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Artigos de revistas sobre o tema "Dancing"

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1

Cohen, Sara, and Jan Fairley. "Introduction to ‘Dance’ special issue." Popular Music 25, no. 3 (2006): 345–46. http://dx.doi.org/10.1017/s0261143006000948.

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‘Are ye dancin’?' ‘Are ye askin’?' ‘Yes I’m askin” ‘Then I’m dancin'!' This was the exchange between couples in Glasgow early in the twentieth century at the height of the ballroom dancing boom that made the city one of the dancing capitals of the world. It lingers on in Scottish dancing parlance. In Havana, people were dancing danzón; in Buenos Aires, tango; and in Río de Janeiro, samba. It was a time of big orchestras when women wore evening dresses and men wore suits. Today, whilst the clothes may have changed, dance with its link to sensual pleasure continues to be fundamental to our cultu
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2

Badaki, Oluwakemi Bukola, and Emily S. Schapiro. "Dancing Eyes, Dancing Feet." Pediatric Emergency Care 23, no. 12 (2007): 885–88. http://dx.doi.org/10.1097/pec.0b013e31815c9d66.

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3

Imtiaz, Komal E., and JP Vora. "Dancing eyes-dancing feet." Lancet 354, no. 9176 (1999): 390. http://dx.doi.org/10.1016/s0140-6736(99)05250-2.

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4

Kalla, Roger, Jurka Meichtry, Rahel Schumacher, et al. "Dancing Jaw and Dancing Eyes." JAMA Neurology 73, no. 1 (2016): 122. http://dx.doi.org/10.1001/jamaneurol.2015.2299.

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5

Dodson, Moe, Andree Grau, John Blacking, and Bruce Milliard. "Dancing." Yearbook for Traditional Music 23 (1991): 170. http://dx.doi.org/10.2307/768426.

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6

Dick, Thom. "Dancing." JEMS: Journal of Emergency Medical Services 34, no. 9 (2009): 28. https://doi.org/10.1016/s0197-2510(09)70290-6.

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7

Senanayake, P. Manouri, and SP Sumanasena. "Dancing eyes and dancing feet syndrome." Ceylon Medical Journal 49, no. 4 (2010): 133. http://dx.doi.org/10.4038/cmj.v49i4.1926.

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8

Stevenson, Deborah. "Dancing through Fire, and: Marie, Dancing (review)." Bulletin of the Center for Children's Books 59, no. 5 (2006): 236. http://dx.doi.org/10.1353/bcc.2006.0026.

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9

Xu, Cheng Long. "The Evaluation Methods Based on Image Features Comparison." Applied Mechanics and Materials 644-650 (September 2014): 4197–200. http://dx.doi.org/10.4028/www.scientific.net/amm.644-650.4197.

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The paper studies the dancing gestures evaluation method based on images features comparison. The current methods for dancing gestures are according to the people’s vision, which are usually not accurate. Once the dancing is more complex, the conventional methods have the defects of low accuracy. Therefore, this paper proposes an optimized algorithm based on image features comparison for dancing gestures evaluation in which the dancing gestures images are collected. The features in the dancing images are extracted and compared based on the Scale Invariant Feature Transform algorithm (SIFT). Th
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10

McCormack, Jess. "Dancing Diffraction." Performance Research 25, no. 5 (2020): 77–83. http://dx.doi.org/10.1080/13528165.2020.1868847.

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11

Crichton, Ronald, and Michael de Cossart. "Dancing Years." Musical Times 129, no. 1744 (1988): 301. http://dx.doi.org/10.2307/964886.

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12

Harvey, Kirsten. "Dancing Faces." International Journal of the Arts in Society: Annual Review 5, no. 3 (2010): 223–34. http://dx.doi.org/10.18848/1833-1866/cgp/v05i03/35860.

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13

Leenknegt, Benjamin, Lucy Diss, and Paul S. Sidhu. "Dancing Megasperm." Journal of the Belgian Society of Radiology 103, no. 1 (2019): 5. http://dx.doi.org/10.5334/jbsr.1687.

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14

Harrington, Cynthia. "Dancing Lessons." CFA Institute Magazine 21, no. 4 (2010): 52–57. http://dx.doi.org/10.2469/cfm.v21.n4.14.

