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Artigos de revistas sobre o tema "Medieval Dream Vision"

Autor: Grafiati

Publicado: 7 de junho de 2025

Última modificação: 2 de agosto de 2025

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1

SARHAN, QASSIM SALMAN, and Manaar Sa'eed. "Dream Vision in Chaucer's Poetry." Kufa Journal of Arts 1, no. 19 (2014): 9–30. http://dx.doi.org/10.36317/kaj/2014/v1.i19.6404.

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Dream vision is an important and well _ known medieval narrative genre in poetry . The basic framework is that the confused narrator falls asleep and dreams , then his dream will be the main story. The dream often takes the form of allegory , enigmatic , and it needs a kind of interpretation on the part of the reader .After the troubled narrator is awakened , he determines to write his dream in a poem . 1 Dream vision poetry has an impressive and extensive image, which has been widely commented upon . Falling asleep, dreaming , dream vision , prophetic visitations and oracular guidance are fam

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Ali, Maher. "Rokeya's Utopian Imagination: Revisiting Medieval Dream Allegory through a Feminist." Sanskriti: Journal of Humanities 1, no. 1 (2024): 47–54. https://doi.org/10.5281/zenodo.15381884.

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<em>This essay reinterprets Begum Rokeya’s Sultana’s Dream (1905) through the lens of the medieval dream vision genre, drawing parallels between Rokeya’s feminist utopia and traditional dream allegories. Sultana’s Dream envisions a fantastical world where women transcend the confines of purdah and the zenana, advocating for gender equality and education as central themes. By constructing the narrative as a dream journey, Rokeya aligns with the medieval tradition, using Sister Sara as a guiding figure akin to Boethius’ Lady Philosophy, a motif often seen in medieva

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Piña Rubio, Liza Nereyda. "The Dream Vision and Medieval Incubation in the Hypnerotomachia P. Epistemological Reflections on the Dream in Literature." Medievalia 55, no. 2 (2024): 101–36. http://dx.doi.org/10.19130/medievalia.55.2/0037x01ws2731171s0xw35.

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Attributed to Francesco Colonna, the Hypnerotomachia Poliphili (HP) —The Strife of Love in a Dream— wrote in the Renaissance’s threshold: 1499. From our perspective, in spite of the date of its publication, it is a novel deeply rooted in the medieval tradition which, in turn, was nourished of Patristic Literature sources. In consequence, will be demonstrated that Colonna adopted, in a one hand, the Christian dream vision perspective (the medieval dream-book and incubation), to access the knowledge of the [him]self. In another hand, monastic composing strategies —about prayer and spiritual heal

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Kathryn L. Lynch. "Robert Henryson’s “Doolie Dreame” and the Late Medieval Dream Vision Tradition." Journal of English and Germanic Philology 109, no. 2 (2010): 177. http://dx.doi.org/10.5406/jenglgermphil.109.2.0177.

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Lynch, Kathryn L. "Robert Henryson's "Doolie Dreame" and the Late Medieval Dream Vision Tradition." JEGP, Journal of English and Germanic Philology 109, no. 2 (2010): 177–97. http://dx.doi.org/10.1353/egp.0.0140.

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Matthews. "Enlisting the Poet: The List and the Late Medieval Dream Vision." Style 50, no. 3 (2016): 280. http://dx.doi.org/10.5325/style.50.3.0280.

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Eggebroten, Anne. "Review: The High Medieval Dream Vision: Poetry, Philosophy, and Literary Form." Christianity & Literature 38, no. 3 (1989): 66–67. http://dx.doi.org/10.1177/014833318903800313.

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Matthews, David. "Enlisting the Poet: The List and the Late Medieval Dream Vision." Style 50, no. 3 (2016): 280–95. http://dx.doi.org/10.1353/sty.2016.0019.

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Davidko, Natalya. "The Great Divorce: A Dream by C.S. Lewis: A Comeback of the Medieval Genre." Athens Journal of Philology 9, no. 3 (2022): 235–64. http://dx.doi.org/10.30958/ajp.9-3-3.

