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1

Anjum, Bushra. "An interview with Lauren Maffeo." Ubiquity 2019, January (2019): 1–5. http://dx.doi.org/10.1145/3306159.

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Kallendorf, Craig. "Maffeo Vegio. Das Aeneissupplement des Maffeo Vegio. Ed. Bernd Schneider. Weinheim: VCH Verlagsgesellschaft, 1985. 169 pp. DM68." Renaissance Quarterly 40, no. 1 (1987): 95–96. http://dx.doi.org/10.2307/2861837.

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3

Shumilin, Mikhail. "Two Textual Notes on Maffeo Vegio’s Antonias." Humanistica Lovaniensia 67, no. 2 (2018): 469–72. http://dx.doi.org/10.30986/2018.469.

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4

Percival, W. Keith. "Maffeo Vegio and the prelude to juridical humanism." Journal of Legal History 6, no. 2 (1985): 179–93. http://dx.doi.org/10.1080/01440368508530836.

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5

Michelini, L., and T. Maccabelli. "Economics and Anti-Semitism: The Case of Maffeo Pantaleoni." History of Political Economy 47, no. 1 (2015): 91–118. http://dx.doi.org/10.1215/00182702-2847327.

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6

Whittington, Leah. "Qui Succederet Operi: Completing the Unfinished in Maffeo Vegio’s Supplementum Aeneidos." I Tatti Studies in the Italian Renaissance 21, no. 2 (2018): 217–44. http://dx.doi.org/10.1086/699711.

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7

Kallendorf, Craig, and Virginia Brown. "Maffeo Vegio's Book XIII to Virgil's Aeneid : A checklist of manuscripts." Scriptorium 44, no. 1 (1990): 107–25. http://dx.doi.org/10.3406/scrip.1990.1570.

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8

Sotis, Grazia. "La funzione della parola nella poesia di Pasquale Maffeo: Diciture." Quaderni d'italianistica 29, no. 2 (2008): 151–58. http://dx.doi.org/10.33137/q.i..v29i2.8461.

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Braund, Susanna. "Thomas Twyne's Appropriation of Thomas Phaer's Æneidos: ‘Worke unperfyt’ Perfected?" Translation and Literature 27, no. 3 (2018): 287–305. http://dx.doi.org/10.3366/tal.2018.0352.

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Abstract: This paper attempts to reconstruct from the limited evidence available the rationale and development of Thomas Twyne's completion (1573–84) of Thomas Phaer's unfinished English translation of the Aeneid (1555–60). In Phaer's hands, it is suggested, ‘continuation’ and ‘completion’ gradually turn over time into ‘competition’, ‘absorption’, and even ‘appropriation’. A key element in this process is Phaer's decision to add to the twelve books of Virgil's epic his translation of Maffeo Vegio's Latin Supplementum (1428): Twyne brings a similar kind of closure to Phaer's project to that inv
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10

CERBU, THOMAS, and MICHEL-PIERRE LERNER. "LA DISGRCE DE GALILE DANS LES APES URBANAE: SUR LA FABRIQUE DU TEXTE DE LEONE ALLACCI." Nuncius 15, no. 2 (2000): 589–610. http://dx.doi.org/10.1163/182539100x00056.

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Abstracttitle RIASSUNTO /title Il manoscritto delle APES Urbanae di Allacci mostra come il riserbo del suo articolo su Galileo possa essere direttamente attribuito alla decisione presa da Urbano VIII nel giugno 1633 di mettere al bando il Dialogo sopra i due massimi sistemi del mondo e di imporre l'abiura a Galileo. L'articolo ebbe due prime versioni. La prima citava un generoso encomio tributato a Galileo da Maffeo Barberini, ancora cardinale, mentre la seconda presentava una citazione completa del Dialogo, elementi che vennero entrambi successivamente rimossi. Nonostante questa censura, l'ar
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11

Black, Jeremy. "Most Secret and Confidential: Intelligence in the Age of Nelson, Steven E. Maffeo." English Historical Review 116, no. 465 (2001): 242–43. http://dx.doi.org/10.1093/enghis/116.465.242.

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12

Black, J. "Most Secret and Confidential: Intelligence in the Age of Nelson, Steven E. Maffeo." English Historical Review 116, no. 465 (2001): 242–43. http://dx.doi.org/10.1093/ehr/116.465.242.

