Bibliografias temáticas / Dance company

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Literatura científica selecionada sobre o tema "Dance company"

Autor: Grafiati
Publicado: 4 de junho de 2021
Última modificação: 18 de fevereiro de 2022

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Artigos de revistas sobre o assunto "Dance company"

1

Franko, Mark. "Approaches to Dance (1): Influences." Dance Research 28, no. 1 (2010): 1–5. http://dx.doi.org/10.3366/drs.2010.0001.

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This is an autobiographical account of the intellectual and artistic influences on the work of Mark Franko. It touches on his professional dance career with the Paul Sanasardo Dance Company and his choreographic career with his own company NovAntiqua, his graduate education at Columbia University, and the development of an interdisciplinary approach to theory and practice that blends the activities of the dance scholar with those of the dancer-choreographer.
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BRUCHER, KATHERINE. "Assembly Lines and Contra Dance Lines: The Ford Motor Company Music Department and Leisure Reform." Journal of the Society for American Music 10, no. 4 (2016): 470–95. http://dx.doi.org/10.1017/s1752196316000365.

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AbstractThe automaker Henry Ford founded the Ford Motor Company Music Department in 1924 with the goal of reviving what he called “old-fashioned dancing and early American music.” Ford's interest in the Anglo-American social dances of his youth quickly grew from dances hosted by the Fords for company executives to a nationwide dance education program. This article traces the history of the Music Department's dance education program and examines the parallels between it and the company's earlier efforts in social engineering—namely the Ford Profit Sharing Plan (better known as the “Five Dollar
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Fiskvik, Anne Margrete. "Tracing the Achievements of Augusta Johannesén, 1880–1895." Nordic Journal of Dance 5, no. 2 (2014): 4–21. http://dx.doi.org/10.2478/njd-2014-0007.

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Abstract Dancer, choreographer and teacher Augusta Johannesén was an important figure in several capacities for Nordic theatrical dance. She danced, taught and choreographed in Sweden, Finland as well as in Russia. Between 1860-1878 she was a member of the so-called Johannensénske Balletselskab, which toured extensively in the Nordic countries. The Johannesénske family settled in the Norwegian capital Kristiania in 1880, and Augusta Johannesén slowly established herself as a professional dance artist at the most important theatres in Kristiania. Over the years she became a dancer, choreographe
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Thompson, Jayne. "Moving Memory Dance Theatre Company." Performance Research 24, no. 3 (2019): 115–21. http://dx.doi.org/10.1080/13528165.2019.1583983.

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Pritchard, Jane. "Archives of the Dance: The Rambert Dance Company Archive." Dance Research: The Journal of the Society for Dance Research 6, no. 1 (1988): 59. http://dx.doi.org/10.2307/1290748.

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Leich, Debra L. "Dance for Social Chance Full House Children's Dance Company." Journal of Physical Education, Recreation & Dance 65, no. 5 (1994): 39–43. http://dx.doi.org/10.1080/07303084.1994.10606916.

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Aldor, Gaby. "The Borders of Contemporary Israeli Dance: “Invisible Unless in Final Pain”." Dance Research Journal 35, no. 1 (2003): 81–97. http://dx.doi.org/10.1017/s0149767700008780.

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When Vertigo, an Israeli dance company, performed in collaboration with the English Ricochet dancers, there was one dance on the stage—one choreography—but the audience saw two different modes of movement. The English dancers were learned, elegant, arms and feet drawing long lines in space, the feet articulate. The Israelis danced with a powerful thrust, extremities loose, with total commitment and daring, their movements leaving in space traces of explosions too fast to recollect rather than spirals of continuity. How did this mode of movement develop? What is “Israeli” about Israeli dance?In
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Lana, Iris. "The Batsheva Dance Company Archive Project." Dance Research 38, no. 2 (2020): 168–86. http://dx.doi.org/10.3366/drs.2020.0306.

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The article discusses the Batsheva Dance Company Archive Project, conducted by a team I headed in the years 2012–2015. 1 The analysis of this project will assist in understanding both its significance as an archival act of documenting the past, and its influence on the company's present and on Israeli dance. The method of analysis will include a description of the different practices involved in constructing a dance archive; a contextual discussion of archival practices; and a theoretical discussion, principally in the context of changes in current archiving practices and developments in criti
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Mohr, Hope, Larry Arrington, Gerald Casel, et al. "Choreographic Transmission in an Expanded Field: Reflections on “Ten Artists Respond to Trisha Brown’s Locus”." TDR/The Drama Review 62, no. 2 (2018): 143–50. http://dx.doi.org/10.1162/dram_a_00754.

