Bibliografias temáticas / Copyright Australia

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Literatura científica selecionada sobre o tema "Copyright Australia"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 26 de janeiro de 2023

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Artigos de revistas sobre o assunto "Copyright Australia"

Tréguier, Lucie, and William van Caenegem. "Copyright, Art and Originality: Comparative and Policy Issues." Global Journal of Comparative Law 8, no. 2 (September 25, 2019): 95–127. http://dx.doi.org/10.1163/2211906x-00802001.

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This article reviews the laws of France and of Australia in relation to artistic works copyright for useful articles. Australian law applies a different subsistence test to ‘applied art’ than to fine art, whereas French law makes no such distinction, applying the principle of ‘Unité de l’art’. The decision of the High Court of Australia in IceTV Pty Limited v Nine Network Australia Pty Limited [2009] 239 clr 458, which aligns the standard of originality more closely with that applied in European copyright law, invites reconsideration of the Australian approach in favour of a universal standard

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Moore, Christopher. "Creative Choices: Changes to Australian Copyright Law and the Future of the Public Domain." Media International Australia 114, no. 1 (February 2005): 71–82. http://dx.doi.org/10.1177/1329878x0511400109.

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Changes to Australian copyright law introduced under the Australia–United States Free Trade Agreement will diminish the public domain, criminalise common copyright infringing practices and locally introduce significant portions of the controversial 1998 American Digital Millennium Copyright Act. This paper examines these imminent changes to Australian copyright law, with specific attention to the potential effects of the extended duration of copyright protection and the introduction of technological anti-circumvention measures. It argues that public domain-enhancing activities are crucial for

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Thampapillai, Dilan. "The Novel as Social Satire: 60 Years Later, The Wind Done Gone and the Limitations of Fair Use." Deakin Law Review 17, no. 2 (February 1, 2013): 425. http://dx.doi.org/10.21153/dlr2012vol17no2art86.

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The absence of the doctrine of fair use from Australian copyright law has been a bone of contention in Australia after the Australia-United States Free Trade Agreement (FTA). As the Australian government reformed the Copyright Act 1968 (Cth) in the aftermath of the FTA it eschewed the option of adopting fair use. Instead, Australia chose to incorporate a version of fair use into its existing fair dealing framework. Accordingly, the Copyright Amendment Act 2006 (Cth) inserted ss 41A and 103AA into the Copyright Act. These provisions provide that a fair dealing with a copyright protected work do

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Sinnreich, Aram, Patricia Aufderheide, and Donte Newman. "Creative Action Under Two Copyright Regimes: Filmmaking and Visual Arts in Australia and the United States." Communication, Culture and Critique 13, no. 3 (June 10, 2020): 384–401. http://dx.doi.org/10.1093/ccc/tcaa003.

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Abstract A comparison of the behaviors of two creative populations operating within cross-media environments in the United States and Australia tests the comparative effect of the two nations' legal environments on the range of creative expression and on costs of production in increasingly digitized production processes. The U.S. creators have access to the flexible and expansive exception of fair use, while Australian creators' ability to use third-party copyrighted content are far more constrained. While availability of copyright exceptions plays a crucial role, other factors including demog

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Puri, K. "Copyright protection of software in Australia." Information & Communications Technology Law 1, no. 1 (January 1992): 79–114. http://dx.doi.org/10.1080/13600834.1992.9965643.

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Cantatore, Francina, and Jane Johnston. "Moral Rights: Exploring the Myths, Meanings and Misunderstandings in Australian Copyright Law." Deakin Law Review 21, no. 1 (February 23, 2018): 71. http://dx.doi.org/10.21153/dlr2016vol21no1art727.

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This article examines how moral rights are treated in Australian publishing contracts, and whether this approach is consistent with the expectations of authors, journalists and academics. Although, in theory, moral rights cannot be sold or assigned in Australia, the apparent wide scope for exceptions raises questions of whether there is any real protection afforded to creators under the Copyright Act 1968 (Cth), notably in circumstances that relate to pressure on creators to accept contractual terms in order to get published. Additionally, Australian case law reflects some uncertainty about th

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Carson, Louise Caroline, and Kathryn Greenhill. "One hat or many? A comparison of two models for the Copyright Officer position in university libraries." Library and Information Research 39, no. 121 (December 22, 2015): 57–74. http://dx.doi.org/10.29173/lirg659.