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15

Skloot, Floyd. "Glinka Dancing." Hudson Review 49, no. 2 (1996): 275. http://dx.doi.org/10.2307/3852459.

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16

Daly, Ann. "Dancing Democracy." Dance Research Journal 34, no. 2 (2002): 8. http://dx.doi.org/10.2307/1478455.

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17

Parkes, Neville. "Enough dancing." Learning Disability Practice 13, no. 4 (2010): 8. http://dx.doi.org/10.7748/ldp.13.4.8.s13.

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18

Liew, YewToong, AndrewCharles Gomez Junior, Adzreil Bakri, and Prepageran Narayanan. "Dancing pharynx." Tzu Chi Medical Journal 32, no. 3 (2020): 303. http://dx.doi.org/10.4103/tcmj.tcmj_245_19.

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19

Hollenberg, Donna. ""Dancing Edgeways"." Renascence 58, no. 1 (2005): 5–16. http://dx.doi.org/10.5840/renascence200558112.

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20

Snoeyenbos, Milton H., and Susan Leigh Foster. "Reading Dancing." Journal of Aesthetic Education 22, no. 3 (1988): 118. http://dx.doi.org/10.2307/3333062.

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21

Johnson, Ernest W. "Dancing medicine." Journal of Back and Musculoskeletal Rehabilitation 5, no. 3 (1995): 187–88. http://dx.doi.org/10.3233/bmr-1995-5302.

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22

Smaglik, Paul. "Dancing Droplets." Science News 151, no. 16 (1997): 242. http://dx.doi.org/10.2307/4018403.

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23

Chen, Xiao-Ping. "Dancing Lotus." Management and Organization Review 8, no. 1 (2012): 96. http://dx.doi.org/10.1111/j.1740-8784.2012.00285.x.

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24

Rosenblum, Brian, Sándor Kányádi, and Paul Sohar. "Dancing Embers." World Literature Today 77, no. 1 (2003): 117. http://dx.doi.org/10.2307/40157870.

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25

Wagoner, David. "Dancing Daughters." English Journal 90, no. 6 (2001): 118. http://dx.doi.org/10.2307/822074.

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26

Jackson, Fleda Brown. "Ballroom Dancing." Iowa Review 21, no. 1 (1991): 102. http://dx.doi.org/10.17077/0021-065x.3967.

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27

Shasha, Dennis E. "Square Dancing." Scientific American 285, no. 3 (2001): 102. http://dx.doi.org/10.1038/scientificamerican0901-102.

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28

McKenney, E. A. "Dancing Vortices." Physics of Fluids 6, no. 9 (1994): S6. http://dx.doi.org/10.1063/1.4739104.

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29

Liu, Liang, Yating Wang, Lance Fortnow, Jin Li, and Jun Xu. "Freestyle Dancing." ACM SIGMETRICS Performance Evaluation Review 44, no. 1 (2016): 381–82. http://dx.doi.org/10.1145/2964791.2901481.

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30

Hamera, Judith. "Dancing, Reaching." Qualitative Inquiry 23, no. 7 (2017): 545–49. http://dx.doi.org/10.1177/1077800417718299.

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This reflective essay uses an instance of gestural solidarity forged during Petrichor, a senior thesis performance at Princeton University created by transgender artist Bree White, to probe both the “Keep Dancing Orlando” video made in response to the horror of June 12, 2016, and, more broadly, the specific mechanisms through which dance creates communities of shared labor across difference in troubled times. It posits the reach—the moment when outstretched arms move toward, for, and sometimes with another—as the kinesthetic unit incarnating dance’s political-affective potential.
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31

Hallen, Gervaise. "Circle Dancing." Self & Society 18, no. 5 (1990): 3–7. http://dx.doi.org/10.1080/03060497.1990.11085104.

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32

Klopper, Abigail. "Pole dancing." Nature Physics 13, no. 1 (2017): 8. http://dx.doi.org/10.1038/nphys4015.

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33

Williams, Tyrone. "Bed dancing." Women & Performance: a journal of feminist theory 13, no. 1 (2002): 204–6. http://dx.doi.org/10.1080/07407700208571406.

