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Artigos de revistas sobre o tema "Contemporary Francophone literatures"

Autor: Grafiati

Publicado: 15 de fevereiro de 2025

Última modificação: 19 de julho de 2025

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1

Quaghebeur, Marc. "Francophone : un terme qui pose problème ou / et une réalite qui dérange ?" Francophones, francographes, francophiles. Les francophonies littéraires 50 ans après, Special Issue (2022) (December 13, 2022): 393–411. http://dx.doi.org/10.4467/20843917rc.22.036.16690.

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A problematic term and/or a disturbing reality Often dubious or allergic, even downright negative, the reactions to the word “Francophone”, a term whose meaning is nevertheless clear, do not fail to raise questions. They are particularly strong in the literary field where more and more Francophone literatures are developing, the emergence, study and recognition of which always come up against resistance without equal in other linguistic areas resulting from European colonization. The explanation lies at the very heart of the History of France and of the Franco-French structures for apprehendin

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Czubińska, Małgorzata. "Translatorski dwugłos – współczesne uwarunkowania kolektywnego przekładu literackiego na przykładzie Kanady." Między Oryginałem a Przekładem 31, no. 1/67 (2025): 205–23. https://doi.org/10.12797/moap.31.2025.67.10.

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THE TRANSLATOR’S DUAL VOICE: CONTEMPORARY CONDITIONS OF COLLECTIVE LITERARY TRANSLATION ON THE EXAMPLE OF CANADA Numerous historical examples and academic studies demonstrate that, prior to the Renaissance, collective translation was a commonly practiced form of translation. In contemporary times, however, literary translation is stereotypically perceived as a solitary activity, with the translator’s approach mirroring the original author’s creative process. The purpose of this article is to discuss the phenomenon of collective translation in light of the growing interest in Indigenous literat

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Chomiszczak, Tomasz. "Franco…qui ? Franco…quoi ? Considérations lexicales au niveau débutant ou quelques questions provocantes sans réponses définitives." Francophones, francographes, francophiles. Les francophonies littéraires 50 ans après, Special Issue (2022) (December 13, 2022): 413–21. http://dx.doi.org/10.4467/20843917rc.22.037.16691.

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Franco...who? Franco...what? Lexical considerations at beginner level or some provocative questions without definitive answers “Francophones”, “francographes”, “francophiles”, “francophobes”... What an extraordinary word-formation richness! Not to mention similar words, more complicated and difficult to translate : “francology” (scientific discipline), “francité” (“frenchness”), “francogène” (“of francophone origin”). Although they all contain the same prefix “franco-”, all these concepts introduce a sense of inconsistency: for some of them refer to the world of francophony, while others are c

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Saint-Loubert, Laëtitia. "Variable Frames: Women Translating Cuban and (Afro-) Brazilian Women Writers for the French Literary Market." Mutatis Mutandis. Revista Latinoamericana de Traducción 13, no. 2 (2020): 401–20. http://dx.doi.org/10.17533/udea.mut.v13n2a10.

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This article seeks to examine how contemporary works of fiction and non-fiction by women from Cuba and Brazil are translated and marketed for Francophone readers. It will focus on Wendy Guerra’s novels, translated into French by Marianne Millon, and on contemporary Brazilian (non) fiction translated into French by Paula Anacaona, the head of Anacaona Éditions, a publishing outlet specialized in Brazilian literature for Francophone readers. The contribution will start with a brief presentation of the French publishing sector and some of the recurring patterns observed in what is often labeled

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Gałan, Beata, and Buata Malela. "La dimension interculturelle des littératures francophones contemporaines dans l’enseignement/apprentissage du FLE." Neofilolog, no. 59/1 (October 24, 2022): 67–82. http://dx.doi.org/10.14746/n.2022.59.1.6.

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The purpose of this article is to examine the issue of interculturality in contemporary Francophone literatures in the language classroom. As a tool of a humanist and intercultural education, the purpose of which is based on the awareness of cultural diversity and dialogue with the alterity, the literary text thus becomes a mediator in the development of intercultural competence. To illustrate this hypothesis, three texts will serve as a reference for this purpose: Dans le ventre du Congo (2021) by Blaise Ndala which tells the story of the conflictual relationship between Belgium and the colon

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Mole, G. D. "Strangers and Sojourners: Jewish Identity in Contemporary Francophone Fiction. By Joyce Block Lazarus. (Francophone Cultures and Literatures, 26). New York -- Bern -- Paris, Peter Lang, 1999. xiv+141 pp." French Studies 55, no. 1 (2001): 135. http://dx.doi.org/10.1093/fs/55.1.135.

