Bibliografias temáticas / Mermaids in music

Índice

  1. Artigos de revistas
  2. Teses / dissertações
  3. Livros
  4. Capítulos de livros

Literatura científica selecionada sobre o tema "Mermaids in music"

Autor: Grafiati
Publicado: 25 de julho de 2024
Última modificação: 31 de julho de 2025

Crie uma referência precisa em APA, MLA, Chicago, Harvard, e outros estilos

Selecione um tipo de fonte:

Consulte a lista de atuais artigos, livros, teses, anais de congressos e outras fontes científicas relevantes para o tema "Mermaids in music".

Ao lado de cada fonte na lista de referências, há um botão "Adicionar à bibliografia". Clique e geraremos automaticamente a citação bibliográfica do trabalho escolhido no estilo de citação de que você precisa: APA, MLA, Harvard, Chicago, Vancouver, etc.

Você também pode baixar o texto completo da publicação científica em formato .pdf e ler o resumo do trabalho online se estiver presente nos metadados.

Artigos de revistas sobre o assunto "Mermaids in music"

1

Howard, Luke, and Tina Davidson. "I Hear the Mermaids Singing." American Music 18, no. 1 (2000): 112. http://dx.doi.org/10.2307/3052394.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
2

Ergin, Murat. "On Humans, Fish, and Mermaids: The Republican Taxonomy of Tastes and Arabesk." New Perspectives on Turkey 33 (2005): 63–92. http://dx.doi.org/10.1017/s0896634600004246.

Texto completo da fonte
Resumo:
This essay analyzes arabesk, a form of popular music in Turkey, as it pertains to debates around culture, politics, and modernity. I argue that arabesk, rather than being limited to discussions of music as an aesthetic form, reveals important issues as to the historical unfolding of discursive patterns that still very much outline the boundaries of cultural debates in Turkish society. The historic changes of arabesk music corresponds to turning points in the cultural and political history of Turkey. Furthermore, following the historical trajectory of arabesk makes it possible to analyze large-
Estilos ABNT, Harvard, Vancouver, APA, etc.
3

d'Inca, Elise. "Sirènes at autres ondines : représentations médiévales des figures aquatiques scandinaves." Studia Universitatis Babeș-Bolyai Philologia 68, no. 2 (2023): 85–100. http://dx.doi.org/10.24193/subbphilo.2023.2.05.

Texto completo da fonte
Resumo:
"Mermaids and Other Undines: Medieval Representations of Scandinavian Aquatic Figures. Without claiming to be exhaustive, this article compares the different aquatic figures of Scandinavian imagination, and the representations relating to Scandinavia, taking into account their cosmic aspect. This paper highlights the close connection of these creatures with time, weather and music, and the evolution of the representation of sea creatures that embody geography and climate, real or fantasized. These representations evolve, especially because of the important Christianization process that they un
Estilos ABNT, Harvard, Vancouver, APA, etc.
4

BRAMI, THOMAS. "Integrated Soundtracks, Sergei Eisenstein, and Man-Eating Mermaids that Sing." Music, Sound, and the Moving Image: Volume 14, Issue 1 14, no. 1 (2020): 3–21. http://dx.doi.org/10.3828/msmi.2020.2.

Texto completo da fonte
Resumo:
This article analyses the relationship between integrated soundtracks and genre through an examination of The Lure (2015). I discuss the filmmakers’ collaborative practice, and identify how the film integrates music, sound, and image in order to manipulate the codes of horror, fantasy, and the musical in a seamless and cohesive way. As well as positioning this practice within contemporary trends, this article also finds a historical precedent in Sergei Eisenstein’s writings and films. First, I chart the overlaps between Eisenstein and composer Sergei Prokofiev’s fluid collaborative working met
Estilos ABNT, Harvard, Vancouver, APA, etc.
5

Jefferies, Daze. "Fish Trade Futures: Counter-Archives and Sex Worker Worlds at the Margins of St. John's Harbour." Journal of Folklore Research 60, no. 2-3 (2023): 67–94. http://dx.doi.org/10.2979/jfr.2023.a912089.