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The Locus project commissioned 10 Bay Area artists from multiple disciplines to learn Trisha Brown’s Locus and respond by creating their own pieces. It was the first time that the Trisha Brown Dance Company (TBDC) had allowed one of Brown’s dances to be transmitted beyond the company for the explicit purpose of inspiring new works.
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TEMEL,Sernaz DEMİREL TEMEL, Tan. "Modern dance in Turkey with Geyvan McMillen “Yıldız Technical University Dance Program, Cemal Reşit Rey Dance Theater Company and Istanbul Dance Theater Company”." Journal for the Interdisciplinary Art and Education 2, no. 1 (2021): 75–103. http://dx.doi.org/10.29228/jiae.16.

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Teses / dissertações sobre o assunto "Dance company"

1

Adair, Christy. "Dance, gender and ethnicity : a cultural history of Phoenix Dance Company, 1981-2001." Thesis, University of Leeds, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.416838.

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Ballantyne, Tammy Marguerite. "Identity and transformation within the Playhouse Dance Company, 1993-1997." Thesis, Rhodes University, 1998. http://hdl.handle.net/10962/d1002363.

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This thesis examines the principles and policies underlying the need for transformation within the Playhouse Dance Company (PDC) in Durban and the actualities of implementing these visions and procedures. It is proposed that artistic structures, ideals and processes cannot remain impervious to the climate of change. Alterations in the political arena demand radical permutations within arts councils and their concept of repertoire, educational programmes and training. Transformation is linked to the problem of identity and it is suggested that the company is in the midst of a journey towards "b
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Riggs, Leyva Rachael. "Dance Literacy in the Studio: Partnering Movement Texts and Residual Texts." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1420672347.

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Gortz, Ann-Christin. "Linguistic markers as evidence for cultural awareness : a critical examination of international critiques of a South African dance company." Thesis, Stellenbosch : University of Stellenbosch, 2011. http://hdl.handle.net/10019.1/6840.

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Thesis (MPhil (General Linguistics))--University of Stellenbosch, 2011.<br>Bibliography<br>ENGLISH ABSTRACT: Viewing cross-cultural dance performances on international tours or as part of international dance festivals has become common practice all over the world. For critique writers, choreographers/ dancers and the audience the accessibility of such a diverse variety of dance has both advantages and disadvantages. Cross-cultural differences in these performances challenge strategies of viewing and perception which may lead to aesthetic enrichment but these performances also risk being m
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Tsintziloni, Steriani. "Modernising contemporary dance and Greece in the mid-1990s : three case studies from SineQuaNon, Oktana Dancetheatre and Edafos Company." Thesis, University of Roehampton, 2013. https://pure.roehampton.ac.uk/portal/en/studentthesis/modernising-contemporary-dance-and-greece-in-the-mid-1990s(f9ab30a8-4e35-499a-9762-9048f34e4283).html.

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The thesis constitutes an examination of contemporary dance in the 1990s in Greece as exemplified in the case of three dance companies - SineQuaNon, Oktana Dancetheatre and Edafos Company – major exponents of the bourgeoning dance scene of that time. The focus is on a particular historical moment, the year 1995, and on three choreographies – ProsOlotoixos [Tour de Force] by Apostolia Papadamaki (SineQuaNon), Daphnis and Chloe by Konstantinos Rigos (Oktana Dancetheatre) and Enos Leptou Sigy [One Moment of Silence] by Dimitris Papaioannou (Edafos Company) - as indications of the vitality of cont
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Büscher, Barbara. "Gegenseitige Durchdringung und Nicht-Behinderung: Über das Verhältnis zweier Performance-Systeme am Beispiel der Live Electronic Music in Produktionen der Merce Cunningham Dance Company." map - media archive performance ; 2012/3 (E-Journal, URL: http://www.perfomap.de), 2012. https://slub.qucosa.de/id/qucosa%3A4363.

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Die Zusammenarbeit von Merce Cunningham und John Cage beruhte auf dem grundlegenden Prinzip der getrennten Entwicklung und Erarbeitung von Klang/Musik und Tanz/Bewegung (Cunningham 1994). Für den getrennten Arbeitsprozess wurden nur Zeitklammern und die Dauer der Gesamtaufführung als gemeinsame Parameter festgelegt. Diese Trennung von Musik und Tanz bildet die notwendige Voraussetzung für die erweiterte Arbeit der Merce Cunningham Dance Company (MCDC) mit Cage und anderen Composer-Performern in den 1960er und 1970er Jahren, die die elektronischen Klänge live, in der Aufführung, generierten. De
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Martins, Giancarlo. "Uma nova geografia de ideias: diversidade de ações comunicativas para a dança." Pontifícia Universidade Católica de São Paulo, 2006. https://tede2.pucsp.br/handle/handle/4823.