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Mistreanu, Diana. "Echoes of Contemporary Indian Francophone Literature." Politeja 16, no. 2(59) (2019): 177–94. http://dx.doi.org/10.12797/politeja.16.2019.59.12.

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This article analyzes Shumona Sinha’s first novel, Fenêtre sur l’abîme (Window to the Abyss, 2008) from a cognitive perspective. As the narrator, a young Bengali woman named Madhuban, is struggling to make sense of her existence, past events and present sensations, as well as nightmares and memories unfold in an accelerating rhythm, questioning the impact of her life experience upon her mental health. Drawing on Alan Palmer’s typology of fictional minds, the aim of this work is to provide some preliminary remarks on the textual representation of the narrator’s mind, depicted on the verge of a

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Kurmann, Alexandra, та Tess Do. "Introduction: Transdiasporic Rencontres in Việt Kiều Literature". PORTAL Journal of Multidisciplinary International Studies 15, № 1-2 (2018): 1–5. http://dx.doi.org/10.5130/portal.v15i1-2.6174.

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This special issue follows a conference entitled ‘Rencontres: A Gathering of Voices of the Vietnamese Diaspora’ that was held at the University of Melbourne, December 1-2 in 2016 and which sought to enable, for the first time, the titular transdiasporic rencontres or encounters between international authors of the Vietnamese diaspora. The present amalgam of previously unpublished texts written by celebrated Francophone and Anglophone authors of Vietnamese descent writing in France, New Caledonia and Australia today is the result of the intercultural exchanges that took place during that event.

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Wolf, Mary Ellen. "Textual Politics in Contemporary Moroccan Francophone Literature." Journal of the Midwest Modern Language Association 25, no. 1 (1992): 32. http://dx.doi.org/10.2307/1315072.

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Kippur, S. "Evil in Contemporary French and Francophone Literature." French Studies 66, no. 2 (2012): 279–80. http://dx.doi.org/10.1093/fs/kns013.

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Korthals Altes, Liesbeth. "Contemporary French and Francophone Narratology." Poetics Today 43, no. 1 (2022): 180–83. http://dx.doi.org/10.1215/03335372-9471066.

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Jordan, Shirley. "Women’s lives in contemporary French and Francophone literature." Modern & Contemporary France 26, no. 1 (2017): 101–2. http://dx.doi.org/10.1080/09639489.2017.1379974.

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Sorlin, Sandrine. "Contemporary French and Francophone Narratology." Journal of Literary Semantics 50, no. 2 (2021): 179–83. http://dx.doi.org/10.1515/jls-2021-2037.

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Frith, N. "Contemporary Matriarchies in Cameroonian Francophone Literature: 'On est ensemble'." French Studies 65, no. 1 (2010): 128. http://dx.doi.org/10.1093/fs/knq230.

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Cormier, Chase. "Recipes, Poems, and Memory in Contemporary Louisiana Francophone Literature." Contemporary French and Francophone Studies 27, no. 4 (2023): 560–69. http://dx.doi.org/10.1080/17409292.2023.2237800.

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Syrotinski, Michael. "Globalization, mondialisation and the immonde in Contemporary Francophone African Literature." Paragraph 37, no. 2 (2014): 254–72. http://dx.doi.org/10.3366/para.2014.0125.

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Taking as its theoretical frame of reference Jean-Luc Nancy's distinction between globalization and mondialisation, this article explores the relationship between contemporary Africa, the ‘world’ and the ‘literary’. The discussion centres on a number of present-day African novelists, and looks in particular at a controversial recent text by the Cameroonian writer and critic, Patrice Nganang, who is inspired by the work of the well-known theorist of postcolonial Africa, Achille Mbembe. For both writers ‘Africa’, as a generic point of reference, is seen in terms of a certain genealogy of African

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Auvray, Marie-Lise, and Jimmy Thibeault. "Introduction: L’individu contemporain. La construction identitaire dans la littérature canadienne francophone depuis 1970/ The Contemporary Individual: Identity Construction in Francophone Canadian Literature since 1970." Quebec Studies 73, no. 1 (2022): 5–8. http://dx.doi.org/10.3828/qs.2022.2.

