Bibliografias temáticas / Fiction subjects

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Literatura científica selecionada sobre o tema "Fiction subjects"

Autor: Grafiati
Publicado: 25 de julho de 2024
Última modificação: 31 de julho de 2025

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Artigos de revistas sobre o assunto "Fiction subjects"

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Isto, Raino. "How Dumb Are Big Dumb Objects? OOO, Science Fiction, and Scale." Open Philosophy 2, no. 1 (2019): 552–65. http://dx.doi.org/10.1515/opphil-2019-0039.

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AbstractThis article considers the potential intersections of object-oriented ontology and science fiction studies by focusing on a particular type of science-fictional artifact, the category of ‘Big Dumb Objects.’ Big Dumb Objects is a terminology used—often quite playfully—to describe things or structures that are simultaneously massive in size and enigmatic in purpose: they stretch the imagination through both the technical aspects of their construction and the obscurity of their purpose. First used to designate the subjects of several science fiction novels written in the 1970s, Big Dumb O
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Hanson, Clare, Gerardine Meaney, Judith Still, and Michael Worton. "(Un)like Subjects: Women, Theory, Fiction." Modern Language Review 91, no. 3 (1996): 686. http://dx.doi.org/10.2307/3734101.

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Shazia Andleeb та Dr.Sadaf Naqvi. "اردو ادب میں مذہبی رجحانات: بیسویں صدی کی منتخب خواتین افسانہ نگاروں کا مطالعہReligious Trends in Urdu Literature: A Study of Selected Women Fiction Writers of the Twentieth Century". Al-Qamar 4, № 2 (2021): 71–80. https://doi.org/10.53762/jmy47146.

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This article discusses the religious trends of selected twentieth century women Urdu fiction writers. Focusing on Akhtar Jamāl, Jilānī Bāno, Qurratulain Hayder, Hājra Masroor, Khadīja Mastoor, Bāno Qudsia, Khālida Hussain, Jamīla Hāshmī, Sāira Hāshmī, it explores that firm belief in Allah Almighty, respect for humanity, moral values ​​and deference for women are prominent subjects in these women’s fictions. They have deep spiritual experiences of realities of life and Universe. Not only spiritual and esoteric observations, but conditions associated with them are skillfully described in their f
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Kavut, İsmail Emre, and Elifnaz Olgaç. "The Technology of Fictional Space Designs in Dune Movies Investigation of Change in Time with Its Effect." Journal of Interior Design and Academy 3, no. 1 (2023): 1–25. http://dx.doi.org/10.53463/inda.20230166.

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Cinema has been advancing continuously since its formation and intertwined with many disciplines. Technology also acts as a bridge between these disciplines, especially between science fiction cinema and architecture, the place of technology is undeniable. In this study, the change of fictional space designs over time with the effect of technology is discussed and how these developments affect cinema and fictional space designs are examined as "Dune 1984" and "Dune 2021" produced from the same novel from science fiction cinema. The interior spaces and structures in these films were determined
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Stelzriede, Danelle Dyckhoff. "Representing Spectral Subjects in Historical Crime Fiction." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 73, no. 3 (2017): 77–100. http://dx.doi.org/10.1353/arq.2017.0016.

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de Oliveira, Pedro J. S. Vieira. "Design at the Earview: Decolonizing Speculative Design through Sonic Fiction." Design Issues 32, no. 2 (2016): 43–52. http://dx.doi.org/10.1162/desi_a_00381.

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This article discusses how Sonic Fiction—a concept developed by cultural theorist Kodwo Eshun—can be regarded as a cogent mechanism with which to develop Speculative and Critical Design (SCD) projects, using subjects of sound, music, and listening as their driving force. Through a dissection of the base premises of sonic fictions, this article aims to expand the perspectives taken so far by SCD projects in order to encompass languages other than those informed by the usual theories, as well as to broaden the spectrum of possibilities for sound-based practices within the field. In doing so, it
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D. Leavitt, Jonathan, Arseny A. Ryazanov, and Nicholas J. S. Christenfeld. "Amazing but true." Scientific Study of Literature 4, no. 2 (2014): 196–210. http://dx.doi.org/10.1075/ssol.4.2.04lea.

