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Teses / dissertações sobre o tema "Curator"

Autor: Grafiati
Publicado: 4 de junho de 2021
Última modificação: 25 de julho de 2025

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1

O'Neill, Rebecca. "The rise of the citizen curator : participation as curation on the web." Thesis, University of Hull, 2017. http://hydra.hull.ac.uk/resources/hull:16449.

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From jazz clubs to cheese plates, the term curation has become a signifier of the growing need to organise and prioritise the seemingly endless possibilities of the digital sphere. The issue addressed here is in the associated meanings of the word curation and what it means to be a curator by examining the experience of the curatorial within a discrete context: the Irish curatorial landscape. The word curation comes from the Latin curare, to care for, and has long been associated with the professional duties of those selected as custodians for objects and knowledge deemed to be important to co
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2

Meier, Dominicus M. "Der Curator im kanonischen Prozeßrecht /." Essen : Ludgerus-Verl, 1998. http://www.gbv.de/dms/spk/sbb/recht/toc/274215608.pdf.

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3

Marinaki, Irini. "Nicolas Calas : critic and curator." Thesis, Birkbeck (University of London), 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.600386.

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4

Black, Sarah. "Mother as curator : performance, family and ethics." Thesis, Middlesex University, 2018. http://eprints.mdx.ac.uk/25913/.

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This thesis attends to the mother-artist developing a performance-based practice with her family in the home. This is a practice-as-research exploration which integrates areas of maternal ethics and the mother-artist, family and narrative enquiry, the home and sited practices. It consists of a written dissertation, three full (larger) scale installations set within the family home, Trace (2013), Reclaiming the Ritual (2014), 31 Days Old (2016), and a series of smaller works Bed Bound (2014) and Children's Practice (2014-17), plus digital documentation. The main argument focuses on the role of
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5

Wilkinson, Judith. "Uncovering the legacy : Samuel Beckett : artist + curator." Thesis, Goldsmiths College (University of London), 2012. http://research.gold.ac.uk/7408/.

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6

Ostling, Susan. "The Defining and Shaping of the Contemporary Art Curator." Thesis, Griffith University, 2013. http://hdl.handle.net/10072/368133.

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Curators have come to figure quite prominently in the cultural landscape of late, such that the concept of a curator is now applied in a wide variety of contexts from art to shopping. It is said curators are now far more linked to the internet and social networks, than to the interiors of museums; and most accounts see the contemporary art curator as caught in the flux of global cultural economies. Why should this be? It is in this volatile terrain I have situated my research on the contemporary art curator. I ask how has the role of the curator been shaped, defined and constrained by competin
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7

Steierhoffer, Eszter. "The rise of the curator and architecture on display." Thesis, Royal College of Art, 2016. http://researchonline.rca.ac.uk/1815/.

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This thesis constitutes a new approach to contemporary exhibition studies, a field of research that has until now dedicated little attention to connections between exhibitions of contemporary art and those of architecture. The late 1970s saw a 'historical turn' in the architectural discourse, which alluded to the rediscovery of history, after its abandonment by all the Modern masters, and developed in close alignment with architecture’s project of autonomy. This thesis proposes a reading of this period in relation to the formative moment for contemporary curatorial practices that brought art a
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8

Ekman, Jan. "Gränser och passager : En analys av de curatoriska och konstnärliga subfälten." Thesis, Södertörns högskola, Institutionen för kultur och kommunikation, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-15375.

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I have, with a point of departure in two case studies; the artist, curator and scientist Andreas Gedin and Maria Lind, curator and director of Tensta konsthall, contextualized with a couple of respondents; the freelance curator, writer and editor Power Ekroth and the freelance curator and artist Carl Michael von Hausswolff, conducted a field analysis on curatorial and artistic practices. I have applied key concepts in order to conduct the analysis. Furthermore, the case studies and the respondents have been placed in a contemporary artworld. These components have been related to a contemporary
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9

Beignon, Anaëlle. "Participatory Design Fiction Curator – Providing inspiration from Participatory Design fiction Research." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23284.