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It is universally acknowledged that the Renaissance has exerted a great influence on modern literature and art. This view has been so overwhelming that it has ousted other possibilities, as a result, the influence of medieval literature has been grossly underestimated. In the current article I want to show the role of the “dream vision” genre in shaping the modern genre of spiritual philosophical fiction elaborated in the works by C.S. Lewis, specifically in his exceptionally original novel The Great Divorce. The aim is to examine systematically and expose the intrinsic affinity of Lewis’ work

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TAYLOR, J. H. M. "Review. The High Medieval Dream Vision: Poetry, Philosophy and Literary Form. Lynch, Kathryn L." French Studies 48, no. 3 (1994): 312. http://dx.doi.org/10.1093/fs/48.3.312.

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Pollard, William F. "The High Medieval Dream Vision: Poetry, Philosophy, and Literary Form by Kathryn L. Lynch." Studies in the Age of Chaucer 11, no. 1 (1989): 263–65. http://dx.doi.org/10.1353/sac.1989.0031.

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Monaco, Benedetta. "Poematis genus ambigui I concetti di veritas, fictio e visio fra Petrarca e Boccaccio." Mediaevalia Textos e estudos 40 (2023): 215–37. http://dx.doi.org/10.21747/21836884/med40a8.

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The paper aims to analyse, through multiple intertextual references, the reception of classical and me-dieval theory about relationship between veritas, fictio and poesis through Boccaccio’sand Petrarca’s examples. Starting from etymological and interpretative dissociation between the concepts of poetry and fiction, allowed by the rediscovery of Cicero’s Pro Archia, Petrarca and Boccaccio reaffirm the moral truth as center of poetic discourse, in defense of poetry against medieval accusations of defectum veritatis. A particular case of study is offered by the dialogicity of the elements of ver

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Dailey, Patricia. "Inventing Experience: Medieval, Psychedelic, and Postmodern." South Atlantic Quarterly 124, no. 2 (2025): 307–24. https://doi.org/10.1215/00382876-11626633.

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What kind of experience is “literary experience,” and what might it have in common with psychedelics? This essay exposes a poetics of experience embedded within psychedelics and shows its common ground with the literary space of a poem in the Middle Ages. While writers like Aldous Huxley have often appealed to the precursor of the medieval, this essay takes a different turn. By looking at the co-substantial way in which reality is displaced, suspended, and refigured in a different register, the author proposes to show how literary works like the medieval “dream-vision,” the “trip/journey,” or

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Burke, Linda. "Le Livre d’amoretes: écrit spirituel à insertions lyriques du XIII^e siècle. Édition du ms. Paris, BnF lat. 13091, complété par le ms. Paris BnF fr. 23111, ed. Marie-Geneviève Grossel and Anne Ibos-Augé. Classiques français du moyen âge. Paris: Honoré Champion, 2022, 543 pp." Mediaevistik 35, no. 1 (2022): 478–81. http://dx.doi.org/10.3726/med.2022.01.110.

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Abstract: The persistence of medieval “crossover” – between the literary expressions of sacred and profane love – is a topic of perennial fascination to scholars and to all who engage with poetry old or new. Of course, the popular terms “fusion” or “synergy” would better apply to the rich tradition of allegory based in the Song of Songs, an erotic dream vision that never refers to God, but has always given rise to spiritualized readings of the courtship interplay between the Bride, commonly interpreted as the human soul, the Bridegroom (for Christians, Jesus), and attendants of the Bride (fell

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Adler, Gillian. "Medieval Allegory as Epistemology: Dream-Vision Poetry on Language, Cognition, and Experience by Marco Nievergelt (review)." Arthuriana 34, no. 3 (2024): 71–73. http://dx.doi.org/10.1353/art.2024.a943460.

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Orlemanski, Julie. "Medieval Allegory as Epistemology: Dream-Vision Poetry on Language, Cognition, and Experience by Marco Nievergelt (review)." Digital Philology: A Journal of Medieval Cultures 14, no. 1 (2025): 157–61. https://doi.org/10.1353/dph.2025.a959173.

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Toswell, M. J. "Prophetical Traditions in Northern Europe: Introduction." Florilegium 17, no. 1 (2000): 167–73. http://dx.doi.org/10.3138/flor.17.010.