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People find it important to know if a story is factual, but still the most popular stories, in such forms as books and movies, are fictional. Research suggests that a story being true may add value to the reader’s experience, but other findings suggest that fiction may increase enjoyment by providing fewer disruptions to narrative comprehension. In three studies we explored the appeal of stories when they are presented as fiction or as non-fiction. Subjects read (1) story synopses, (2) vignettes from two popular websites, or (3) narratives on relationships and war. Results indicate that reader
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Duyfhuizen, Bernard. "Subjects without Selves: Transitional Texts in Modern Fiction." MFS Modern Fiction Studies 41, no. 2 (1995): 418–20. http://dx.doi.org/10.1353/mfs.1995.0082.

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Martín, Oscar. "Love's Subjects: The Alhambra Ceilings, Sentimental Fiction and Allegory." Medieval Encounters 14, no. 2-3 (2008): 390–406. http://dx.doi.org/10.1163/157006708x366317.

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AbstractThis article analyzes the way in which allegorical and narrative motifs work in the fourteenth-century Alhambra ceilings and in fifteenth-century Castilian sentimental fiction. It argues that while the Alhambra ceilings, based on courtly allegory, convey a dignified statement concerning the potential of allegory to structure a political lesson while at the same time registering cultural assimilation and social crisis, allegory in sentimental fiction is problematized from the outset, showing that the genre's evolution renders allegory ineffective to account for love's subjectivity as it
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Dixon, Peter, Marisa Bortolussi, and Blaine Mullins. "Judging a book by its cover." Scientific Study of Literature 5, no. 1 (2015): 23–48. http://dx.doi.org/10.1075/ssol.5.1.02dix.

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In this experiment, we investigated whether book covers can signal sub-genre information to knowledgeable readers. Self-identified science-fiction fans and mystery fans sorted 80 randomly selected book covers from each of those genres into groups of their own devising. The sorts were used to identify similarity among books, and that similarity structure was used to measure similarity among subjects. Cluster analysis was then used to find groups of subjects who sorted similarly. Linear models were demonstrated that group membership was related to the knowledge subjects reported about the genres
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Teses / dissertações sobre o assunto "Fiction subjects"

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Ken, Stephanie Wong. "Human Subjects." PDXScholar, 2017. https://pdxscholar.library.pdx.edu/open_access_etds/4023.

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Human Subjects is a collection of eight short stories that explore the role of identity, otherness, and personhood in contemporary life. Two sex workers try to buy new faces after a botched plastic surgery, a young girl struggles to find her place in a religious sweat cult, mixed race orphans commune with ghosts in a Korean orphanage, best friends embark on a road trip across America in search of a mother. Human Subjects works to tell stories about deeply felt wants and desires from perspectives at the margins, caught in a state of in between. This collection grapples with what it means to be
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Schwab, Gabriele. "Subjects without selves : transitional texts in modern fiction /." Cambridge (Mass.) ; London : Harvard university press, 1994. http://catalogue.bnf.fr/ark:/12148/cb374408707.

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Kuykendall, Sue A. Morgan William Woodrow Strickland Ron L. "The subject of feminist literary practices radical pedagogical alternatives (teaching subjects/reading novels) /." Normal, Ill. Illinois State University, 1993. http://wwwlib.umi.com/cr/ilstu/fullcit?p9411040.

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Thesis (D.A.)--Illinois State University, 1993.<br>Title from title page screen, viewed February 23, 2006. Dissertation Committee: William Morgan, Ronald Strickland (co-chairs), Victoria Harris, Thomas Foster, Anne Rosenthal. Includes bibliographical references (leaves 228-242) and abstract. Also available in print.
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Lundgren, Jodi. "Narrative aesthetics, multicultural politics, and (trans)national subjects : contemporary fictions of Canada /." Thesis, Connect to this title online; UW restricted, 2001. http://hdl.handle.net/1773/9523.

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Rebry, Natasha L. "Disintegrated subjects : Gothic fiction, mental science and the fin-de-siècle discourse of dissociation." Thesis, University of British Columbia, 2013. http://hdl.handle.net/2429/44052.

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The end of the nineteenth century witnessed a rise in popularity of Gothic fiction, which included the publication of works such as Robert Louis Stevenson’s The Strange Case of Dr Jekyll and Mr Hyde (1886), George Du Maurier’s Trilby (1894), Arthur Machen’s The Great God Pan (1894) and The Three Impostors (1895), and Richard Marsh’s The Beetle (1897), featuring menacing foreign mesmerists, hypnotising villains, somnambulistic criminals and spectacular dissociations of personality. Such figures and tropes were not merely the stuff of Gothic fiction, however; from 1875 to the close of the centur
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Forshaw, Mark. "Affectless subjects, atrocious bodies : thematics and history in fictions by Burroughs, Ballard and Gibson." Thesis, Keele University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391222.

