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Teses / dissertações sobre o tema "Criteria of music culture development"

Autor: Grafiati

Publicado: 28 de maio de 2022

Última modificação: 30 de julho de 2025

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1

Barrier, Julie Tacker. "The development of criteria for the selection of age-appropriate literature for the senescent voice." Diss., The University of Arizona, 1993. http://hdl.handle.net/10150/186178.

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The intent of this study is to attempt to create new scientific criteria for the evaluation of choral literature for senescent singers, The first criterion developed for selection of age-appropriate choral literature was a measurement for voice quality registration called phonetography. Phonetography is the registration of the dynamic range of a voice as a function of fundamental frequency. Manual phonetograms on twenty young adult singers and twenty senescent singers were developed to determine individual frequency-by-intensity relationships of the senescent voice. The graph that was created

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2

Maguire, Paul. "Conditions of Possibility: Changes in Popular Music Culture and the Development of Country & Irish Music." Thesis, University of Ulster, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.564423.

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This dissertation considers the idea of 'conditions of possibility' as a model for the analysis of particular social phenomena. This is explored through an examination of the emergence of Country & Irish music, a largely ignored and widely denigrated genre of popular music that developed out of the Irish showband dancehall circuit of the 1960s . .•.. ''''' ~ .•.. The genre is considered particularly suitable for these purposes as it has not previously received sustained academic attention. There are no significant accounts of Country & Irish music, while literature on the general subject of sh

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3

De, Beukelaer Christiaan Michael. "From cultural development to culture for development : the music industries in Burkina Faso and Ghana." Thesis, University of Leeds, 2015. http://etheses.whiterose.ac.uk/11437/.

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The creative economy discourse now informs both cultural and development policies around the world. Virtually every country now uses the concept in politics, policy, advocacy, and practice. My aim is to show what this uptake means in conceptual and empirical terms. Through an ethnography of the music industries in Burkina Faso and Ghana I explore the changing meaning and position of ‘culture’ in cultural and development policies in both countries. How does the creative economy discourse help the pursuit human development, if at all? What does this discourse mean precisely? And, most importantl

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4

Cho, Yejin. "The Development of Western Classical Piano Culture in Postwar Asia." BYU ScholarsArchive, 2016. https://scholarsarchive.byu.edu/etd/5937.

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The purpose of this study is to explore the past, present and future of the development of Western piano culture in Northeast Asia and the musical, social, political and economic facets thereof. Western piano was first introduced to general public as part of the Westernization process during and after World War II in Asia. During the second half of the twentieth century, Asian piano culture has experienced a period of rapid development and mass popularization along with dramatic cultural, economic and technical developments. Quantifiable evidences for this are given in the number of competitio

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5

Adedeji, Adewale. "Yoruba culture and its influence on the development of modern popular music in Nigeria." Thesis, University of Sheffield, 2010. http://etheses.whiterose.ac.uk/2257/.

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This thesis focuses on the contributions of the Yorùbá culture to the development of modern Nigerian popular music. It traces the origin, conception and growth of popular music styles in Nigeria and highlights the underlying Yorùbá cultural cum linguistic influence that nurtured their growth within the urban space of Lagos city. It examines how contemporary Nigerian popular music practitioners appropriate the Yorùbá culture in negotiating their musical and national identities and counteract popular music homogenization through the creation of hybrid musical styles and cultures. The work adopts

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6

Liu, Terence Michael. "Development of the Chinese two-stringed bowed lute 'erhu' following the New Culture Movement (c. 1915-1985)." online access from Digital dissertation consortium, 1988. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?8827170.

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7

Lin, Pei-Ying. "Development of curriculum materials to teach American children about the culture of Taiwan through Taiwanese children's songs." Diss., Columbia, Mo. : University of Missouri-Columbia, 2005. http://hdl.handle.net/10355/4315.

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Thesis (M.A.)--University of Missouri-Columbia, 2005.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file viewed on (July 10, 2006) Includes bibliographical references.

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8

Lies, Mattias. "Vattenringar : En individstudie i folkmusikvågens efterdyningar." Thesis, Växjö University, School of Education, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-1273.

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<p>This essay is about two Swedish folk musicians, Anders Rosén and Leif Stinnerbom, who have been playing two important rolls in the developing process of Swedish folk music, on their separate ways. The main part of this work is focused on the era called “The Folk Music Vogue”, which was the era when my informants were in the limelight on the Swedish fiddler scene of the 70s.</p><p>Our music culture is constantly lying under the change of progress and I find it interesting to reflect how these kinds of changes are affecting the role of the musician.</p><p>In this essay I am reflecting on the

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9

Pruett, Laura Moore Von Glahn Denise. "Louis Moreau Gottschalk, John Sullivan Dwight, and the development of musical culture in the United States, 1853-1865." Diss., electronic version:, 2007. http://etd.lib.fsu.edu/theses/available/etd-11022007-110414/.

