Bibliografias temáticas / Jewish-israeli art

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Literatura científica selecionada sobre o tema "Jewish-israeli art"

Autor: Grafiati

Publicado: 21 de setembro de 2024

Última modificação: 31 de julho de 2025

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Artigos de revistas sobre o assunto "Jewish-israeli art"

Sperber, David. "Breaking the Taboo: Ritual Impurity in Israeli and American Jewish Feminist Art." Israel Studies 28, no. 2 (2023): 29–55. http://dx.doi.org/10.2979/is.2023.a885228.

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ABSTRACT: The article examines works by two Orthodox artists, an American, Mierle Laderman Ukeles (b. 1939) and an Israeli, Hagit Molgan (b. 1972), both concerned with the Jewish laws and rituals of niddah (menstruation) and tevilah (immersion). The analysis of the similarities and differences between works from two major Jewish centers, Israel and the United States, provides insight into how critical responses in works of art point to complex cultural divides. Scholars and curators of Jewish art tend to examine Jewish-Israeli art as distinct from Jewish art created elsewhere. Due to this disc

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Soltes, Ori Z. "Radicant Israeli Art: From Past to Future." Arts 9, no. 1 (2020): 16. http://dx.doi.org/10.3390/arts9010016.

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Mieke Bal’s concept of “migratory aesthetics” and the observation by Saloni Mathur and Anne Ring Peterson that “traditional notions of location, origin and authenticity seem obsolete and in urgent need of reconsideration” perfectly encompass the phrase “Jewish art”, and within that difficult-to-define subject, Israeli art (which, among other things, is not always “Jewish”). As Hava Aldouby has noted, Israeli art presents a unique inflection of the global condition of mobility—which in fact contributes to the problem of easily defining the category of “Israeli art”. Nothing could be more approp

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Sperber, David. "Israeli Art Discourse and the Jewish Voice." IMAGES 4, no. 1 (2010): 109–31. http://dx.doi.org/10.1163/187180010x547666.

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AbstractIsraeli critical art discourse reflects both opposition to Jewish tradition and its enduring influence. Even when artists employ Jewish sources, scholars and critics often detach their art from the traditionalist world. In this essay, the sociological concepts of “hybridization” and “purification” are therefore presented as fundamental processes underpinning the mainstream discourse of Israeli art.This essay demonstrates how while processes of rift and reconstitution with respect to Jewish tradition inform the Israeli art scene, Israeli art discourse, like modern art discourse in gener

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Dekel, Tal. "Black Masculinities and Jewish Identity: Ethiopian-Israeli Men in Contemporary Art." Religions 13, no. 12 (2022): 1207. http://dx.doi.org/10.3390/rel13121207.

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The identity of Jewish-Israeli men of Ethiopian descent has undergone deep-seated changes in the last decade, as evident in visual representations created by contemporary black artists living in Israel. In recent years, a new generation of Ethiopian-Israeli artists has revitalized local art and engendered deep changes in discourse and public life. Ethiopian-Israelis, who comprise less than two percent of the total Jewish population in the country, suffers multiple forms of oppression, especially due to their religious status and given that their visibility—as black Jews—stands out in a society

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Barak, Noa Avron. "The National, the Diasporic, and the Canonical: The Place of Diasporic Imagery in the Canon of Israeli National Art." Arts 9, no. 2 (2020): 42. http://dx.doi.org/10.3390/arts9020042.

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This article explores Jerusalem-based art practice from the 1930s to the 1960s, focusing particularly on the German immigrant artists that dominated this field in that period. I describe the distinct aesthetics of this art and explain its role in the Zionist nation-building project. Although Jerusalem’s art scene participated significantly in creating a Jewish–Israeli national identity, it has been accorded little or no place in the canon of national art. Adopting a historiographic approach, I focus on the artist Mordecai Ardon and the activities of the New Bezalel School and the Jerusalem Art

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Farkas, Mariann. "Wrestling with the Diaspora’s Angels: A Note on Fra Angelico’s Legacy in Hungarian-Israeli Art." IMAGES 16, no. 1 (2023): 158–66. http://dx.doi.org/10.1163/18718000-12340176.

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Abstract While numerous scholars have analyzed the influence of immigration on Jewish visual culture, few have focused on the Hungarian-Israeli scene. This article seeks to resolve some of the lacunae surrounding expressions of Hungarian immigrant experiences in Israeli art by analyzing the Annunciation theme in Hedi Tarjan’s series Homage to Fra Angelico, which was painted in the 1980s and the 2000s. A woman artist with a complex Christian-Jewish identity, Tarjan expressed her cross-cultural and interfaith experiences in her paintings and can be regarded as a “Jewish Diasporist” in the sense

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Barkai, Sigal. "Neurotic Fantasy: The Third Temple As a Metaphor in the Contemporary Israeli Art of Nira Pereg and Yael Bartana." Contemporary Review of the Middle East 6, no. 3-4 (2019): 238–51. http://dx.doi.org/10.1177/2347798919872586.

