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Bibliografias temáticas / Evil ; Literature

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Literatura científica selecionada sobre o tema "Evil ; Literature"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 1 de fevereiro de 2022

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Artigos de revistas sobre o assunto "Evil ; Literature"

1

Rafter, Kevin. "Evil Literature". Media History 19, n.º 4 (novembro de 2013): 408–20. http://dx.doi.org/10.1080/13688804.2013.847140.

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Michaud, Marilyn. "Review: Evil in English Literature". Literature and Theology 19, n.º 3 (1 de setembro de 2005): 285–86. http://dx.doi.org/10.1093/litthe/fri033.

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BOLDY, STEVEN. ""Cambio de piel": Literature and Evil". Bulletin of Hispanic Studies 66, n.º 1 (janeiro de 1989): 55. http://dx.doi.org/10.3828/bhs.66.1.55.

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4

Zupančič, Alenka, e Rodna Ruskovska. "The Act and Evil in Literature". Identities: Journal for Politics, Gender and Culture 1, n.º 2 (1 de janeiro de 2002): 111–29. http://dx.doi.org/10.51151/identities.v1i2.41.

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Author(s): Alenka Zupančič | Аленка Зупанчич Title (English): The Act and Evil in Literature Title (Macedonian): Чинот и злото во литературата Translated by (English to Macedonian): Rodna Ruskovska | Родна Русковска Journal Reference: Identities: Journal for Politics, Gender and Culture, Vol. 1, No. 2 (Winter 2002) Publisher: Research Center in Gender Studies - Skopje and Euro-Balkan Institute Page Range: 111-129 Page Count: 18 Citation (English): Alenka Zupančič, “The Act and Evil in Literature,” Identities: Journal for Politics, Gender and Culture, Vol. 1, No. 2 (Winter 2002): 111-129. Citation (Macedonian): Аленка Зупанчич, „Чинот и злото во литературата“, превод од англиски Родна Русковска, Идентитети: списание за политика, род и култура, т. 1, бр. 2 (зима 2001): 111-129.

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Boldy, Steven. "Cambio de piel: Literature and Evil". Bulletin of Hispanic Studies 66, n.º 1 (janeiro de 1989): 55–72. http://dx.doi.org/10.1080/1475382892000366055.

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Berner, Robert L., e Adrian C. Louis. "Evil Corn". World Literature Today 79, n.º 2 (2005): 107. http://dx.doi.org/10.2307/40158746.

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Candel, Daniel. "Systematizing evil in literature: twelve models for the analysis of narrative fiction". Semiotica 2021, n.º 242 (13 de agosto de 2021): 141–68. http://dx.doi.org/10.1515/sem-2020-0071.

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Abstract While there are interesting connections between literature and evil, there is as of yet no systematic collection of models of evil to study literature. This is problematic, since literature is among other things an evaluative discourse and the most basic evaluative category is the polarity of good versus evil. In addition, evil shows important affinities with basic narratological principles. To initiate a discussion of models of evil for the analysis of literature, this article organizes a dozen models of evil into four groups. The first consists of a core model which coincides with basic narratological elements in character analysis and narrative tension. The second group contains two pre-modern models of evil, defilement and moral-natural evil. The third group takes its cue from personality theory and proposes the five-factor model of personality and an enriched “dark triad,” and, to balance description against narration, a model which categorizes kinds of murder. The last group organizes six models around the thematic opposition between nature and society, an opposition which forms the backbone of Western philosophy and narrative. To test their validity, the models are applied to a series of literary examples/characters, above all Grendel (Beowulf), Browning’s “My Last Duchess,” and Carol Oates’ short story “Heat.”

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Costa, Cristina Henrique da. "Les risques de la symbolisation du mal. Essai de confrontation entre La Symbolique du mal et La Littérature et le mal". Études Ricoeuriennes / Ricoeur Studies 10, n.º 2 (3 de março de 2020): 52–69. http://dx.doi.org/10.5195/errs.2019.480.

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This article compares two major books: Paul Ricœur’s The Symbolism of Evil and George Bataille’s Literature and Evil. The linking between these two thinkers that everything seems to oppose is driven by the hope to find a productive compatibility between them through their common interest in the language of evil. Emphasis will first be placed on Ricœur: by recognizing that the expression of evil necessarily involves a symbolic language, he allows us to think through Bataille’s insistence on the place of literature concerning evil. Then, we will show that Bataille’s statement concerning the existence of a modern literary lucidity regarding evil both allows confirmation of Ricœur’s thesis concerning the historical and linguistic character of the experience of evil and also leads to formulation of its main consequence: that the language of evil, marked with the seal of poetic creativity, probably cannot be considered as accomplished. We highlight finally the interest of such an approach in interpreting, through literature, the new experiences of evil today.

