Conecte-se

Bibliografias temáticas / Clothingco / Artigos de revistas

Siga este link para ver outros tipos de publicações sobre o tema: Clothingco.

Artigos de revistas sobre o tema "Clothingco"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 1 de fevereiro de 2022

Crie uma referência precisa em APA, MLA, Chicago, Harvard, e outros estilos

Selecione um tipo de fonte:

Veja os 50 melhores artigos de revistas para estudos sobre o assunto "Clothingco".

Ao lado de cada fonte na lista de referências, há um botão "Adicionar à bibliografia". Clique e geraremos automaticamente a citação bibliográfica do trabalho escolhido no estilo de citação de que você precisa: APA, MLA, Harvard, Chicago, Vancouver, etc.

Você também pode baixar o texto completo da publicação científica em formato .pdf e ler o resumo do trabalho online se estiver presente nos metadados.

Veja os artigos de revistas das mais diversas áreas científicas e compile uma bibliografia correta.

1

Setiawan, Deni, Timbul Haryono e M. Agus Burhan. "Analisis Fungsi Pakaian Karnaval di Yogyakarta Menurut Roland Barthes dan Fungsi Seni Edmund Burke Felmand". Humaniora 6, n.º 3 (30 de julho de 2015): 418. http://dx.doi.org/10.21512/humaniora.v6i3.3368.

Texto completo da fonte

Resumo:

Carnival clothing is one form of artists’ creativities in fine art, created in various functions. Those functions are viewed based on utility value and the purpose that consistently are embedded in an art work. In addition, several functions of carnival clothing were constructed on the basis of social and cultural conditions that are effective in a certain place. Each and every type of clothing raises perception to everyone else who sees it. Promotion of fashion style and industry through carnival clothing results in diverse perceptions acceptable to the viewers. Audience’s perceptions are also not apart from the key functions, social ones, and the physical ones of those carnival clothings themselves. Those three functions are the common ones of each art work created as communication tool with everyone else. The carnival clothings are communication tools of the fashion designer to the customers, communication between one customer and another one. On the carnival clothing there are also sources of knowledge science, history, technology, and many other explainable meanings. Through carnival clothings, the detectable issues in physical and non-physical structures are identifiable as well as they play role as the space to make more exploration on the dynamics of a community culture. This article aims to answer the functions of carnival clothing, using aesthetic approach, through the theory of clothing functions Roland Barthes and Edmund Burke Feldman’s art functions.

Estilos ABNT, Harvard, Vancouver, APA, etc.

2

Thelkar, Vishal. "A STUDY ON SUSTAINABLE CLOTHING MARKET WITH REFERENCE TO PUNE CITY". International Journal of Engineering Technologies and Management Research 5, n.º 6 (27 de fevereiro de 2020): 66–79. http://dx.doi.org/10.29121/ijetmr.v5.i6.2018.246.

Texto completo da fonte

Resumo:

The purpose of this study is to understand the buying behavior towards sustainable and ecoclothing. This paper presents the facts, figures and general awareness about eco fashion and eco clothing. It also elaborates the environmental impacts about the raw material and manufacturing process used for clothing and suggests Sustainable Raw Material be preferred for sustainable clothing’s in India, The purpose of this paper is also to examine the relationship between eco fashion and their willingness to pay a premium for eco-clothing’s with the focus on gender and age group. This paper classifies the consumer into 7 types with respect to specific attitude to sustainable and eco-clothing within the sample of 119 in Pune region. The findings will help fast fashion retailers, marketers, environmental activists, ecological researchers, charity institutions and public policy makers.

Estilos ABNT, Harvard, Vancouver, APA, etc.

3

Slabotinský, Jiří, e Šárka Bernatíková. "Reaction of the Female Body to Stress in a Chemical Protective Clothing". TRANSACTIONS of the VŠB – Technical University of Ostrava, Safety Engineering Series 11, n.º 2 (1 de setembro de 2016): 15–21. http://dx.doi.org/10.1515/tvsbses-2016-0012.

Texto completo da fonte

Resumo:

Abstract This article deals with the reaction of the female body to the use of an insulation chemical protective clothing combined with working - thermal and mental stress to which the female is exposed. The article provides a concise overview of protective chemical clothings and factors affecting their comfort; it describes the regularities corresponding to the physiological reaction, important for the body’s reaction to the use of a chemical protective clothing. Further, the article contains a description of the measurement and evaluation of physiological parameters of non-acclimated women during testing of these clothings and, finally, comparison with the results for males under the same stress which is unfavourable for women.

Estilos ABNT, Harvard, Vancouver, APA, etc.