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In the political reality of Israel, some symbols lie at the heart of the political, religious, national, and historical discourse that characterize the peoples and cultures living on the Israeli-Palestinian soil. Among these, the Temple Mount in Jerusalem is one of the most complex and conflictual symbols. The multiple religious claims to the Temple Mount—Jewish, Christian, and Muslim—are the subject of extensive study, but this article focuses on their reflection in contemporary Israeli art. In traditional Jewish art, the visual representations of the Temple or of Jews praying nearby expresse

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Segal, Orna. "Beyond Bezalel: Expressions of Jewish Identity in the Art of Female Israeli National Religious Graduates." Ars Judaica 20 (November 2024): 139–59. https://doi.org/10.3828/arsjudaica.2024.20.8.

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Artists from the National-Orthodox sector have become more prominent in the Israeli art scene in recent years. I here present research on the expression of Jewish identity in the works of three active artists who studied in religious educational institutions, as reflected in interviews with them, and in works that contain elements related to their identity and the world from which they emerged. The study investigates the extent of expression of Jewish-religious identity in their art, how it is expressed, and whether the goals of the promotion of art within the religious education system are re

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Farkas, Mariann. "Weaving Communist Dreams: Jewish Textile Art between Socialist Realism and Neo-Avant-Garde." Ars Judaica 20 (November 2024): 121–38. https://doi.org/10.3828/arsjudaica.2024.20.7.

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Although numerous scholars have analyzed Jewish identity in the visual arts, few have focused on Hungarian textile art. This article seeks to resolve lacunae surrounding expressions of Jewish identity by analyzing the tapestries of Hédi Tarján (1932–2008), a Hungarian-born Israeli female artist. The topic will be examined from diverse interdisciplinary points of view, including perspectives of art history, Jewish studies, and memory studies. The article concludes by arguing that Tarján used symbolic language and nostalgia as a defense mechanism against the communist regime’s cultural doctrine

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Rubenstein, Ruth. "A Postmodern Metamorphosis: The Process of Michael Sgan-Cohen’s Reception into the Israeli Art Field." Images 10, no. 1 (2017): 65–83. http://dx.doi.org/10.1163/18718000-12340076.

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Abstract This essay looks at Michael Sgan-Cohen’s reception in the Israeli art field over a period of 25 years. It suggests that whereas Sgan-Cohen’s signature style of referencing and reworking Jewish sources did not change much over that time, the Israeli art field did shift in its reception of his work, from an unfavorable stance in 1978, to a somewhat more accepting one in 1994, to recognition of Sgan-Cohen as an artist of merit in 2004. Critical commentaries on his exhibitions and interviews with key personalities within the field shed light on Sgan-Cohen’s reception and elucidate the cha

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Teses / dissertações sobre o assunto "Jewish-israeli art"

Seter, Ronit. "Yuvalim be-Israel : nationalism in Jewish-Israeli art music, 1940-2000 /." Ann Arbor (Mich.) : UMI, 2005. http://catalogue.bnf.fr/ark:/12148/cb40050015j.

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Arieli-Chai, Hagit. "La relation entre l'acquisition d'une langue et l'art visuel : amplification de la compétence communicative (linguistique, culturelle et pragmatique) et construction de l'identité de l'apprenant." Electronic Thesis or Diss., Strasbourg, 2024. http://www.theses.fr/2024STRAC005.

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Langue et acquisition de la langue sont considérées comme des pensées reliant la communication et les processus sociaux dans un contexte social. Vygotsky (1978) explique que les processus psycholinguistiques sont les reconstructions de l'esprit de l'individu basées sur l'interaction sociale médiée que l'apprenant a vécue. La médiation se fait à travers des signes visuels, linguistiques et acoustiques, et la langue émerge de l'activité sociale et culturelle. Les signes linguistiques sont créés, interprétés et manipulés par l'apprenant pour s'engager dans l'action. Le ‘Tournant Social’ dans l'Ac

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Cohen, Hella Bloom. "Private Affections: Miscegenation and the Literary Imagination in Israel-Palestine." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc500171/.