Texto completo da fonte
Resumo:
Abstract: This article imagines the sociohistorical lives of trans women (and) sex workers in Ktaqmkuk (Newfoundland) as deeply entangled with ecological relations of so-called Canada's Atlantic coast—particularly the cultural and economic politics of fish trade at St. John's Harbour. Feeling fishy, a trace of transfeminine sex worker expressive culture and vernacular performance, comes to signify an evocative autoethnographic approach to trans sex worker research-creation at the water's edge. Poetic, illustrative, and sculptural play as both counter-archival worldmaking and critical address h
Estilos ABNT, Harvard, Vancouver, APA, etc.
6

Jefferies, Daze. "Fish Trade Futures: Counter-Archives and Sex Worker Worlds at the Margins of St. John's Harbour." Journal of Folklore Research 60, no. 2-3 (2023): 67–94. http://dx.doi.org/10.2979/jfolkrese.60.2_3.04.

Texto completo da fonte
Resumo:
Abstract: This article imagines the sociohistorical lives of trans women (and) sex workers in Ktaqmkuk (Newfoundland) as deeply entangled with ecological relations of so-called Canada's Atlantic coast—particularly the cultural and economic politics of fish trade at St. John's Harbour. Feeling fishy, a trace of transfeminine sex worker expressive culture and vernacular performance, comes to signify an evocative autoethnographic approach to trans sex worker research-creation at the water's edge. Poetic, illustrative, and sculptural play as both counter-archival worldmaking and critical address h
Estilos ABNT, Harvard, Vancouver, APA, etc.
7

Pietrini, Sandra. "The Parody of Musical Instruments in Medieval Iconography." Revista de Poética Medieval 31 (December 14, 2018): 87–107. http://dx.doi.org/10.37536/rpm.2017.31.0.58895.

Texto completo da fonte
Resumo:
The vast field of musical iconography during the Middle Ages must necessarily deal with the rich and surprising imagery of western manuscripts, showing a fanciful proliferation of playing creatures and bizarre deformations, sometimes inspired by exotic suggestions. In marginal miniatures of 14th century we can discover an interesting and puzzling topic: the parody of entertainers, with hybrid men playing a vielle with tongs, mermaids or apes playing jawbones and so on. The spreading of this topic in medieval iconography is linked to a satirical purpose aimed at professional entertainers, harsh
Estilos ABNT, Harvard, Vancouver, APA, etc.
8

Astvatsaturov, Andrey, and Feodor Dviniatin. "“Sirens” by Joyce and the Joys of Sirin: Lilac, Sounds, Temptations." Arts 13, no. 3 (2024): 77. http://dx.doi.org/10.3390/arts13030077.

Texto completo da fonte
Resumo:
The article is devoted to the musical context of the works of James Joyce and Vladimir Nabokov. Joyce’s Ulysses, one of the most important literary texts of the twentieth century, is filled with musical allusions and various musical techniques. The chapter “Sirens” is the most interesting in this context as it features a “musical” form and contains a large number of musical quotations. The myth of the singing sirens, recreated by Joyce in images and characters from the modern world, encapsulates the idea of erotic seduction, bringing threat and doom to the seduced. Joyce offers a new version o
Estilos ABNT, Harvard, Vancouver, APA, etc.
9

Avissar, Ariel. "Under the sea." Teknokultura. Revista de Cultura Digital y Movimientos Sociales 21, no. 1 (2024): 95–96. http://dx.doi.org/10.5209/tekn.90515.

Texto completo da fonte
Resumo:
This video applies a deformative logic to images taken from Disney’s The Little Mermaid (1989), connecting them intertextually with the film Under the skin (2013), which provides the music for the piece. It thus highlights and accentuates the violent, rageful gender dynamics of The Little Mermaid, reimagining it as a nightmarish scene of body horror and female subjugation.
Estilos ABNT, Harvard, Vancouver, APA, etc.
10

Cleveland, Janne. "Beyond Kids’ Stuff: A Review of Mermaid: A Puppet Theatre in Motion, by Alice Walsh (Kentville, NS: Gaspereau Press, 2005); Provenance, by Ronnie Burkett (Toronto: Playwrights Canada Press, 2005)." Canadian Theatre Review 128 (September 2006): 132–34. http://dx.doi.org/10.3138/ctr.128.022.

Texto completo da fonte
Resumo:
Since its modest beginnings in 1971, Mermaid Theatre of Nova Scotia has maintained its commitment to “tell a good story, tell it simply, tell it well and tell it often” (Morrow). The story of the evolution and success of this company that creates and produces theatre for young people using puppetry, mask, dance, music and original scripts has been carefully and meticulously documented by Alice Walsh. As Walsh notes in her historiography, Mermaid: A Puppet Theatre in Motion, the company has evolved from a small experimental troupe touring shows in local schools in the Annapolis Valley to one th
Estilos ABNT, Harvard, Vancouver, APA, etc.
Mais fontes

Teses / dissertações sobre o assunto "Mermaids in music"

1

Phillips, Olivia H. "Marine Melodies: Traditional Scottish and Irish Mermaid and Selkie Songs as Performed by Top Female Vocalists in Contemporary Celtic Music." Digital Commons @ East Tennessee State University, 2021. https://dc.etsu.edu/honors/622.