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British Library MS Stowe 944 is a well-known eleventh-century manuscript, containing most notably the Liber Vitae of the New Minster at Winchester and the will of King Alfred. Written possibly in 1031 but certainly after Ælfwine was made abbot at the New Minster, the manuscript is a miscellany of lists of saints' resting places, kings' names, relics, and chronological commonplaces. The materials found in it are practical, historical, and could even be described as straightforward. On f. 40rv there appears a twelfth-century addition on an originally blank leaf, a text commonly known as the "Vis

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Dürrigl, Marija-Ana. "Uz prijepor duše i tijela – „Viđenje sv. Bernarda“ u hrvatskoglagoljskom Oxfordskom zborniku." Fluminensia 30, no. 1 (2018): 231–36. http://dx.doi.org/10.31820/f.30.1.2.

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The paper considers some contemplative aspects of the Croatian Glagolitic prose text The Vision of St. Bernard. It originates from one of the potentially most popular Latin contrasts, and is preserved in two Croatian Glagolitic miscellanies from the 15th century. It mirrors general aspects of the medieval Christian spirituality and is draped in a vibrant, dramatic dialogue. Although the fate of the protagonists (agonists, in fact) is known in advance, their argument is marked by stylistically successful variations of the teaching essentially addressing the receivers. The version of the work re

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TEMIRSHINA, OLESYA R. "A. VVEDENSKY’S ‘PERSONAL ESCHATOLOGY’: POSTHUMOUS JOURNEY IN THE SEVENTH POEM." Lomonosov Journal of Philology, no. 3, 2023 (June 19, 2023): 120–33. http://dx.doi.org/10.55959/msu0130-0075-9-2023-47-3-10.

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The article presents the interpretation of the Seventh Poem by A. Vvedensky in the lexical-grammatical and genrestyle aspects. It is shown that the plot of the posthumous journey of the soul unfolds in Vvedensky’s text. It has been established that each stage of this plot unity is associated with the metamorphosis of the subject, which is marked by anomalies of subject and pronominal deixis. Deictic shifts indicate different stages of the dissolution of the soul in the world, thus, the splitting of the pronominal deixis performs a compositional function, marking the turning points of the plot

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Hailes, Stephen De. "Pearl and the Fairies of Romance: Hermeneutics and Intertextuality in a Fourteenth-Century Religious Dream Vision." Studies in Philology 121, no. 3 (2024): 347–85. http://dx.doi.org/10.1353/sip.2024.a934226.

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Abstract: This article focuses on the parallels that can be drawn between the characters and landscapes of the fourteenth-century Pearl poem and the fairy characters and otherworlds that frequently appear in works of medieval romance. It argues that the Pearl -poet is consciously engaging with readily identifiable fairy themes and motifs, made popular through a wide range of romances and other sources, in order to help propagate a certain ambiguity within the poem: one that feeds into the broader epistemological themes that are present within the text. More specifically, this article shows tha

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Williams, Harry F. "Kathryn L. Lynch.The High Medieval Dream Vision: Poetry, Philosophy, and Literary Form. Stanford University Press, 1988. xv + 263pp. $35." Romance Quarterly 37, no. 3 (1990): 354–55. http://dx.doi.org/10.1080/08831157.1990.9924912.

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Artico, Tancredi. "Per una grammatica del sogno nel «Decameron». Forme e strutture delle novelle a tema onirico." Italianistica Debreceniensis 24 (December 1, 2018): 96–109. http://dx.doi.org/10.34102/italdeb/2018/4664.

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This paper takes into account the oneiric issue in Giovanni Boccaccio Decameron, with the aim of defining Boccaccio’s overall “grammar of dreaming”: besides an accurate investigation on Decameron’s sources, which range from classic to Medieval literature, it retraces the narrative constructions of the short-novels with oneiric subjects, hypothesizing the existence of two main schemes. In the short-tales on a vision (which are the most known), it is almost always replied the scheme of the “tale in the tale”, due to the creation of a imaginary world with its own rules. Meanwhile, in the short ta

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Vasylenko, V. ""ANOTHER WORLD": PROSE BY NATALENA KOROLEVA." Вісник Житомирського державного університету імені Івана Франка. Філологічні науки, no. 3(101) (September 29, 2023): 21–37. http://dx.doi.org/10.35433/philology.3(101).2023.21-37.