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Hedberg, Sebastian. "Concep Art : En praktisk studie om arbetsprocessen bakom skapandet av konstformen med dystopi/postapokalyptisk science fiction som tema." Thesis, University of Skövde, School of Humanities and Informatics, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-3437.

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Howell, Victoria. "Disordered subjects : narratives of 'becoming' in contemporary Anglo-American and French feminist theory and women's fiction." Thesis, University of York, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.387574.

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Nordby, Wernø Johanne. "Engaged encounters : fiction as art writing - a practical investigation of the borders of art criticism." Thesis, Konstfack, Institutionen för Interdisciplinära Studier (IS), 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-2859.

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The thesis project Engaged Encounters has been a multi-part investigation into art criticism. Its main components are one of practice and one of theory: a fiction text – Transatlantic Journeys – which I am publishing as a small book in an edition of 200 and exhibiting at Konstfack´s Spring Show, and the present reflective essay. In the essay, I identify the central elements of the current «crisis of art criticism» and ask what impact experimental writing modes can have on the practice and its alleged crisis. I give an account of fields of contemporary writing where the text is acting with or t
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Chia, Leigh Stephen. "The novel as panopticon : exploring surveillance." Thesis, University of Northampton, 2012. http://nectar.northampton.ac.uk/8852/.

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Mais fontes

Livros sobre o assunto "Fiction subjects"

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Miller, Meredith. Feminine Subjects in Masculine Fiction. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137341044.

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Schwab, Gabriele. Subjects without selves: Transitional texts in modern fiction. Harvard University Press, 1994.

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Boldrini, Lucia. Autobiographies of others: Historical subjects and literary fiction. Routledge, 2012.

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Donoghue, Emma. Touchy subjects: Stories. Harper Perennial, 2011.

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Donoghue, Emma. Touchy subjects: Stories. Harcourt, Inc., 2005.

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Katz, Tamar. Impressionist subjects: Gender, interiority, and modernist fiction in England. University of Illinois Press, 2000.

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Rheims, Bettina. Chambre close: Fiction. Gina Kehayoff, 1999.

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Rheims, Bettina. Chambre close: Fiction. Gina Kehayoff, 1994.

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Mobili, Giorgio. Irritable bodies and postmodern subjects in Pynchon, Puig, Volponi. P. Lang, 2008.

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Susan, Bernofsky, ed. Visitation. New Directions Pub., 2010.

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Capítulos de livros sobre o assunto "Fiction subjects"

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Boulter, Amanda. "Subjects." In Writing Fiction. Macmillan Education UK, 2007. http://dx.doi.org/10.1007/978-0-230-20747-9_10.

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Zhang, Zhenjun. "Loyal Subjects." In Chinese Culture Through Legends and Fiction. Routledge, 2024. http://dx.doi.org/10.4324/9781003490821-2.

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Miller, Meredith. "Introduction." In Feminine Subjects in Masculine Fiction. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137341044_1.

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Miller, Meredith. "Wilkie Collins and Narrative Containment." In Feminine Subjects in Masculine Fiction. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137341044_2.

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Miller, Meredith. "Anthony Trollope: Gender, Law and the Psychological." In Feminine Subjects in Masculine Fiction. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137341044_3.

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Miller, Meredith. "Density, Will and Desire: Henry James, Aesthetics and the Subjective Turn." In Feminine Subjects in Masculine Fiction. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137341044_4.

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Miller, Meredith. "Emily’s Will: George Gissing, Wage Labour and Aesthetic Desire." In Feminine Subjects in Masculine Fiction. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137341044_5.

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Miller, Meredith. "Sexuality and National Containment: E.M. Forster." In Feminine Subjects in Masculine Fiction. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137341044_6.

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Miller, Meredith. "Aim, Object and Fictional Strategy: Freud and Case Study Narrative." In Feminine Subjects in Masculine Fiction. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137341044_7.

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Miller, Meredith. "Coda: The Burial of ‘The Dead’." In Feminine Subjects in Masculine Fiction. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137341044_8.

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Trabalhos de conferências sobre o assunto "Fiction subjects"

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Birzul', Aleksei Nikolaevich, and Dmitry Aleksandrovich Pitilyak. "DEVELOPMENT OF THE LITERARY METHODS IN STRENGTH OF MATERIALS IN HIGHER SCHOOL." In International Research-to-practice conference. Publishing house Sreda, 2023. http://dx.doi.org/10.31483/r-107803.

