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Artigos de revistas sobre o tema "Circe (greek mythology) – fiction"

Autor: Grafiati

Publicado: 25 de julho de 2024

Última modificação: 31 de julho de 2024

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1

Rizwana Sarwar and Saadia Fatima. "Madeline Miller’s Circe: A Feminist Stylistic Approach." PERENNIAL JOURNAL OF HISTORY 3, no. 2 (2022): 337–59. http://dx.doi.org/10.52700/pjh.v3i2.128.

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The present study explores the representation of the woman’s character in literary works and also encompasses the retelling of Greek mythology from Madeline Miller’s female protagonist’s perspective. Gender stereotypes established by Greek mythology require that women must be submissive and marginalized. Those women characters that are not according to these stereotypes are termed as negative characters. Moreover, this representation of women’s stereotypical characterization is done through predisposed language which is informed by male-ruling sexist ideology. These linguistic choices need to

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Ranjith, Nithya. "Humanizing Circe, the Witch of Aiaia: A Novel that Projects the Repercussions of Patriarchal Supremacy." International Journal of English Literature and Social Sciences 8, no. 2 (2023): 201–6. http://dx.doi.org/10.22161/ijels.82.28.

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Patriarchy or the social construct that reckons men as the 'absolute authority' has remained an amplified substratum of our societies for time immemorial. This noxious tendency has been glorified and siphoned into normality, relinquishing the power of women in the long run. Circe is a novel by Madeline Miller that tells the story of a Greek mythological character named Circe, the Witch of Aiaia. Circe was born into the family of God Helio but was deemed unworthy from her very birth. Being born powerless and unattractive had kept her in darkness for ages. She gets violated throughout her life u

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Kut Belenli, Pelin. "An Island of One’s Own: Home and Self-Fulfilment in Madeline Miller’s Circe." Gaziantep University Journal of Social Sciences 23, no. 2 (2024): 527–41. http://dx.doi.org/10.21547/jss.1345559.

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Circe is renowned for her profound knowledge of sorcery as a minor goddess in Greek mythology. Her depictions and representations are numerous in literature, painting, music, and popular culture, ranging from Homer’s classical masterpiece The Odyssey to John William Waterhouse’s painting Circe Invidiosa (1892). Recently, Circe has been recreated with a modern kick by the contemporary American novelist Madeline Miller. In Miller’s novel Circe (2018), Circe voices her own story as the first-person heroine. The novel focuses on the spiritual growth and self-fulfilment of the protagonist. Reimagin

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Ternopol, Tatiana. "The Intertextual Use of Greek Mythology in Agatha Christie’s Detective Fiction." English Studies at NBU 6, no. 2 (2020): 321–31. http://dx.doi.org/10.33919/esnbu.20.2.8.

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This study investigates the intertextual use of Greek mythology in Agatha Christie’s short stories Philomel Cottage, The Face of Helen, and The Oracle at Delphi, a short story collection The Labours of Hercules, and a novel, Nemesis. The results of this research based on the hermeneutical and comparative methods reveal that A. Christie’s intertextual formula developed over time. In her early works, allusions were based on characters' appearances and functions as well as on the use of motifs and themes from Greek myths. Later on, she turned to using allusory character names; this would mislead

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Calame, Claude. "Pour une anthropologie historique des mythes grecs: Formes poétiques et pragmatique rituelle." Nordlit, no. 33 (November 16, 2014): 3. http://dx.doi.org/10.7557/13.3189.

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In contrast to any fiction in the usual sense of the term, the huge narrative domain now marked off as (Greek) ‘mythology’ deserves no charter of semantic independence or of structural(ist) closure. Coupled with the perspective of social and cultural anthropology required by the construction of possible worlds depending on cultural representations and by the poetic forms they assume in collective and ritual performances, our reading of (Greek) myths requires a pragmatic opening-up: it takes into account the specific ritual situations they are accommodated to, with their aesthetic creativity an

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Labarrière, Jean-Louis. "Fonction fabulatrice, mysticisme et science psychique chez Bergson." Hors-collection des Cahiers de Fontenay 13, no. 1 (1993): 377–88. http://dx.doi.org/10.3406/cafon.1993.1023.