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Designers take inspiration about the future in order to shape values for their design practice, especially whennew technologies are involved. Participatory design fiction is an approach that enables designers to reflectupon futures are created by non-designers. These narratives about technologies that come from nondesignersare valuable for designers in the industry as inspirational material. Nonetheless, the distancebetween the academic research and designers in the industry makes difficult the spreading of design fictionsproduced by non-designers.This thesis project explore the following: How
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10

McCartney, Laura Lee. "Unpacking Self in Clutter and Cloth: Curator as Artist/Researcher/Teacher." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849713/.

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This a/r/tographic dissertation offers opportunities to interrogate curator identity and curator ways of being in both public and private spaces. Instead of an authoritative or prescriptive look at the curatorial, this dissertation as catalogue allows for uncertainty, for messiness, for vulnerable spaces where readers are invited into an exhibition of disorderly living. Stitched throughout the study are stories of mothering and the difficulties that accompanied the extremely early birth of my daughter. Becoming a mother provoked my curating in unexpected ways and allowed me to reconsider th
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11

Lederer, Robert Clarke. "Rise of the curator : archiving the self in contemporary American fiction." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/10667.

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Concurrent with a bloom of interest in the archive within academic discourse, an intense cultural fascination with museums, archives, and memorials to the past has flourished within the United States. The ascendency of digital technologies has contributed to and magnified this “turn” by popularising and habituating the archive as a personal memory tool, a key mechanism through which the self is negotiated and fashioned. This dissertation identifies a sustained exploration of the personal archive and its place in contemporary life by American novelists in the twenty-first century. Drawing on th
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12

Chye, Carissa Ern Ai. "Curating the Curator: The (Self-)Construction of Frank O’Hara as Myth." Thesis, The University of Sydney, 2018. http://hdl.handle.net/2123/20459.

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My thesis seeks to examine what I identify as the ‘Frank O’Hara phenomenon,’ the way in which Frank O’Hara – not only his poetry, but his image, his body and his biography – has been seized upon by the culture of both his own milieu and today’s popular culture. I am interested in the way O’Hara, poet and curator at the Museum of Modern Art in New York, has himself been curated, commodified and consumed. Within this framework, I attend to O’Hara as a bio-icon, borrowing from Bishnupriya Ghosh’s coinage of the term in her book Global Icons. In examining how O’Hara has become a widely-circulating
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13

Gaskill, K. "In search of the Social : toward an understanding of the Social Curator." Thesis, University of Huddersfield, 2010. http://eprints.hud.ac.uk/id/eprint/10902/.

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Since the 1960s contemporary art has seen a paradigm shift occur that has rejected the individual perspectives of modernity and begun to consider the value of connective and participatory aesthetics. New process-led and technologically-based practices have shifted the emphasis away from the art object and onto the art process, rendering the approach to making art a much more connected and relational one. In parallel, the curatorial role has radically shifted since it was first popularised in the 1970s. With less emphasis on the archival and more on the mediation and dissemination of practices,
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14

Vincent, Frédéric. "L'artiste-curateur. Entre création, diffusion, dispositif et lieux." Thesis, Paris 1, 2016. http://www.theses.fr/2016PA01H313/document.

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Cette thèse étudie les différents types d'artistes-curateurs qui se manifestent depuis plus de deux siècles au moment où les artistes organisateurs d'expositions sont de plus en plus présents sur la scène artistique contemporaine. Par-delà le phénomène de mode, une vue d'ensemble des artistes-curateurs est dressée, une typologie de ceux-ci proposée. L'ensemble des réflexions et des recherches porte sur les liens entre art et réception de l'art à travers l'étude de la french theory (Gilles Deleuze, Félix Guattari, Jean-François Lyotard, Jacques Rancière, Jacques Derrida), du réalisme spéculatif
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15

Marsden, Rachel E. M. "The transcultural curator : translating networked curatorial practices in the Chinese context since 1980." Thesis, Birmingham City University, 2017. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.743084.