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13

Wagner, Richard E. "Parasitical Political Pricing, Economic Calculation, and the Size of Government: Variations on a Theme by Maffeo Pantaleoni*." Journal of Public Finance and Public Choice 15, no. 2 (1997): 135–46. http://dx.doi.org/10.1332/251569298x15668907782888.

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Abstract Il lavoro estende 1’originate intuizione di Maffeo Pantaleoni che vede due distinti meccanismi del prezzo nelle contemporanee economie miste. Da una parte, vi è il meccanismo del prezzo del mercato, caratterizzato da diritti di proprietà esclusivi. Dall’altra, vi è il meccanismo di prezzo del sistema politico, distinto, fra le altre cose, da comitati amministrativi e proprietà comune. Si enfatizza come il sistema di prezzo politico può esistere solo in presenza del mercato ma non viceversa.Tramite una semplice illustrazione si suggerisce che i «mercati politici» sono parassitari nei c
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14

Mosca, Manuela. "Emil Sax and Italy. Three episodes." HISTORY OF ECONOMIC THOUGHT AND POLICY, no. 2 (March 2011): 47–62. http://dx.doi.org/10.3280/spe2010-002003.

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The paper deals with the historical reconstruction of the relation between the Austrian economist Emil Sax and the Italian economists of his generation. It is focused on three episodes. The first concerns the introduction of marginal analysis in public finance, seeing the works of Maffeo Pantaleoni (1883) and Sax (1887) as of primary significance. The second is about the reception accorded to the 1887 Sax's work in Italy by Giuseppe Ricca-Salerno (1887), and by Augusto Graziani (1887). The third relates to the development of a pure theory of public finance, and concerns the works of Sax (1887)
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15

Svensson, Lars-Håkan. "Remembering the Death of Turnus: Spenser'sFaerie Queeneand the Ending of theAeneid*." Renaissance Quarterly 64, no. 2 (2011): 430–71. http://dx.doi.org/10.1086/661796.

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AbstractMost of the key episodes in book 1 of Edmund Spenser's Faerie Queene (1590) replay famous passages in Virgil's Aeneid. However, the concluding canto, describing the Redcrosse knight's betrothal to Una, is based on Maffeo Vegio's fifteenth-century Supplementum to the Aeneid, while, surprisingly, the Aeneid's much-disputed ending appears in triplicate in early sections of book 1. This article examines the place and function of book 1’s three imitations of the Aeneid's ending, while also relating them to Spenser's appropriations of the ending in later books of The Faerie Queene. It argues
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16

Jenkyns, Richard. "Bernd Schneider (ed.): Das Aeneissupplement des Maffeo Vegio. (Acta humaniora.) Pp. 170. Weinheim: VCH, 1985. DM. 68." Classical Review 36, no. 2 (1986): 356–57. http://dx.doi.org/10.1017/s0009840x00100927.

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17

Christensen, Chris. "Review of U.S. Navy Codebreakers, Linguists, and Intelligence Officers against Japan, 1910–1941 by Steven E. Maffeo." Cryptologia 40, no. 6 (2016): 567–69. http://dx.doi.org/10.1080/01611194.2016.1236648.

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18

Zonca, Elisabetta. "A Useful, Delightful, and Good Reading: How Maria and Antonia Ponti Conceived a Library for Women." Collections: A Journal for Museum and Archives Professionals 14, no. 3 (2018): 299–313. http://dx.doi.org/10.1177/155019061801400307.

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In the second half of 19th century, newborn Italy was invaded by innovative ideas supported by democratic, liberal, and socialist intellectuals who wanted to renew social life, economy, and moral values by spreading their ideas both in politics and in everyday life. Right-wing reaction used the same methods of communication and persuasion: the publication of journals and books and their promotion in reading cabinets and public libraries. Maria and Antonia Ponti, two upper-middle-class sisters who married into aristocracy, used their influence and resources to advance the status of women in soc
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19

Revyakina, Nina. "Issues in children's behaviour in the pedagogical treatise of the Italian humanist of the 15th century Maffeo Vegio." St. Tikhons' University Review. Series IV. Pedagogy. Psychology 57 (June 30, 2020): 74–83. http://dx.doi.org/10.15382/sturiv202057.74-83.

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20

Cole, Janie. "Cultural Clientelism and Brokerage Networks in Early Modern Florence and Rome: New Correspondence between the Barberini and Michelangelo Buonarroti the Younger*." Renaissance Quarterly 60, no. 3 (2007): 729–88. http://dx.doi.org/10.1353/ren.2007.0255.