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Fantasising plays an unique role in the Two Sources of Morality and Religion. Theoretically locked into the framework of static religion -its "raison d'être"-it is in fact its secular arm ; but it may overstep its strict function, consisting in creating fantasising images intended to ensure social cohesion and, in so doing, to open out to what well and truly seems to come from pure creative fiction, as is attested by the relation of Greek mythology to Roman religion. The fact that the Christian mystic - the most worthy representative of dynamic religion - needs to have recourse to this in orde

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Szmigiero, Katarzyna. "Reflexivity and New Metanarratives. Contemporary English-language Retellings of Classical Mythology." Discourses on Culture 20, no. 1 (2023): 85–108. http://dx.doi.org/10.2478/doc-2023-0012.

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Abstract The turn of the millennium has brought a revival of interest in the ancient Greek and Roman texts. Obviously, the legacy of antiquity is a permanent feature of Western literature and visual arts; yet, its contemporary manifestation has taken a novel form, that of a retelling. It is a new trend in which a well-known text belonging to the canon is given an unorthodox interpretation, which exposes the ethnic, class, and gender prejudices present in the original. Mythological retellings are often written in an accessible manner containing features of genre fiction, which makes the revised

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Lumi, Elvira, and Lediona Lumi. "Text Prophetism." European Journal of Language and Literature 7, no. 1 (2017): 40. http://dx.doi.org/10.26417/ejls.v7i1.p40-44.

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"Utterance universalism" as a phrase is unclear, but it is enough to include the term "prophetism". As a metaphysical concept, it refers to a text written with inspiration which confirms visions of a "divine inspiration", "poetic" - "legal", that contains trace, revelation or interpretation of the origin of the creation of the world and life on earth but it warns and prospects their future in the form of a projection, literary paradigm, religious doctrine and law. Prophetic texts reformulate "toll-telling" with messages, ideas, which put forth (lat. "Utters Forth" gr. "Forthteller") hidden fac

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Anisimova, Olga Vladimirovna, and Inna Makarova. "Mythopoetic Images of Irish Mythology in American Fantasy (the Case of Roger Zelazny's "Chronicles of Amber" - Corwin Cycle)." Litera, no. 4 (April 2023): 92–101. http://dx.doi.org/10.25136/2409-8698.2023.4.39999.

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The article is devoted to the study of key images of Irish mythology, widely used in fantasy literature, in particular, in American novels written in the second half of XX-th century. The paper considers the images of ship, tree and raven. Special attention is paid to their artistic interpretation in the novels of a famous American science fiction writer, the representative of New Wave - Roger Zelazny. The paper examines the etymology of these images, their origins in Sumero-Akkadian, Jewish and Greek mythologies, their main symbolic meanings and further interpretation in Zelazny's key novel -

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10

Balaji, K., and M. Narmadhaa. "Recrimination of Shikandi in Devdutt Pattanaik’s Shikhandi and Other Tales They Don't Tell You." Shanlax International Journal of English 11, no. 3 (2023): 22–25. http://dx.doi.org/10.34293/english.v11i3.6211.

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Indian Writing has turned out to be a new form of Indian culture and voice in which idea converses regularly. Indian writers-poets, novelists, essayists, and dramatists have been making momentous and considerable contribution to world Literature since pre-Independence era, the past few years have witnessed a gigantic prospecting and thinking of Indian English writing in the global market. Sri Aurobindo stands like a huge oak spreading its branches over these two centuries. He is the first poet in Indian writing English who was given the re-interpretation of Myths. Tagore is the most eminent wr

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COLOMBANI, MARáA CECILIA. "LAS MARCAS DEL MATRIMONIO EN LA OBRA DE HESáODO. PANDORA COMO LA CONSTRUCCIÓN DE LO OTRO." Outros Tempos: Pesquisa em Foco - História 16, no. 28 (2019): 72–86. http://dx.doi.org/10.18817/ot.v16i28.724.