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34

Blanchard, Chrys. "Line dancing." Practical Pre-School 2000, no. 22 (2000): 17–18. http://dx.doi.org/10.12968/prps.2000.1.22.40987.

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35

Blanchard, Chrys. "Circle dancing." Practical Pre-School 2000, no. 23 (2000): 19–20. http://dx.doi.org/10.12968/prps.2000.1.23.40945.

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36

Blanchard, Chrys. "Disco dancing." Practical Pre-School 2000, no. 24 (2000): 11–12. http://dx.doi.org/10.12968/prps.2000.1.24.40918.

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37

Dowdy, Meg. "Tap dancing." Practical Pre-School 2003, no. 42 (2003): 31–32. http://dx.doi.org/10.12968/prps.2003.1.42.40171.

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38

Blanchard, Chrys. "Ballroom dancing." Practical Pre-School 2009, no. 104 (2009): 9–10. http://dx.doi.org/10.12968/prps.2009.1.104.44081.

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39

Blanchard, Chrys. "Line dancing." Practical Pre-School 2009, no. 106 (2009): 11–12. http://dx.doi.org/10.12968/prps.2009.1.106.44934.

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40

Sharpe, Deborah. "Dancing dandelions!" Practical Pre-School 2012, no. 134 (2012): 9–10. http://dx.doi.org/10.12968/prps.2012.1.134.9.

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41

Pennisi, Elizabeth. "Dancing DNA." Science News 140, no. 5 (1991): 74. http://dx.doi.org/10.2307/3976047.

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42

Sprague, Marty. "Folk Dancing." Journal of Dance Education 13, no. 2 (2013): 64. http://dx.doi.org/10.1080/15290824.2012.709430.

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43

Sackville-Ford, Mark, and Gabrielle Ivinson. "Tables Dancing." Paragrana 28, no. 2 (2019): 83–94. http://dx.doi.org/10.1515/para-2019-0025.

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Abstract This article is written in response to Method Lab #2, reacting to and reading scenes from the theatre and the school classroom. We responded to ‘The table and the dancer’ by Carla J. Maier with drawings by Janna R. Wieland, and ‘The book and the authors reading’ by Elise v. Bernstorff and Carla J. Maier. Our responses are within the ontological turn and specifically posthuman studies and new material feminism(s). We move beyond representational thinking to explore vibrant matter and experiment with what more the text, scenes and pictures can become.
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44

De Laet, Timmy. "Dancing Metamemories." Performance Research 17, no. 3 (2012): 102–8. http://dx.doi.org/10.1080/13528165.2012.696869.

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45

Ullerup Schmidt, Cecilie, Franziska Bork-Petersen, Jonas Schnor, and Karen Vedel. "Dancing necessities." Peripeti 21, no. 39 (2024): 6–29. https://doi.org/10.7146/peri.v21i39.152261.

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Summary Situating the vocabulary of infrastructure studies within the field of dance, theatre- and performance studies, the article provides a critical analysis of what has happened infrastructurally within the past 10 years in the Danish field of dance and choreography. Four aspects are taken into account: the landscape and economy of venues, the educational changes, an upsurge of self-organised spaces and cooperatives in the field, and finally the field of critique and self-archiving. Through an analysis across frames of production, presentation, and distribution, we suggest tendencies of ho
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46

Rau, Johanna. "dancing heartbeats." tanz 15, no. 5 (2024): 78. http://dx.doi.org/10.5771/1869-7720-2024-5-078.

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47

Gill, Sam. "Dancing lessons." Body and Religion 6, no. 2 (2024): 248–54. http://dx.doi.org/10.1558/bar.31135.

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48

Tamrakar Karki, Karuna. "Dancing Molecules." Eastern Green Neurosurgery 5, no. 01 (2024): 1–2. http://dx.doi.org/10.3126/egn.v5i01.68442.

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49

Thompson, Laurence G. "Dancing lions." Journal of Chinese Religions 15, no. 1 (1987): 29–43. http://dx.doi.org/10.1179/073776987805308129.

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50

Hunter, Victoria, Melanie Kloetzel, and Karen Barbour. "Dancing Urbanisms." Choreographic Practices 10, no. 1 (2019): 3–6. http://dx.doi.org/10.1386/chor.10.1.3_2.

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