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AbstractThis study draws on the unpublished correspondence between Michelangelo Buonarroti the Younger, a Florentine poet and grandnephew of the artist, and the Barberini family, in an attempt to examine the wider concepts of cultural clientelism and brokerage networks in the early modern process of cultural dissemination (in the areas of literature, music, theater, painting, architecture, and science) in Florence and Rome. Reconsidering the definition and role of a Seicento cultural broker added to the traditional model of patron and client, it analyzes Michelangelo the Younger’s activity as
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21

Magnani, Italo. "La Riforma sociale nella formazione di Nitti economista." HISTORY OF ECONOMIC THOUGHT AND POLICY, no. 1 (June 2009): 21–44. http://dx.doi.org/10.3280/spe2009-001002.

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The paper attempts to trace the character and work of Francesco Saverio Nitti by reflecting on the economic and social contents of the review he founded: "La riforma sociale". The historical period is the end of the 19th century, by which the "Giornale degli Economisti" of Antonio de Viti de Marco, Ugo Mazzola and Maffeo Pantaleoni had already established as the principal Italian journal of political economy. "La riforma sociale" was born in the February of 1894 under the initiative of Francesco Saverio Nitti with the aim of containing the dominant liberal thought and reviving a way of making
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22

Hankins, James. "A Checklist of Manuscripts and Early Editions containing Maffeo Vegio's Astyanax (1430) and Antonias (1436-1437). (With a note on the date of the Antonias." Scriptorium 58, no. 2 (2004): 265–73. http://dx.doi.org/10.3406/scrip.2004.3884.

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23

DEL SANTO, PAOLO. "SABINO MAFFEO, S. J., The Vatican Observatory: In the Service of Nine Popes, Roma, Vatican Observatory Pubblications, 2001, pp. XIX-429, ISBN 88-209-7242-5." Nuncius 18, no. 1 (2003): 388–91. http://dx.doi.org/10.1163/182539103x00873.

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24

Maffei, Lamberto, and David Burr. "Lamberto Maffei." Current Biology 19, no. 4 (2009): R148—R149. http://dx.doi.org/10.1016/j.cub.2008.11.053.

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25

Levy, Evonne. "Sebastian Schütze. Kardinal Maffeo Barberini und die Entstehung des Römischen Hochbarock. Römische Forschungen der Bibliotheca Hertziana 32. Munich: Hirmer Verlag GmbH, 2007. 376pp. index. illus. bibl. €125. ISBN: 978–3–7774–9670–2." Renaissance Quarterly 62, no. 3 (2009): 934–35. http://dx.doi.org/10.1086/647424.

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26

Frank, Maria Esposito. "Eyewitness to Old St. Peter's: Maffeo Vegio's “Remembering the Ancient History of St. Peter's Basilica in Rome.” Christine Smith and Joseph F. O'Connor, eds. Cambridge: Cambridge University Press, 2019. xvi + 308 pp. $99.99." Renaissance Quarterly 74, no. 3 (2021): 925–27. http://dx.doi.org/10.1017/rqx.2021.108.

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27

LANCELLOTTI, CARMEN LÚCIA PENTEADO. "Walter Edgard Maffei." Arquivos de Neuro-Psiquiatria 50, no. 1 (1992): 128–29. http://dx.doi.org/10.1590/s0004-282x1992000100024.

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28

Bennett, J. A. "Sabino Maffeo, SJ, In the Service of Nine Popes: 100 Years of the Vatican Observatory, translated by George V. Coyne, SJ. Rome: Specola Vaticana/Pontificia Academia Scientiarum, 1991. Pp. xvi + 241. ISBN 88-7761-046-8. $24.95." British Journal for the History of Science 26, no. 1 (1993): 125–26. http://dx.doi.org/10.1017/s0007087400030636.

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29

DEL SANTO, PAOLO. "SABINO MAFFEO, S. J., The Vatican Observatory: In the Service of Nine Popes, Roma, Vatican Observatory Pubblications, 2001, pp. XIX-429, ISBN 88-209-7242-5." Nuncius 18, no. 1 (2003): 388–91. http://dx.doi.org/10.1163/221058703x00877.

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30

Humire, P. K., C. Henkel, Y. Gong, et al. "36 GHz methanol lines from nearby galaxies: maser or quasi-thermal emission?" Astronomy & Astrophysics 633 (January 2020): A106. http://dx.doi.org/10.1051/0004-6361/201936330.