4

Shaharuddin, Siti Shukhaila, e Marzie Hatef Jalil. "Multifunctional Children Clothing Design Process Based on the Eco-Fashion Design Model". Journal of Visual Art and Design 13, n.º 1 (6 de julho de 2021): 35–47. http://dx.doi.org/10.5614/j.vad.2021.13.1.3.

Texto completo da fonte

Resumo:

The purpose of this study was to develop the design of multifunctional children’s clothing that supports sustainability goals. This paper proposes multifunctional clothing that can be recycled and decomposed at the end of the clothing’s lifespan. In particular, the Eco-fashion design model was adopted in this project. After analyzing fashion consumption and problems in children’s product design, four items of multifunctional children’s clothing were developed. Multifunctional children’s clothing design focuses on material selection, zero-waste techniques, design for disassembly and children’s health. Thus, the minimization of material diversity as well as the application of zero-waste design techniques and multifunctional design guidelines for children’s clothing design can be implemented towards sustainability in order to preserve the environment by selecting recyclable materials, promoting profit and human health concerning multifunctional purposes and international standards for children’s clothing design. The ﬁndings can be used in various apparel products to help mitigate problems related to environmental pollution and resource depletion in the apparel industry.

Estilos ABNT, Harvard, Vancouver, APA, etc.

5

Verlan, Veronica, e Marcela Irovan. "APPLICATIONS OF 3D PRINTING TECHNOLOGIES IN THE GARMENT INDUSTRY". Applied Researches in Technics, Technologies and Education 16, n.º 2 (2018): 104–7. http://dx.doi.org/10.15547/artte.2018.02.005.

Texto completo da fonte

Resumo:

The usage of innovative technologies has become one of the most widespread ways of diversifying the current supply of clothing and footwear products. Therefore, using the 3D printing technologies in the garment production is a remarkable example of the symbiosis of creativity and technology, which creates unusual and fashionable clothing pieces. Although the 3D printing technology is a relatively new technology and allows creating unique garments it must not neglect important features of clothing products such as cost-accessibility, comfort and aesthetic appearance. The research on these aspects is prior to implement this technology in the manufacturing process. The study includes the analysis of the current 3D printing technologies which are used for obtaining three-dimensional objects, the current directions of implementing this technology in the industry, as well as the opportunities of applying this technology in the process of clothing’s creation. Therefore, this paper concludes the study with the creation of a clothing product – a blouse for women, which is including a 3D printed part confirming this way the possibility of creation of clothing products, which would integrate innovative elements which were obtained by implementing the advanced technology of additive manufacturing.

Estilos ABNT, Harvard, Vancouver, APA, etc.

6

Martindale, Addie, e Ellen McKinney. "Self-sewn identity: How female home sewers use garment sewing to control self-presentation". Journal of Consumer Culture 20, n.º 4 (16 de março de 2018): 563–77. http://dx.doi.org/10.1177/1469540518764238.

Texto completo da fonte

Resumo:

Garment sewing was once a necessity for women to present themselves and their families in a socially acceptable manner. Despite societal and economics changes, as well as, an abundance of readily available cheap clothing, there is a resurging interest in personal garment sewing by women. This qualitative study explored the control gained by women who sew their own clothing finding that among the women interviewed personal garment sewing allowed them control over their clothing’s style, fit, and quality, which was not found through purchasing ready-to-wear clothes. Garment sewing permitted these women to present themselves in clothing that they felt more accurately represented their personality and taste. These findings provide insights into the usage of garment sewing by women to control their appearance which allowed them more authority over their clothing selection than their non-sewing peers. Validation of the women’s time spent sewing was established as the findings postulate noteworthy benefits that include increased satisfaction with both their appearance and their presentation of self to others. The findings are explained using theories related to self-presentation and identity.

Estilos ABNT, Harvard, Vancouver, APA, etc.

7

Zimniewska, Malgorzata, Mariola Pawlaczyk, Izabella Krucinska, Iwona Frydrych, Przemysław Mikolajczak, Katarzyna Schmidt-Przewozna, Agnieszka Komisarczyk, Lucyna Herczynska e Barbara Romanowska. "The influence of natural functional clothing on some biophysical parameters of the skin". Textile Research Journal 89, n.º 8 (17 de abril de 2018): 1381–93. http://dx.doi.org/10.1177/0040517518770680.