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Dissertation (Ph. D.) Florida State University, 2007.<br>Advisor: Denise Von Glahn, Florida State University, College of Music. Title and description from dissertation home page (viewed 4-1-2008). Document formatted into pages; contains 222 pages. Includes biographical sketch. Includes bibliographical references.

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10

Attah, T. "Halls without walls : perpetuation, development & dissemination of the discourse on blues music and blues culture in the digital age (1996-2016)." Thesis, University of Salford, 2016. http://usir.salford.ac.uk/41648/.

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This study presents an overview of the effects of technological mediation and specifically, digital remediation, on the discourse on blues music and blues culture since the introduction of the world-wide web in 1989, and the proliferation of computer-mediated communications (CMC) from 1996. In other words, blues music and blues culture undergo transformations of form and circulation when oral practices are first committed to text as sheet music. Further evolutions occur as performances are remediated as phonograph records and through various broadcast media during the 20th century. Each succes

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11

Gaze, Tim. "Surf, sun, and sound: The role of surf music in the development of Australian popular culture. An investigation of the iconic surf film, Morning of The Earth, as a medium." Thesis, Queensland University of Technology, 2020. https://eprints.qut.edu.au/196756/1/Tim_Gaze_Thesis.pdf.

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A new model for examining iconic works in creative popular culture was developed, generating comparative insights into how the iconic film Morning Of The Earth (1972) functions as a medium, first by re-recording the original soundtrack using emerging local talent, then by asking the same artists to re-imagine the soundtrack and compose new material for the film. Informed by historical connection to the original film, artistic direction of these projects enabled exploration of how Morning Of The Earth's influence inspired these artists' reworking and responding to the original soundtrack by com

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12

Park, Jeongmin English Media &amp Performing Arts Faculty of Arts &amp Social Sciences UNSW. "Talent development in music: a comparative study between Sydney (Australia) and Seoul (Korea) on the emergence of talent, especially the interface between giftedness and talent." Publisher:University of New South Wales. English, Media, & Performing Arts, 2009. http://handle.unsw.edu.au/1959.4/43522.

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The purpose of this study is to investigate factors which can influence the emergence of high musical ability during the developmental process of musical talent achievement, comparing students in Seoul (Korea) and those in Sydney (Australia). The main focuses of the investigation concern the comparison of musical giftedness demonstrated in early childhood, the developmental process, and various factors, such as the environmental and intrapersonal, which can affect the emergence of talent, especially in those of different cultural backgrounds. For this purpose, Gagn????s Differentiated Model of

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13

Papenburg, Jens Gerrit. "Hörgeräte." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät III, 2012. http://dx.doi.org/10.18452/16485.

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Die Geräte, durch die Musik im Zeitalter der technischen (Re-)Produktion gehört wird, haben sich immer wieder gewandelt. Solche Geräte müssen überhört werden. Nur so kann Musik gehört werden. Trotzdem – so die These der Arbeit – organisieren diese Geräte das Hören und sind Agenturen einer Bewirtschaftung und Technisierung der Wahrnehmung. In der Arbeit wird anhand von zwei Fallstudien aus der Geschichte der Rock- und Popmusik gezeigt, wie solche Geräte sowohl den Hörer als auch die gehörte Musik formieren. Durch Hörtechnologien bilden sich neue Hörpraktiken heraus und die Körperlichkeit des Hö

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Amoah, Maame A. "FASHIONFUTURISM: The Afrofuturistic Approach To Cultural Identity inContemporary Black Fashion." Kent State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=kent15960737328946.

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15

Пащенко, Ольга Володимирівна, та Olha Volodymyrivna Pashchenko. "Розвиток музичної культури здобувачів вищої освіти засобами мультимедійних технологій". Bachelor's thesis, 2021. http://repository.sspu.edu.ua/handle/123456789/10902.

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Бакалаврська робота присвячена уточненню ефективності застосування мультимедійних технологій на заняттях з фахових дисциплін як засобу розвитку музичної культури здобувачів вищої освіти, а також конкретизації поняття «музична культура» та розкриттю особливостей розвитку музичної культури здобувачів вищої освіти першого (бакалаврського) рівня вищої освіти. Кваліфікаційна робота також містить обґрунтування особливостей використання мультимедійних технологій на заняттях з фахових дисциплін, виокремлення критеріїв та показників розвитку музичної культури майбутніх бакалаврів, а також діагностику с

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16

Sun, Yih-Mei, and 孫逸媚. "A Study of Music Culture on the Development." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/68973628347787548996.