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Initiated from discussions of key curators and exhibitions at the end of the Cultural Revolution, this thesis explores cultural translation through networked curatorial practices in the Chinese context since 1980. In response to increasing local (Chinese) to global (international) exchange, termed as ‘glocal’, I examine different curatorial practices and strategies used to translate exhibitions of avant-garde and contemporary Chinese art towards the development and definition of the role of the transcultural curator. A framework for translation is developed from Homi K. Bhabha’s three-tiered,
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16

Oprea, Corina. "The end of the curator : on curatorial acts as collective production of knowledge." Thesis, Loughborough University, 2017. https://dspace.lboro.ac.uk/2134/25605.

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'The End of The Curator: On Curatorial Acts as Collective Production of Knowledge' explores the convoluted liaison between knowledge production, collectivity and curating, through practices that have been neglected by mainstream curatorial platforms and art history. Bearing in mind the extensive usage of the notion knowledge production, my practice based research is guided by the question what forms of collective knowledge can curatorial practice produce?
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17

Larsson, Camilla. "Curatorns ordning : En diskursanalys av curatorns yrkesroll utifrån 15 curatorutbildningar." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-18473.

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This study departs from the observation that since the late 1980´s educational programmes for curators have been established and since then expanded greatly. The programmes are part of a process of institutionalization and professionalization of the role of the curator within the international contemporary art field where the role as such has gained much power. Even though many statements have been made about this relatively new phenomenon of curatorial studies, there is a lack of sufficient research. The intention of this study is therefore to examine the educational programmes as such. The s
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18

Ramnerö, David. "Semi-automatic Training Data Generation for Cell Segmentation Network Using an Intermediary Curator Net." Thesis, Uppsala universitet, Bildanalys och människa-datorinteraktion, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-332724.

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In this work we create an image analysis pipeline to segment cells from microscopy image data. A portion of the segmented images are manually curated and this curated data is used to train a Curator network to filter the whole dataset. The curated data is used to train a separate segmentation network to improve the cell segmentation. This technique can be easily applied to different types of microscopy object segmentation.
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19

Chubb, Shirley Jane. "Intervention, location and cultural positioning : working as a contemporary artist curator in British museums." Thesis, University of Brighton, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.479071.

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20

Groff, Fábio de Carvalho. "Contribuição ao estudo da curadoria de bens na execução: o Curator Bonorum da Bonorum Venditio." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/2/2131/tde-13122010-160122/.

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Dentre os personagens históricos ligados à execução, o curator bonorum é talvez o mais desconhecido, ou o menos estudado. Mas esse aparente \"desinteresse\" acerca da figura é incompatível com sua importância. Diversos são os textos doutrinários que apontam o curator como o antecessor histórico do síndico da falência, no direito anterior, e, nos dias atuais, do administrador judicial. No presente trabalho, apresenta-se a trajetória do curator bonorum e a influência que a curadoria teve no desenvolvimento dos meios de execução. Abordam-se, nesse sentido, a visão peculiar do romano sobre seu pat
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21

Schuppert, Mirjami. "Archive play : on the role of the curator in mediating artistic interventions into photographic archives." Thesis, Ulster University, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.701057.

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Without mediation archives are chaotic, and overwhelming. Archives need to be interpreted in order to be understood. However, the interpretations often conform to dominant cultural norms, and produce hegemonic readings. The aim of this PhD with practice was to establish methods whereby the contents of photographic archives can be made alive in the present and the future, and investigate the role the curator has in such an endeavour. This addresses the selective nature of the use of archives by initiating a collaborative practice with artists. In doing so, it explores how critical curatorial pr
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22

Motta, Gustavo de Moura Valença. "Discursos de Contrainformação - coletivos de artistas e curadores-autores no Brasil (2000-2015)." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/27/27160/tde-13092018-150702/.

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Este trabalhou tomou como ponto de partida a presença, no meio artístico brasileiro, entre 2000 e 2015, dos assim chamados coletivos de artistas. Ele procurou circunscrever histórica e conceitualmente as \"práticas artísticas colaborativas\" e as \"estratégias de visibilidade\" desenvolvidas por esses agrupamentos de artistas \"emergentes\" - no contexto de seu envolvimento, entre 1999 e 2001, com os movimentos altermundialistas e antiglobalização, e, a partir de 2003, com movimentos sociais de luta por moradia - alinhando-se, ao menos discursivamente, com a perspectiva dos \"de baixo\". De ou
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23

Miller, Chasity Janet. "From the Seat of Authority: A Case Study in Exhibition Development." VCU Scholars Compass, 2006. http://scholarscompass.vcu.edu/etd/1034.