Texto completo da fonte

Resumo:

The objectives of the study were to develop functional natural fiber clothing with microcapsules containing active herbal extracts with properties enhancing the treatment of dermatoses and to confirm the efficiency of the clothing's activity by testing its effect on the biophysical parameters of human skin. As a result of the work, clothing enriched with green tea and Viola tricolor extracts enclosed in ethyl cellulose microcapsules was produced. The microcapsules were applied on the inner surface of linen knitted fabric, which ensured direct contact of the active substances with the patients' affected skin. The efficiency of the clothing was tested according to our own methodology, which included wearing tests, microbiological tests of the skin and tests of skin moisture, transepidermal water loss and itching intensity. Also, the effect of the active substances present on the fabrics on the in vitro culture of human keratinocytes was evaluated. The test results confirmed that linen clothing enriched with medicinal plant extracts enclosed in microcapsules had an effect on the reduction of itching intensity, an increase in skin moisture, reduction of transepidermal water loss and a reduction of pathogenic bacterial colonies residing on the patients' skin. They confirmed that the new method of administering herbal substances to the skin of dermatological patients via the wearing of functional clothing is effective and leads to symptom relief. The studies allowed for the filing of a patent submission, number P 411869, titled “The clothing acting as a dressing supplement in the therapy of dermatological diseases.”

Estilos ABNT, Harvard, Vancouver, APA, etc.

8

Bugg, Jessica. "Dancing dress: Experiencing and perceiving dress in movement". Scene 2, n.º 1 (1 de outubro de 2014): 67–80. http://dx.doi.org/10.1386/scene.2.1-2.67_1.

Texto completo da fonte

Resumo:

Clothing design for dance is an area that has been little documented, particularly in relation to the experience and perception of the dancer. Contemporary dance and clothing can both be understood as fundamentally phenomenological and as such there is further potential to investigate the lived experience of wearing clothing in dance. This article approaches dress in the context of the moving and dancing body, and it aims to develop an understanding of the role of dress in dance by focusing on the sensory, embodied experience and perception of the performer. It addresses questions of how clothing is perceived in movement by the performer, how and if clothing’s design intention, materiality and form motivate physical response, and what conscious or unconscious cognitive processes may be at play in this interaction between the active body and clothing. The intention is to propose developed methods for designers across clothing disciplines to contribute in a meaningful way to the overall dance work. The article draws on an analysis of my practice-led research that employs embodied experience of dress to inform the design and development of clothing as communication and performance. The research has involved close collaboration with a dancer, analysis of recorded interviews, and visual documentation of design and movement. The research has produced data on the dancer’s experience and perception of garments in performance and this is discussed here in relation to writings on perception, performance, the body and cognition. The research is approached through theory and practice and draws on interviews, observation and lived experience. This article is developed from an earlier conference paper that investigated the role and developed potential of clothing in contemporary dance that was presented at the 4th Global Conference: Performance: Visual Aspects of Performance Practice, Inter-Disciplinary.Net, held in Oxford on 17–19 September 2013.

Estilos ABNT, Harvard, Vancouver, APA, etc.

9

Wu, Chun Yan, Guo Wen Song, Chang Feng Qu e Lan Bing Xu. "Protective Clothing’s Function and Application - Analysis of Outdoor Protective Clothing Design and Comfort Performance". Advanced Materials Research 627 (dezembro de 2012): 581–84. http://dx.doi.org/10.4028/www.scientific.net/amr.627.581.

Texto completo da fonte

Resumo:

Function and comfort are the main two aspects of outdoor protective clothing design. Outdoor clothing industry market has grown rapidly in recent years. There exists a strong market competation in apparel industry. Satisfaction in consumer's demands is the crucial. In this paper, the trends of demands from four aspects factors were analyzed. Thses trends include potential consumer's market; consumer's aesthetic and fit demands, functions and fashion construction design demands, optimization construction design and wear comfort demands. Optimization construction design directly impacts air gap size and distribution, the air gap layers between skin and clothing is determined by clothing construction design. 3D scanning provides a novel method to visualize and quantify the air gaps. But optimization construction design need more experiences and tests.

Estilos ABNT, Harvard, Vancouver, APA, etc.

10

Currie, Elizabeth. "Health Hazards". Bulletin of the John Rylands Library 95, n.º 2 (1 de setembro de 2019): 115–33. http://dx.doi.org/10.7227/bjrl.95.2.6.

Texto completo da fonte

Resumo:

Studies of early modern dress frequently focus on its connection with status and identity, overlooking clothing’s primary function, namely to protect the body and promote good health. The daily processes of dressing and undressing carried numerous considerations: for example, were vital areas of the body sufficiently covered, in the correct fabrics and colours, in order to maintain an ideal body temperature? The health benefits of clothing were countered by the many dangers it carried, such as toxic dyes, garments that were either too tight or voluminous, or harboured dirt and diseases that could infect the body. This article draws on medical treatises and health manuals printed and read in Italy and England, as well as personal correspondence and diaries, contextualised with visual evidence of the styles described. It builds on the current, wider interest in preventative medicine, humoral theory, health and the body in the early modern period by focusing in depth on the role of clothing within these debates.