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Made available in DSpace on 2016-04-26T18:15:48Z (GMT). No. of bitstreams: 1 Giancarlo Martins.pdf: 9816916 bytes, checksum: b4a396da42ac4d1ed91e23ce1a3a0232 (MD5) Previous issue date: 2006-09-25<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico<br>In the last ten years, actions developed in dance, live and in the media, left the focus in Rio-São Paulo. Spread through several places in the country had taken a new geography of ideas that understand dance as a communication process of the body, organized as a thought that questions power structures, artistic procedures and bound
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Tavares, Carlos Gonçalves. "Sobre a dança e outras mídias: um estudo sobre a intermidialidade nos trabalhos da Cia Ormeo (MG)." Universidade Federal de Juiz de Fora, 2015. https://repositorio.ufjf.br/jspui/handle/ufjf/227.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2015-12-15T14:13:00Z No. of bitstreams: 1 carlosgoncalvestavares.pdf: 2841629 bytes, checksum: f3ed9e1d927ae031a82b7dc0378de6d5 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2015-12-15T15:46:30Z (GMT) No. of bitstreams: 1 carlosgoncalvestavares.pdf: 2841629 bytes, checksum: f3ed9e1d927ae031a82b7dc0378de6d5 (MD5)<br>Made available in DSpace on 2015-12-15T15:46:30Z (GMT). No. of bitstreams: 1 carlosgoncalvestavares.pdf: 2841629 bytes, checksum: f3ed9e1d927ae031a82b7dc0378de6d5 (MD5) Previ
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Büscher, Barbara. "Gegenseitige Durchdringung und Nicht-Behinderung." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-140675.

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Die Zusammenarbeit von Merce Cunningham und John Cage beruhte auf dem grundlegenden Prinzip der getrennten Entwicklung und Erarbeitung von Klang/Musik und Tanz/Bewegung (Cunningham 1994). Für den getrennten Arbeitsprozess wurden nur Zeitklammern und die Dauer der Gesamtaufführung als gemeinsame Parameter festgelegt. Diese Trennung von Musik und Tanz bildet die notwendige Voraussetzung für die erweiterte Arbeit der Merce Cunningham Dance Company (MCDC) mit Cage und anderen Composer-Performern in den 1960er und 1970er Jahren, die die elektronischen Klänge live, in der Aufführung, generierten. De
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10

Yang, Xiaokun. "Dance with your business partners : An empirical study about what factors influence the adoption of the ITapplications between the company and its global dealers from differentcountries, and among them which factor/factors are more importantthan others." Thesis, Mälardalen University, School of Sustainable Development of Society and Technology, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-9994.

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<p>Date: June 2010Course: EIK 034 Master thesisAuthor: Xiaokun YangTutor: Ole LiljeforsTitle: Dance with your business partnersIntroduction: Through the web conference project of Volvo Construction Equipment(VolvoCE, www.volvoce.com), the author analyzed what factors influence theadoption of IT applications between the global company and its dealers in differentcountries, and among these factors which ones are more important than others.Research question: What factors influence the adoption of the IT applicationsbetween the company and its global dealers from different countries? Among themwhi
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Livros sobre o assunto "Dance company"

1

Rubidge, Sarah. Rambert Dance Company. Rambert Dance Company], 1987.

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2

Csárdás Dance Company: A history. Lulu Publishing Services, 2015.

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3

Danse-cité: Traces contemporaines. Heures bleues, 2009.

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4

Tradition and creativity in Japanese dance: Kikunokai. Weatherhill, 2001.

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5

Mead, David. Dance company education and outreach: A critical analysis. University of Surrey Roehampton, 2003.

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6

Tiglao, Carmen de Jesus, and Thaisa Ysonde de Jesus Tiglao. Bayanihan vignettes. Edited by Bayanihan Philippine Dance Company. Bayanihan Folk Arts Foundation, 2007.

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7

Kerkhoven, Marianne Van. Anne Teresa De Keersmaeker. Vlaams Theater Instituut, 2001.

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8

Kerkhoven, Marianne Van. Anne Teresa De Keersmaeker. Vlaams Theater Instituut, 2001.

