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Teses / dissertações sobre o tema "German poetry Birds in literature"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 16 de fevereiro de 2022

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1

Weiss, Katherine. "Memories: The Private Poetry of Dieter Leisegang." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etsu-works/2256.

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2

Bierma, Tineke. "Concrete poetry : the influence of design and marketing on aesthetics." PDXScholar, 1985. https://pdxscholar.library.pdx.edu/open_access_etds/3438.

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This thesis explores the past and present of concrete poetry with the purpose of finding out whether concrete poetry is still being produced in its original form, or whether it has changed. Concrete poets were not the first ones to create picture poems and similar texts. In chapter I an overview of earlier picture poetry is given. It and other precursors of concrete poetry are discussed and their possible contributions evaluated. Chapters II and III deal with the definition of concrete poetry of the mid-fifties and sixties ( pure, classic c.p.). They focus primarily on German, Austrian and Swi

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3

Koch, Elke. "Trauer und Identität : Inszenierungen von Emotionen in der deutschen Literatur des Mittelalters /." Berlin [u.a.] : de Gruyter, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2704284&prov=M&dokv̲ar=1&doke̲xt=htm.

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4

Thomas, Nicola. "Landscape, space and place in English- and German-language poetry, 1960-1975." Thesis, University of Nottingham, 2017. http://eprints.nottingham.ac.uk/41884/.

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This thesis examines representations of space, place and landscape in English and German-language poetry of the period 1960-1975, a key transitional phase between modernity and postmodernity. It proposes that the impact certain transnational spatial revolutions had on contemporary poetry can only be fully grasped with recourse to comparative methodologies which look across national borders. This is demonstrated by a series of paired case studies which examine the work of J. H. Prynne and Paul Celan, Sarah Kirsch and Derek Mahon, and Ernst Jandl and Edwin Morgan. Prynne and Celan’s 'Sprachskeps

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5

Finlay, Francis James. "On the rationality of poetry : Heinrich Boell's aesthetic thinking." Thesis, University of Newcastle Upon Tyne, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.333970.

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6

Mastag, Horst Dieter. "The transformations of Job in modern German literature." Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/30647.

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In modern times German authors have made ample use of the Job-theme. The study examines the transformations that the story of Job has undergone in German narrative and dramatic works from Leopold von Sacher-Masoch's Der neue Hiob (1878) to Fritz Zorn's Mars (1977). The most striking feature of these works lies in their diverse characterization of the Job-figure. As a mythical figure he remains synonymous with the sufferer, but he may be characterized as patient or impatient, humble or arrogant, innocent or guilty, rich or poor, courageous or cowardly; he may be a Jew or a Christian, a Nazi or

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7

Bässler, Andreas. "Sprichwortbild und Sprichwortschwank : zum illustrativen und narrativen Potential von Metaphern in der deutschsprachigen Literatur um 1500 /." Berlin ; New York : W. de Gruyter, 2003. http://catalogue.bnf.fr/ark:/12148/cb390796644.

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Texte remanié de: Diss.--Neuphilologische Fakultät--Heidelberg--Ruprecht-Karls-Universität, 2002. Titre de soutenance : Sprichwortbild und Sprichwortschwank : die metaphorische Inversion als strukturbildendes Verfahren in der deutschsprachigen Literatur um 1500.<br>Bibliogr. p. [368]-399. Index.

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8

Saavedra, Casco JoseÌ Arturo. "Swahili poetry as a historical source : utenzi, war poems and the German conquest of East Africa, 1888-1910." Thesis, SOAS, University of London, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.289839.

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9

Yao, Shao-Ji. "Der Exempelgebrauch in der Sangspruchdichtung vom späten 12. Jahrhundert bis zum Anfang des 14. Jahrhunderts." Würzburg Königshausen & Neumann, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2834131&prov=M&dokv̲ar=1&doke̲xt=htm.

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10

Nash, Patricia Helena. "A body, a notion: translating Karla Reimert's 'Picnic with black bees'." Thesis, University of Iowa, 2016. https://ir.uiowa.edu/etd/6229.

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11

Waller, C. D. "The poetry of Anton Schnack." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:354fe0a5-68d5-4a9e-b051-b5f77ab74acc.

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This thesis is the first academic treatment of the poetry of Anton Schnack (1892-1973): his work is not well known, even in Germany. Methodologically the thesis takes a combined literary, historical and biographical approach, exploring the complex and sometimes deceptive relations between his poetry and the turbulence of his time. The primary aim of the thesis is to show that Tier rang gewaltig mit Tier (1920) is a uniquely innovative volume of war poetry which, to be fully appreciated, needs to be assessed against the background of previous German war poetry and the development of the sonnet

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12

Earnhardt, Eric Donavon. "The "Sentient Plume" : The Theory of the Pathetic Fallacy in Anglo-American Avian Poetry, 1856-1945." Case Western Reserve University School of Graduate Studies / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=case1459369357.