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Pivato, Joseph. "Voices of Exile in Contemporary Canadian Francophone Literature (review)." Canadian Ethnic Studies 40, no. 3 (2008): 213–14. http://dx.doi.org/10.1353/ces.2008.0014.

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Durocher, Dennis, Jacques Borgeacq, and Liliane Ramarosoa. "Voices from Madagascar: An Anthology of Contemporary Francophone Literature / Voix de Madagascar: Anthologie de littérature francophone contemporaine." World Literature Today 77, no. 1 (2003): 85. http://dx.doi.org/10.2307/40157812.

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Carollo, Kevin. "Impossible Returns: The State of Contemporary Francophone Literary Production." Journal of the Midwest Modern Language Association 39, no. 2 (2006): 114. http://dx.doi.org/10.2307/20464190.

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Yilancioglu, S. Seza. "Simonian Writing According to Mireille Calle-Gruber." Human and Social Studies 3, no. 3 (2014): 59–66. http://dx.doi.org/10.2478/hssr-2013-0038.

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Abstract Mireille Calle-Gruber is not only a university professor and a writer, but also a leading scholar and critic of French literature and contemporary Francophone literature. Her works on Michel Butor, Claude Simon, Assia Djebar, Derrida and other contemporary writers (as well as those dealing with the history of the twentieth century literature) fill gaps in the contemporary literary history of the twentieth century. Her books not only scrutinize and analyze the writing of Claude Simon; they also shed new light on the analysis of the novel and autobiography in contemporary literature, th

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Bedecarré, Madeline. "Prizing Francophonie into Existence." Journal of World Literature 5, no. 2 (2020): 298–319. http://dx.doi.org/10.1163/24056480-00502010.

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Abstract This paper explores the relationship between literary prizes and the framing of contemporary francophone literature as world literature. Using a literary and sociological lens, I analyze how the Prix des Cinq Continents marketed itself as a kind of French-speaking Nobel, promoting the idea of a world literature in French. This article examines the prize’s different criteria for selection through close readings of promotional materials as well as interviews conducted between 2012 and 2016 with members of the jury, prize administrators, prize-winners, and representatives from the Senega

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23

Arens, Sarah, and Joseph Ford. "Introduction: Revisiting the Grotesque in Francophone African Literature." Irish Journal of French Studies 20, no. 1 (2020): 1–13. http://dx.doi.org/10.7173/164913320830841656.

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The introduction provides an overview of the intellectual context for the thematic issue and outlines the complexities around the genesis of Achille Mbembe's 'Provisional Notes on the Postcolony' (1992). It examines how Mbembe's work ushered in a new era of discursive practices that sought to understand the role of the imagination in the operation of power in contemporary Africa and sketches how the articles of the thematic issue engage with the aesthetics of the grotesque that is a key element in the African political imagination. As a new group of populist leaders in the West exhibit traits

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24

Cornille, Jean-Louis, and Julie Ramilison. "Céline au Congo." Tydskrif vir Letterkunde 54, no. 1 (2017): 129–41. http://dx.doi.org/10.17159/tvl.v.54i1.8.

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If Louis-Ferdinand Céline au Congo influence on 20th century French literature is widely acknowledged, one is less aware of the influence left by his Journey to the end of the night on contemporary postcolonial Francophone Literature. In spite of the racist nature of his ideology, Célines profoundly "oralized" body of works showed the way to later generations on how to combine the written and the spoken word - a question which is at the core of contemporary francophone literature, as produced in Africa and in the Caribbean Islands. This is why writers such as Patrick Chamoiseau and Alain Maban

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Averkina, Svetlana Nikolajevna, Diana Vladimirovna Mosova, Sergei Matveivich Fomin, and Alexey Sergeevich Shimichev. "Francophone literature in search of happiness." SHS Web of Conferences 122 (2021): 05003. http://dx.doi.org/10.1051/shsconf/202112205003.

