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Artigos de revistas sobre o tema "Brutalism"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 25 de julho de 2025

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1

BALCI ÖZTÜRK, Özlem, and Oya ŞENYURT. "Localization of Brutalist Architecture in Post-War Turkey: Three Unique Examples from Istanbul." Architecture, Civil Engineering, Environment 17, no. 3 (2024): 1–23. https://doi.org/10.2478/acee-2024-0017.

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Abstract Brutalism, a revision of Modernism, originated in England in the 1950s and spread rapidly globally. This intercontinental expansion has led to distinctive local diversity in different geographies, from Europe to the America. Concurrent with global examples, brutalist buildings began to appear in Turkey in the early 1960s. Notably, in Istanbul, Brutalism has managed to localize and create unique examples. This study investigates the transition of Brutalism between geographies and its localization in Turkish Architecture. This study analyzes brutalist and brutalist-influenced structures

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2

Alfirevic, Djordje, and Sanja Simonovic-Alfirevic. "Brutalism in Serbian architecture: Style or necessity?" Facta universitatis - series: Architecture and Civil Engineering 15, no. 3 (2017): 317–31. http://dx.doi.org/10.2298/fuace160805028a.

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Historiography expresses a firm point of view that the movement of Brutalism did not have a more significant influence on Serbian architecture. Several researches in their essays point out that there are, however, certain works by Serbian architects that could be denoted as Brutalist in style. Nevertheless, after scientific analysis of the representative examples materialized in raw concrete and brick and their comparison with authentic interpretations of Brutalist principles, it is evident that Serbia does have a significant number of architectural works representing Brutalism. The aim of the

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3

Ikhsan, Nur, and Ashadi Ashadi. "Kajian Konsep Arsitektur Brutalisme Pada Bangunan Perkantoran Wisma Hayam Wuruk." PURWARUPA Jurnal Arsitektur 7, no. 1 (2023): 57. http://dx.doi.org/10.24853/purwarupa.7.1.57-62.

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ABSTRAK. Bangunan perkantoran yang merupakan sekumpulan ruang kantor memiliki tipologi bangunan yang menunjang fungsi, fasilitas dan pelayanan kantor. Perkembangan jaman telah merubah karakter perkantoran yang tadinya hanya sekadar tempat bekerja menjadi sebuah ‘pride’ kebanggaan dalam mecapai suatu hasil bagi perusahaan maupun karyawan yang bekerja. Bangunan perkantoran dapat mendeskripsikan citra yang ingin ditampilkan termasuk konsep brutalisme. Permasalahan dari penelitian ini adalah bagaimana penerapan prinsip-prinsip arsitektur brutalisme pada bangunan perkantoran. Tujuan kajian ini adal

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4

Buinov, Alexei. "Wooden brutalism." проект байкал, no. 77 (October 29, 2023): 158–61. http://dx.doi.org/10.51461/issn.2309-3072/77.2209.

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The brutalism (neo brutalism) style is based on the aesthetics and ethics of honesty and a direct, unvarnished demonstration of the properties of the building material. Initially, concrete was such a material, but later brick, glass and metal entered the brutalist palette. Recently, due to the rise in the cost of all construction materials and works, interest in wood has been growing rapidly. Wood as a building material has a number of unique qualities that give housing particularly comfortable and healthy properties (salutogenicity). To do this, wood must have direct contact with the atmosphe

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5

Nurrahman, Dimas Iqbal. "THE CONCRETE’S UGLY DUCKLING: MEMPERTAHANKAN WARISAN GAYA ARSITEKTURAL BRUTALISM DI PERTH." Journal of Architectural Design and Development 3, no. 2 (2022): 142–52. http://dx.doi.org/10.37253/jad.v3i2.7446.