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Kippur, S. "Evil in Contemporary French and Francophone Literature". French Studies 66, n.º 2 (1 de abril de 2012): 279–80. http://dx.doi.org/10.1093/fs/kns013.

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Vahapzade, Bahtiyar, e Talat Sait Halman. ""Good and Evil"". World Literature Today 70, n.º 3 (1996): 498. http://dx.doi.org/10.2307/40042033.

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Mais fontes

Teses / dissertações sobre o assunto "Evil ; Literature"

1

Malet-Dagreou, Cecile. "Evil in gothic fiction, 1764-1820". Thesis, Goldsmiths College (University of London), 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313598.

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Baker, James Andrew. "Necessary evil: rhetorical violence in 20th century American literature". Diss., Texas A&M University, 2003. http://hdl.handle.net/1969.1/5766.

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Wayne Booth and other rhetorical critics have developed methods for examining the rhetorical aspects of fiction. In this dissertation, I examine, specifically, the use of rhetorical violence in American fiction. It is my premise that authors use rhetorical violence and the irrationality of violence created mimetically to construct ironic metaphors that comment on the irrationality of the ideology behind the violence, pushing that ideology's maxims to its logical ends. The goal of rhetorical violence, therefore, is to create the conditions for a transfer of culpability so that the act becomes transitive-transferable-loosed from its moorings. Culpability, if indeed it reflects something intrinsically awry with an ideology, becomes the fault of the ideology-ÃÂÃÂit becomes the perpetrator of illogic and the condemnatory force associated with the act of violence gets transferred to it. Hence, if the author has created an effective metaphor, when he or she flips the violent scene'ÃÂÃÂs "ÃÂÃÂvalue," the audience is willing to follow along. The violence remains a great evil, but the culpability for the act is shifted to a representative of the ideology in question-as-victimizer; nonetheless, that transfer can only occur inasmuch as the audience is willing to force-fit the incongruities of the metaphor.I examine this rhetorical phenomenon in the works of three modern American writers: Flannery O'Connor, Toni Morrison, and Chuck Palahniuk. I seek to examine the ideologies questioned in these works, the contradictory beliefs expressed by the authors, and to explicate primary episodes in the works of fiction wherein rhetorical violence functions in a rhetorical fashion to promulgate the author's ideology by emotionally jarring the reader loose from commonly-held ideological assumptions in three specific appeals: first, to negate one socially-held ideology in order to promote a conflicting one (Wise Blood); second, to elicit compassion for victimized characters representing social ills (Beloved); third, to call into question the validity of social institutions and practices (Fight Club).

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Lundhall, Rebecca. "Evil Women in Harry Potter : Breaking Gender Expectations and Representations of Evil". Thesis, Umeå universitet, Institutionen för språkstudier, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-137110.

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With a focus on gender expectations, this qualitative study analyses how Bellatrix Lestrange and Dolores Umbridge in J.K. Rowling’s Harry Potter series represent evil. Through close reading the first and the final three books of the series using the feminist criticism perspective performativity, the aim of this study is to highlight how the evil women in the series are portrayed in comparison to both good characters of both sexes as well as evil men. The results show that while the evil women represent evil in the ways that they break their gender expectations, the good men also represent goodness in the way that they break their gender expectations. Thus, they are not evil because they deviate from these expectations, but because the gendered traits these women embody are connected to evil and, in turn, help make the reader perceive them as such.

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Scharff, Kathleen Clark. "Evil in the Works of Jane Austen". W&M ScholarWorks, 1986. https://scholarworks.wm.edu/etd/1539625357.

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Charnick, David William. "The role of evil in Old English narrative verse". Thesis, King's College London (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286222.

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Ebelthite, Candice Axell. ""The wife of Lucifer" : women and evil in Charles Dickens". Thesis, Rhodes University, 2002. http://hdl.handle.net/10962/d1002231.

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This thesis examines Dickens's presentation of evil women. In the course of my reading I discovered that most of the evil women in his novels are mothers, or mother-figures, a finding which altered the nature of my interpretation and led to closer examination of these characters, rather than the prostitutes and criminals who may have been viewed negatively by Nineteenth century society and thereby condemned as evil. Among the many unsympathetically portrayed mothers and mother-figures in Dickens's works, the three that are most interesting are Lady Dedlock, Miss Havisham, and Mrs Skewton. Madame Defarge initiates the discussion, however, as a seminal figure among the many evil women in the novels. Psychoanalytical and socio-historic readings grounded in Nineteenth century conceptions of womanhood provide background material for this thesis. Though useful and informative, however, these areas of study are not sufficient in themselves. The theory that shapes the arguments of this thesis is defined by Steven Cohan, who argues strongly that the demand for psychological coherence as a requisite of character obscures the imaginative power of character as textual construct, and who both refutes and develops character theory as it is argued by Baruch Hochman. Cohan's theory is also finally closer to that outlined by Thomas Docherty, who provides a complex reading of character as ultimately "unknowable".