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The paper is devoted to the main ideological-aesthetic, genre-style, historical and cultural features of Natalena Koroleva’s fiction. Historicism and Catholicism, noticeable in the writer’s prosaic works of different genres and styles, are considered the dominant elements of her artistic worldview and thinking. The analysis focuses on the writer’s three key interwar novels: "An Ancestor", "A Shadow’s Dream", "1313" and examines several aspects of their poetics. Koroleva’s historicism is noted for combining scientific (in particular, archeological) knowledge, religious and philosophical experie

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Terribili, Gianfilippo. "Visitation and Awakening: Cross-Cultural and Functional Parallelisms between the Zoroastrian Srōš and Christian St. Sergius." Journal of Persianate Studies 14, no. 1-2 (2022): 152–77. http://dx.doi.org/10.1163/18747167-bja10013.

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Abstract Similarities between the two celestial entities, the Zoroastrian Srōš (or Sraoša) and the Christian St. Sergius, have occasionally been mentioned in studies on late-antique and medieval Iran. Comparing the Zoroastrian and Syriac Christian traditions, the study will deal with evidence describing a phenomenological complex that includes the manifestation of celestial entities through a revelatory dream or vision and the consequent awakening of the individual consciousness. The parallelisms will be viewed in the perspective of historical and cultural dynamics that characterized the socio

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Wicher, Andrzej. "Wawel Meets Elsinore. The National and Universal Aspects of Stanisław Wyspiański’s Vision of Shakespeare’s Hamlet." Text Matters, no. 7 (October 16, 2017): 214–38. http://dx.doi.org/10.1515/texmat-2017-0012.

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The aim of this paper is to show the role, the possibilities and the limits of Wyspiański’s national thinking through Shakespeare’s Hamlet. Of particular importance, in this context, is the role the Ghost takes in Wyspiański’s celebrated interpretation of Shakespeare’s Hamlet. By the Ghost we mean the spirit of history, the ghost of a father, the spirit of the fatherland, the voice of the ancestors, and particularly that of the Polish king Casimir the Great, as well as the Holy Ghost and the Evil Spirit because all these aspects of the Ghost belong to Wyspiański’s vision. The play in question

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Craun, Edwin D. "Arvind Thomas, Piers Plowman and the Reinvention of Church Law in the Late Middle Ages. Toronto: University of Toronto Press, 2019. xiv, 267 pp." Mediaevistik 35, no. 1 (2022): 481–82. http://dx.doi.org/10.3726/med.2022.01.111.

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Abstract: As the law and literature movement in law schools reminded us several decades ago and Hans-Georg Gadamer before that, law and literature share much cultural work in common: they tackle some of the same communal problems; they interpret and revise norms for conduct; they evaluate written sources; they weigh what constitutes authority; and they both use and invite similar hermeneutical methods. This is especially so with medieval canon law and Piers Plowman. That capacious dream vision is chock full of forensic elements – trials, lawyerly debates, confessions, penalties, acts of restit

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Paniotova, Taisiya S., and Maxim A. Romanenko. "Utopia as the Futurization of History: Discourse Aspects." Chelovek 35, no. 4 (2024): 117–31. http://dx.doi.org/10.31857/s0236200724040072.

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In modern utopian studies, the distinction between utopia as an intention and utopia as a narrative is no longer in doubt. Beginning with Alexander Sventokhovsky and Ernst Bloch, utopia has been interpreted as a dream, a universal dimension of culture, a spiritual landmark, or a desire that is capable of giving meaning to human existence. The paper shows that although the traces of utopia as a dream for a better world are lost in the depths of history, it acquired its current outlines only in the modern era, when it received a stable conjunction with the future. The spiritual prerequisites wer

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Rapacha, Lal. "Aspects of Federalism Implementation for Development and Prosperity." Molung Educational Frontier 8 (December 3, 2018): 61–76. http://dx.doi.org/10.3126/mef.v8i0.22441.