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碩士<br>國立臺南藝術大學<br>民族音樂學研究所<br>98<br>Hsin Kang traditional music has been developing at an early peak, with a number of music, Arts masters are new people, so the music arts and culture, Hsin Kang township should develop a more vibrant culture, but to see so many advantages of Hsin Kang township, has increasingly become a cultural desert. Hsin Kang tradional music theater, created a lot of Taiwanese Beiguan, puppet shows talent, but also cultivate many appreciate the traditional music of the population. But they had faild to make contributions to traditional music and opera of Hsin Kang lineag

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17

LaBate, Elizabeth Ann. "Music and tourism in Cusco, Peru: culture as a resource." 2009. http://hdl.handle.net/2152/6856.

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This dissertation explores music in Cusco, Peru found in the festivals and other performance contexts related to tourism. The central thesis considers what happen when culture becomes a resource for socio-economic development. First the historical emergence of culture as a resource is examined through the discourse of international agencies, folklorists, and travelers. Next, various contexts of music and tourism in Cusco highlight specific examples of culture as a resource, such as Inti Raymi, other raymi festivals, the pilgrimage of Señor de Qoyllur rit’i, dinner show restaurants, and nightcl

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18

Chen, Wen-Yu, and 陳玟瑜. "The development of Russian popular music industry and its effects on national image and culture." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/znzv9b.

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碩士<br>國立政治大學<br>俄羅斯研究所<br>107<br>With the rise of cultural awareness in recent years, cultural industries have become one of the most significant soft power resources; governments have paid more attention to them. Since popular music industry is one of the core cultural industries, observing and learning from its development not only can penetrate music markets in different countries, but can explore its cultural influence of a country at home and abroad. Hence, the research focuses on the development of Russian music industry and its effect on national image and culture through soft power met

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19

Michels, Patricia. "Developing the pre-school child's musical intelligence by means of a comprehensive music programme focused on age-controlled auditive development." Thesis, 1997. http://hdl.handle.net/2263/26670.

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Because music is sound, the development of the young child's musical intelligence is integrally linked to his/her auditive development. By neglecting to develop the child's musical intelligence, and in particular by neglecting the age-controlled auditive development of the young child, essential learning stages may be missed. It is therefore encouraging that the government has stated its intention to introduce a compulsory reseption year (Grade 0) for five to six year old children. There is, however, at present no comprehensive pre-school music education programme available which specifically

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20

LEE, PEI-LAN, and 李培蘭. "Influence of social media sang culture conscious on Taiwan indie music development: A case study of “No Party For Cao Dong”." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/pw2z2r.

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碩士<br>國立臺灣藝術大學<br>廣播電視學系碩士班<br>108<br>“Sang culture” and “Generation of weariness” has been widely used in social media today, they become indispensable keywords of the young generation. Negative energy becomes mainstream instead of soul soother, this phenomenon reflects in art, movies, films, and music. Taiwan pop music has deep effects on the Asia music market for decades. In 2017, No Party For Cao Dong won the best band prize in Golden Music Award. The band represents “Generation of weariness”, the influence of sang culture on independent music is self-evident. Due to the financial crisis a

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21

Walters, Lee. "Moshito and small enterprise development." Thesis, 2012. http://hdl.handle.net/10539/11060.

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M.A. Faculty of Humanities, University of the Witwatersrand, 2011<br>This research report documents diverse impressions and experiences, of and about the South African music industry in general and Moshito Music Conference and Exhibition in particular. Foregrounding the perspectives of black South African entrepreneurs that operate and own small businesses, the research enunciates how Moshito has come to embody an expression of the transition to democracy. Within a broader political, cultural and industrial context, the report captures anecdotes, observations and interviews with key interviewe

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22

Nel, Zenda. "Implementing a Western Classical music programme for teacher training through integrated arts in Early Childhood Development." Thesis, 2007. http://hdl.handle.net/2263/26878.

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The main concern of this thesis was to investigate the possibility of implementing a Western Classical music listening programme for teacher training through integrated arts in Early Childhood Development (ECD). The outcome of this thesis suggests that it is possible to train musically untrained teachers at a one-day practical workshop how to introduce young learners in an acceptable and enjoyable way to Western Classical music. At these workshops, teachers had to dress up in homemade fantasy outfits to depict different characters in stories to music which they had to dramatize. The costumes t

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Yi-YaHsu and 許肄亞. "An application of spatial multi-criteria Evaluation (SMCE) for Analysis of development potential location of the culture-led urban regeneration– A case study of Tainan historical cultural core area." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/2w8zh6.