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Sebuah bangunan beton yang sangat besar dengan elemen kuat yang diperlihatkan di Perth Concert Hall (1969) yang dirancang oleh Howlett dan bailey menggambarkan keunikan bangunan brutalism. Keindahan beton ekspos dengan pola yang menakjubkan, hutan beton ini bertahan melewati waktu. Sebagai perbandingan, School of Early Learning (2018) yang baru dibangun di Perth Utara oleh Godden dan Crawford mengadaptasi penerapan bahan baku yang merupakan bagian dari gagasan brutalisme. Esai ini akan membandingkan karya arsitektur bangunan brutalis terdahulu dan saat ini untuk menentukan pengaruh brutalisme

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6

Letzter, Jonathan. "The Brutalist Figure—Grid: Exploring New York Brutalism." Architecture 4, no. 2 (2024): 316–41. http://dx.doi.org/10.3390/architecture4020019.

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The grid plays a prominent role in architecture, aiding in space organization and influencing all aspects of planning, ranging from urban design to intricate building details. This paper posits that the grid receives heightened emphasis in Brutalism, particularly in constructivist Brutalism, where materials and construction are intentionally exposed. A question arises regarding the grid’s characteristics—despite its subtle appearance, the grid can sometimes be deceptive, ambiguous, and manipulative. The paper analyzes the merits and drawbacks of employing the grid in architecture, shedding lig

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7

Соломонова, Ирина Сергеевна. ""Зеленая зона" в архитектуре английского брутализма 1950–1960-х годов". Actual Problems of Theory and History of Art 14 (11 жовтня 2024): 522–32. https://doi.org/10.18688/aa2414-7-41.

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In modernist, especially functionalist, theory, nature was given a rationally justified hygienic function, which obviated the need for artistic design of landscapes. However, after World War II the architectural community started to feel the inadequacy of the functionalist method and sought to humanize it. The CIAM discussion developed new principles, based on the idea of communication and community building, as well as blending of functions like in the traditional city. It was presented by a group of young architects who called themselves ‘Team X’. On this basis, the group’s leaders, British

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8

Ivaschenko, Nikita A. "BRUTALIST ARCHITECTURE IN RUSSIAN AND FOREIGN ART HISTORY AFTER REYNER BANHAM." Articult, no. 4 (2022): 6–16. http://dx.doi.org/10.28995/2227-6165-2022-4-6-16.

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Brutalist architecture is of great interest to contemporary art historians, architecture lovers, designers and musicians. The first large work on brutalist architecture was Reyner Banham’s “The New Brutalism: Ethic or Aesthetic?”, initially published in the beginning of the 1970-s. This text, though not free of contradictions, became the start of a whole tradition of speaking about brutalism in special literature. Still being relevant, Banham’s book serves as a guiding star for the succeeding authors on the one hand and needs to be revised on the other. The article is centered on the texts tha

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9

Imani, Elena, and Samira Imani. "Brutalism: as a preferred style for institutional buildings in modern architecture period." E3S Web of Conferences 231 (2021): 04001. http://dx.doi.org/10.1051/e3sconf/202123104001.

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From the 1950s onward, Brutalist style spread all over the world and dedicate many breathtaking architectural movements to buildings. Architect’s opinion about this prominent approach to building design varies greatly. Brutalist style has known primarily for its aesthetics and property for institutional buildings with the use of functional reinforced concrete, steel, modular, and repetitive elements. Besides all advantages of brutalism, this style is sharply criticized for being cold, crude, cruel, and not appropriate for many climates. Brutalism also became popular with governmental and insti

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10

Steiner, Hadas A. "Brutalism Exposed." Journal of Architectural Education 59, no. 3 (2006): 15–27. http://dx.doi.org/10.1111/j.1531-314x.2006.00030.x.

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Altun, Didem. "Brutalism Now: Rethinking Brutalism in Contemporary World Architecture." Arts 5, no. 2 (2016): 3. http://dx.doi.org/10.3390/arts5020003.

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Niebrzydowski, Wojciech. "The Impact of Avant-Garde Art on Brutalist Architecture." Buildings 11, no. 7 (2021): 290. http://dx.doi.org/10.3390/buildings11070290.