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Methanol (CH3OH) is one of the most abundant interstellar molecules, offering a vast number of transitions to be studied, including many maser lines. However, while the strongest Galactic CH3OH lines, the so-called class II masers, show no indications for the presence of superluminous counterparts in external galaxies, the less luminous Galactic class I sources appear to be different. Here we report class I 36 GHz (λ ≈ 0.8 cm) CH3OH 4−1 → 30 E line emission from the nearby galaxies Maffei 2 (D ≈ 6 Mpc) and IC 342 (D ≈ 3.5 Mpc), measured with the 100 m telescope at Effelsberg at three different
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31

Maffei, Luis. "3 POEMAS DE LUIS MAFFEI." Revista Desassossego, no. 14 (February 15, 2016): 188–90. http://dx.doi.org/10.11606/issn.2175-3180.v7i14p188-190.

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32

Buta, R., and M. L. McCall. "Discovery of Likely Globular Clusters in Maffei 1." Symposium - International Astronomical Union 207 (2002): 306–8. http://dx.doi.org/10.1017/s0074180900223905.

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The Hubble Space Telescope Wide Field and Planetary Camera 2 was used to image at high resolution the core region of the nearby, heavily obscured massive elliptical galaxy Maffei 1. We report on the discovery of 19 diffuse objects in the WFPC2 field that are likely to be globular clusters associated with Maffei 1. We present some preliminary data on the luminosities, colors, and sizes of these candidates.
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33

Crimmin, P. K. "Book Review: Seize, Burn, or Sink: The Thoughts and Words of Admiral Lord Horatio Nelson. By Steven E. Maffeo. Scarecrow. 2007. xxi + 629 pp. No price indicated, paperback. ISBN 13: 978 0 8108 5781 0; 10: 0 8108 5781 2." War in History 16, no. 3 (2009): 359–60. http://dx.doi.org/10.1177/0968344509104205.

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34

Mayali, L. "Angelo Gambiglioni, giureconsulto aretino del quattrocento: La vita, i libri, le opere.Domenico Maffei , Paola Maffei." Speculum 72, no. 2 (1997): 523–24. http://dx.doi.org/10.2307/3041028.

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35

Giger, Andreas. "Notes on Verdi's I due Foscari." Cambridge Opera Journal 24, no. 1 (2012): 99–126. http://dx.doi.org/10.1017/s0954586712000110.

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AbstractThe preparation of the critical edition of Verdi's I due Foscari has drawn attention to two overlooked sources: an early scenario attributed to Andrea Maffei and an early manuscript copy with various layers of corrections. This article questions the scenario's attribution to Maffei, revising the opera's early history. It furthermore identifies one of the layers in the manuscript copy as being in Verdi's hand, showing that the composer's role in fine-tuning a libretto at this early stage in his career was greater than has so far been possible to show.
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36

Štefanac, Samo. "Nekoliko bilješki o Nikoli Firentincu i nadgrobnoj ploči kanonika Sturariusa." Ars Adriatica, no. 4 (January 1, 2014): 251. http://dx.doi.org/10.15291/ars.498.

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A significant contribution to the oeuvre of Niccolò di Giovanni Fiorentino who, according to the sources, was active between 1464 and 1505, is the tombstone of Canon Matej Sturarius in the Church of Our Lady of Olives at Zadar, which Ivo Petricioli attributed to this sculptor. The inscription on the tombstone informs us that the canon, who was a close collaborator of Archbishop Maffeo Vallaresse, commissioned the monument while still alive but unfortunately, given that the year of his death remains unknown, this piece of information does not provide a basis for the dating of the tombstone. Non
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37

Buta, Ronald J., and Marshall L. McCall. "The IC 342/Maffei Group Revealed." Astrophysical Journal Supplement Series 124, no. 1 (1999): 33–93. http://dx.doi.org/10.1086/313255.

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38

Maffei, Luis. "As cidades e nós, antologia de poemas." Convergência Lusíada 30, no. 41 (2019): 174–81. http://dx.doi.org/10.37508/rcl.2019.n41a336.

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Eiras, Pedro. "Da novidade de “Poesia 61, hoje”." Abril – NEPA / UFF 5, no. 10 (2013): 191–95. http://dx.doi.org/10.22409/abriluff.v5i10.29694.