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The article makes an attempt to generalize the experience of using educational, fiction and memoir literature when lecturing on the course on strength of materials. Specific methodological recommendations are given for using of fiction in certain topics of the strength of materials course. There are creative tasks offered to students and which contain literary subjects.
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Starciuc, Mariana. "Traditional theater versus documentary theater: theoretical references and conceptual boundaries." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.15.

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The purpose of the author’s approach is to identify the characteristics of the documentary theater by referring to the traditional one. Reflecting on the concepts of theater theorists, we conclude that traditional theater is illusory, the receiver-spectator believes the fictional world produced by the theatrical performance as reality. Dramatic subjects have an integral and logical structure, with „beginning, middle and end”, the stage action succeeds in a canonical order. Unlike traditional theatre, documentary theater is anti-illusory, anti-fiction and stands out for its faithful, exact repr
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Stepanenko, Evgenia A. "THE IMAGERY METAPHORS OF SPACE IN THE DUTCH WAR NON-FICTION WORKS." In Second Scientific readings in memory of Professor V. P. Berkov. St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063588.

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The article explores the roles space metaphors play in the Dutch war non-fiction novels published during the period of 2010–2020. We hereby define metaphor as instrument the authors use to make up a personal view and to portray the events described, as well as to introduce and to define a war metaphor as well as to study the functions metaphors can have within a non-fiction texts. Another point of the article is a phenomenon of war metaphor seen as complex cognitive units which principal function is to underline the subjects related to the World War II. War metaphors are present in the texts e
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Ribeiro Rabello, Rafaelle. "Between absence and presence: Augmented Reality as a self-fiction poetic." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.105.

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This text comprises an excerpt of the Doctoral research completed in 2021, developed in the Line of Poetics and Processes of Performance in Arts (PPGARTES-UFPA), which will present a conceptual reflection about the creative process that unfolded poetically from the appropriation of an old family photo album. The album in question began to be observed as a place of overlapping time and space, triggering an internal movement of belonging by presenting itself as a place of poetic power due to the physical evidence that emerged from it. Through Augmented Reality, the empty spaces left by the time
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Rodríguez, José-Víctor, Enrique Castro-Rodríguez, Juan-Francisco Sánchez-Pérez, and José-Luis Serrano-Martínez. "UPCT-Bloopbusters: Teaching Science and Technology through Movie Scenes and related Experiments." In Fourth International Conference on Higher Education Advances. Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/head18.2018.7992.

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In order to change the preconceptions of youth towards science and technology subjects (which, usually, are perceived as difficult or boring), new educational methods aimed at motivating and engaging students in learning are becoming more and more necessary. In this sense, an educational project called ‘UPCT-Bloopbusters’ through which a group of professors of the Universidad Politécnica de Cartagena (UPCT), Spain, use science fiction movie scenes ─as well as experiments─ within the lecture room to teach both physics and engineering technology is hereby presented. The methodology of the projec
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MAO, YAN-JIE, and ZONG-HUA LI. "CONSTRUCTION AND ALIENATION: RESEARCH ON FEMALE IMAGES IN WEBCAST." In 2021 International Conference on Education, Humanity and Language, Art. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/ehla2021/35723.

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In recent years, webcasting has developed in a spurt, giving birth to a large number of camgirl communities. The interconnection of virtual fields and real spaces has made the appearance of webcast subjects a social phenomenon worthy of attention. The network media empowers people and brings new fields and opportunities for the development of female subjectivity. Camgirls based on identity and subjective expression participate in the process of constructing their own image. In the diverse and fluid cyberspace field and in the age of entertainment, the conspiracy of image capital and visual con
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Horie, Ryota, and Kenta Kaneko. "Imitated Mind Uploading by Using Electroencephalography." In Applied Human Factors and Ergonomics Conference. AHFE International, 2021. http://dx.doi.org/10.54941/ahfe100546.

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In recent years, technology of brain-computer interface has been developed, and the technology has potential extensibility in combination with ubiquitous environments. In science fiction, an idea that personality is copied to a computational device by scanning brain activity, called mind uploading, ghost dubbing, and so on, has been frequently represented. If the idea becomes realized in a future ubiquitous world, design of highly human-friendly interfaces is expected. In this study, as a step towards realizing the idea, we proposed a method to imitate the mind uploading by using electroenceph
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Olarescu, Dumitru. "The historical-biographical film: destinies and personalities." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.10.