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In Nepal‘s context, concepts like 'development' and 'prosperity' are two age-old (suppressive Rana oligarchy, uni-Panchayat regime and its aftermath) mirages chased by rulers for the ruled ones almost seem to be unattainable. Nevertheless, the mirages of 'development' and 'prosperity' can be materialized when one readily changes his/her antediluvian attitude of fatalism (Bista 1991) and low work ethics. In a recent political paradigm shift from unitary monarchism-oligarchy to multi-party federalism, those two mirages have again been reiterated as Nepalese people's dream and discourse (claimed

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Elmes, Melissa Ridley. "He Dreams of Dragons: Alchemical Imagery in the Medieval Dream Visions of King Arthur." Arthuriana 27, no. 1 (2017): 73–94. http://dx.doi.org/10.1353/art.2017.0003.

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Hussey, S. S. "McGerr, R. P. (ed.), The Pilgrimage of the Soul: A Critical Edition of the Middle English Dream Vision, vol. 1. Pp. cxxv+185 (Garland Medieval Texts, No. 16). New York and London: Garland, 1990. $32.00." Notes and Queries 38, no. 3 (1991): 360–61. http://dx.doi.org/10.1093/notesj/38.3.360.

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Wimbush, Andy. "Hey Prestos and Humilities: Two of Beckett's Christs." Journal of Beckett Studies 25, no. 1 (2016): 78–95. http://dx.doi.org/10.3366/jobs.2016.0157.

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As well as its oft-noted concern with mysticism and negative theology, Samuel Beckett's work frequently returns to the figure of the incarnate Christ. This article explores two perspectives on Christ that can be found both in Beckett's work and in religious writing from the European middle ages: the triumphant Jesus known as the Christus Victor, and the suffering Jesus, or Ecce Homo. Building on Mary Bryden's work in this area, the article shows that just as medieval writers such as Julian of Norwich, Ludolf of Saxony, and Margery Kempe reject the contemplation of a transcendent or triumphant

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LEJA, MEG. "BEYOND THE BODY AND BACK AGAIN: VISIONS OF OTHERWORLDLY JOURNEYS IN CAROLINGIAN THEOLOGY." Traditio 78 (2023): 105–39. http://dx.doi.org/10.1017/tdo.2023.4.

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This essay analyzes the mechanics of temporary journeys to the afterlife in Latin texts from the ninth century, the period typically associated with the birth of a medieval visionary genre. Sometimes framed as near-death experiences, sometimes as simple dreams, journeys to an otherworldly landscape were primarily intended as admonitions to the living, but in crossing the boundary between living and dead, the visionary's own soul and body experienced a problematic disjuncture. In contrast to previous scholarship, which has analyzed early medieval visions primarily as political texts, as contrib

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Blumenfeld-Kosinski, Renate. "Two Travelers: Didactic Trajectories in two late medieval Dream Visions." Cahiers de recherches médiévales et humanistes, no. 32 (December 8, 2016): 87–101. http://dx.doi.org/10.4000/crm.14087.

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Abuali, Eyad. "Dreams and Visions as Diagnosis in Medieval Sufism." Journal of Sufi Studies 8, no. 1 (2020): 1–29. http://dx.doi.org/10.1163/22105956-12341313.

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Abstract In recent scholarship the notion that dreams and visions in Islamic societies are phenomena with no relevance to historic events or societal concerns has been challenged and overturned. However, the theoretical underpinnings of Sufi oneirology in the medieval period have yet to receive a full exposition. Furthermore, the relevance of such seemingly abstract texts to Sufi organisational and institutional structures has not been realised. This article argues that understanding the development of Kubrawī oneirology offers important insights into Islamic thought and society. Focusing on t

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Shoaf, R. A. "The Influence of Dante on Medieval English Dream Visions by Roberta L. Payne." Studies in the Age of Chaucer 12, no. 1 (1990): 320–22. http://dx.doi.org/10.1353/sac.1990.0034.

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Kaličanin, Milena, and Hristina Aksentijevic. "COMMEDIA DELL'ARTE AND ITS IMPACT ON SHAKESPEARE’S PASTORAL COMEDY AS YOU LIKE IT." Folia linguistica et litteraria XII, no. 35 (2021): 63–85. http://dx.doi.org/10.31902/fll.35.2021.4.