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13

Bretz, Katherine Hazel-Louise. "Reviving the Nibelungenlied: A Study and Exploration of the Relationship between Medieval Literature and Music." Kent State University Honors College / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1399300392.

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14

Conquer, Grace Beatrice Rey Lawson. "The poetics of colour in Stefan George, Rainer Maria Rilke, Wassily Kandinsky and Else Lasker-Schüler." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:de16361d-e146-494f-beb4-15703c880e9d.

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This thesis looks at the poetics of colour in Stefan George, Rainer Maria Rilke, Wassily Kandinsky and Else Lasker-Schüler. It argues that focusing on colour words allows us to think more carefully about the sort of making that poetry, around the turn of the twentieth century, was seen to be, its purpose and effects. In doing so it thinks also about this making-about the ways that words can be seen as the material of poetry, the ways poems relate to objects, and are objects, the ways poets negotiate semantic space and communicability. While other accounts argue for the specificity of a partic

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15

Schulz, Ulrike-Marianne. "Liebe, Ehe und Sexualität im vorreformatorischen Meistersang Texte und Untersuchungen /." Göppingen : Kümmerle, 1995. http://books.google.com/books?id=6L1bAAAAMAAJ.

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16

Hostert, Thomas. "L'amor cortese provenzale fra hohe Minne e dolce stil novo." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79948.

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In this thesis, a literary historic path on the development of the lyric expression of courtly love will be created. The path will take us from the Provence through Germany and Sicily, and up to the Tuscany of the thirteen's century. The poetic characteristics of the hohe Minne and dolce stil novo will be particularly highlighted in order to facilitate the comprehension of their similarities and differences. It is understood that it will not be possible to offer a complete interpretation of the two lyric expressions. Rather, this thesis wishes to offer a basis for the development of fur

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17

Giuffré, Salvatore. "German Literary and Philosophical Influences on the Chinese Poetry of Feng Zhi (1905-1993) : the Sonnets." Thesis, Lyon, 2018. http://www.theses.fr/2018LYSE3026/document.

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Cette thèse porte sur l’analyse des relations intertextuelles entre des œuvres littéraires et philosophiques allemandes, notamment les textes de Novalis et de Rilke, et le recueil de sonnets de l’écrivain et traducteur chinois moderne Feng Zhi. Le but de cette étude est d’analyser et de discerner dans quelle mesure il est possible d’établir des relations « transtextuelles » entre la littérature primaire, la thèse de doctorat de Feng Zhi, qui a joué un rôle vital dans le développement de sa voix poétique, et son recueil de sonnets. Les textes analysés dans le cadre de cette étude visent à montr

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18

Spjut, Kajsa M. ""Heimatlos in dieser Welt": The Isolated Modern Woman in Edith Södergran’s Vaxdukshäft Poetry." BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2439.

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In this thesis, I explore how, although Edith Södergran’s Vaxdukshäf poems seem to support new female roles in early 20th century European society, they also reflect on the danger in changing from traditional to modern roles. As the poems illustrate, this change can create an isolated woman, who becomes trapped in her new independence and is unable to alter herself to connect with others. In order to understand what is meant by traditional and modern female roles, I present a historical background that contrasts the woman of pre-20th-Century Europe with the new woman that emerged around the Tu

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19

Buhanan, Kurt R. "Rethinking Trümmerliteratur: The Aesthetics of Destruction Ruins, Ruination, and Ruined Language in the Works of Böll Grass, and Celan." BYU ScholarsArchive, 2007. https://scholarsarchive.byu.edu/etd/830.

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Trümmerliteratur - literally “rubble-literature" - is a brand of literature that became important after the Second World War, led by Heinrich Böll, whom I term the apologist of German Trümmerliteratur. Typically included under this classification are the writers who began to produce in the years immediately following the war, and in whose work the rubble and ruins of the landscape figure prominently. Böll provided the programmatic framework for the movement in his “Bekenntnis zur Trümmerliteratur" but his relationship to another type of ruin writing presents a point of friction when he appears

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20

Kaufman, Amanda Christine. "A System of Aesthetics: Emily Dickinson's Civil War Poetry." University of Toledo Honors Theses / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=uthonors1292535978.