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The article deals with modern French-language literature on the loss of a person’s sense of happiness and harmony. The study authors explore the work of Western European novelists, who not only record the next decline of Europe but also try to return a sense of dignity to their fellow citizens. For centuries, literature has offered various forms of describing the uniqueness of human interaction with the world. If realism gives rise to a literature of explication that thinks aloud, and modernism tries to free the art of realists from layers of pretense, then the oppositional postmodern aestheti

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Adejunmobi, Moradewun. "Voices from Madagascar: An Anthology of Contemporary Francophone Literature/Voix de Madagascar: Anthologie de litterature francophone contemporaine (review)." Research in African Literatures 34, no. 2 (2003): 222–23. http://dx.doi.org/10.1353/ral.2003.0020.

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Dehon, Claire L. "Contemporary Matriarchies in Cameroonian Francophone Literature: “On est ensemble” by Cheryl Toman." French Review 84, no. 1 (2010): 154–55. http://dx.doi.org/10.1353/tfr.2010.0012.

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Proulx, Patrice J. "Writing the Nomadic Experience in Contemporary Francophone Literature par Katharine N. Harrington." French Review 88, no. 2 (2014): 222–23. http://dx.doi.org/10.1353/tfr.2014.0033.

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Caporale, Marzia. "Contemporary Matriarchies in Cameroonian Francophone Literature: 'On est ensemble' by Cheryl Toman." Women in French Studies 17, no. 1 (2009): 193–94. http://dx.doi.org/10.1353/wfs.2009.0014.

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El Sibaei, Bachir. "Georges Henein." Nka Journal of Contemporary African Art 2021, no. 49 (2021): 82–99. http://dx.doi.org/10.1215/10757163-9435695.

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Georges Henein was an important pioneer of modernism in Egypt, who played a critical role in the cultural and artistic movement of the country, despite critics who tried to distance him from contemporary Egyptian thought under the guise that he was a Francophone writer. This research presents Henein’s contribution to the historical, cultural, and national Egyptian trajectory, using some translated excerpts from his writings. The surrealist adventure Henein launched in Egypt was an important modernizing event in contemporary Egyptian culture. Although the influence of surrealist visions on Arab

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Asgarova Gasim, Mahsati. "The role of English in shaping contemporary French academic vocabulary: a sociolinguistic analysis." Porta Universorum 1, no. 4 (2025): 22–31. https://doi.org/10.69760/portuni.0104002.

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This study investigates how English influences the formation of academic French vocabulary in the field of education across Francophone regions (France, Canada, Belgium, Switzerland, and West Africa). We review sociolinguistic and policy literature on lexical borrowing and language globalization and compile data on English‐derived terms and semantic anglicisms in educational discourse. Using a mixed-methods approach, we analyze examples of English borrowings (e.g. e-learning, MOOC, coaching, manager) drawn from curricula, academic publications and media, and compare usage across different Fran

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Stikić, Biljana. "SAVREMENI FRANKOFONI PISCI U NASTAVI FRANCUSKOG KAO STRANOG JEZIKA: PERIOD IZMEĐU DVA SVETSKA RATA." Nasledje Kragujevac XIX, no. 52 (2022): 101–15. http://dx.doi.org/10.46793/naskg2252.101s.

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The paper examines the problem of representation of contemporary Francophone writers in high school teaching of the French language between the two world wars, which, given the curriculum requirements at the higher cycle of Yugoslav grammar schools and high schools, involved the use of textbooks based on literary texts. Although we find important individu- als from universities, such as Bogdan Popović, among the authors of French textbooks, the texts of Francophone writers were included only in Radoje Knežević’s textbooks. Referring to the results of mostly contemporary literary research and a

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BELKHOUS, Dihia. "« Le Silence des Dieux » de Yahia Belaskri : une épopée médiacritique du roman francophone contemporain." ALTRALANG Journal 5, no. 2 (2023): 106–14. http://dx.doi.org/10.52919/altralang.v5i2.322.

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ABSTRACT: This article examines the writing of Yahia Belaskri, shedding light on his contribution to the field of contemporary Francophone literature through his novel "Le Silence des Dieux" (The Silence of the Gods). The analysis relies on critical approaches to decipher the author's rich and complex prose, which explores universal themes such as memory, history, exile, and the quest for identity. By exploring Belaskri's text, this contribution aims to provide an overview of his epic style and his ability to captivate the reader. In this sense, the article will examine the novel "Le Silence d

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Harrington, Katharine. "Writing Between Borders: Nomadism and its Implications for Contemporary French and Francophone Literature." Contemporary French and Francophone Studies 10, no. 2 (2006): 117–25. http://dx.doi.org/10.1080/17409290600560211.