Estilos ABNT, Harvard, Vancouver, APA, etc.

11

Kenney, W. L., D. A. Lewis, D. E. Hyde, T. S. Dyksterhouse, C. G. Armstrong, S. R. Fowler e D. A. Williams. "Physiologically derived critical evaporative coefficients for protective clothing ensembles". Journal of Applied Physiology 63, n.º 3 (1 de setembro de 1987): 1095–99. http://dx.doi.org/10.1152/jappl.1987.63.3.1095.

Texto completo da fonte

Resumo:

When work is performed in heavy clothing, evaporation of sweat from the skin to the environment is limited by layers of wet clothing and air. The magnitude of decrement in evaporative cooling is a function of the clothing's resistance to permeation of water vapor. A physiological approach has been used to derive effective evaporative coefficients (he) which define this ability to evaporate sweat. We refined this approach by correcting the critical effective evaporative coefficient (K for sweating efficiency (Ke,eta') since only a portion of the sweat produced under such conditions is evaporated through the clothing. Six acclimated men and women walked at 30% maximal O2 consumption (150–200 W.m-2) at a constant dry bulb temperature as ambient water vapor pressure was systematically increased 1 Torr every 10 min. Critical pressure was defined as the partial pressure of water vapor (Pw) at which thermal balance could no longer be maintained and rectal temperature rose sharply. Each test was performed in various clothing ensembles ranging from cotton shirt and pants to “impermeable” suits. This approach was used to derive he by solving the general heat balance equation, M - W +/- (R + C) = w.he.(Psk - Pw), where M is metabolic heat production, W is external work, R is radiant heat exchange, C is convective heat transfer, w is skin wettedness, and Psk is water vapor pressure of fully wet skin.(ABSTRACT TRUNCATED AT 250 WORDS)

Estilos ABNT, Harvard, Vancouver, APA, etc.

12

Pesetskaya, Aleksandra Aleksandrovna. "CLOTHING AS A PART OF THE MARI WEDDING GIFT EXCHANGE (THE LATE 19TH AND EARLY 20th CENTURIES)". Yearbook of Finno-Ugric Studies 13, n.º 2 (25 de junho de 2019): 312–24. http://dx.doi.org/10.35634/2224-9443-2019-13-2-312-324.

Texto completo da fonte

Resumo:

The article considers using clothing items during the traditional Mari wedding gift exchange ceremony. In addition to its emblematic function represented by a dress as a whole, the Mari wedding clothing has always been a part of the wedding gift exchange ritual. Though, it rarely was an object of research in this respect. The rite of exchange of the clothing items takes an important place in the Mari wedding procedure, because it pinpoints social relations of different levels, of both individual and group levels. Items of exchange serve as communication mediators and form a pattern of the rite. The research is based on the archival exhibits and written sources of the Russian museum of ethnography. Apart from that, the author’s field materials for the period from 2009 to 2018 obtained through own expeditionary work in various regions of the Mari El were used. Based on the sources, the article analyses information on the extent of the clothing’s significance and usage as an object of the gift exchange ceremony, considers different types of clothing items used for the exchange as well as their possible equivalents, discloses relevant features of these items. The paper specifies levels of the wedding ceremony with an exchange of the clothing items fixed. In particular, a primary secret agreement, marriage proposal, gifting guests with a bride are crucial components of the rite with a public agreement present. The study of the Mari wedding gift exchange seems to be promising, as, despite a transformed wedding ceremony, the procedure itself remains unchanged, being one of the most sustainable mechanisms of the public regulation.

Estilos ABNT, Harvard, Vancouver, APA, etc.

13

KOSKELA, ANU. "Coatsandbrasandjeans– andclothes, too: lexical contrast between hyperonyms and hyponyms". English Language and Linguistics 21, n.º 3 (3 de novembro de 2016): 475–99. http://dx.doi.org/10.1017/s136067431600037x.

Texto completo da fonte

Resumo:

A special case of lexical contrast involves contrasting a hyperonym and a hyponym (as inclothes and socks), leading to the narrowing of the hyperonym's sense. However, not all hyperonym/hyponym pairs are amenable to contrast (e.g.?animals and cats). While category prototype structure forms a strong motivating and constraining factor for hyperonym/hyponym contrast (e.g. Lehrer 1990), what is lacking in previous work is a systematic consideration of the co-hyponyms in real language use. To that end, data from the GloWbE corpus (Davies 2013) were used to investigate which terms for items of clothing (e.g.coat,bra,jeans) can be contrasted with their hyperonym (eitherclothesorclothing). While marginal members of theitem of clothingcategory (e.g.belt,hat) have a stronger potential for contrasting with the hyperonym, even prototypical hyponyms (e.g.shirt,jeans) contrasted withclothes/clothingin at least some contexts. Language users can therefore manipulate category boundaries to meet their discourse needs, exploiting a range of dimensions of difference to create contrast. Many clothing terms were also found to contrast more readily withclothesthan withclothing, suggesting that the meaning ofclothesis generally narrower than that of its near-synonymclothing.