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During the Spring 2006 semester, Virginia Commonwealth University students enrolled in the graduate Museum Studies course on exhibition development collaboratively curated an exhibition entitled From the Seat of Authority, which opened at the Anderson Gallery in June 2006. This thesis project documents the exhibition and offers an account of the deliberative and creative development process in which student-curators engaged. It is different from other case studies that focus on the technical aspects of curating an exhibition.Major components of the development process include articulating a th
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Halfpapp, Andi. "Pars pro toto: Experimental exhibition design and curatorial paradigms." Thesis, Queensland University of Technology, 2015. https://eprints.qut.edu.au/87097/1/Andi_Halfpapp_Thesis.pdf.

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'Pars pro toto: Experimental Exhibition Design and Curatorial Paradigms' is situated within the ongoing debate over the conflation of art and curating, and the subsequent tension between artistic autonomy and curatorial intervention. This practice-led research project acclimates these polarities using a collaborative and discursive curatorial methodology in the creation of two exhibitions. Both exhibitions, one digital and one primarily physical, investigated how the temporary exhibition can operate as a site for provocation, how the suggested methodology facilitates the relationship between a
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25

TÃvora, Renato Vasconcelos. "O papel do Conselho de Curadores como ÃrgÃo de controle interno da Universidade Federal do Cearà na percepÃÃo da administraÃÃo superior da instituiÃÃo." Universidade Federal do CearÃ, 2012. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=8229.

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nÃo hÃ<br>O desenvolvimento das tecnologias, nos seus mais variados campos, à alicerÃado pela pesquisa cientÃfica. à ela que fomenta as grandes inovaÃÃes que refletem na melhoria de vida das pessoas. No Brasil, a pesquisa à realizada, principalmente, pelas Universidades Federais, com recursos da UniÃo e convÃnios com organizaÃÃes privadas. Entretanto, esses grandes investimentos precisam e devem ser monitorados por mecanismos de controle interno e externo. Nas Universidades Federais, o Tribunal de Contas da UniÃo e a Controladoria Geral da UniÃo realizam o controle externo, subsidiado pelo sis
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DUTRA, Mariana Ratts. "Curadoria compartilhada na experiência de mediação cultural no Museu de Arte Contemporânea do Ceará." Universidade Federal de Pernambuco, 2014. https://repositorio.ufpe.br/handle/123456789/17184.

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Submitted by Fabio Sobreira Campos da Costa (fabio.sobreira@ufpe.br) on 2016-06-29T13:07:10Z No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) Dissertação _ Mariana Ratts Dutra _ __.pdf: 2829842 bytes, checksum: 0337d744b5b79374f8ee662b60968b12 (MD5)<br>Made available in DSpace on 2016-06-29T13:07:10Z (GMT). No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) Dissertação _ Mariana Ratts Dutra _ __.pdf: 2829842 bytes, checksum: 0337d744b5b79374f8ee662b60968b12 (MD5) Previous issue date: 2014-03-11<br>CAPEs
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TÁVORA, Renato Vasconcelos. "O papel do Conselho de Curadores como órgão de controle interno da Universidade Federal do Ceará na percepção da administração superior da instituição." http://www.teses.ufc.br, 2012. http://www.repositorio.ufc.br/handle/riufc/4516.