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Statute law provides university libraries with a framework for copyright requirements, duties and privileges. In Australia, there are few guidelines or standards for university libraries about providing those copyright services that are not mandated by statute, such as copyright advice and compliance. There is little formally-shared knowledge about the non-statutory services provided by university library Copyright Officers. More information about this would benefit libraries reviewing or establishing these positions. This research uses survey and semi-structured face-to-face interviews with d

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Bond, Catherine, Abi Paramaguru, and Graham Greenleaf. "Advance Australia Fair? The Copyright Reform Process." Journal of World Intellectual Property 10, no. 3-4 (July 2007): 284–313. http://dx.doi.org/10.1111/j.1747-1796.2007.00324.x.

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Ms. Poonam Pant, and Ms. Bhumika Sharma. "Liability of Internet Service Providers Across Various Countries: An Overview." Legal Research Development: An International Refereed e-Journal 4, no. 1 (September 30, 2019): 06–09. http://dx.doi.org/10.53724/lrd/v4n1.04.

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The role of I.S.P. or Intermediary is very important for effective utilization of information technology. The liability of Intermediary or I.S.P. has gain immense importance at international level. Various countries have defined the liability of I.S.P. either in the form of copyright infringement or for the infringement of information technology. Australia was the first country to enact the legislation relating to the liability aspect of I.S.P. in the form of Copyright Act, 1968 making I.S.P. liable to disable the access to online services hosted outside Australia. Some safe harbors were also

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Alexander, Isabella, and Michael Fraser. "Copyright Reform in Australia: Asking the Right Questions." Journal of Media Law 6, no. 1 (July 11, 2014): 8–20. http://dx.doi.org/10.5235/17577632.6.1.8.

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Teses / dissertações sobre o assunto "Copyright Australia"

Rimmer, Matthew Rhys. "The pirate bazaar the social life of copyright law." View electronic text, 2001. http://eprints.anu.edu.au/documents/disk0/00/00/08/14/index.html.

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Available via the Australian National University Library Electronic Pre and Post Print Repository. Title from title screen (viewed Mar. 28, 2003) Includes bibliographical references. Mode of access: World Wide Web.

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Bartholomew, Peter G. "Personal rights, property rights and Section 55(2) of the Copyright Act 1968 : a consideration of the adaptation right in the compulsory licensing scheme for recording of musical works." Thesis, Queensland University of Technology, 1998. https://eprints.qut.edu.au/36898/1/36898_Digitised%20Thesis.pdf.

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Lamlert, Wariya. "International uncertainty in the exceptions for individual use in copyright law : a comparative study of Australia and Thailand /." Canberra, 2007. http://erl.canberra.edu.au/public/adt-AUC20080912.140432/index.html.

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O'Neill, P. B. "Moral rights in Australia : the case for legislative protection." Thesis, Queensland University of Technology, 1997. https://eprints.qut.edu.au/36895/1/36895_O%27Neill_1997.pdf.

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'Moral rights' should not be thought of as a system of ethical or moral principles, rather, they are personal rights of the author of a literary, artistic, musical or like work which proponents of moral rights protection argue arise from the intimate bond between the author of such a work and the work itself. Focus in the common law countries has always been on the economic rights associated with a copyright work and how those economic rights could be best protected and exploited by the copyright owner: 'The common law, however, has always placed more emphasis on the preservation of property i

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Shay, Richard Michael. "Users' entitlements under the fair dealing exceptions to copyright." Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/71691.

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Thesis (LLM)--Stellenbosch University, 2012.<br>Includes bibliography<br>ENGLISH ABSTRACT: This thesis analyses current South African copyright law to ascertain the proper interpretation and application of the fair dealing provisions contained in the Copyright Act 98 of 1978. Copyright law ensures that authors’ works are not used without their consent, which they can grant subject to compensation or conditions attached to the use. Fair dealing exceptions allow the general public to use copyright works for certain purposes without the copyright owner’s consent and without paying compensation. T

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Lamlert, Wariya, and n/a. "International Uncertainty in the Exceptions for Individual Use in Copyright Law: A Comparative Study of Australia and Thailand." University of Canberra. School of Law, 2007. http://erl.canberra.edu.au./public/adt-AUC20080912.140432.