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La Antigá¼edad griega ha definido dos topoi simbólicos para territorializar la identidad (Mismidad) y la otredad: la há½bris y la sophrosyne, definidos discursivamente en la mitologáa por dos linajes, uno claro y otro oscuro, que seguirán presentes en el peráodo clásico. En este sentido esa es la experiencia dominante griega de la identidad y la otredad. La sophrosyne termina su larga ligazón con la identidad y la há½bris con la otredad. A partir de allá proponemos pensar un modelo de construcción de la Otredad en la economáa general del pensamiento mático. Pensar y construir a un otro im

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Zhurba, O. I., та T. F. Lytvynova. "Antiquity as an ideal and a factor in the formation of the intellectual landscape of Ukraine in the second half of the XVIII – early ХІХ centuries". Studies in history and philosophy of science and technology 32, № 2 (2024): 27–34. http://dx.doi.org/10.15421/272319.

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The role and place of ancient intellectual heritage (fiction, mythology, historical works, political and philosophical treatises) in the formation of the intellectual landscape of Ukraine during the late Enlightenment are presented and analyzed. The purpose of the work was to find out the methods of assimilation and instrumentalization of the culture of Antiquity in the Ukrainian intellectual environment. The research methodology is based on intellectual history approaches aimed at identifying the mechanisms of formation and structures of the intellectual landscape of certain cultural areas. T

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13

"Greek mythology: poetics, pragmatics and fiction." Choice Reviews Online 47, no. 06 (2010): 47–3007. http://dx.doi.org/10.5860/choice.47-3007.

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14

Lim, Lauren. "Modernizing Myth: Madeline Miller and the Continuation of the Monomyth." Journal of Student Research 12, no. 2 (2023). http://dx.doi.org/10.47611/jsrhs.v12i2.4350.

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Greek mythology is generally looked upon as stagnated stories of made up characters and monsters; however, through the words of one contemporary author, Madeline Miller, mythology is revealed to be a modern phenomenon, not solely a classical one. This essay explores the works of Miller’s Young Adult novels, Song of Achilles, Circe, and Galatea that reveal unrepresented and misunderstood segments of mythology, interpreting them to empower and reveal aspects of not only Antiquity but also modern society. Her interpretation inevitably encourages young readers to challenge classical history that p

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Keen, Tony. "Are fan fiction and mythology really the same?" Transformative Works and Cultures 21 (March 15, 2016). http://dx.doi.org/10.3983/twc.2016.0689.

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This short piece addresses some of the assumptions about the connections between Greek and Roman mythology and fan fiction that underlie this special issue of Transformative Works and Cultures, arguing that the connections are not always as simple as they are sometimes made out to be.

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Sandhra Sunny and Dr Sharmila Narayana. "Reimagining Circe: Subversion of Patriarchal Mythic Patterns in Louise Gluck’s Circe’s Power." Literary Voice, February 22, 2024, 67–76. http://dx.doi.org/10.59136/lv.2024.2.1.8.

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Myths rooted in patriarchal ideologies subordinate women and distort female experiences. They are laden with stereotypes and gendered representations. This raised a significant concern among feminist scholars to critically challenge narratives entrenched in patriarchal thought and carve new mythological grounds for women. Feminist writers have employed revisionist mythmaking strategies to articulate dissent and denounce myths that annihilate their experiences. The paper examines the revisionist strategies employed by Louise Gluck in her poem Circe’s Power (1996)from the collection Meadowlands

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17

-, Philips E. Rubin, Sudha S. -, and Akshara Dinesh -. "The Reflection of Myth in Rick Riordan’s Percy Jackson Series and Amish Tripathi’s Shiva Trilogy." International Journal For Multidisciplinary Research 6, no. 2 (2024). http://dx.doi.org/10.36948/ijfmr.2024.v06i02.14458.

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Mythology is considered as a pillar of literature. In recent years it has regained its former glory of playing a pivotal role in the field of literature. Mythology and fiction have worked hand-in-hand to create some of the master pieces that of the past. Two such mythological works of the contemporary era are focused to correlate the world of reality and mythology and also to discover the reflection of myth in literature. Mythological works like Odyssey is recounted more as a historical fiction rather than fiction alone. In recent times, a series of novels focusing on the Greek mythology has b

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18

Pataki, Elvira. "Seneca már (megint) nem a régi." Studia Litteraria 58, no. 1-2 (2019). http://dx.doi.org/10.37415/studia/2019/58/4274.