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The history of national cinema shows that the evolution of non-fiction biographical film began with subjects dedicated to prominent personalities. These were included in the film magazine “Soviet Moldova” and in the almanac “Life in pictures”. In 1961, the first historical-biographical film “The Legendary Brigade Commander”- a eulogy to Grigore Kotovski (director A. Litvin) appeared at the “Moldova-film” studio, followed by other films dedicated to the heroes of the times: Pavel Tkacenko, Elena Sârbu, Tamara Cruciok, which were dominated by a pronounced propagandistic character. A new level of
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Kaverkina, Aleksandra. "Projecting event series on literary mastership for schoolchildren in libraries." In Sixth World Professional Forum "The Book. Culture. Education. Innovations". Russian National Public Library for Science and Technology, 2021. http://dx.doi.org/10.33186/978-5-85638-236-4-2021-121-123.

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Literary mastership is a discipline aimed to teach students to write fiction and non-fiction works. This subject is getting more and more popular every year. Libraries have enough resources to organize teaching literary mastership to their patrons. The major provisions needed for this kind of library events targeted at schoolchildren, e. g. developing theoretical basis, audience analysis, outsourcing and desired final product, are discussed.
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Humlesjö, Siska, Jenny Bergenmar, and Arild Matsson. "Queerlit – a bibliography of Swedish fiction with LGBTQI topics." In Huminfra Conference (HiC 2024). Linköping University Electronic Press, 2024. http://dx.doi.org/10.3384/ecp205005.

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This paper summarizes the project Queerlit: Metadata and Searchability for LGBTQ+ Literary Heritage 2020-2023 and discusses some challenges in the development of this resource. The Queerlit project consist of four parts: 1. Creating a bibliography of Swedish fiction with LGBTQI themes 2. Creating a Swedish thesaurus (QLIT), adapted from the of the linked open data thesaurus Homosaurus 3. Assigning all material in the bibliography with subject headings from QLIT. 4. A web user interface for searching the material All four parts are integrated with the Swedish union catalog, Libris, making the r
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Relatórios de organizações sobre o assunto "Fiction subjects"

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STROYKOV, S., and I. NIKITINA. THE CURRENT STATE OF THE PROBLEM OF HYPERTEXT IN LINGUISTIC LITERATURE. Science and Innovation Center Publishing House, 2022. http://dx.doi.org/10.12731/2077-1770-2022-14-2-3-50-73.

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In this paper it’s the first time the authors have reviewed linguistic literature (2008-2022) devoted to the problem of literary and electronic hypertext. The purpose of the paper is to review linguistic literature and identify the current state of the problem of literary and electronic hypertext. Materials and methods. On the basis of this purpose we reviewed 42 scientific papers published in 2008-2022 and representing the results of linguistic research of literary and electronic hypertext. For our study we used an analytical and descriptive method, which is traditional for linguistics and al
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TARAKANOVA, V., A. ROMANENKO, and T. TROITSKAYA. FACTORS AND RISKS OF ENVIRONMENTAL SAFETY OF THE CITIES OF THE MOSCOW REGION. Science and Innovation Center Publishing House, 2022. http://dx.doi.org/10.12731/2077-1770-2022-14-2-2-19-29.

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In this paper it’s the first time the authors have reviewed linguistic literature (2008-2022) devoted to the problem of literary and electronic hypertext. The purpose of the paper is to review linguistic literature and identify the current state of the problem of literary and electronic hypertext. Materials and methods. On the basis of this purpose we reviewed 42 scientific papers published in 2008-2022 and representing the results of linguistic research of literary and electronic hypertext. For our study we used an analytical and descriptive method, which is traditional for linguistics and al
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Estrada, Jorge. Ruthless Desires of Living Together in Roberto Bolaño’s 2666: Conviviality between Potestas and Potentia. Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, 2022. http://dx.doi.org/10.46877/estrada.2022.42.

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A desire to live together is perhaps a key idea in Roberto Bolaño’s narratives. His characters are constantly negotiating their involvement in diverse societies amid the historical catastrophes of the twentieth century, so this desire becomes highly differentiated. It undergoes perspectival shifts and creates “mirror games”, which express scepticism towards universalising forms and trigger reflections on history and modernity. In this working paper, I examine how, in 2666, the cosmopolitan desire of a self-legislating and self-authorizing individual is disassembled and superseded by a convivia
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