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TÁVORA, Renato Vasconcelos. O papel do Conselho de Curadores como órgão de controle interno da Universidade Federal do Ceará na percepção da administração superior da instituição. 2012. 179f. (Dissertação) - Universidade Federal do Ceará, Pro-Reitoria de Pós-Graduação, Programa de Pós-Graducação em Políticas Públicas e Gestão da Educação Superior, 2012.<br>Submitted by Maria Josineide Góis (josineide@ufc.br) on 2012-07-23T13:01:48Z No. of bitstreams: 1 2012_Dis_RVTavora.pdf: 2242309 bytes, checksum: 2690e6b49be60293a97325a63a8542b5 (MD5)<br>Rejected by Maria Josineide Góis(josineide@ufc.br), r
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Warholm, Sara Christine. "Critic, negotiator and gatekeeper. : An analasis of the role and influence of the curator within the contemporary art field." Thesis, Linköping University, Culture, Society and Media Production, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-19423.

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<p>The study examines the role of the art-curator with the focus on how it have influencedand may influence the art-scene and the concept of art. The study is based onmaterial extracted from texts involving the art-debates around the role of the curator,published in media and in literature. The study looks at the subject throughthe perspective of authorship and risk-theories in social sciences, and with a crossdisciplinarypoint of view, which takes into consideration how the debate regardingthe art-curator relates to the contemporary media landscape and the overall field ofcultural production.
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Roma, Serrano Valentín. "Crosswords, problems and expectations of the curator of contemporary art exhibitions : a personal experience from the project Economy : Picasso." Thesis, University of Southampton, 2013. https://eprints.soton.ac.uk/384638/.

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The present investigation project is an attempt to try to deepen in the vicissitudes, in the curatorial decisions and in the ways to dialogue in an exhibition carried out by Valentín Roma, with the purpose to explore critically which are the roles, the working lines and the responsibilities of a curator of contemporary art. Because its complexity and its longitude in the time, the show chosen as a study case, that was entitled Economy: Picasso and which different phases were held in the Museu Picasso of Barcelona between May 2011 and February 2013, offers an authentic panoptic of each and ever
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González, Vásquez Angélica. "Les écrits des curateurs : analyse depuis la théorie curatoriale et l'histoire des expositions." Thesis, Paris 8, 2016. http://www.theses.fr/2016PA080091.

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Cette thèse interroge le champ de pratiques et de positions discursives appelées récemment « curating ». L’approche que nous avons choisie est celle de l’analyse des écrits des curateurs d’art contemporain. De nature très variée, ils nous permettent de percevoir leurs conceptions à partir de leurs pratiques d’organisation d’expositions et des diverses activités de présentation publique de l’art. Il s’agit de traiter la proximité, ainsi que la distance, entre la construction d’une théorie curatoriale et la pratique à travers un ensemble de règles et d’opérations de normalisation décidées par un
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Gonçalves, Eliane Pereira. "(Des)Prezado público: a disputa pelo direito à diversidade religiosa em uma empresa pública de comunicação." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8161/tde-10032017-134917/.

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O campo da comunicação pública no Brasil transita em uma área sombreada. Os canais de radiodifusão públicos são confundidos com aparelhos de governo e operam como tal. A criação da EBC foi uma tentativa de inflexão nessa tradição. O que a diferenciou de outros sistemas públicos foi a decisão de colocar a gestão de seus conteúdos na mão da sociedade civil, por meio de um Conselho Curador, formado em sua maioria por representantes desta. Essa pesquisa estudou como se concretizou esse processo de representação da sociedade na EBC por meio da análise de um caso debatido no âmbito desse Conselho: a
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FUSCO, Angela. "La gestione dell'acqua nelle civitates dell'Italia romana. La documentazione epigrafica." Doctoral thesis, Università degli Studi di Palermo, 2014. http://hdl.handle.net/10447/90858.

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Spaid, Susan Elizabeth. "Work and World: On the Philosophy of Curatorial Practice." Diss., Temple University Libraries, 2013. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/219943.

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Philosophy<br>Ph.D.<br>Even though viewers typically experience multiple artworks at a time, philosophers have tended to parse visual art experiences into individuated experiences with singular objects, rather than incorporate the role exhibitions play in contextualizing objects over time. Since visual art experiences typically occur in the context of exhibitions featuring multiple artworks, whether in a museum, commercial gallery, or artist's studio, there are numerous problems associated with considering visual art experiences individuated experiences with single objects. I aim to show how t
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Ляшенко, Ірина Володимирівна, Ирина Владимировна Ляшенко та Iryna Volodymyrivna Liashenko. "Роль кураторів СФ ХНУВС у підвищенні ефективності навчально-виховного процесу". Thesis, Дніпро, 2012. http://essuir.sumdu.edu.ua/handle/123456789/72559.