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Brutalism was an architectural trend that emerged after World War II, and in the 1960s and 1970s, it spread throughout the world. The development of brutalist architecture was greatly influenced by post-war avant-garde art. The greatest impact on brutalism was exerted by such avant-garde trends as art autre, art brut, and musique concrète. Architects were most inspired by the works of such artists as Jackson Pollock, Jean Dubuffet, Pierre Schaeffer, Eduardo Paolozzi, and Nigel Henderson. The main aim of the research was to identify and characterize the most important ideas and principles commo

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13

Mould, Oli. "Brutalism Redux: Relational Monumentality and the Urban Politics of Brutalist Architecture." Antipode 49, no. 3 (2016): 701–20. http://dx.doi.org/10.1111/anti.12306.

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Gatley, Julia. "“Group-cum-Brutalism”?" Fabrications 25, no. 2 (2015): 262–86. http://dx.doi.org/10.1080/10331867.2015.1036489.

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15

Majumder, Atreyee. "Achille Mbembe, "Brutalism"." Philosophy in Review 44, no. 2 (2024): 24–28. http://dx.doi.org/10.7202/1112015ar.

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Kei, Juliana. "New Brutalism, Again." Architecture and Culture 7, no. 2 (2019): 271–90. http://dx.doi.org/10.1080/20507828.2019.1614768.

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17

Potts, Alex. "Realism, Brutalism, Pop." Art History 35, no. 2 (2012): 288–313. http://dx.doi.org/10.1111/j.1467-8365.2011.00887.x.

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18

Crosby, Theo. "The New Brutalism." October 136 (May 2011): 17–18. http://dx.doi.org/10.1162/octo_a_00033.

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Banham, Reyner. "The New Brutalism." October 136 (May 2011): 19–28. http://dx.doi.org/10.1162/octo_a_00034.

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20

Smithson, Alison, and Peter Smithson. "The New Brutalism." October 136 (May 2011): 37. http://dx.doi.org/10.1162/octo_a_00038.

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Smithson, Alison, Peter Smithson, Jane B. Drew, and E. Maxwell Fry. "Conversation on Brutalism." October 136 (May 2011): 38–46. http://dx.doi.org/10.1162/octo_a_00039.

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22

Gnatiuk, Liliia. "The brutalism in of sacred space formation." Current problems of architecture and urban planning, no. 66 (April 14, 2023): 32–43. http://dx.doi.org/10.32347/2077-3455.2023.66.32-43.

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The architectural styles of the second half of the 20th century are analyzed, in particular, brutalism, which was the result of a negative assessment of the situation in the culture of the late 19th century. Opinions of leading theorists of culture are presented. Features characteristic of the culture of the end of the century are presented. The architecture of sacred structures built according to the principle of engineering science is considered. It is determined that created objects. It was found that many attitudes and formulas can be associated with the concept of brutalism in sacre

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23

Wahid, Julaihi, A. Abdullah, Nashwan Al Ansi, Ema Yunita Titisari, and Afaq C. Hyder. "A Discourse on Brutalism Architecture: The Forgotten Architecture Style in Architecture Revolution." Review of Urbanism and Architectural Studies 21, no. 2 (2023): 120–29. http://dx.doi.org/10.21776/ub.ruas.2023.021.02.13.

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This paper explores the Brutalism architectural style. This style became popular in the 1950-1970s with the start of experimentation with building materials in line with the social movements of that time. This research uses an exploratory approach based on a longitudinal study of similar studies. The discussion focused on the architects' revolutionary thinking towards unique designs through form manipulation and material exploration. The results of his work show the determination of form seekers, material experimentation, and the enthusiasm of young architects for monumental architecture. Mass

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24

Vidler, Anthony. "Learning to Love Brutalism." Global Design, no. 47 (2012): 4–9. http://dx.doi.org/10.52200/47.a.q0j80hcu.

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The following keynote lecture was presented at the 12th International docomomo Conference that took place in Espoo, Finland, this past August 2012. The author began his lecture thanking the Chair of docomomo International, Ana Tostões, and all docomomo members and friends who have done so much to ensure that the now historical heritage of Modernism might be saved for the future. Following the stimulating talks of John Allan and Mark Pasnik, he entered what for many in this field was a territory that was at least ambiguous if not impossible to accept: that the so–called Brutalist buildings of t

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25

Kulić, Vladimir. "Yugoslavia: Brutalism and sophistication." Architectural Research Quarterly 23, no. 4 (2019): 381–83. http://dx.doi.org/10.1017/s1359135519000289.