Estilos ABNT, Harvard, Vancouver, APA, etc.

14

Hagins, Zachary R. "Clothing and refugee identity in Des sneakers comme Jay-Z". Contemporary French Civilization 45, n.º 3-4 (1 de dezembro de 2020): 317–36. http://dx.doi.org/10.3828/cfc.2020.19.

Texto completo da fonte

Resumo:

This article presents and analyzes how clothing shapes refugee identity in Des sneakers comme Jay-Z, an engaged photographic project from 2018 by French photographers Frédéric Delangle and Ambroise Tézenas. Commissioned by the association Emmaüs Solidarité, the series features forty-six portraits of men seeking asylum in France. The refugees wear outfits they selected from available donations at the Centre de premier accueil de la Porte de la Chapelle in Paris. First-person texts featuring the men’s thoughts about their clothing choices accompany the images. I contend that vestimentary choices in Des sneakers comme Jay-Z reflect each man’s sense of agency in the social construction of his nascent transnational identity as he adapts to life within the French Republic. Although casual, everyday outfits rarely draw engaged reflection by those around us, photographing the refugees in their selected outfits and questioning them about these items creates a project that defamiliarizes common garments to encourage viewers to reflect on clothing’s role in fashioning new subjectivities. Reading the accompanying texts through the lens of the sociology of clothing and fashion, the article investigates how the men’s apparel choices reflect both nostalgia for their homelands and a desire to integrate into French society. Through the shared human experience of self-presentation through dress, Des sneakers comme Jay-Z thus constructs a narrative emphasizing refugees’ basic humanity in order to contest anti-migrant discourses.

Estilos ABNT, Harvard, Vancouver, APA, etc.

15

Curran, Louise. "Clothing's big bang: the impact of the end of the ATC on developing country clothing suppliers". Journal of Fashion Marketing and Management: An International Journal 11, n.º 1 (6 de março de 2007): 122–34. http://dx.doi.org/10.1108/13612020710734445.

Texto completo da fonte

Resumo:

PurposePrior to the liberalisation of the clothing and textiles sector under the Agreement on Textiles and Clothing (ATC) fears had been expressed about the potential impact on developing country suppliers. This paper seeks to establish the actual impact of the liberalisation of the EU and US clothing markets.Design/methodology/approachComparison of trade figures pre and post liberalisation.FindingsThe paper finds that, as forecast, significant changes occurred in sourcing patterns in the EU almost overnight. The big winners were India and China. Almost all other developing countries lost market share, although often not as much as had been feared. The impact of the liberalisation was mitigated somewhat by the new quantitative restrictions negotiated with China half way through the year, which resulted in a redistribution of market share to other developing countries. Comparisons with the USA indicate that trends are rather similar, although on that market more developing countries saw increases in their exports, partly cancelling out losses in the EU.Originality/valueThis is believed to be the first attempt to assess the real world impact of the liberalisation of the clothing sector.

Estilos ABNT, Harvard, Vancouver, APA, etc.

16

S, Thejashwini K., Sayeeqa Anjum e Sowmya K. N. C. R. Manjunath. "IoT Based Smart Clothing". International Journal of Trend in Scientific Research and Development Volume-2, Issue-4 (30 de junho de 2018): 717–22. http://dx.doi.org/10.31142/ijtsrd13055.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

17

Milosevic, Paula, e Slavica Bogovic. "3D technologies in individualized chest protector modelling". Textile & Leather Review 1, n.º 2 (setembro de 2018): 46–55. http://dx.doi.org/10.31881/tlr.2018.vol1.iss2.p46-55.a6.