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9

Sorgeloos, Herman. Rosas album. Theater Instituut Nederland, 1993.

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10

Sonntag, Frank. The Parsons Dance Company: 10th anniversary, 1987-1997 : retrospective. Edited by Parsons Dance Company. Parsons Dance Foundation, 1997.

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Capítulos de livros sobre o assunto "Dance company"

1

Alexandre, Jane M. "“I Wanted to Be a Dance Company and Not a Social Project”: Sonia Destri." In Dance Leadership. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-57592-0_4.

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Dieter, Katie E. "Visualizing African diaspora dance through the African American Dance Company and visual art." In Fire Under My Feet. Routledge, 2021. http://dx.doi.org/10.4324/9781003150343-3.

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Jones, E. Jean Johnson. "The Choreographic Notebook: a Dynamic Documentation of the Choreographic Process of Kokuma Dance Theatre, an African-Caribbean Dance Company." In Dance in the Field. Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1057/9780230375291_8.

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Childs, C. "Embedding Work Based Learning Opportunities into an Undergraduate Curriculum Through Participation in a Touring Dance Company." In Enhancing Employability in Higher Education through Work Based Learning. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75166-5_7.

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Cheesman, Sue. "Ten years of Touch Compass Dance Company’s integrated education programme under the spotlight." In The Routledge Handbook of Disability Arts, Culture, and Media. Routledge, 2018. http://dx.doi.org/10.4324/9781351254687-9.

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Endres, Dominik, Enrico Chiovetto, and Martin A. Giese. "Bayesian Approaches for Learning of Primitive-Based Compact Representations of Complex Human Activities." In Dance Notations and Robot Motion. Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-25739-6_6.

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Aylward, Ryan, and Joseph A. Paradiso. "2006: Sensemble: A Wireless, Compact, Multi-user Sensor System for Interactive Dance." In A NIME Reader. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47214-0_16.

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Yang, Yang, Howard Leung, Lihua Yue, and Liqun Deng. "Automatically Constructing a Compact Concept Map of Dance Motion with Motion Captured Data." In Advances in Web-Based Learning – ICWL 2010. Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-17407-0_34.

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"Company." In Pina Bausch's Dance Theater. transcript-Verlag, 2020. http://dx.doi.org/10.14361/9783839450550-003.

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"Rambert Dance Company Archive, London, UK." In Dance History. Routledge, 2006. http://dx.doi.org/10.4324/9780203137369-16.

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Trabalhos de conferências sobre o assunto "Dance company"

1

Rifaldi, Egi, and Juju Masunah. "The Company of Dance Costume Rental in Arga Studio Bandung, Indonesia." In 2nd International Conference on Arts and Design Education (ICADE 2019). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200321.049.

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Covey, D. "Teaching this elephant to dance [management programmes of BT company] (Abstract only)." In IET 2nd International Technology and Innovation Conference. IEE, 2006. http://dx.doi.org/10.1049/ic:20060219.

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Dalton, Sean, Henry Koon, Jennifer O’Malley, and Julianna Abel. "A Black Box Design Approach to Avian-Inspired SMA Coil Actuated Wearable Morphing Angel Wings." In ASME 2017 Conference on Smart Materials, Adaptive Structures and Intelligent Systems. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/smasis2017-3943.

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Black box design is a constraint driven design approach that distills essential elements of a physical process into inputs and outputs. This paper details the black box design implementation and validation of shape memory alloy (SMA) coil actuators as active members in a Watt I six bar avian-inspired wearable morphing angel wing mechanism. SMA coil actuators leverage the unique characteristics of high energy density SMA wire by providing a compact structural platform for large actuation displacement applications. The moderate force and displacement performance of low spring index coil actuator
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Relatórios de organizações sobre o assunto "Dance company"

1

Wu, C., A. Chyzh, E. Kwan, et al. Compact fission counter for DANCE. Office of Scientific and Technical Information (OSTI), 2010. http://dx.doi.org/10.2172/1018751.

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Bolton, Laura. The Economic Impact of COVID-19 in Colombia. Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/k4d.2021.073.

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Available data provide a picture for the macro-economy of Colombia, agriculture, and infrastructure. Recent data on trends on public procurement were difficult to find within the scope of this rapid review. In 2020, macro-level employment figures show a large drop between February and April when COVID-19 lockdown measures were first introduced, followed by a gradual upward trend. In December 2020, the employment rate was 4.09 percentage points lower than the employment rate in December 2019. Macro-level figures from the National Administrative Department of Statistics (DANE) show that a higher
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