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21

McMurtry, Aine. "Crisis and form in Ingeborg Bachmann's late verse and prose : an aesthetic examination of the poetic drafts of the 1960s." Thesis, University of Oxford, 2008. http://ora.ox.ac.uk/objects/uuid:bdad508f-d96c-4480-8fa3-87f1b648e41d.

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This thesis demonstrates the aesthetic impact of crisis on Ingeborg Bachmann's late verse and prose. It examines poetic drafts written during a period of personal breakdown in the 1960s, which have largely been received as documents of personal suffering, and identifies these texts as a radical stage of writing that was to prove formally significant for Bachmann's development of the prose "Todesarten"-Projekt. This thesis draws on the new material made available with the publication of these poetic drafts to chart the genesis of Bachmann's acclaimed late oeuvre. By selecting and grouping lyric

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22

Reisinger, Anja. "Landeskunde und Lyrik? : vom Sonderfall Lyrik zum landeskundlichen Lernen mit Gedichten /." Frankfurt am Main [u.a.] : Lang, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016222953&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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23

vom, Schemm A. (Axel). "Dichter am Ball:untersuchungen zur Poetik des Sports am Beispiel deutschsprachiger „Fußball-Literatur”." Doctoral thesis, University of Oulu, 2006. http://urn.fi/urn:isbn:9514283023.

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Abstract In view of numerous texts from completely different genres the study shows to what extent and degree of differentiation the topic soccer is covered in German-language literature and allows general conclusions on a poetics of sport. Here solely German-language literary sources are considered. The work is divided into a theoretical and a text-related part. In the former section the approaches to the topic – on one hand via German studies and on the other hand via interdisciplinary sport science – is made clear by means of basic considerations on the questions “what is literature?” and “

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24

Lyon, Nicole M. "Between the Jammertal and the Freudensaal the existential apocalypticism of Paul Gerhardt (1607-76) /." Cincinnati, Ohio : University of Cincinnati, 2009. http://rave.ohiolink.edu/etdc/view.cgi?acc_num=ucin1243366861.

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Thesis (M.A.)--University of Cincinnati, 2009.<br>Advisor: Richard Schade. Title from electronic thesis title page (viewed Aug. 12, 2009). Includes abstract. Keywords: Early Modern Germany; Paul Gerhardt; Apocalypticism; Protestant Hymns; Revelations; 17th Century; Thirty Years' War; Poetry; Protestantism. Includes bibliographical references.

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25

Layet, Clément. "Lumière de la vie." Thesis, Clermont-Ferrand 2, 2013. http://www.theses.fr/2013CLF20002.

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Le divin peut-il être à la fois mort et vivant ? Résonnant pour nous à partir de Nietzsche et de Heidegger, cette question traverse l’œuvre, d’abord poétique mais aussi pleinement philosophique, de Friedrich Hölderlin (1770-1843). Dès la querelle du panthéisme qui anime le débat intellectuel germanique au cours des années 1780, le dieu de la métaphysique identifié avec le dieu chrétien semble perdre son effectivité. Mais le divin n’est pas seulement pour Hölderlin un contenu dogmatique ou conceptuel : il désigne avant tout le lien qui s’établit avec la nature lorsque l’homme réfléchit le senti

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26

Teuber-Terrones, Natalia. "Une lecture croisée de l'oeuvre poétique de Georg Trakl : constellation dialectique et dépassement." Thesis, Strasbourg, 2019. http://www.theses.fr/2019STRAC032.

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Cette thèse aspire à proposer une lecture renouvelée de l’oeuvre poétique de GeorgTrakl. Notre démarche repose d’abord sur la méthodologie classique employée en études germaniques, soit l’analyse de l’oeuvre à partir des faits biographiques, du contexte socio-historique et intellectuel et de l’intertextualité, que nous avons fait le choix d’enrichir par une approche pluridisciplinaire, faisant intervenir la philosophie, l’histoire des religions, la psychanalyse et la psychologie. En effet, ces disciplines nous permettront d’enrichir les résultats des nombreuses études de qualité qui ont fait d

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27

Mareuge, Agathe. "L'œuvre poétique tardive de Jean Hans Arp (1886-1966)." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040229.

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L’étude de l’oeuvre poétique tardive de l’artiste Jean Hans Arp (1886-1966) révèle que l’opposition entre non-sens et sens, au moyen de laquelle est souvent analysé le passage de sa production dada à sa poésie des années cinquante et soixante, n’a pas lieu d’être. L’introduction d’une cohérence aux plans formel et structurel permet au plan sémantique le maintien de la plurivocité et de la contradiction. L’analyse des formes poétiques arpiennes montre l’existence d’une invention et d’une variété formelles intactes dans la production tardives, entre actualisation de formes anciennes et innovatio

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28

"Wigamur kritische Edition-Übersetzung-Kommentar /." Berlin : De Gruyter, 2009. http://site.ebrary.com/id/10373491.