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Розглядається підготовка і процес проведення кураторської роботи у навчальній, організаторській, виховній і науковій роботі зі студентами СФ ХНУВС.<br>Рассматривается подготовка и процесс проведения кураторской работы в учебной, организаторской, воспитательной и научной работе со студентами СФ ХНУВД.<br>The preparation and process of conducting curatorial work in educational, organizational, educational and scientific work with students of the SF KhNUVS is considered.
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Brinzová, Marianna. "EX/POZÍCIA." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2017. http://www.nusl.cz/ntk/nusl-295729.

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The diploma work titled Ex/position is a project, exhibition, intervention of space, which determined itself as the topic and object of its research (analysis and interest). The Ex/position is an exhibition about an exhibition, a project about a project and a reflection about a context. The main output of the thesis is a curatorial project created in the concept of collaborative practice. The result of it is a collective work in the form of an exhibition. The thesis as a temporary gallery installation is created on the basis of the curatorial and as well authorial concept in collaboration with
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Шинкаренко, О. Г. "Роль куратора академічної групи при впровадженні кредитно-модульної системи організації навчального процесу". Thesis, Видавництво СумДУ, 2010. http://essuir.sumdu.edu.ua/handle/123456789/4328.

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Зміст діяльності куратора визначається його функціями як керівника виховного процесу в студентській групі; його основним завданням, як і завданням всієї професійної освіти, є формування фахівців не тільки здатних розробляти і використовувати методи і засоби праці в певних областях діяльності, але і людей, що уміють діяти і застосовувати отримані знання в нових умовах – умовах конкурентної ринкової економіки. При цитуванні документа, використовуйте посилання http://essuir.sumdu.edu.ua/handle/123456789/4328
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Andary, Chetana. "Curating place: Public art and city identity." Thesis, Queensland University of Technology, 2020. https://eprints.qut.edu.au/202922/1/Chetana_Andary_Thesis.pdf.

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This Thesis investigates the impact and influence of the public art-curator to engender place-identity. It focuses on the connected relationship between curating, public art, and place identity to develop a contemporary understanding of the challenges, drivers, players and intersections that determine spatial and custodial narratives. Through the theories of placemaking and brand marketing and the review of the art and cultural policies of New York, Singapore, and Qatar, it draws upon the practice in curating public art.
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Cohen, Miriam Aby. "O desenho da cena como experiência: intersecções na prática artística contemporânea entre cenografia instalação expografia." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-24112015-104914/.

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Apresenta uma abordagem do cenógrafo como artista autônomo capaz de elaborar e materializar narrativas próprias, além de acercar-se daquelas já existentes. Um artista que transita por diversas áreas de linguagem, cuja produção coloca a cenografia como protagonista no contexto das Artes Visuais, das Artes Performáticas e da Museografia. Identifica e analisa as intersecções, o ENTRE, das linguagens distintas, nas quais o cenógrafo expressa-se artisticamente: cenografia, instalação e expografia, definindo o termo \'desenho da cena\' para referir-se à produção nas distintas áreas e em suas interse
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Fay, Kellie Marie. "Curating the Abandoned School: Voices of Youth in an Alternative High School Art Class." BYU ScholarsArchive, 2015. https://scholarsarchive.byu.edu/etd/5510.

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An art teacher at an alternative high school examines how self-study and narrative influence art making in the classroom. This teacher-researcher-artist uses a/r/tography to study more deeply her role in creating curriculum that deals with students' stories as a meaning-making device. The a/r/tographer identifies herself as a type of teacher-curator of student narratives and explores the nuances of her particular research site. As the researcher more closely examined her own identity as artist, teacher, and researcher, she came to understand that this research was largely a study of self. Spec
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González, Vásquez Angélica. "Les écrits des curateurs : analyse depuis la théorie curatoriale et l'histoire des expositions." Electronic Thesis or Diss., Paris 8, 2016. http://www.theses.fr/2016PA080091.