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The paper explores the origins, development and basic genre features of сommedia dell'arte. The first part of the paper deals with the archetypal comic elements of сommedia dell'arte. The historical significance of this type of comedy, as Pandolfi (1957) stresses, lies in the fact that it unequivocally confirms the autonomy of theatrical art by imposing the neverending quest for the freedom to critically examine all the aspects of social life without any dose of censorship or limitations. Its comic pattern has the roots in the grotesque and absurdity of real life, which allows for the actors t

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BERESFORD. "REFORMULATING IDENTITY IN MEDIEVAL CASTILIAN HAGIOGRAPHY: VISIONS, DREAMS, AND THE ASCETIC IMPERATIVE." Medium Ævum 82, no. 2 (2013): 293. http://dx.doi.org/10.2307/43633013.

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Baker, Donald C. "Public Piers Plowman: Modern Scholarship and Late Medieval English CultureFifteenth-Century English Dream Visions: An Anthology." English Language Notes 42, no. 3 (2005): 68–70. http://dx.doi.org/10.1215/00138282-42.3.68.

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Ganz, David. "Looking beyond visions, dreams, and insights in medieval art & history, Hourihane, Colum (ed.)." Material Religion 9, no. 4 (2013): 523–24. http://dx.doi.org/10.2752/175183413x13823695747688.

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Kurtz, Joachim. "Chinese Dreams of the Middle Ages." Medieval History Journal 21, no. 1 (2018): 1–24. http://dx.doi.org/10.1177/0971945817753874.

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Dreams of a return to a golden age in remote antiquity were common tropes in imperial Chinese philosophy, literature and art. But such yearnings could also relate to the more recent past of a diffuse ‘Middle Period’ situated flexibly between the time of the legendary sage kings and the respective present. This article illustrates how evocations of this unwieldy era were re-signified through its association with Europe’s ‘Middle Ages’. Far from producing a unified image, the uneasy coupling opened up a space in between the normative poles of ‘antiquity’ and ‘modernity’ that served as a platform

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Meri, Josef W. "Re-Appropriating Sacred Space: Medieval Jews and Muslims Seeking Elijah and Al-Khadir1." Medieval Encounters 5, no. 3 (1999): 237–64. http://dx.doi.org/10.1163/157006799x00060.

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AbstractThis study suggests a number of ways in which Jews and Muslims venerated the Prophet Elijah and his Islamic counterpart al-Khadir in the Near Eastern context from the twelfth through seventeenth centuries. In invoking the Prophet, devotees sought to reclaim and rediscover the sacred in tradition and physically and ritually represent it. The discussion first focuses on the depiction of the shrines of Elijah in Jewish travel itineraries. The profound experience of the fourteenth-century Karaite scribe and poet Moses b. Samuel at a shrine of the Prophet is testament to his widespread vene

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Steavu, Dominic. "Visions and Dreams in Early and Medieval China: A Few Thoughts on Neutrality and Authorial Voice." Early Medieval China 2022, no. 28 (2022): 97–105. http://dx.doi.org/10.1080/15299104.2022.2101771.

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Steavu, Dominic. "Visions and Dreams in Early and Medieval China: A Few Thoughts on Neutrality and Authorial Voice." Early Medieval China 28, no. 1 (2022): 97–105. https://doi.org/10.1353/emc.2022.a944092.

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Classen, Albrecht. "Jesse Keskiaho, Dreams and Visions in the Early Middle Ages: The Reception and Use of Patristic Ideas, 400–900. Cambridge Studies in Medieval Life and Thought. Cambridge: Cambridge University Press, 2015, ix, 329 pp." Mediaevistik 32, no. 1 (2020): 375–77. http://dx.doi.org/10.3726/med.2019.01.72.

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This book reached me only in 2019, but it still deserves a critical review. After all, the topic quickly proves to be highly relevant and significant both for the early Middle Ages and the entire world of imagination, dreams, and visions. This study is based on Keskiaho’s doctoral dissertation submitted to the University of Helsinki <?page nr="376"?>in 2012. Examining a wide range of patristic and other religious sources, Keskiaho highlights the wide ranging discourse on these phenomena from ca. 400 to ca. 900, taking into view particularly Augustine of Hippo and Gregory the Great, who a

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O'Connor. "Astronomy and Dream Visions in Late Medieval Iceland: Stjörnu-Odda draumr and the Emergence of Norse Legendary Fiction." Journal of English and Germanic Philology 111, no. 4 (2012): 474. http://dx.doi.org/10.5406/jenglgermphil.111.4.0474.