Texto completo da fonte

Resumo:

The application of 3D technology increases every day by discovering new ways of usage, which can make everyday life easier. It is most used in production of individualized items that become more accessible and fully customized to personal needs. 3D technologies such as 3D scanning, 3D modelling and additive technologies (3D printing) are used in various areas of human activity such as medicine, architecture, the movie industry, etc. In the clothing’s industry, 3D scanning the human body is digitized, which is after that used in computer software packages for custom-made clothing. Except for the fashion industry, there is a need for individualized protective work clothing and equipment production in other industries as well. The possibility of applying new technologies such as 3D scanning and 3D modelling of protective elements that can be made by using 3D printers is presented in this paper. In order to design a field hockey chest protector, male and female subjects were scanned using a 3D body scanner in several different positions specific to the sport. The chest protector was constructed and modeled based on the digitalized images. Software packages were used which enable point clouds preparation of the digitalized human body for constructing the protector, its modelling and preparation of virtually designed protectors for 3D printing. An individualized chest protector is modeled using a software program called Bender. The protector is integrated into the clothing item, completely follows the body shape and provides the necessary protection.

Estilos ABNT, Harvard, Vancouver, APA, etc.

18

Szücs-Csillik, Iharka, e Zoia Maxim. "Stele și mărgele". Anuarul Muzeului Etnograif al Transilvaniei 32 (20 de dezembro de 2018): 320–24. http://dx.doi.org/10.47802/amet.2018.32.18.

Texto completo da fonte

Resumo:

The story behind these clothing accessories represented in the Prehistoric Art and in the stars makes that the man to be closer to sky (heaven, deity), the microcosmic Earth merging with the macrocosmic Universe. From the cycle of the clothing’s constellation symbolism we will approach the „Collier-Necklace” constellations. The "necklace (collier)" is meaningful myth-ritualistic clothing accessory and is represented on the sky by cluster of seven (nine) star forming the Pleiades in the constellation Taurus. Denomination of the "Necklace-Collier" is given in Romanian cosmogony for the Lira and Dolphin constellations. Necklace (collar, choker, lei, band, beads) has a rich sacred and ritualistic symbolism, being a sign of belonging to a certain age and social status, symbol of sentimental, or of gratitude and reward civil, or military, sealing the connection between the giver and the receiver. Moreover, it means the order (strings of beads), the respecting of customs, being an element of pomp and display of wealth, some worn daily, others within the sacred ritual ceremonies. Archaeologically, there were identified several statues bearing the "necklace" as "Adonis" from Ruginoasa and the idol of Truşeşti.

Estilos ABNT, Harvard, Vancouver, APA, etc.

19

Norris, Lucy. "Waste, dirt and desire: Fashioning narratives of material regeneration". Sociological Review 67, n.º 4 (julho de 2019): 886–907. http://dx.doi.org/10.1177/0038026119854273.

Texto completo da fonte

Resumo:

The consumption of clothing fashioned from recycled textile fibre waste poses a challenge for buyers not simply due to fears of a loss of quality, but also to fears of ‘dirt’ and contagion. These concerns appear to reside in cast-off clothing’s intimate links with unknown bodies, and cultural perceptions of the recycling system’s ability to properly ‘clean’ these materials and transform them back again into textile fibres that can be worn again on the body. The fashion industry currently recycles less than 1% of its own cast-offs back into clothing, despite mainstream economists’ claims that keeping fibres in circulation for longer is not only environmentally sustainable but also economically advantageous: closed-loop business models secure resources in an increasingly competitive market still focused upon growth. Here it is argued that the drive towards a more circular fashion system in Europe brings competing frameworks of purity into the same field, where cultural values ascribed to clothing hygiene and cleanliness are confronted with the goals of sustainability and resource effectiveness. In their attempts to re-make post-consumer clothing fibres back into desirable fashion, manufacturers and retailers are trying to negotiate these complex value systems, with variable results. This article explores three, very different, contexts where manufacturers and retailers experiment with adding value to fashion made from mechanically-recycled wool: an ethical fashion trade fair in Berlin, textile specialists working with a British high street retailer, and a yarn wholesaler in Prato, Italy. The examples reveal the current precarity of the symbolic re-ordering of recycled textile materials as ‘clean and green’ rather than ‘old and dirty’, and how corporate actors struggle to re-shape their narratives of material sustainability at this increasingly visible frontier.

Estilos ABNT, Harvard, Vancouver, APA, etc.

20

Eryuruk, Selin Hanife. "Effect of Fabric Layers on Thermal Comfort Properties of Multilayered Thermal Protective Fabrics". Autex Research Journal 19, n.º 3 (1 de setembro de 2019): 271–78. http://dx.doi.org/10.1515/aut-2018-0051.

Texto completo da fonte

Resumo:

Abstract Thermal protective clothings are produced from multilayered textile materials. Fabric layers need to allow enough evaporation of perspiration, ventilation, and also thermal protection from fire. This study aimed to evaluate the effects of different fabric layers and their different combinations on the thermal properties of multilayered fabric samples. Three-layered fabric combinations were created using two types of outer shell fabrics, four types of moisture barrier fabrics with membrane, and two types of thermal barrier fabrics. Sixteen different fabric combinations that simulate three-layered thermal protective clothing were studied. As a result of the study, it was found that thermal and moisture comfort properties were significantly affected by different fabric layers.