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The exceptions for individual use give rise to interesting and fundamental concerns drawing both international and national attention. There is uncertainty in the application of the individual use exceptions both in the international copyright treaties, particularly the three-step test of the Berne Convention, and in the national copyright legislation. To have a better understanding of this concerns, this thesis aims to: investigate whether the exceptions for individual use can still maintain the balance of interests between the copyright holders and users; analyse the contribution that intern

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Forsyth, Guy, and N/A. "A minimalist sui generis legislative proposal for the application of common law principles to the protection of computer software." University of Canberra. Law, 1998. http://erl.canberra.edu.au./public/adt-AUC20090714.142532.

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This thesis examines the development of copyright and patent protection in the United States, United Kingdom and Australia and proposes that intellectual property is not the correct mechanism for protecting computer software. Both copyright and patent protection are evaluated in relation to their application to protecting the various elements of software. The increased desire for patent protection of software in the United States has recently impacted the debate over the correct regime for intellectual property protection. There has also been a corresponding restriction in the application of c

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Rynderman, Benjamin. "The licensing of new recorded music business models in Australia: Current practice, the barriers to entry and an investigation in to the need for legislative reform." Thesis, Queensland University of Technology, 2016. https://eprints.qut.edu.au/97527/4/Benjamin_Rynderman_Thesis.pdf.

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This thesis identifies Australia’s place in the worldwide recorded music industries and seeks the reasons behind the delays of launches in Australia of online music services. It concludes that while there is no clear cut answer to this question, there is considerable tension between the parties involved and a clear opportunity for the review of Australia’s copyright law. Constantly shifting and dynamic, the recorded music industries in Australia and worldwide have been in a state of flux since the turn of the millennium and the democratisation of music distribution.

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Anderson, Jane Elizabeth Law Faculty of Law UNSW. "The production of indigenous knowledge in intellectual property law." Awarded by:University of New South Wales. School of Law, 2003. http://handle.unsw.edu.au/1959.4/20491.

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The thesis is an exploration of how indigenous knowledge has emerged as a subject within Australian intellectual property law. It uses the context of copyright law to illustrate this development. The work presents an analysis of the political, social and cultural intersections that influence legal possibilities and effect practical expectations of the law in this area. The dilemma of protecting indigenous knowledge resonates with tensions that characterise intellectual property as a whole. The metaphysical dimensions of intellectual property have always been insecure but these difficulties co

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Mason, Renate Surveying &amp Spatial Information Systems Faculty of Engineering UNSW. "Developing Australian Spatial Data Policies - Existing Practices and Future Strategies." Awarded by:University of New South Wales. Surveying and Spatial Information Systems, 2002. http://handle.unsw.edu.au/1959.4/18646.

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This thesis investigates the problems associated with the development of Spatial Data Infrastructures (SDIs). The results of this investigation are used as input for the development of new spatial data policy strategies for individual organisations to enable an improved better facilitation of SDIs. Policy issues that need to be considered by an organisation when developing spatial data policies, were identified as being: SDI requirements; organisational issues; technical issues; Governmental/organisational duties; ownership/custodianship; privacy and confidentiality; legal liability, contracts

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Mais fontes

Livros sobre o assunto "Copyright Australia"

Council, Australian Copyright. Copyright in Australia. Milsons Point, N.S.W: Australian Copyright Council, 1989.

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Copyright: Law and practice. Annandale, NSW: Federation Press, 2007.

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Australia, National Library of. National Library of Australia copyright guidelines. Canberra: National Library of Australia, 1997.

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Affairs, Australia Parliament House of Representatives Standing Committee on Legal and Constitutional. Cracking down on copycats: Enforcement of copyright in Australia. [Canberra]: Parliament of Australia, 2000.

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Council, Australian Copyright, ed. Permissions & copyright clearances: A practical guide. Strawberry Hills, N.S.W: Australian Copyright Council, 2008.

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Sainsbury, Maree. Moral rights and their application in Australia. Sydney: Federation Press, 2003.

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Council, Australian Copyright, ed. Libraries: A copyright guide : a practical guide. [Redfern, N.S.W.]: Australian Copyright Council, 2009.

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Australia, National Archives of. A nation's imagination: Australia's copyright records, 1854-1968. Canberra, ACT, Australia: National Archives of Australia, 2003.

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Clark, E. Eugene. Cyber law in Australia. Alphen aan den Rijn, The Netherlands: Kluwer Law International, 2010.

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Clark, E. Eugene. Cyber law in Australia. Alphen aan den Rijn, The Netherlands: Kluwer Law International, 2010.

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Mais fontes

Capítulos de livros sobre o assunto "Copyright Australia"

Christie, Andrew, and John Liddicoat. "Australia." In Balancing Copyright - A Survey of National Approaches, 97–118. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-29596-6_4.