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The article examines antiquity in the most successful young adult novel series in recent times, Időfutár. The text, which intertwines the genres of fantasy and alternative historical fiction, is built upon parallel time-travelling narrative schemes, the pathos of quest fantasy is replaced by absurd humor, Greek mythology by Roman history and some classical literary models. The plot takes place during Nero’s reign and it interweaves ancient artifacts and Latin literature with state-of-the-art scientific and technical developments, to create the symbiosis of modernity and antique culture. This b

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19

Willis, Ika. "Amateur mythographies: Fan fiction and the myth of myth." Transformative Works and Cultures 21 (March 15, 2016). http://dx.doi.org/10.3983/twc.2016.0692.

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This paper draws on classical scholarship on myth in order to critically examine three ways in which scholars and fans have articulated a relationship between fan fiction and myth. These are (1) the notion of fan fiction as a form of folk culture, reclaiming popular story from corporate ownership; (2) the notion of myth as counterhegemonic, often feminist, discourse; (3) the notion of myth as a commons of story and a universal story world. I argue that the first notion depends on an implicit primitivizing of fan fiction and myth, which draws ultimately on the work of Gottfried von Herder in th

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20

Lysanets, Yuliia, and Olena Bieliaieva. "The use of eponyms in medical case reports: etymological, quantitative, and structural analysis." Journal of Medical Case Reports 17, no. 1 (2023). http://dx.doi.org/10.1186/s13256-023-03895-0.

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Abstract Background The present paper focuses on eponyms, that is, terms with proper names, in particular, derived from world mythologies, the Bible, and modern literature. The study highlights the significance of this terminological phenomenon in the English sublanguage of medicine and discusses its role in the process of writing medical case reports. The objectives of the research are to study the prevalence of eponyms in the English language in medical case reports and to analyze the etymology of the revealed terms. The deeper purpose of our study is to demonstrate that eponymic terms in ge

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21

Crooks, Juliette. "Recreating Prometheus." M/C Journal 4, no. 4 (2001). http://dx.doi.org/10.5204/mcj.1926.

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Prometheus, chained to a rock, having his liver pecked out by a great bird only for the organ to grow back again each night so that the torture may be repeated afresh the next day must be the quintessential image of masculinity in crisis. This paper will consider Promethean myth and the issues it raises regarding 'creation' including: the role of creator, the relationship between creator and created, the usurping of maternal (creative) power by patriarchy and, not least, the offering of an experimental model in which masculine identity can be recreated. I argue that Promethean myth raises sign

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Guimont, Edward. "Megalodon." M/C Journal 24, no. 5 (2021). http://dx.doi.org/10.5204/mcj.2793.

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In 1999, the TV movie Shark Attack depicted an attack by mutant great white sharks on the population of Cape Town. By the time the third entry in the series, Shark Attack 3, aired in 2002, mutant great whites had lost their lustre and were replaced as antagonists with the megalodon: a giant shark originating not in any laboratory, but history, having lived from approximately 23 to 3.6 million years ago. The megalodon was resurrected again in May 2021 through a trifecta of events. A video of a basking shark encounter in the Atlantic went viral on the social media platform TikTok, due to users m

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Tofts, Darren John. "Why Writers Hate the Second Law of Thermodynamics: Lists, Entropy and the Sense of Unending." M/C Journal 15, no. 5 (2012). http://dx.doi.org/10.5204/mcj.549.

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If you cannot understand my argument, and declare “It’s Greek to me,” you are quoting Shakespeare.Bernard LevinPsoriatic arthritis, in its acute or “generalised” stage, is unbearably painful. Exacerbating the crippling of the joints, the entire surface of the skin is covered with lesions only moderately salved by anti-inflammatory ointment, the application of which is as painful as the ailment it seeks to relieve: NURSE MILLS: I’ll be as gentle as I can.Marlow’s face again fills the screen, intense concentration, comical strain, and a whispered urgency in the voice over—MARLOW: (Voice over) Th

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Davies, Elizabeth. "Bayonetta: A Journey through Time and Space." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1147.

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Art Imitating ArtThis article discusses the global, historical and literary references that are present in the video game franchise Bayonetta. In particular, references to Dante’s Divine Comedy, the works of Dr John Dee, and European traditions of witchcraft are examined. Bayonetta is modern in the sense that she is a woman of the world. Her character shows how history and literature may be used, re-used, and evolve into new formats, and how modern games travel abroad through time and space.Drawing creative inspiration from other works is nothing new. Ideas and themes, art and literature are f

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