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Cette thèse interroge le champ de pratiques et de positions discursives appelées récemment « curating ». L’approche que nous avons choisie est celle de l’analyse des écrits des curateurs d’art contemporain. De nature très variée, ils nous permettent de percevoir leurs conceptions à partir de leurs pratiques d’organisation d’expositions et des diverses activités de présentation publique de l’art. Il s’agit de traiter la proximité, ainsi que la distance, entre la construction d’une théorie curatoriale et la pratique à travers un ensemble de règles et d’opérations de normalisation décidées par un
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Bega, Carolina Brambila. "Curadoria especial: tutela da vulnerabilidade processual: análise da efetividade dessa atuação." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/2/2137/tde-18022013-105924/.

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O trabalho apresenta um estudo sistematizado da curadoria especial, focando especialmente em sua efetividade para a tutela de vulneráveis processuais. Após abordar a vulnerabilidade no âmbito do processo civil, indica que as hipóteses em que há previsão de atuação do curador especial são situações em que a parte está em condições de especial dificuldade para exercer plenamente seus direitos. É apresentado o histórico da curadoria especial até o contexto atual, em que passa a ser função institucional da Defensoria Pública. Analisa pormenorizadamente as peculiaridades da atuação do curador espec
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Oliveira, Régis Costa de. "Imagem e memória: arqueologia da imagem nas aulas de Artes Visuais do Instituto Federal do Maranhão – campus Buriticupu." Universidade Federal do Maranhão, 2016. http://tedebc.ufma.br:8080/jspui/handle/tede/1474.

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Submitted by Rosivalda Pereira (mrs.pereira@ufma.br) on 2017-05-23T18:04:12Z No. of bitstreams: 1 RegisCostaOliveira.pdf: 2442139 bytes, checksum: 9d55d79bf14ea8419cb9d60c93f3aff8 (MD5)<br>Made available in DSpace on 2017-05-23T18:04:12Z (GMT). No. of bitstreams: 1 RegisCostaOliveira.pdf: 2442139 bytes, checksum: 9d55d79bf14ea8419cb9d60c93f3aff8 (MD5) Previous issue date: 2016-06-03<br>The imagistic reading in visual arts classes, usually occurs from a Eurocentric tradition acquis which is strange to much of the student visuality and the curatorial process intermediated by the teacher. Given
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Твердохлєбова, Наталя Євгеніївна, та Наталія Сергіївна Євтушенко. "Нові можливості викладача-тьютора дистанційного навчання". Thesis, ГО "СФБЖДЛ", 2016. http://repository.kpi.kharkov.ua/handle/KhPI-Press/29118.

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Серед найсучасніших освітніх технологій, що активно розвиваються і поширюються, особливе місце займають дистанційні технології навчання. Завдання сучасного викладача-тьютора – не стільки надати студенту знання відповідно затвердженого навчального плану, але і забезпечити його життєво важливими навичками роботи з інформацією, умінням ефективно взаємодіяти з колегами, в тому числі через Інтернет, а також постійно розвиватися і вчитися самостійно.<br>Among the modern educational technologies that are being actively developed and distributed, distance learning technology take a special place. The
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Hilmersson, Annie, and Ludwig Willman. "Skolkuratorers arbete med barn som lider av psykisk ohälsa. : En kvalitativ studie." Thesis, Linnéuniversitetet, Institutionen för socialt arbete (SA), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-100725.

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Mental illness has rapidly increased in Sweden and today around ten procent of swedish children suffers from mental illness. The purpose of this study is to investigate how school curators work with children that suffers from mental illness and how they work preventive with this problem.  The empirical material has been collected through qualitative interviews with six school curators. With the intention of analyzing the empirical data two theoretical framework has been used. Client-oriented and room for maneuver. The results indicates that school curators mainly uses different types of conver
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Velazco, Reyes Adriana Sofía. "La teoría del gatekeeper en el tratamiento informativo del periodismo digital en casos de violación y homicidio de menores. Análisis del caso “Camilita” en la versión digital del diario Ojo, entre el 02 y 04 de marzo del 2020." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/653932.