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40

Sargent, Anneila I., E. C. Sutton, C. R. Masson, T. G. Phillips, and K. Y. Lo. "CO (2–1) observations of Maffei 2." Symposium - International Astronomical Union 106 (1985): 197–98. http://dx.doi.org/10.1017/s0074180900242411.

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Maffei 2 is a highly obscured galaxy, probably of type Sbc, at a distance of 5 Mpc (Allen and Raimond 1972; Spinrad et al. 1973). Since it lies close to the Galactic plane, there is considerable confusion in infrared and 21-cm HI observations due to Galactic emission, but investigations of its structure can be carried out at millimeter wavelengths where the Galaxy contribution is confined to a limited velocity range. The high resolution (30″) of our CO J=2–1 observations permits both a detailed examination of Maffei 2 and a study of the nature of the gas in its nucleus, through comparison with
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41

Vidas, Marina. "Representing the Ancient Past in the Fifteenth-Century Maffei Tacitus (MS GKS 496 2º)." Fund og Forskning i Det Kongelige Biblioteks Samlinger 56 (March 3, 2017): 41. http://dx.doi.org/10.7146/fof.v56i0.118928.

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Marina Vidas: Representing the Ancient Past in the Fifteenth-Century Maffei Tacitus (Copenhagen, Royal Library, MS GKS 496 2º)
 The focus of this article is a splendidly illuminated Italian Renaissance manuscript, MS GKS 496 2º, in the collection of the Royal Library, Copenhagen, containing the text of Annals (Books 11–16, 35) and Histories (Books 1–5, 14) composed by the Roman historian Tacitus (c.55–c.120). The coats of arms, which are found at the bottom of folio 1r, clearly identify the owner of the manuscript as belonging to the Maffei family of Rome and an inscription on f. 196r sta
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42

Fingerhut, Robin L., Henry Lee, Marshall L. McCall, and Michael G. Richer. "The Extinction and Distance of Maffei 2 and a New View of the IC 342/Maffei Group." Astrophysical Journal 655, no. 2 (2007): 814–30. http://dx.doi.org/10.1086/509862.

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43

Dugast, Francine. "MAFPEN... Rétrospective." Recherche & Formation 32, no. 1 (1999): 25–43. http://dx.doi.org/10.3406/refor.1999.1591.

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44

Fingerhut, Robin L., Marshall L. McCall, Michael De Robertis, et al. "The Extinction and Distance of Maffei 1." Astrophysical Journal 587, no. 2 (2003): 672–84. http://dx.doi.org/10.1086/368339.

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45

Davidge, T. J., and Sidney van den Bergh. "The Globular Cluster Content of Maffei 1." Publications of the Astronomical Society of the Pacific 117, no. 832 (2005): 589–600. http://dx.doi.org/10.1086/430367.

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46

Galavotti, Jacopo. "Per un ritratto plausibile di Maffio Venier." Italique, no. XXIII (December 15, 2020): 299–336. http://dx.doi.org/10.4000/italique.783.

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47

Santos, Tiago. "With Munari the Form of the Book Followed its Function." Matlit Revista do Programa de Doutoramento em Materialidades da Literatura 5, no. 1 (2017): 117–19. http://dx.doi.org/10.14195/2182-8830_5-1_25.

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Review of Giorgio Maffei, Munari’s Books, New York, NY: Princeton Architectural Press, 2015. 288 pp. ISBN 978-1-616-89386-6.
 Munari’s Books by Giogio Maffei, like its subtitles states, is “the definitive collection of book designs by Bruno Munari”, being “the first English-English monograph” about him. Bruno Munari was an Italian designer who lived between 1907 and 1998, and made a huge contribution to an understanding of the materialities of the book and its interdisciplinary functionality as we know it nowadays. He considered books the “best medium to communicate his visual ideas (…) a
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48

Geymonat, Francesca Virginia. "Celso Cittadini e Scipione Maffei studiosi di latino volgare." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 51, no. 2 (2016): 221–43. http://dx.doi.org/10.1075/rro.51.2.02gey.

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49

Smithers, Gillian. "MAFF'S Food Micromodel." Nutrition & Food Science 93, no. 2 (1993): 14–15. http://dx.doi.org/10.1108/eum0000000000983.

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50

La Luna, Michelangelo. "Ti presento Maffia." Italian Culture 35, no. 1 (2016): 62–63. http://dx.doi.org/10.1080/01614622.2016.1245500.

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