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Smith, Jonny. "‘Something like the truth’: Confronting the Honesty of Brutalism and Post-War Planning in The Offence." Journal of British Cinema and Television 20, no. 1 (2023): 46–73. http://dx.doi.org/10.3366/jbctv.2023.0656.

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This article explores the 1973 thriller The Offence in relation to its representation and utilisation of post-war urban planning and modernist architecture, with particular reference to brutalism and new towns. It considers the film to be at a seminal intersection between British cinema and post-war modernism, building on and ultimately eclipsing Get Carter and A Clockwork Orange which have received much of the critical attention in this specialised discourse. While the film is ostensibly a character study of a troubled policeman, Detective Sergeant Johnson, I argue that The Offence’s engageme

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27

Li, Jiajing. "The Brutalist Architecture of Dune: Rule-breaking Designs for the Future." Highlights in Science, Engineering and Technology 28 (December 31, 2022): 45–52. http://dx.doi.org/10.54097/hset.v28i.4058.

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The grandeur and rawness in architecture can be traced to the brutalism style raised up in soviet kingdom before ward war II. It seems that the post-war coldness in such design’s associates with the setting of the Dune, leading to the pivotal climax: the Battle of Arrakeen. But why does Denis Villeneuve and Patrice Vermette, the director of production designer of Dune, choose to embrace brutalist architecture in the film? This paper will examine the legacy of brutalist architecture and its relationship to modern film aesthetics. This is because this paper wants to put off implication introduce

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Lidin, Konstantin. "Architecture as a process. Metamorphoses of style in the time and space." проект байкал, no. 79 (April 6, 2024): 16–19. http://dx.doi.org/10.51461/issn.2309-3072/77.2277.

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The development of architecture of modernism and postmodernism is considered on the example of brutalism style as an oscillating process between the aspiration to severe truthfulness and the predominance of decorativeness. Metamorphoses of Brutalism style depending on the place and time of realisation are considered. It is shown that in all variations the Brutalism style retains its reliance on the archetype of the Hero, which opposes the archetype of the Trickster, a reference for postmodernism. The requirement of severe truthfulness enters as one of the basic attributes of the Hero archetype

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Krause, Linda. "The New Brutalism: Frampton Reconsidered." Circa, no. 53 (1990): 28. http://dx.doi.org/10.2307/25557552.

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Gandh, V., and ML North. "Sirius: Retrofitting Brutalism in Sydney." IOP Conference Series: Earth and Environmental Science 290 (June 21, 2019): 012153. http://dx.doi.org/10.1088/1755-1315/290/1/012153.

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Paupério, João, and Maria Rebelo. "PiR#05 - IS THIS BRUTALISM ?" Practices In Research, no. 5 (December 20, 2024): 133–44. https://doi.org/10.5281/zenodo.14536864.

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Suárez-Carballo, Fernando. "El lenguaje visual del diseño web brutalista." Doxa Comunicación. Revista interdisciplinar de estudios de comunicación y ciencias sociales, no. 28 (June 2019): 111–31. http://dx.doi.org/10.31921/doxacom.n28a06.

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Many authors agree on the current relevance of brutalist web design, a trend inspired by the popular architectural style which, in turn, is distinguished by the rawness of its materials, the geometric shapes or the absence of decoration. This study uses Content Analysis to discover whether it is possible to interpret web-brutalism as a movement with distinctive features and, if this is found to be the case, to make a description of the term based on visual communication techniques as the main variable. After evaluating 50 websites from the catalogue of Brutalist Websites, the study concludes t

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Lozanovska, Mirjana. "Brutalism, Metabolism and its American Parallel." Fabrications 25, no. 2 (2015): 152–75. http://dx.doi.org/10.1080/10331867.2015.1032482.