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Dr., Ilham EL MAJDOUBI. "Spatial Dynamics in African Literature: Analyzing Rural and Urban Representations in Colonial and Postcolonial Contexts." International Journal of Social Science and Human Research 07, no. 08 (2024): 6670–73. https://doi.org/10.5281/zenodo.13709869.

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This paper explores the interplay between colonial and postcolonial spatial dynamics in African literature, focusing on both urban and rural landscapes. It investigates how Anglophone and Francophone African writers portray the intersection of historical and fictional settings, highlighting the influence of colonialism on African topography. By analyzing literary depictions of traditional versus dominant cultures, the study assesses the enduring colonial impact on African landscapes and its reflection in modern and contemporary sub-Saharan fiction.

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Gnocchi, Maria Chiara. "L’Art Français et Francophone depuis 1980 / Contemporary French and Francophone Art, a cura di Michael Bishop e Christopher Elson." Studi Francesi, no. 150 (L | III) (December 31, 2006): 641. http://dx.doi.org/10.4000/studifrancesi.28108.

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Hanrahan, M. "Time Signatures: Contextualizing Contemporary Francophone Autobiographical Writing from the Maghreb." French Studies 64, no. 2 (2010): 232. http://dx.doi.org/10.1093/fs/knp264.

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Edwards, Natalie, Christopher Hogarth, and Gemma King. "Introduction: Mobility across media in the Francophone world." French Cultural Studies 29, no. 1 (2018): 3–7. http://dx.doi.org/10.1177/0957155817739763.

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This introduces the special issue on mobility across media in various areas of the Francophone world. Articles treat the notion of mobility as understood in film, literature, visual art and advertising and explore how genres as well as national traditions intersect. They explore a range of representations of mobility, such as the mobility between people, between genres, between languages, between artistic forms and between texts across historical periods. We show that the terminology regarding movement is constantly mobile itself, having undergone significant slippage in recent decades. Overal

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Van Royen, Tina Mouneimné. "Écriture, engagement et diversité dans l’espace francophone belge." Intercâmbio: Revue d’Études Françaises=French Studies Journal, no. 15 (2022): 87–106. http://dx.doi.org/10.21747/0873-366x/int15a7.

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This article examines the link between literature and commitment in the work of several contemporary French-speaking Belgian writers who have emerged from migratory movements. We will be looking into their trajectories as much as into their works, each of which, in a unique style, tackles (op)pressing societal issues through writing. Whether it is the fight against violence against women, the social cohesion that results from immigration policies (or lack thereof), precariousness or the quest for happiness, each of our authors in his or her own way enters a space that combines creativity, incl

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Gibbins, Roger, and Neil Nevitte. "Canadian Political Ideology: A Comparative Analysis." Canadian Journal of Political Science 18, no. 3 (1985): 577–98. http://dx.doi.org/10.1017/s0008423900032467.

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AbstractThis article explores contemporary political ideologies in English Canada, francophone Quebec and the United States using cross-national attitudinal survey data. Drawing central hypotheses from the qualitative Canadian-American political culture literature, the analysis focusses on three dimensions of political ideology—ideological polarization, the issue content of the respective lefts and rights, and ideological coherence. Evidence of distinctive national “lefts,” together with fundamental similarities in the English-Canadian and American ideological “rights” and important difference

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Koffeman, Maaike. "Élise Hugueny-Léger, Projections de soi. Identités et images en mouvement dans l'autofiction." European Journal of Life Writing 12 (December 18, 2023): R18—R21. http://dx.doi.org/10.21827/ejlw.12.41394.

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Playing on the double meaning of the word projection, this book explores the multiple relationships between the French literary genre of autofiction and the moving image. Élise Hugueny-Léger, a researcher of contemporary French literature and a specialist of the work of Annie Ernaux, departs from the idea that autofictional writing is a form of psychological projection, wherein a self-image is being cast onto the page. In a more literal sense, the word projection refers to the cinematic technique of showing moving images on a screen. Several francophone authors known for their autofiction have

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Chirila, Ileana D. "Unity or Contiguity: Towards a New Theory of Romani Literature." Critical Romani Studies 3, no. 2 (2021): 10–23. http://dx.doi.org/10.29098/crs.v3i2.87.

