept of aesthetic experience, so central to all forms of art in the Western world since 1800.

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Cróquer-Pedrón, Eleonora. "Lesión de anatomía: Diamela Eltit o la autora sobre‐expuesta en la escritura como crítica de lo Real." Catedral Tomada. Revista de crítica literaria latinoamericana 7, no. 12 (July 26, 2019): 134–58. http://dx.doi.org/10.5195/ct/2019.380.

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This essay focuses on two unclassifiable books by the Chilean storyteller Diamela Eltit: El Padre Mío (1989) and El infarto del alma (1994). From the overexposure of the author thatmanifests itself in the first person as overturned towards the unavoidable outside of an encounter with difference, embodied in the madness and the helplessness of the bodies of “vagabundage” and psychiatric isolation, respectively, as well as the responsibility that emerges as a position of discourse before the problematic act of shaping the materiality of its recovered presence, I go through the ways in which the other writing of a critique of the Real is outlined in them. Knotted around the subjective shiver of who is willing to account for the “other” in writing, in both atypical texts within the writer’s fictional-theoretical productivity, and atopic within the framework of what could be thought of as a work of non-fiction, literature and art become powerful reading spaces for the deployment of cultural criticism dislocated and politically engaged in the visibility of a Real inscribed in the Letter through the effects of its concern.

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Johnston, Anna. "‘God being, not in the bush’: The Nundah Mission (Qld) and Colonialism." Queensland Review 4, no. 1 (April 1997): 71–80. http://dx.doi.org/10.1017/s1321816600001331.

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Throughout the history of British colonies, the intermingling of commerce and ‘civility’ produced the kinds of colonies that Britain (like other imperial nations) most needed — colonies which not only produced raw materials or space for recalcitrant criminals, but also spaces in which imperialist discourses could educate, convert, and expand what was known of human consciousness. The imperial ‘duty’ was to civilise and conquer the unknown non-Western world for imperial consumption and ‘native’ edification. Through education, both religious and secular, European missionaries sought to inculcate native minds and bodies with the tenets of Western Christianity and culture. Whilst many recent studies have examined the ways in which imperial discourses conquered and codified ‘other’ cultures and peoples, the history of the missionary movement exemplifies a particularly overt form of the dissemination of imperial/Christian discourses. Through Christian teachings, which not only codified religious thinking but also appropriate social behaviour, imperial discourses shaped the manner in which life was experienced under Christian and imperial rule. This paper will explore the ways that missionary activity assisted and effected colonial control.

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Jagodzińska, Agnieszka. "“For Zion's Sake I Will Not Rest”: The London Society for Promoting Christianity among the Jews and its Nineteenth-Century Missionary Periodicals." Church History 82, no. 2 (May 20, 2013): 381–87. http://dx.doi.org/10.1017/s000964071300005x.

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Since the Evangelical Revival triggered a new wave of British millenarian expectations and aroused religiously motivated interest in Jews, various religious bodies and individuals envisioned the necessity of Jews' conversion, stimulating countless and restless efforts to evangelize “God's chosen people.” These efforts, organized within the framework of the vast British missionary enterprise, soon became “nothing short of a national project,” to cite Michael Ragussis. This project, dubbed by its critics as “the English madness,” expressed itself in activity of various societies, and missions, in a wide flow of literature and in constantly recurring public debates. The London Society for Promoting Christianity among Jews (abbreviated from here to the London Society or the Society), was probably its most important outcome. Established as a separate missionary enterprise in 1809, it was the oldest and the largest society in field of nineteenth-century British “Jewish missions.” It sent missionaries not only to the Jewish communities in British colonial spaces, but also far beyond. The efforts of the Society to convert Jews are well reflected in its numerous missionary periodicals whose function, form, and language I wish to discuss here.

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Furlani, Sinara, and Grace Tibério Cardoso. "Rethinking post-Covid-19 school design in Brazil: adaptation strategies for public schools PEE-12 FNDE." Strategic Design Research Journal 14, no. 1 (April 9, 2021): 339–50. http://dx.doi.org/10.4013/sdrj.2021.141.28.

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In 2020, the World Health Organization (WHO) declared the disease COVID-19, whose causative virus is SARS-CoV-2, a pandemic. An important measure was the closure of schools in several countries to try to reduce the contagion levels, so that students were not exposed to risk, nor their families. The question that arises within this context is: In school architecture, what are the appropriate design methods to deal with challenges during and after a pandemic? In this scope, the article aimed to propose an adaptive design scenario in the post-pandemic moment for a standard school in Brazil. The methodology was built through a literature review and multidisciplinary research, to later present strategies based on the recommendations of competent bodies and studies focused on the school architecture, design patterns for 21st-century schools, technology and security. The focus was on design challenges in the education field in the post-pandemic moment, and on the adaptation of the school built spaces for the return of activities. The results can help the school community and public agencies in making decisions to face this challenge, recreating safer, user-centered schools.