Estilos ABNT, Harvard, Vancouver, APA, etc.

21

Arga Şahinoğlu, Meyrem, Saliha Özelmas Kahya, Esen Çoruh e Derya Çelik. "ÇALIŞAN KADINLARIN GİYSİ SEÇİMLERİNİ ETKİLEYEN ETMENLER". e-Journal of New World Sciences Academy 11, n.º 3 (22 de julho de 2016): 194–204. http://dx.doi.org/10.12739/nwsa.2016.11.3.3c0144.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

22

Dhingra, Dr Rajni, e Ramandeep kaur. "Clothing Purchase Practices of Tweens in Jammu City". Indian Journal of Applied Research 4, n.º 8 (1 de outubro de 2011): 322–26. http://dx.doi.org/10.15373/2249555x/august2014/81.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

23

Ertürk, Nilay, e Tutku Ceren Ruşen. "GENÇLİK ALTKÜLTÜRLERİNE AİT GİYİMLERİN GÖSTERGEBİLİMSEL İNCELENİŞİ". E-Journal of New World Sciences Academy 13, n.º 2 (30 de abril de 2018): 11–31. http://dx.doi.org/10.12739/nwsa.2018.13.2.2c0060.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

24

Muñoz-Valera, Silvia. "La Ecologización de la Industria de la Moda: actores y procesos". Anduli, n.º 19 (2020): 199–223. http://dx.doi.org/10.12795/anduli.2020.i19.09.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

25

Brody, Jill. "Indian Clothing Before Cortes:Indian Clothing Before Cortes." Latin American Anthropology Review 3, n.º 2 (dezembro de 1991): 85. http://dx.doi.org/10.1525/jlat.1991.3.2.85.1.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

26

Kawabata, S., e Masako Niwa. "Fabric Performance in Clothing and Clothing Manufacture". Journal of The Textile Institute 80, n.º 1 (janeiro de 1989): 19–50. http://dx.doi.org/10.1080/00405008908659184.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

27

Kim, Hyo Jin, Ji Won Moon, Bo Ran Han, Ho Jung Choo e Kyu Hye Lee. "Clothing Knowledge and Clothing Consumption Behavior : Comparison between Clothing Majors and Non-Majors". International Journal of Costume and Fashion 12, n.º 2 (31 de dezembro de 2012): 33–40. http://dx.doi.org/10.7233/ijcf.2012.12.2.033.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

28

Burger, Axel M., e Herbert Bless. "Cognitive consequences of formal clothing: the effects of clothing versus thinking of clothing". Comprehensive Results in Social Psychology 2, n.º 2-3 (2 de setembro de 2017): 228–52. http://dx.doi.org/10.1080/23743603.2017.1396185.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

29

Francis, Sally, e Leslie Davis Burns. "Effect of Consumer Socialization on Clothing Shopping Attitudes, Clothing Acquisition, and Clothing Satisfaction". Clothing and Textiles Research Journal 10, n.º 4 (junho de 1992): 35–39. http://dx.doi.org/10.1177/0887302x9201000406.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

30

Doi, Chizuko, Masako Tsuchida e Hisako Kurahashi. "Clothing as a Cue in the Impression Formation of Personal Characteristics. A Case of Stimulation through the Slide Photographs of Clothings." Sen'i Kikai Gakkaishi (Journal of the Textile Machinery Society of Japan) 44, n.º 11 (1991): T240—T245. http://dx.doi.org/10.4188/transjtmsj.44.11_t240.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

31

Chowdhary, Usha. "Clothing Symbolism". International Journal of Interdisciplinary Social Sciences: Annual Review 3, n.º 4 (2008): 59–68. http://dx.doi.org/10.18848/1833-1882/cgp/v03i04/52583.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

32

Bradley, David. "Thermopile clothing". Materials Today 24 (abril de 2019): 7–8. http://dx.doi.org/10.1016/j.mattod.2019.02.006.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

33

ONO, Eiichi. "Seniors Clothing". Kobunshi 49, n.º 9 (2000): 659. http://dx.doi.org/10.1295/kobunshi.49.659.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

34

Farli, M., M. Gasperini, S. Glorgini e A. Sertoli. "Clothing dermatitis". Contact Dermatitis 14, n.º 5 (maio de 1986): 316–17. http://dx.doi.org/10.1111/j.1600-0536.1986.tb05287.x.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