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Alfar, Cristina León. ""Evil" women : patrilineal fantasies in early modern tragedy /". Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/9455.

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SEKORA, LAUREN NICHOLE. "COPING WITH HARRY POTTER: HOW LITERATURE FRAMES OUR ENCOUNTERS WITH GOOD AND EVIL". Thesis, The University of Arizona, 2008. http://hdl.handle.net/10150/192258.

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Boulting, David John. "'Garden of Evil': Images of the enemy in American war literature 1962 - 1990". Thesis, University of Salford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.490164.

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The following thesis interrogates representations of the enemy in three American war novels: James Jones's The Thin Red Line (1962), Larry Heinemann's Paco's Story' (1986). and Tim O'Brien's The Things They Carried (1990). While American literary responses to the Vietnam War are the primary concern of this thesis. The Thin Red Line, a 'late' World War II novel, is interrogated as a generic benchmark against which the two Vietnam novels can be compared and contrasted, both in terms of the paradigms of Japanese and Vietnamese enemy images, and with reference to the depiction of internal enemies.

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10

Koppel, Kirsten. "The Grand Inquisitor and the problem of evil in modern literature and theology". Thesis, University of Glasgow, 2012. http://theses.gla.ac.uk/3680/.

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This thesis is concerned with the parabolic relationship between evil and salvation. In this thesis I argue that only through recognising evil as inescapably woven into the fabric of our lives, can we construct a theology of hope. I further argue that this identification of evil in the individual is always necessarily something that is achieved through the workings of the apophatic, and can therefore only be realised through the address that reaches exclusively the individual through the unsayable in language. This study centres upon the Parable of the Grand Inquisitor in an inter-textual, literary context and the apophatic tradition. The context in which my discussion of this parabolic relationship operates is the literary environment that allows for the parabolic and the paradoxical. My primary concern is therefore not with the question of theodicy, but with what happens when, through the intellectual struggle, we encounter the boundaries of our understanding in the beginnings of learned ignorance. In the first chapter I have set out to establish the narrative of the thesis, starting with Ivan Karamazov’s articulation of the problem. In this conversation with Alyosha he problematizes the fact that when we accept God’s world, we ought, at the same time to acknowledge the suffering in that world. In this way he exposes the paradox that is inherent in reconciliation itself. However, in the middle of this exchange with Alyosha, Ivan tells the story of the Grand Inquisitor, where the question of reconciliation is addressed in the kiss; suddenly possible in the literary space of the parable. In the chapter that follows I explore our relationship with evil within the space of a literary context. Starting with the fall as the moment at which the human being has put on self-awareness; separating the inner from outer part of the person. With Milton in Paradise Lost, and Dostoevsky in The Brothers Karamazov and The Idiot as my main conversational partners, I offer a reading of the story of the fall in Genesis as a narrative about our alienation from the divine. I argue that this alienation has also become an estrangement from ourselves where the spirit can no longer get to know itself through the body and the body can no longer know itself through the spirit. I argue that this inability to recognise what is other closes off the possibility of a hermeneutical encounter with the Other. The third chapter examines the relationship between the inability to recognise what is Other and responsibility; in conversation with Kafka in The Trial and Kierkegaard’s discussion of Abraham in Fear and Trembling. I argue that Joseph K's inability to engage hermeneutically with the world is the reason why he cannot recognise his own guilt. Abraham is in that respect his opposite; he embodies the parabolic and the asymmetrical, and so becomes a fully responsible individual. In the last chapter I discuss the relationship between the unsayable in language and the coincidentia oppositorum. Here my main conversational partners are Meister Eckhart, Thomas Altizer in The Descent into Hell, and Nicolas of Cusa. I argue that the language of the unsayable is what addresses us in the detached self, as Christ addresses the Grand Inquisitor in his detached self. The kiss, as the climax, is the instant of initiation when the inner and the outer self again become one. At the same time this is the moment of betrayal when all command of our identity seems lost. This disintegration of the self is the descent into hell, and simultaneously the moment of salvation. It is also fundamentally apolitical and through its unsayability can address only the individual.

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Mais fontes

Livros sobre o assunto "Evil ; Literature"

1

Bataille, Georges. Literature and evil. New York: M. Boyars, 1985.

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2

Bataille, Georges. Literature and evil. London: Boyars, 1997.

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3

Bataille, Georges. Literature and evil: Essays. London: M. Boyars, 1985.

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4

Retribution: Evil for evil in ethics, law, and literature. Philadelphia: Temple University Press, 1990.

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5

Arnold, Nick. Evil inventions. Toronto: Scholastic Canada, 2010.

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6

Szpirglas, Jeff. Evil eye. Toronto: Star Crossed Press, 2012.

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7

Good and evil. Ipswich, Mass: Salem Press, 2012.