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Gething, Steven. "The Development of Copyright Offences in Australia." In Copyright Perspectives, 291–313. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-15913-3_13.

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Mendis, Dinusha Kishani. "An ‘Invitation’ to Copy? Case Studies from Australia, the United Kingdom and Canada." In Universities and Copyright Collecting Societies, 97–119. The Hague: T.M.C. Asser Press, 2009. http://dx.doi.org/10.1007/978-90-6704-723-4_5.

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Gilchrist, John. "Australia-US Copyright Relations: An Unhurried View of the Reciprocal Protection of Literary Works." In Copyright, Property and the Social Contract, 105–35. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-95690-9_6.

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Suzor, Nicolas, Rachel Choi, and Kylie Pappalardo. "Moments of Flux in Intermediary Liability for Copyright Infringement in Australia." In Global Governance of Intellectual Property in the 21st Century, 129–49. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-31177-7_8.

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Pappalardo, Kylie, and Brian Fitzgerald. "Copyright, Fair Use and the Australian Constitution." In Copyright Perspectives, 125–64. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-15913-3_8.

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Li, Rita Yi Man, and Yi Lut Li. "Should We Abandon the Concept of Artistic Craftsmanship in the Copyright Act in Australia?" In Law, Economics and Finance of the Real Estate Market, 85–93. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-54245-9_6.

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Pappalardo, Kylie. "Duty and Control in Intermediary Copyright Liability: An Australian Perspective." In Copyright Perspectives, 241–59. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-15913-3_11.

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Foong, Cheryl. "Open Content Licensing of Public Sector Information and the Risk of Tortious Liability for Australian Governments." In Copyright Perspectives, 205–39. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-15913-3_10.

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Pappalardo, Kylie, and Carrick Brough. "Dead Cats in the Mail: Dallas Buyers Club and the Emergence of the User in Australian Intermediary Copyright Law." In Copyright, Property and the Social Contract, 241–64. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-95690-9_12.

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Trabalhos de conferências sobre o assunto "Copyright Australia"

"2011 IEEE PES Innovative Smart Grid Technologies [Copyright notice]." In 2011 IEEE PES Innovative Smart Grid Technologies (ISGT Australia). IEEE, 2011. http://dx.doi.org/10.1109/isgt-asia.2011.6166826.

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Lučić, Sonja. "VEŠTAČKA INTELIGENCIJA I PATENTNO PRAVO." In XVIII Majsko savetovanje. University of Kragujevac, Faculty of Law, 2022. http://dx.doi.org/10.46793/xviiimajsko.479l.

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Artificial intelligence is a field of technology that is developing intensively. Along with the development of artificial intelligence, the issue of its patent protection has become topical. Artificial intelligence systems are based on highly developed algorithms and mathematical models, phenomena with which patent law is traditionally in conflict. This issue is not just a national or European problem. There is also an intensive debate in the United States about the patentability of artificially intelligent systems. The author deals with the question of whether artificially intelligent systems

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"Copyright page." In 2006 Australian Communications Theory Workshop. IEEE, 2006. http://dx.doi.org/10.1109/ausctw.2006.1625240.

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"Copyright page." In 2009 Australian Communications Theory Workshop. IEEE, 2009. http://dx.doi.org/10.1109/ausctw.2009.4805616.

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"Copyright page." In 2018 Australian Microwave Symposium (AMS). IEEE, 2018. http://dx.doi.org/10.1109/ausms.2018.8347000.

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"Australian Software Engineering Conference - Copyright." In Australian Software Engineering Conference (ASWEC'06). IEEE, 2006. http://dx.doi.org/10.1109/aswec.2006.14.

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"Copyright Page." In 2004 Australian Software Engineering Conference. Proceedings. IEEE, 2004. http://dx.doi.org/10.1109/aswec.2004.1290445.

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"Copyright Page." In 2010 Australian Software Engineering Conference (ASWEC). IEEE, 2010. http://dx.doi.org/10.1109/aswec.2010.3.

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"[Copyright notice]." In 2020 4th Australian Microwave Symposium (AMS). IEEE, 2020. http://dx.doi.org/10.1109/ams48904.2020.9059476.

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"Copyright page." In 2014 4th Australian Control Conference (AUCC). IEEE, 2014. http://dx.doi.org/10.1109/aucc.2014.7358711.

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