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This study politicizes the mixed relationship in Israeli-Palestinian literature. I examine Arab-Jewish and interethnic Jewish intimacy in works by Palestinian national poet Mahmoud Darwish, canonical Israeli novelist A. B. Yehoshua, select anthologized Anglophone and translated Palestinian and Israeli poetry, and Israeli feminist writer Orly Castel-Bloom. I also examine the material cultural discourses issuing from Israel’s textile industry, in which Arabs and Jews interact. Drawing from the methodology of twentieth-century Brazilian miscegenation theorist Gilberto Freyre, I argue that mixed i

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Livros sobre o assunto "Jewish-israeli art"

Yochelson, Kathryn M. Israeli art, golden threads. s.n.], 1998.

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m, Navon arṭ be-ʻa. Navon arṭ ḳaṭalog yetsirot omanut: Ḳaṭalog mekhirah : yetsirot shel omanim Yiśreʾelim. Navon Arṭ, 1992.

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Group, Bruno Art. Asta in session unica: Terza edizione Asta di arte Israeliana moderna e contemporanea. Bruno Art Group, 2010.

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Naftaly, Glicksberg, Mekhon Shekhṭer le-limude ha-Yahadut та Mishkenot shaʼananim, ред. Kisui ṿe-gilui. Mekhon Shekhṭer le-limude ha-Yahadut, 2002.

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iskusstva, Moskovskiĭ muzeĭ sovremennogo, ed. Grobman: Grobman. Novoe literaturnoe obozrenie, 2014.

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Bolas, Gerald D. Ketav: Flesh and word in Israeli art. Ackland Art Museum, 1996.

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Rabinzon-Bakhrakh, Ḥedṿah. Israeli Creative Women at Ottawa: The 27th Confernce of the Internatinal Federation of University Women, 2001. Edited by Conference of the International Federation of University Women (27th : 2001 : Ottawa). The Library, 2001.

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Manhattan, JCC in. Israel non stop: A non stop marathon celebrating today's Israeli arts scene. Jewish Community Center in Manhattan, 2003.

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N. Y.) Salena Gallery (New York. Forces of nature: Zigi Ben-Haim ; Creighton Michael ; Anita Curtis Glesta ; Lucia Minervini ; Mary Ann Unger. Salena Gallery, 1990.

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Shva, Shlomo. Le-tsayer erets ke-moledet: Sipuro shel dor ha-omanim ha-rishon. Miśrad ha-biṭaḥon, 1992.

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Capítulos de livros sobre o assunto "Jewish-israeli art"

Ascone, Laura. "Insults." In Postdisciplinary Studies in Discourse. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-49238-9_37.

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AbstractAn antisemitic insult generally aims at offending, disqualifying and diminishing Jews or Israelis on the basis of, or related to, their Jewish or Israeli identity, against whom the speaker expresses their negative emotions. Insults can be considered a threatening speech act like threats, curses and death wishes. Yet, the goal of insults is not to elicit fear or physically harm but to show the speaker’s hostility and place themselves in a superior position.

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Jayusi, Wurud, and Zvi Bekerman. "“Welcome to the Club”: Palestinian-Israeli Teachers in Bilingual Integrated and in Hebrew Speaking Schools." In To Be a Minority Teacher in a Foreign Culture. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-25584-7_11.

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AbstractThis chapter contributes to a better understanding of how minority teachers in majority schools experience their work and how their participation in such educational contexts helps shape their sense of ethno-cultural belonging and their sense of self-efficacy. Through comparative work, we gain insights into the context-specific conditions which might help support or undermine minority teachers’ inclusion. To do this we compared the reported experiences of Palestinian Israeli teachers working in two somewhat different educational contexts; the Hebrew speaking schools which serve the reg

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Vincent, Chloé, and Matthew Bolton. "Israel’s Sole Guilt in the Conflict." In Postdisciplinary Studies in Discourse. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-49238-9_36.

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AbstractThe idea that the existence and actions of the State of Israel are the sole cause of conflict and violence in the Middle East is one of the most common concepts in contemporary antisemitic discourse. The roots of this concept lie in the classical stereotype that Jews are to be blamed for antisemitism of which they are a victim, that is, that Jewish actions are the only or principal factor motivating antisemitic acts, thereby diverting responsibility for attacks on Jews (and latterly Israelis) away from the perpetrators themselves and onto the Jewish victims. In its updated form, all bl

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Bolton, Matthew. "4. “More Like Genocide”." In Antisemitism in Online Communication. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0406.04.