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Ćwik, Agata, Tomasz Wójcik, Maria Ziaja, Magdalena Wójcik, Katarzyna Kluska, and Idalia Kasprzyk. "Ecosystem Services and Disservices of Vegetation in Recreational Urban Blue-Green Spaces—Some Recommendations for Greenery Shaping." Forests 12, no. 8 (August 12, 2021): 1077. http://dx.doi.org/10.3390/f12081077.

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Urban water bodies are an important asset in terms of climate change. The accompanying vegetation is an integral part of the waterside space system and a source of ecosystem services and disservices. The composition of greenery in waterside spaces should therefore be preceded by detailed research. This research would be the basis for the development of recommendations for enhancement of the positive impact of vegetation on humans and minimisation of its negative effect. The aim of the study was to identify ecosystem services and disservices of vegetation in the four most important waterside recreation spaces in the city of Rzeszów, Poland, and to develop plant composition guidelines. A detailed inventory of vegetation and aerobiological monitoring of the presence of airborne allergenic pollen grains and fungal spores were carried out. Next, the ecosystem services and disservices of the vegetation were determined based on literature data and on our expert judgement. Additionally, a counting of the number of visitors to waterside areas was conducted. All these steps were used to develop recommendations for shaping the vegetation of study areas. The results of the investigations show that the boulevards along the artificial lake function completely differently than other investigated places as the area resembles an urban park, and the water is not the main attraction in this space. The vegetation of the boulevards and the nearby gravel-pit bathing area has mostly a spontaneous character and offers the widest range of ecosystem services and disservices. The management of the vegetation should focus on its health-enhancing values. The vegetation growing near the outdoor swimming pools has been designed by man. Nevertheless, it requires recomposing and is targeted specifically at the enhancement of the visual attractiveness. Additionally, there is a need for planting compact deciduous trees that will provide shade at the multi-media fountain.

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Allen, Jonathan Parkes. "Sanctifying Domestic Space and Domesticating Sacred Space: Reading Ziyāra and Taṣliya in Light of the Domestic in the Early Modern Ottoman World". Religions 11, № 2 (28 січня 2020): 59. http://dx.doi.org/10.3390/rel11020059.

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Shrine-visitation (ziyāra) and devotion to Muḥammad (such as expressed in taṣliya, the uttering of invocations upon the Prophet), both expressed through a range of ritualized practices and material objects, were at the heart of everyday Islam for the vast majority of early modern Ottoman Muslims across the empire. While both bodies of practice had communal and domestic aspects, this article focuses on the important intersections of the domestic with both shrine-visitation and Muḥammad-centered devotion as visible in the early modern Ottoman lands, with a primary emphasis on the eighteenth century. While saints’ shrines were communal and ‘public’ in nature, a range of attitudes and practices associated with them, recoverable through surviving physical evidence, travel literature, and hagiography, reveal their construction as domestic spaces of a different sort, appearing to pious visitors as the ‘home’ of the entombed saint through such routes as wall-writing, gender-mixing, and dream encounters. Devotion to Muḥammad, on the other hand, while having many communal manifestations, was also deeply rooted in the domestic space of the household, in both prescription and practice. Through an examination of commentary literature, hagiography, and imagery and objects of devotion, particularly in the context of the famed manual of devotion Dalā’il al-khayrāt, I demonstrate the transformative effect of such devotion upon domestic space and the ways in which domestic contexts were linked to the wider early modern world, Ottoman, and beyond.

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Hanuš, J., P. Vernazza, M. Viikinkoski, M. Ferrais, N. Rambaux, E. Podlewska-Gaca, A. Drouard, et al. "(704) Interamnia: a transitional object between a dwarf planet and a typical irregular-shaped minor body." Astronomy & Astrophysics 633 (January 2020): A65. http://dx.doi.org/10.1051/0004-6361/201936639.

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Context. With an estimated diameter in the 320–350 km range, (704) Interamnia is the fifth largest main belt asteroid and one of the few bodies that fills the gap in size between the four largest bodies with D > 400 km (Ceres, Vesta, Pallas and Hygiea) and the numerous smaller bodies with diameter ≤200 km. However, despite its large size, little is known about the shape and spin state of Interamnia and, therefore, about its bulk composition and past collisional evolution. Aims. We aimed to test at what size and mass the shape of a small body departs from a nearly ellipsoidal equilibrium shape (as observed in the case of the four largest asteroids) to an irregular shape as routinely observed in the case of smaller (D ≤ 200 km) bodies. Methods. We observed Interamnia as part of our ESO VLT/SPHERE large program (ID: 199.C-0074) at thirteen different epochs. In addition, several new optical lightcurves were recorded. These data, along with stellar occultation data from the literature, were fed to the All-Data Asteroid Modeling algorithm to reconstruct the 3D-shape model of Interamnia and to determine its spin state. Results. Interamnia’s volume-equivalent diameter of 332 ± 6 km implies a bulk density of ρ = 1.98 ± 0.68 g cm−3, which suggests that Interamnia – like Ceres and Hygiea – contains a high fraction of water ice, consistent with the paucity of apparent craters. Our observations reveal a shape that can be well approximated by an ellipsoid, and that is compatible with a fluid hydrostatic equilibrium at the 2σ level. Conclusions. The rather regular shape of Interamnia implies that the size and mass limit, under which the shapes of minor bodies with a high amount of water ice in the subsurface become irregular, has to be searched among smaller (D ≤ 300 km) less massive (m ≤ 3 × 1019 kg) bodies.