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碩士<br>國立成功大學<br>都市計劃學系<br>107<br>After the 1980s, many early-developed cities tried to reverse the dilemma of urban development and the preservation of old historical textures, sought new urban development strategies, and came up with a culture-led urban regeneration strategy. How to use the own advantages of historical city to enhance its status and value is an important issue. Culture-led urban regeneration is not only the creation of economic benefits, but also a link between local culture and history. Most of the related studies discusses with case study, and less on the overall developmen

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CHANG, SHAOCHUN, and 張韶純. "Preservation and development of traditional music culture from the perspective of the intangible cultural heritage： A case study of Tujia's Changyang Nanqu in Hubei Province." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/5y2p7q.

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碩士<br>國立臺南藝術大學<br>民族音樂學研究所<br>104<br>"Tujia" is a minority group with a long history and many rich cultural heritage, among which Changyang Nanqu, folk songs and Sayerhuo are known as " Tujia's three treasure". In particular Changyang Nanqu, showing the character is different from the Tujia—" elegant". But such artistic features to bring the crisis to its survival in pop culture-oriented modern society. Therefore, "Cultural and Ecological Protection Area" was pioneered by the Cultural Center former supervisor Tian,Yu-Cheng in Ziqiuzhen town of Changyang county, Hubei Province. It uses the conc

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Lessard-Bérubé, Stéphanie. "Chanter le développement au Burkina Faso : ethnographie de la rencontre entre deux champs d'action." Thèse, 2011. http://hdl.handle.net/1866/6069.

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Dans le contexte urbain du Burkina Faso, la chanson de sensibilisation se situe au coeur des pratiques sociales traditionnelles, des nouvelles économies culturelles et des approches participatives en matière de développement. Cette pratique répond à des enjeux particuliers au contexte local et aux relations internationales. La musique comme outil commun de communication sociale artistique rejoint des stratégies professionnelles différentes chez les artistes-musiciens et les associations locales. Pour les premiers, nous pouvons porter un regard sur la place du musicien dans la société contempor

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Brewis, William Loftie-Eaton. "Science fiction in the public library : essence and selection." Thesis, 1997. http://hdl.handle.net/10500/15913.

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The selection of science fiction was researched to determine how science fiction should be evaluated and selected in the context of the public library. The first sub-problem to be researched concerned the cultural, societal and literary origins of this genre, after which its distinct phases of development were studied as well as the characteristic essence of science fiction which would affect its selection per se, specifically whether conventional literary criteria are suitable for the evaluation of items of science fiction during selection. The next sub-problem focused on, was whether theor

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Ganyata, Obert. "Pedagogical challenges experienced by teachers of music literacy in Zimbabwe : a case study of five Gweru primary schools." Diss., 2015. http://hdl.handle.net/10500/21776.

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This study investigates the challenges experienced by teachers of music literacy in Zimbabwe, and is based on a case study of five primary schools in the city of Gweru. The research builds on a literature review of past studies on Zimbabwean music literacy teaching, and on a review of policy documents. Empirical data was collected through lesson observations, interviews with teachers and administrators, and the analysis of lesson plans. To validate the findings a method of triangulation was used. Results are presented in both narrative and tabular forms in this dissertation, and analysed induc

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Rocha, Isabel Maria Pereira Barata da. "Percursos na composição : a influência de figuras de referência na motivação para a frequência das disciplinas de análise e técnicas de composição e de história da cultura e das artes." Master's thesis, 2019. http://hdl.handle.net/10400.14/28899.

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Este Projeto de Intervenção Pedagógica (PIP) teve como objetivo fomentar a motivação e o planeamento de perspetivas futuras nas turmas das disciplinas de Análise e Técnicas de Composição (ATC) e de História da Cultura e das Artes (HCA), do Curso Secundário da Escola de Música de Perosinho, do Ensino Artístico Especializado de Música. Estudos apontam que a motivação pode ser definida como um processo pelo qual o comportamento orientado por metas é estimulado, e que a música tem impacto na construção de projetos de vida. Considerando este aporte teórico, convidaram-se quatro compositores

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Fernandes, Daniel Índias. "Plano de negócio de uma produtora de eventos : evento "It's happenning"." Master's thesis, 2017. http://hdl.handle.net/10071/15881.

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A presente dissertação de mestrado tem como objetivo analisar a viabilidade de implementação de um evento cultural ao abrigo da cooperativa Arte Viral CRL com sede em Lisboa, Portugal. O setor da cultura, especificamente das AE, tem-se vindo a desenvolver nas últimas décadas, observando-se um crescimento acentuado no número de sessões efetuadas, bilhetes vendidos e receitas. A participação em eventos culturais faz cada vez mais parte da nossa maneira de ser proporcionando momentos de lazer, educação, relaxamento e, acima de tudo, de convívio e partilha de novas ideias. Nota-se também um

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