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Zareei, Mo H., Dugal Mckinnon, Dale A. Carnegie, and Ajay Kapur. "Sound-based Brutalism: An emergent aesthetic." Organised Sound 21, no. 1 (2016): 51–60. http://dx.doi.org/10.1017/s1355771815000370.

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Cold, stripped-down, monochrome, pixelated, iterative, quantised, grid, pulse, glitch, noise: taken together, these words imply a growing aesthetic connection within a body of experimental and independent (or non-academic) sound-based artworks produced in the past few decades. Although realised in different mediums and belonging to different artistic categories, such works are connected through a certain aesthetic sensibility. Nevertheless, since the majority of these works have thus far received little scholarly attention, a framing discussion of the aesthetic principles and features that lin

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Kitnick, Alex. "The Brutalism of Life and Art." October 136 (May 2011): 63–86. http://dx.doi.org/10.1162/octo_a_00043.

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Highmore, Ben. "“Image-breaking, God-making”: Paolozzi's Brutalism." October 136 (May 2011): 87–104. http://dx.doi.org/10.1162/octo_a_00052.

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Chen, Zekai. "Rethinking Aesthetics: The Philosophy and Equality in Duchamp and Brutalism." Lecture Notes in Education Psychology and Public Media 92, no. 1 (2025): 23–29. https://doi.org/10.54254/2753-7048/2025.22781.

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Being one of the most controversial artists, Marcel Duchamp with his conceptual art transcended the art from mere, sensuous pleasure into philosophized works. His conceptual approach, along with Brillo Box by Andy Warhol, enlightened art theorist Arthur Danto to identify the post-historical era in his theory as the end of art. The art in the post-historical era complies with the idea of pluralism, having no criteria to the definition of art either their forms. This research aims to justify that, throughout the architectural history, Brtualism acts as a similar character as Duchamp, being the e

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Allweil, Yael, and Noa Zemer. "Brutalism and Community in Middle Class Mass Housing: Be’eri Estate, Tel Aviv, 1965–Present." Urban Planning 7, no. 1 (2022): 349–68. http://dx.doi.org/10.17645/up.v7i1.4811.

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Fostering functioning, place-based communities has been a major concern in architecture and planning circles since the mid-1950s revolving the issue of habitat. Using the ethics of European New Brutalism, in Israel the architectural discourse locally developed a Team 10 critique of CIAM, addressing community as the main challenge of modern housing. The failure of modern mass housing to foster viable communities is associated with, and arguably triggered by, the global shift from state-sponsored to market housing that began in the 1970s. Increasing neoliberal policies, which address housing as

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McCarthy, Christine. "Campus Concrete." Architectural History Aotearoa 13 (August 17, 2022): 46–56. http://dx.doi.org/10.26686/aha.v13i.7785.

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This paper will look at the celebrations of concrete apparent in the Brutalist architecture of the 1970s. It will particularly examine Toomath's Wellington Teachers' Training College (Stage I design 1962-65, built 1966-69; Stage II design 1966-69; built 1972-75), Chris Brooke-White's Central Institute of Technology campus in Heretaunga, Upper Hutt (Stage 1, 1969-72; Stage II, 1972-77), and Ted McCoy's additions to Otago University (namely the Archway Theatres (1972-73) and the Hocken Building (1979-80)). Concrete is understood on these sites as textures as well as spatial articulators. Helmut

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Cook, Richard, and Adrian Furnham. "Aesthetic Preferences for Architectural Styles Vary as a Function of Personality." Imagination, Cognition and Personality 32, no. 2 (2012): 103–14. http://dx.doi.org/10.2190/ic.32.2.b.

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The present study sought to determine whether aesthetic preferences for architectural styles vary as a function of personality. Participants completed a five-factor inventory as well as rating photographic images of British buildings for both aesthetic appeal and familiarity. The results indicate that personality exerts both direct and indirect influences on preferences. Extraversion was found to be negatively associated with preferences for preferences for High-Tech and Brutalist architectural styles. Similarly, Neuroticism was found to be positively associated with preferences for Victorian

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Burns, Peter. "Paradoxes in planning Tourism Elitism or Brutalism?" Annals of Tourism Research 26, no. 2 (1999): 329–48. http://dx.doi.org/10.1016/s0160-7383(98)00099-1.