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Hanaoka, Mimi. "Perspectives from the Peripheries." Journal of Persianate Studies 8, no. 1 (2015): 1–22. http://dx.doi.org/10.1163/18747167-12341276.

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Authors of local histories composed in Persia during the 10th-15th centuries deftly wove their lands and their communities into Islamic narratives rooted in the Islamic heartlands of Iraq, Syria, and Arabia. They positioned their communities to better fit into the scope of Islamic history and claimed privileged connections to Mohammad and divine or prophetic authority in various ways. City and regional histories from Persia challenge and reconfigure notions of what constitutes “central” or “peripheral” in the medieval Islamic world and articulate identities that are simultaneously deeply local

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Nikolić, Jovana. "Symbolism and imagination of the medieval period: The lady and the unicorn in the works of Gustave Moreau." Kultura, no. 168 (2020): 51–68. http://dx.doi.org/10.5937/kultura2068051n.

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The French Symbolist painter Gustave Moreau often used the motifs of fantastic beings and animals in his works, amongst which the unicorn found its place. Moreau got the inspiration for the unicorn motif after a visit to the Cluny Museum in Paris, in which six medieval tapestries with the name "The Lady and the Unicorn" were exhibited. Relying on the French Middle Age heritage, Moreau has interpreted the medieval legend of the hunt for this fantastic beast (with the aid of a virgin) in a new way, close to the art of Symbolism and the ideas of the cultural and intellectual climate of Paris at t

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Nazarska, Georgeta. "Socio-Religious Visionaries in Bulgaria (1920–1950s): the Christo Oustabachieff Case." Balkanistic Forum 30, no. 3 (2021): 195–218. http://dx.doi.org/10.37708/bf.swu.v30i3.10.

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The article is a case study of the life, work and ideas of the Bulgarian political and religious figure Christo Oustabachieff (1871–1953). Beginning his career as a financial official, political activist and founder of one of the first xenophobic organizations, after the First World War he devoted himself entirely to religious activities: he founded the “Good Samaritan” Religious Society (1921), became leader and ideologist of the Orthodox Holy Society for Spiritual Renewal of the Bulgarian people (1924), of the "Greater (Peaceful) Bulgaria" Union (Political Party) (1926–1944), of the "St. Joh

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Marjanovic-Dusanic, Smilja. "Relics, miracles and furta sacra: A contribution to the study of Serbo-Bulgarian relations in the 1230s." Zbornik radova Vizantoloskog instituta, no. 46 (2009): 281–98. http://dx.doi.org/10.2298/zrvi0946281m.

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A contribution to the study of Serbo-Bulgarian relations in the 1230s The enquiry into the cult of relics and its manifestations such as miracle working, transfer of mortal remains and the act of translatio that involves the topos of furta sacra relies on two lives of St Sava of Serbia, one penned by Domentijan (Domentianus), the other by Teodosije (Theodosius). The hagiographic episodes most relevant to this enquiry are certainly those describing Sava's stay in Tirnovo, his death (1236) and the translation of his remains to his homeland (1237). The narrative about the future saint's stay and

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Zharkikh, T. V. "Musical Stained-glasses by Olivier Messian." Aspects of Historical Musicology 14, no. 14 (2018): 23–35. http://dx.doi.org/10.34064/khnum2-14.02.

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Background. As it is well-known from the statements by O. Messiaen himself in conversations with K. Samuel [10; 7], the French composer had the phenomenon of “colored hearing” associated with the effect of synesthesia. A prerequisite in modern performing art, as in the work of a musicologistresearcher, is the introduction to the worldview of an author-composer. The study of Messiaen’s synesthetic associations helps the interpreter to expand his timbre range in connecting with emotional “immersion” in the essence of the work, and the researcher of his music – to interpret correctly (often – to

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