35

kushner, robert. "Food ++ Clothing ==". Gastronomica 4, n.º 1 (2004): 77–85. http://dx.doi.org/10.1525/gfc.2004.4.1.77.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

36

Mann, Steve. "Smart clothing". Communications of the ACM 39, n.º 8 (agosto de 1996): 23–24. http://dx.doi.org/10.1145/232014.232021.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

37

Turney, Jo. "Clothing Cultures". Clothing Cultures 4, n.º 2 (1 de junho de 2017): 83–85. http://dx.doi.org/10.1386/cc.4.2.83_2.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

38

Arús, María A. Cabrera. "Clothing Resistance". Contexts 17, n.º 4 (novembro de 2018): 62–64. http://dx.doi.org/10.1177/1536504218812873.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

39

Peteu, Mihaela Cornelia, e Sally Helvenston Gray. "Clothing Invention". Clothing and Textiles Research Journal 27, n.º 1 (4 de junho de 2008): 45–61. http://dx.doi.org/10.1177/0887302x08322718.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

40

Turney, Jo. "Transnational Clothing". Interactions: Studies in Communication & Culture 4, n.º 1 (1 de abril de 2013): 3–5. http://dx.doi.org/10.1386/iscc.4.1.3_2.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

41

Bajaj, Pushpa, e A. K. Sengupta. "PROTECTIVE CLOTHING". Textile Progress 22, n.º 2-4 (junho de 1992): 1–110. http://dx.doi.org/10.1080/00405169208688856.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

42

Shering, Jennifer. "Clothing Adaptations". British Journal of Occupational Therapy 48, n.º 5 (maio de 1985): 146. http://dx.doi.org/10.1177/030802268504800513.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

43

Ng‐Yip, Frency S. F. "Medical Clothing". International Journal of Clothing Science and Technology 5, n.º 1 (janeiro de 1993): 17–24. http://dx.doi.org/10.1108/eb003009.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

44

Igarashi, Takeo, e John F. Hughes. "Clothing manipulation". ACM Transactions on Graphics 22, n.º 3 (julho de 2003): 697. http://dx.doi.org/10.1145/882262.882328.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

45

Kyle, Chester R. "Athletic Clothing". Scientific American 254, n.º 3 (março de 1986): 104–10. http://dx.doi.org/10.1038/scientificamerican0386-104.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

46

Nielsen, Ruth. "Work clothing". International Journal of Industrial Ergonomics 7, n.º 1 (janeiro de 1991): 77–85. http://dx.doi.org/10.1016/0169-8141(91)90062-q.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

47

Keane, Els. "Clothing issue". Nursing Standard 3, n.º 9 (26 de novembro de 1988): 40. http://dx.doi.org/10.7748/ns.3.9.40.s63.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

48

Arifin, Adi Perdana. "Enhancing E-commerce Experience Using Gamification in Clothing Website". Journal of Advanced Research in Dynamical and Control Systems 12, SP3 (28 de fevereiro de 2020): 886–90. http://dx.doi.org/10.5373/jardcs/v12sp3/20201331.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

49

Khakhovskaya, L. N., e N. I. Vukvukai. "Эвенская этническая одежда: классический костюм и современная трансформация". Гуманитарные исследования в Восточной Сибири и на Дальнем Востоке 52, n.º 2 (2020): 17–26. http://dx.doi.org/10.24866/1997-2857/2020-2/17-26.

Texto completo da fonte

Resumo:

В статье впервые проведены обобщение и систематизация данных об эвенском гардеробе в плане конструкции, используемых материалов, декора, гендерных и локальных различий. Мы предлагаем выделять в эвенском гардеробе классическую, модифицированную и заимствованную одежду. В основе деления лежит конструкция плечевых изделий. Установлено, что модифицировались лишь две вещи – кафтан и передник, тогда как все остальные части эвенского костюма вытеснялись заимствованной одеждой. В процессе модернизации эвенская одежда становится менее традиционной по крою и используемому материалу, но сохраняет знаковые декоративные элементы. Ключевые слова: эвены, традиционная одежда, модернизация, трансформация, заимствование, крой, декор

Estilos ABNT, Harvard, Vancouver, APA, etc.

50

Ayhan, Fatma. "MUĞLA İLİ MİLAS İLÇESİ ÇOMAKDAĞ KIZILAĞAÇ KÖYÜ GELENEKSEL KADIN GİYSİLERİ". e-Journal of New World Sciences Academy 12, n.º 4 (28 de outubro de 2017): 20–39. http://dx.doi.org/10.12739/nwsa.2017.12.4.2c0058.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

Oferecemos descontos em todos os planos premium para autores cujas obras estão incluídas em seleções literárias temáticas. Contate-nos para obter um código promocional único!