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Romani literature has an important role in challenging the predominant negative views about Roma, but its influence is lessened by the minimization of Romani cultural expressions, literature being one of them. In this paper, after a theoretical positioning of Romani literature, I show how contemporary Romani literature could expand its position of influence through a re-evaluation of what constitutes the literary canon, and by the promotion, by scholars and specialists, of a “Romani literary complex.” As a case study, I discuss here two Francophone texts, by a Roma (Anina Ciuciu) and by a non-

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Spurlin. "Contested Borders: Cultural Translation and Queer Politics in Contemporary Francophone Writing from the Maghreb." Research in African Literatures 47, no. 2 (2016): 104. http://dx.doi.org/10.2979/reseafrilite.47.2.07.

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Kearney, Peadar. "Screening Youth, Contemporary French and Francophone Cinema ed. by Romain Chareyron and Gilles Viennot." L'Esprit Créateur 60, no. 2 (2020): 152. http://dx.doi.org/10.1353/esp.2020.0019.

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Hugueny-Léger, Elise, and Julie Rodgers. "Untimely Mourning: Representing Child Death and Parental Mourning in Contemporary French and Francophone Literature and Culture." Irish Journal of French Studies 19, no. 1 (2019): 1–10. http://dx.doi.org/10.7173/164913319827945783.

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Ford, Joseph. "Deconstructing the Grotesque in Contemporary Francophone Algerian Literature, or: How to Move Beyond the 'Zombified' State?" Irish Journal of French Studies 20, no. 1 (2020): 48–71. http://dx.doi.org/10.7173/164913320830841755.

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Taking Achille Mbembe's theory of the grotesque as a starting point, this article examines how a series of contemporary Algerian novels deploy an aesthetic of the grotesque to contest and deconstruct the operation of State power in Algeria. The article shows how three writers of the post-civil war period (Habib Ayyoub, Salim Bachi and Mustapha Benfodil) engage in distinct yet related ways with representations of the grotesque and the obscene in a renewed effort to break out of a state of false consciousness that renders citizens and observers complicit with the structures of power in place. Th

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Marin-Lacarta, Maialen. "Mediated and Marginalised: Translations of Modern and Contemporary Chinese Literature in Spain (1949-2010)." Meta 63, no. 2 (2018): 306–21. http://dx.doi.org/10.7202/1055141ar.

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The history and reception of translations of modern and contemporary Chinese literature in Spain form the basis of the discussion in this article. Eighty-four translations of modern and contemporary Chinese literature were published in Spain – either in Spanish or in Catalan – between 1949 and 2010. Using this under-researched corpus as a starting-point, this article explores two interrelated premises: the marginalisation of modern and contemporary Chinese literature in Spain and the mediation of its Spanish reception by Anglophone and Francophone literary systems. To do so, the study investig

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Munyangeyo, Théophile. "The Representation of Cunning Strategies to Maximise the Political Personalisation: Machiavellian Approach to Holding and Retaining Power in Africa." Global Journal of Arts, Humanities and Social Sciences 13, no. 3 (2025): 27–55. https://doi.org/10.37745/gjahss.2013/vol13n32755.

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This study explores the representation of Machiavellian strategies by dictators in Francophone Africa, focusing on their use of cunning discourse to manipulate political actors and the public to consolidate and retain power. Despite extensive scholarship on political manipulation, limited attention has been given to the literary representation of such tactics in contemporary African narratives. By analysing Alimou Sinta’s novel Le sang pour l'alternance (2021), the research examines how rhetoric, deception, and strategic manoeuvring shape authoritarian governance. Using Machiavellian theory an

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Ducournau, Claire. "African Cultural Festivals and World Literature." Journal of World Literature 4, no. 2 (2019): 237–57. http://dx.doi.org/10.1163/24056480-00402006.

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Abstract In an era where cultural festivals multiply, so-called African festivals have spread in Africa, but also outside of the continent, in major cities as well as in little-known villages, for example in provincial France. What are some of their implications and effects in the case of francophone African literature? These events privilege a continental representation of literature, which often reveals itself as problematic when confronted with the complex geographies of the texts and authors represented at these festivals. Using cross-disciplinary methodology, this critical inquiry reads d

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Rauer, Selim. "The Racial Unconsciousness of the Parisian Public Theatre: Borders and Demotions in Francophone Contemporary Drama." Modern Drama 61, no. 3 (2018): 411–35. http://dx.doi.org/10.3138/md.s0918.

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