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Las noticias que irrumpen en lo cotidiano se encuentran dentro del fenómeno conocido como periodismo policial. Asimismo, en las últimas dos décadas, el periodismo digital se ha convertido en una de las formas más rápidas de hacer periodismo, aplicando las características de “la vieja escuela”, en los nuevos (no tan nuevos) formatos digitales y construyendo las propias sobre la marcha. En este trabajo de investigación, se decidió abordar el caso de ‘Camilita’, la niña de cuatro años, violada y asesinada por un menor de quince en la zona de Payet, en el distrito de Independencia. Este traba
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Wood, Eleanor. "Displaying dress : new methodologies for historic collections." Thesis, University of Manchester, 2016. https://www.research.manchester.ac.uk/portal/en/theses/displaying-dress-new-methodologies-for-historic-collections(8ac9a65f-f153-43ca-88d5-d6e04ea5db1b).html.

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At the beginning of the twenty-first century British costume museums were failing to attract audiences; consequently, all but the Gallery of Costume, Manchester and the Fashion Museum, Bath were closed to the public. This thesis has sought to examine the traditional display methodologies of historic costume museums, using the Gallery of Costume as its primary case study of practice. This investigation problematises the theoretical assumptions upon which the gallery’s display methodologies are founded and compares its approaches to those taken in contemporary displays of historic dress. The fin
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Марченко, Анна Вікторівна, Анна Викторовна Марченко, Anna Viktorivna Marchenko та М. О. Ярова. "Інформаційна система підтримки діяльності куратора факультету ЕлІТ". Thesis, Сумський державний університет, 2014. http://essuir.sumdu.edu.ua/handle/123456789/39252.

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Сучасний стан розвитку суспільної діяльності людини характеризується стійкою тенденцією інформатизації процесів управління, що призводить до підвищення якості та доступності керування процесами передачі та обробки інформації.
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Moramarco, Domenico <1984&gt. "Da artista a curatore: la mostra Slip of the tongue curata da Danh Vo a Punta della Dogana-Fondazione François Pinault." Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/8731.

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Danh Vo, artista danese di origine vietnamita, residente tra Berlino e Città del Messico, nato il 1975 a Bà Ria, è senza ombra di dubbio l’«artista del momento», entrato ormai a far parte “di diritto” nel sistema dell’arte contemporanea composto da artisti-divinità osannati da galleristi e collezionisti e corteggiati da tutte le più importanti istituzioni museali del mondo. Nato nel 1975 in Vietnam, a soli quattro anni è costretto a lasciare la sua terra, a causa della guerra civile, ed emigrare in Europa con tutta la sua famiglia a bordo di un’imbarcazione di fortuna.La sua produzione artisti
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Creasman, Pearce Paul. "Basic Principles And Methods Of Dendrochronological Specimen Curation." Tree-Ring Society, 2011. http://hdl.handle.net/10150/622640.

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Dendrochronological collections include continuously expanding multi-taxon records of tree growth that encompass millennia and often offer irreplaceable sources of biological, environmental, and cultural information. Nevertheless, each departure of a scholar from the field—whether because of death, retirement, career change, shift in research priorities, or even move to a new institution—places collections in increased danger of being lost as viable resources. Without an organized and concerted effort to address outstanding and future issues of specimen curation, dendrochronology as a whole m
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Glasberg, Ida. "Samverkan gällande barn och unga - Exemplet Bloton Öppenvård." Thesis, Linnéuniversitetet, Institutionen för socialt arbete (SA), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-85653.

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The aim of the study is to analyze the understanding of how curators at Bloton Open Care look at collaboration with actors linked to their work. A qualitative method was used and the data was based on semi-structured interviews with six curators from Bloton Open Care and additionally one of the managers.   The findings point to that collaboration is crucial in the work with children and families if the child or family is in contact with several social service organizations. The curators emphasize the importance of being able to see their own part in collaborative work and consequently being hu
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