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Mensinga, Jo. "‘No Coughing for Me, but I'm Okay!’: A Human Service Worker's Narrative Exploration of Her Own and Other Workers’ Body Stories Told in a Domestic Violence Service." Children Australia 42, no. 2 (June 2017): 87–92. http://dx.doi.org/10.1017/cha.2017.16.

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Relational, body-oriented and brain-based approaches to recovery and change are increasingly popular modalities for working with traumatised children and adults. However, although these approaches encourage the awareness, and the harnessing of workers’ visceral experiences, there is little in the literature to describe how practitioners navigate their own somatic maps. In a research project undertaken from 2008–16, I invited nine human service workers to tell and explore stories about their own experiences of the body that emerged during, and/or in relation to, their own professional practice. A narrative methodology was used to help facilitate a depth of understanding of how the participants used their own bodies as a source of knowledge and/or as an intervention strategy with those with whom they worked. In this paper, I explore one of many stories told by Coral in which she describes the processes she uses to navigate her own somatic map as she interacts with clients and workers in a domestic violence service. I conclude that creating spaces for workers to explore embodied experience in the professional conversation is important, but is difficult without an acceptable discourse or narrative template. Nonetheless, given the opportunity, including the ‘body as subject’ encourages better outcomes for clients and provides richer accounts of human service workers’ professional experience.

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Bridge, Gary, and Sophie Watson. "Lest Power Be Forgotten: Networks, Division and Difference in the City." Sociological Review 50, no. 4 (November 2002): 505–24. http://dx.doi.org/10.1111/1467-954x.00396.

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Over the last decade we have seen a notable shift in the urban Society literature from discourses of division to discourses of difference. This shift has opened up new ways of understanding the complexities of city life and the formation of heterogeneous subjectivities and identities in the spaces of the city. There has been, we argue, a worrying tendency in this process to lose an analysis of the workings of power, While early Marxist, feminist and race/ethnicity debates were firmly located within a framework which highlighted power, post-structuralist debates have operated with a more fluid notion of power, which at times has become so fluid as to evaporate into thin air. Our intention here in to re-emphasise the significance of power while holding on to the concept of difference. We do this by using the notion of power networks that operate at different temporal and spatial scales. These give the city contrasting spatialities and temporalities that overlap one another. The city is seen as a palimpsest of time-space networks that capture some of the presence of difference as well as suggesting its absences. These time-space networks of power are considered in the material, perceived and imaginary realms in relation to bodies, interests and symbols.

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Ansaloni, Francesca. "Deterritorialising the Jungle: Understanding the Calais camp through its orderings." Environment and Planning C: Politics and Space 38, no. 5 (February 25, 2020): 885–901. http://dx.doi.org/10.1177/2399654420908597.

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Research on refugee camps and camp-like institutions has gained momentum over the last few decades, as camps have been spreading everywhere in Europe under the impact of the massive increase of migrants stuck at border zones. While early conceptualisations are based on the paradigm of the exception, some scholars have recently posited camps as socio-political spaces which are negotiated and reproduced by the everyday entanglements of the multiple bodies that contribute to their making. This article aims to make a contribution to this strand of literature by understanding camps as the temporary result of spatial and material processes of ordering. By grounding my reasoning on fieldwork in Calais, I explore the countless negotiations and the attunement of multiple rhythms that organised and segmented the Jungle. I focus on the territories built by aid groups, the state and stuff, namely the supplies that flew into the encampment, how their assembling produced orderings and control, and how those orderings shaped the political space of the camp. This territorial account aims to stress the role of the affective and the material in mediating encounters that may produce new orderings while opening up to lines of flight and the configuration of political matter.

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Bridge, Gary, and Sophie Watson. "Lest Power be Forgotten: Networks, Division and Difference in the City." Sociological Review 50, no. 4 (November 2002): 505–24. http://dx.doi.org/10.1177/003802610205000403.

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Over the last decade we have seen a notable shift in the urban sociology literature from discourses of division to discourses of difference. This shift has opened up new ways of understanding the complexities of city life and the formation of heterogeneous subjectivities and identities in the spaces of the city. There has been, we argue, a worrying tendency in this process to lose an analysis of the workings of power. While early Marxist, feminist and race/ethnicity debates were firmly located within a framework which highlighted power, post-structuralist debates have operated with a more fluid notion of power, which at times has become so fluid as to evaporate into thin air. Our intention here is to re-emphasise the significance of power while holding on to the concept of difference. We do this by using the notion of power networks that operate at different temporal and spatial scales. These give the city contrasting spatialities and temporalities that overlap one another. The city is seen as a palimpsest of time-space networks that capture some of the ‘presence of difference’ as well as suggesting its absences. These time-space networks of power are considered in the material, perceived and imaginary realms in relation to bodies, interests and symbols.

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Artigos de revistas sobre o tema "Bodies and spaces in literature"

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