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Polyakov, E. N., O. P. Polyakova, and Yu E. Voevoda. "Communal Houses in Architectural Herit-age of Le Corbusier. Unité d'Habitation (1945–1952)." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 26, no. 6 (2025): 24–43. https://doi.org/10.31675/1607-1859-2024-26-6-24-43.

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The article is devoted to one of the most famous projects of multi-storey residential buildings made in the traditions of functionalism and brutalism by S.-E. Jeanneret-Gree (Le Corbusier), a French architect. According to its creator, the Housing Unit (1945-1952) is the next work in his creativity. Upon its completion, S.-E. Jeanneret-Gree joined the Pleiades of outstanding modern architects, having the opportunity to freely experiment with a variety of architectural styles (modernism, brutalism). The paper analyzes main architectural and design concepts of CharlesEdouard, implemented in the

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Coelho, Carlos C. "A educação diante do fim do Mundo e do fim da Filosofia: brutalismo, desconstrução e algumas reflexões sobre a decolonialidade, antirracismo e suas intersecções." Educação e Filosofia 38 (December 20, 2024): 1–29. https://doi.org/10.14393/revedfil.v38a2024-73669.

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Resumo: O artigo apresenta um problema que se apresenta no tempo presente e que nos coloca diante da tarefa de repensar os paradigmas da educação e do pensamento. O texto questiona qual o impacto da globalização em como pensamos a Educação e a Filosofia. A base epistemológica do artigo se ancora no pensamento da desconstrução e nas suas interseções com o debate sobre políticas das diferenças e seu desenrolar em autores como Achille Mbembe, Louis Althusser, Frantz Fanon, Lélia Gonzales, Jean-Luc Nancy, entre outros. No artigo apresentamos o conflito entre o mundo ocidental e seu pensamento únic

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Dias, Tiago Lopes. "Ética e Arquitetura: a responsabilidade de uma novíssima crítica em Portugal." Latin American Journal of Development 3, no. 5 (2021): 2997–3013. http://dx.doi.org/10.46814/lajdv3n5-025.

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O argumento do presente texto defende que o “Novo Brutalismo”, sendo indiscutivelmente um debate arquitetónico de origem britânica, era movido por um princípio universal: a adesão intelectual aos problemas do seu tempo. A luta contra o academicismo e o historicismo, a aceitação da realidade e das diferentes formas de cada cultura construir o seu habitat, e a crescente importância atribuída aos utilizadores da arquitetura, constituem pontos essenciais para a revisão dos modelos arquitetónicos levada a cabo no pós-guerra. Estes princípios despertam o interesse de uma nova geração de arquitetos p

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Walker, Paul, and Antony Moulis. "Finding Brutalism in the Architecture of John Andrews." Fabrications 25, no. 2 (2015): 214–33. http://dx.doi.org/10.1080/10331867.2015.1032480.

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Gatley, Julia. "Space, Hope, and Brutalism: English Architecture, 1945–1975." Fabrications 27, no. 1 (2017): 120–21. http://dx.doi.org/10.1080/10331867.2017.1259537.

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Crinson, Mark. "Eye Wandering the Ceiling: Ornament and New Brutalism." Art History 41, no. 2 (2017): 318–43. http://dx.doi.org/10.1111/1467-8365.12331.

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Thorne, Robert. "Space Hope and Brutalism: English Architecture 1945–1975." International Journal for the History of Engineering & Technology 87, no. 1 (2017): 142–43. http://dx.doi.org/10.1080/17581206.2017.1324083.

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Misra, Manjusha. "Space, hope and brutalism: English architecture 1945–1975." International Journal of Environmental Studies 74, no. 3 (2017): 500–501. http://dx.doi.org/10.1080/00207233.2017.1288058.

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Ortolano, Guy. "Space, hope, and brutalism: English architecture, 1945–1975." Planning Perspectives 32, no. 2 (2017): 295–96. http://dx.doi.org/10.1080/02665433.2016.1275349.

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