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29

Saucier, Jillian. ""Wir haben ein Gedicht im Kopf:" Ernst Jandl and Friederike Mayröcker in conversation." Thesis, 2018. https://hdl.handle.net/2144/33190.

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Please note: this work is permanently embargoed in OpenBU. No public access is forecasted for these. To request private access, please click on the lock icon and filled out the appropriate web form.<br>The meeting of poets Friederike Mayröcker and Ernst Jandl in 1954 changed the course of their own lives as well as post-war German-language poetry in Vienna, in Austria, and in Europe. This selected critical edition charts their creative processes from April 1954 through April 1957, which spans Mayröcker’s composition and editing of the core of her first poetry collection, and Jandl’s decisive t

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30

Watzka, Michael. "Writing Scenes and Telling Time: Post-War German Journal Literature, Between Diary and the News(papers)." Thesis, 2021. https://doi.org/10.7916/d8-64xq-br72.

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Located at the intersection of literary, journalistic, and socio-historical discourses, “Writing Scenes and Telling Time” looks at diaristic texts in post-war German literature through the lens of news reporting and mass media. Since the 1970s, diaristic texts in German emerged across genres in the works of canonical authors. These works are widely read as subjective texts and linked to their authors’ supposedly diaristic interest in introspection and self-expression. However, these texts’ orientation towards the outside world and their interest in the temporality and scene of writing does not

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31

Ferguson, Angela Dionne. "Women’s writing and writing women in the seventeenth century : an examination of the works of Sibylle Schwarz and Susanne Elisabeth Zeidler." 2013. http://hdl.handle.net/2152/23110.

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This dissertation is primarily concerned with women's writing in the mid-seventeenth century, comprising the years from 1624 to 1686. It covers the period immediately following Martin Opitz's vernacular literary reforms in Germany and takes as its primary subject the resultant increase in female authorship. It arises out of an interest in two separate but interrelated issues. The first is out of an interest in female literary production in Germany during the seventeenth century, specifically between 1624 and 1686, dates demarcated by the publication of Martin Opitz's Buch von der deutschen Poe

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32

Rhee, Sharlyn. "Mundart in global modernism : the poetry and poetics of Hwang Chiu and Ingeborg Bachmann /." 2003. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3108106.

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33

Poppe, Judith. ""Ich dichte in die wüste Zeit" - Ich-Konstruktionen in der Lyrik der deutschsprachiger Schriftsteller_innen Israels." Doctoral thesis, 2015. http://hdl.handle.net/11858/00-1735-0000-0028-86AD-7.

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Die vorliegende Arbeit untersucht eine in der bisherigen Literaturgeschichtsschreibung unbeachtete Literatur – die deutschsprachige Literatur Israels. Exemplarisch wird dafür die Lyrik zweier Autor_innen, Jenny Aloni und Netti Boleslav, in den Blick genommen. Jenny Aloni und Netti Boleslav emigrierten Ende der 1930er Jahre aus dem nationalsozialistischen Deutschland bzw. Prag nach Israel, fanden dort eine neue Heimat und verfassten bis zu ihrem Tod in den 1980er bzw. 1990er Jahren in deutscher Sprache Lyrik und Prosa. Leben und Werk der Autor_innen werden in der Arbeit auf der Basis von Dokum

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34

Fenner, Anna Magdalena. "Trauer in der deutschen Nachkriegslyrik. Zur Emotionsgestaltung bei Günter Eich, Marie Luise Kaschnitz und Nelly Sachs." Doctoral thesis, 2015. http://hdl.handle.net/11858/00-1735-0000-0022-5F8C-D.

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Die Arbeit untersucht die Gestaltung von Trauer in den zwischen 1945 und etwa 1960 veröffentlichten Gedichten von Günter Eich, Marie Luise Kaschnitz und Nelly Sachs. Dazu wird ein differenziertes, systematisch erarbeitetes Analyseinstrumentarium vorgestellt und angewandt, das den vielfältigen Möglichkeiten der Emotionsgestaltung in lyrischen Texten Rechnung trägt. Das methodische Vorgehen der Untersuchung ist insofern exemplarisch, als es hier zwar auf die Analyse von Trauerdarstellungen beschränkt wird, sich aber prinzipiell auch für die Untersuchung der literarischen Gestaltung anderer Emoti

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