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8

Pearse, Lesley. A Lesser Evil. London: Penguin Group UK, 2008.

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9

Paulson, Ronald. Sin and evil: Moral values in literature. New Haven [CT]: Yale University Press, 2007.

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10

Exploring evil: Through the landscape of literature. Oxford: Peter Lang, 2002.

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Mais fontes

Capítulos de livros sobre o assunto "Evil ; Literature"

1

May, Keith M. "Mann: Beyond Good and Evil". In Nietzsche and Modern Literature, 79–110. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-19116-1_4.

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2

Dearey, Melissa. "Evil and Literature: Love and Liberation". In Making Sense of Evil, 134–62. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137308801_6.

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3

Choi, Chungmoo. "Evil, banality and apathy". In Healing Historical Trauma in South Korean Film and Literature, 1–36. Abingdon, Oxon ; New York : Routledge, 2021. | Series: Routledge advances in Korean studies: Routledge, 2020. http://dx.doi.org/10.4324/9780429507441-1.

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Wentzel, Rocki. "Evil in Graeco-Roman religion and literature". In The History of Evil in Antiquity, 224–38. 1 [edition]. | New York : Routledge-Taylor & Francis, 2016.: Routledge, 2018. http://dx.doi.org/10.4324/9781315630052-17.

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Romdhani, Rebecca. "Performing Delusional Evil: Jamaica Kincaid’s The Autobiography of My Mother". In Madness in Anglophone Caribbean Literature, 117–35. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-98180-2_7.

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Ziolkowski, Eric. "Introduction". In Evil Children in Religion, Literature, and Art, 1–11. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230599758_1.

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Ziolkowski, Eric. "The Bad Boys of Bethel as Sacrilegious Type". In Evil Children in Religion, Literature, and Art, 12–35. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230599758_2.

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Ziolkowski, Eric. "Patristic and Medieval Views of 2 Kings 2.23—24". In Evil Children in Religion, Literature, and Art, 36–55. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230599758_3.

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Ziolkowski, Eric. "Children of the Passion". In Evil Children in Religion, Literature, and Art, 56–81. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230599758_4.

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Ziolkowski, Eric. "Urchins Plaguing Saints". In Evil Children in Religion, Literature, and Art, 82–101. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230599758_5.

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Trabalhos de conferências sobre o assunto "Evil ; Literature"

1

Kansiz, Merve. "Ends Justify the Means? Evil, Media and Consequentialism in Dennis Kelly’s Osama the Hero". In Annual International Conference on Language, Literature & Linguistics (L3 2016). Global Science & Technology Forum ( GSTF ), 2016. http://dx.doi.org/10.5176/2251-3566_l316.68.

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2

Khrisna, Dyah. "The Fairy Tales’ Stepmothers: They are not Evil, They are just Insecure (Portraying the Character of Cinderella, Hansel and Gretel, and Snow White’s Stepmothers from the Appraisal Framework)". In Proceedings of the First International Conference on Communication, Language, Literature, and Culture, ICCoLLiC 2020, 8-9 September 2020, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.8-9-2020.2301319.

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3

Porfirio, Andres J., Roberto Pereira e Eleandro Maschio. "Identifying Evidences of Computer Programming Skills Through Automatic Source Code Evaluation". In Workshops do Congresso Brasileiro de Informática na Educação. Sociedade Brasileira de Computação, 2020. http://dx.doi.org/10.5753/cbie.wcbie.2020.01.

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This research is contextualized in the teaching of computer programming. Continuous assessment of source codes produced by students on time is a challenging task for teachers. The literature presents different methods for automatic evaluation of source code, mostly focusing on technical aspects. This research presents the A-Learn EvId method, having as the main differential the evaluation of high-level skills instead of technical aspects. The following results are highlighted: updating the state of the art through systematic mapping; a set of 37 skills identifiable through 9 automatic source code evaluation strategies; construction of datasets totaling 8651 source codes.

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Vlckova, Vladimira, e Lucie Podskubkova. "CUSTOMER SERVICE QUALITY IN B2B MARKET FROM THE BUYER’S PERSPECTIVE". In Business and Management 2018. VGTU Technika, 2018. http://dx.doi.org/10.3846/bm.2018.40.

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The importance of services for companies is significant and still increasing. Customers expect fulfil-ment of their requirements concerning not only the product, but also the quality of services relating to this product. The core of competitiveness is thus moving from the product itself to the supplier abili-ties created by the entire supply system with a dynamic structure. Therefore, it is necessary to under-stand the specific needs of each single customer concerning services within the entire supply system. On the basis of a comparison of the outcomes of a targeted literature review and an analysis of eval-uation of the service quality by the customers purchasing products of a selected company, the paper identifies the deciding parameters and methods of customer service quality assessment in the B2B market from the buyer’s perspective.

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