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Accusations that Israel has committed, or is in the process of committing, genocide against the Palestinian population of the Middle East are a familiar presence within anti- Israel and anti Zionist discourse. In the wake of the Hamas attacks of 7 October 2023 and the subsequent Israeli military invasion of Gaza, claims of an Israeli genocide reached new heights, culminating in Israel being accused of genocide by South Africa at the International Court of Justice. Such claims can be made directly or indirectly, via attempts to draw an equivalence between Auschwitz or the Warsaw Ghetto and the

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Weizman, Eyal. "8. Archaeology, Architecture and the Politics of Verticality." In For Palestine. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0345.09.

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The Israeli-Palestinian is defined by where and how one builds. This chapter explores the politics of verticality. The terrain dictates the nature, intensity and focal points of confrontation. On the other hand, the conflict manifests itself most clearly in the adaptation, construction and obliteration of landscape and built environment. Planning decisions are often made not according to criteria of economical sustainability, ecology or efficiency of services, but to serve strategic and national agendas. The West Bank is a landscape of extreme topographical variation, ranging from four hundred

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Kantor-Kazovsky, Lola, and Isaiah (Yeshayahu) Gruber. "Postmodern Variations: Too Jewish, Too Russian, Too Israeli." In Reinventing Jewish Art in the Age of Multiple Modernities. BRILL, 2022. http://dx.doi.org/10.1163/9789004498150_006.

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Kazdaghli, Habib. "Is Tunisia Ready for a Jewish Museum? Perspectives on the Current Debates Surrounding the Status of Jewish History in My Country." In The Art of Minorities. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474443760.003.0011.

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This chapter charts the genesis of the Museum of Jewish-Tunisian Heritage in Tunis. Jewish culture has been exhibited in Tunisian museums since the beginning of the French Protectorate in 1881. Until recently, however, the idea of a museum entirely dedicated to Jewish-Tunisian history and culture was simply unconceivable in Tunisia, as Judaism was solidly understood as being tied to Israeli politics. Kazdaghli explains how the Jewish-Tunisian community, domestically and overseas, have seized the so-called ‘Jasmine Revolution’ and the democratic ideals it purports to push for the establishment

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"Hyphenated. Transnational Feminism in Contemporary Israeli Art." In Under the Skin, edited by Tal Dekel. British Academy, 2020. http://dx.doi.org/10.5871/bacad/9780197266748.003.0004.

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The chapter discusses Jewish Israeli women immigrant artists through the case study of artist Jennifer Abesirra (b. 1984), an immigrant from France of Algerian origin. Abesirra's artworks stand as examples of the complex, multilayered, and dynamic identity of immigrant women in Israel. The discussion in the chapter integrates global and transnational aspects of women's migration with local perspectives, which are unique to the ethnic, religious, social and civic circumstances in the state of Israel. It tackles feminist issues, arguing for a new understanding of the role played by immigrant wom

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"In Conclusion: Secularizing the Sacred, Israeli Art, and Jewish Orthodox Laws." In Secularizing the Sacred. BRILL, 2019. http://dx.doi.org/10.1163/9789004405271_018.

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Kantor-Kazovsky, Lola, and Isaiah (Yeshayahu) Gruber. "Jewish vs. Israeli: Cultural Politics and Identity Controversy in the Work of the Leviathan Group." In Reinventing Jewish Art in the Age of Multiple Modernities. BRILL, 2022. http://dx.doi.org/10.1163/9789004498150_005.

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Trabalhos de conferências sobre o assunto "Jewish-israeli art"

Petkova, Tatyana V., and Daniel Galily. "When you are named Ruth." In 8th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2022. http://dx.doi.org/10.32591/coas.e-conf.08.06085p.

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This study aims to recall the ideas and activities in the field of law, politics, philosophy, the struggle for democracy and respect for human rights of two bright and exceptional personalities who left this world last year: Ruth Gavison (her areas of study include ethnic conflicts, protection of minorities, human rights, political theory, the judiciary, religion and politics, and Israel as a Jewish and democratic state. She was a member of the Israeli Academy of Sciences and Humanities. Nominated as a Judge at the Supreme Court of Israel in 2005.) and Ruth Bader Ginsburg (Judge at the Supreme

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Abbas ALI, Baydaa. "Jewish self-hatred in the play "A Jewish Soul" by the Israeli writer Yehoshua Sobol." In VI. International Congress of Humanities and Educational Research. Rimar Academy, 2023. http://dx.doi.org/10.47832/ijhercongress6-9.

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This study deals with the topic of Jewish self-hatred in the play "Jewish Soul: Otto Wenninger's Last Night" by Joshua Sobol. The play belongs to the type of autobiographical plays, by presenting the ideas of the Austrian-Jewish philosopher Otto Wenninger during the last night of his life before his suicide, which are ideas related to the relationship between feminism and Judaism on the one hand and masculinity and the Aryan race on the other hand, as well as his ideas about the negative impact of Judaism on the Zionist movement that He feared that Judaism would eliminate it and drown it like

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Shapir, Barbara, Teresa Lewin, and Samar Aldinah. "LET’S TALK! PROMOTING MEANINGFUL COMMUNICATION THROUGH AUTHENTIC TEACHER CHILD DIALOGUE." In International Conference on Education and New Developments. inScience Press, 2021. http://dx.doi.org/10.36315/2021end031.

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The heart of this study is an analysis of teacher–child dialogue in a classroom environment. An authentic dialogue enables children to express their real thoughts and ideas, to present insights, to ask questions, to make comments and to argue about different interpretations. In an effort to help our future teachers improve the quality of their verbal and nonverbal interactions with children as well as emotional and social support, we created a “community of learners”. Mentors and eight students - teachers (Israeli Jews and Arabs) participated in a reciprocal process of learning through experim

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Yakhnich, Liat. "Identity experiences among young adult Ethiopian immigrants in Israel." In 8th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2025. https://doi.org/10.62422/978-81-981590-2-1-035.

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Abundant theory and empirical research have examined identity processes following immigration; however, scarce literature has examined how immigrants themselves identify and experience issues related to their identity. Taking a phenomenological approach, we examined a unique group of young Israelis who immigrated from Ethiopia to understand how they themselves relate to their identity and what, for them, are the salient issues involved in their identity negotiations. Ethiopian immigrants are a black Jewish minority in a predominantly white Israeli society. Their immigration and absorption were

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M. Ali Jabara, Kawthar. "The forced displacement of Jews in Iraq and the manifestations of return In the movie "Venice of the East"." In Peacebuilding and Genocide Prevention. University of Human Development, 2021. http://dx.doi.org/10.21928/uhdicpgp/1.

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The character of the Jew was absent from Iraqi cinematic works, while it was present in many Arab cinematic works produced in other Arab countries, and the manner of presenting these characters and the goals behind choosing that method differed. While this character was absent from the Iraqi cinematic narration, it was present in the Iraqi novelist narration, especially after the year 2003. Its presence in the Iraqi narration was diverse, due to the specificity of the Iraqi Jewish character and its attachment to the idea of being an Iraqi citizen, and the exclusion and forced displacement that

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Relatórios de organizações sobre o assunto "Jewish-israeli art"

Staetsky, Daniel. Israelis abroad: The transformation of the Jewish Diaspora? Institute for Jewish Policy Research, 2025. https://doi.org/10.64359/3k714i5ri.

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This groundbreaking report released by the JPR European Demography Unit finds that 630,000 ex-pat Israelis live across the world, most of whom choose English-speaking and European countries as their new home. The report notes that an estimated 325,000 children have been born to these Israelis when living abroad, bringing the total number of Israeli migrants and their children to close to a million. The report also finds that in certain destination countries, the proportion of ex-pat Israelis and their families now exceeds 20% of the national Jewish population. Some of the key findings in this

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Yilmaz, Ihsan, and Nicholas Morieson. Religious populism in Israel: The case of Shas. European Center for Populism Studies (ECPS), 2022. http://dx.doi.org/10.55271/pp0011.

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Since the 1990s, populism has become increasingly prevalent in Israeli politics. While scholars and commentators have often focused on the populist rhetoric used by Benjamin Netanyahu, his is hardly the only manifestation of populism within Israel. For example, Shas, a right-wing populist party which seeks to represent Sephardic and Haredi interests within Israel, emerged in the 1980s and swiftly became the third largest party in the country, a position it has maintained since the mid 1990s. Shas is unique insofar as it merges religion, populism, and Sephardic and Haredi Jewish identity and cu

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Briman, Shimon. The Wars, Demons, and Ambitions of Babyn Yar. Edited by Nicolas Darius Dreyer. Otto-Friedrich-Universität, 2025. https://doi.org/10.20378/irb-105451.

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For many years and decades, the need for a memorial center at the Babyn Yar ravine in Kyiv has been discussed. On September 29-30, 1941, Nazi German Sonderkommando forces and local collaborators had murdered 33,771 Jews in the ravine. In 2016, the Ukrainian government announced together with an International Supervisory Board its intention to create an official Babyn Yar Holocaust Memorial Center (BYHMC) on the grounds of the massacre. Since then, the political and historiographical mandate, the building, the historical narrative and the artistic concept to be developed, as well as the future

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