Texto completo da fonte
Resumo:
Mermaids and human-seal hybrids, called selkies, are a vibrant part of Celtic folklore, including ballad and song traditions. Though some of these songs have been studied in-depth, there is a lack of research comparing them to each other or to their contemporary renditions. This research compares traditional melodies and texts of the songs “The Mermaid,” “The Grey Selchie of Sule Skerry,” and “Hó i Hó i” to contemporary recordings by top female vocalists in Scottish and Irish music. The texts and melodies I have identified as “source” material are those most thoroughly examined by early ballad
Estilos ABNT, Harvard, Vancouver, APA, etc.

Livros sobre o assunto "Mermaids in music"

1

Falco, Nunzia De. Le sirene nell'Ulisse di Luigi Dallapiccola. Guida editori, 2015.

Encontre o texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
2

Associates, Kroha, and Yakovetic Productions, eds. The Magic melody. Disney Books by Mail, 1992.

Encontre o texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
3

Dotrice, Roy. The little mermaid. Walt Disney Records, 2009.

Encontre o texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
4

Associates, Kroha, and Walt Disney Company, eds. The Crabby conductor. Disney Books by Mail, 1992.

Encontre o texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
5

Bragg, Billy. Mermaid Avenue. Elektra, 1998.

Encontre o texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
6

Sandler, Corey. Official Sega Genesis and Game Gear strategies, 3RD Edition. Bantam Books, 1992.

Encontre o texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
7

Music, Mermaids and Mai Tais. Independently Published, 2021.

Encontre o texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
8

Journals, Zone365 Creative. Save The Chubby Mermaids Sheet Music. Independently Published, 2019.

Encontre o texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
9

Wilde, Laura. I Love Music and Mermaids: Novelty Music Journal Present - Blank Lined Music Notebook, Beautiful Music Gifts for Kids and Adults. Independently Published, 2021.

Encontre o texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
10

Of Mermaids and Rock Singers: Placing the Self and Constructing the Nation THrough Belarusan Contemporary Music. Taylor & Francis Group, 2020.

Encontre o texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
Mais fontes

Capítulos de livros sobre o assunto "Mermaids in music"

1

Kell, Jodie, and Cindy Jinmarabynana. "Mermaids and cockle shells:." In Music, Dance and the Archive. Sydney University Press, 2022. http://dx.doi.org/10.2307/j.ctv31nzm18.16.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
2

Kell, Jodie, and Cindy Jinmarabynana. "Mermaids and cockle shells: Innovation and tradition in the “Diyama” song of Arnhem Land." In Music, Dance and the Archive. Sydney University Press, 2022. http://dx.doi.org/10.30722/sup.9781743328675.09.

Texto completo da fonte
Resumo:
In the Western Arnhem Land community of Maningrida, 500 kilometres east of Darwin, the recent creative expression of the all-female Ripple Effect Band has reignited interest in the origins of the “Diyama” song. As the first women in their community to take up instruments and form a band, their innovative musical practices have prompted recollection and discussion of cultural practices among women of the region, particularly An-barra family members of band member Stephanie Maxwell James. Their perspective provides new knowledge that contests the descriptions of song practice in archives and his
Estilos ABNT, Harvard, Vancouver, APA, etc.
3

Mordden, Ethan. "The Little Things We Used To Do." In Pick a Pocket Or Two. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190877958.003.0011.

Texto completo da fonte
Resumo:
This chapter addresses the British musical in the 1970s and 1980s. The review (of old music) replaced the revue, as can be seen in the mermaid's Cowardy Custard (1972) and Cole (1974), which were both stylish recapitulations of Noël Coward and Cole Porter. They had flavorsome casts, though the singing was variable. The chapter then focuses on two adaptations: The Good Companions (1974) and Peg (1984). It also considers the staging of movie musicals. This is not a ground-breaking genre, but one title that now stands out as a secret classic is Alan Parker's staging of the movie Bugsy Malone, in
Estilos ABNT, Harvard, Vancouver, APA, etc.
4

Wolf, Stacy. "Disney Goes to School." In Beyond Broadway. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190639525.003.0008.

Texto completo da fonte
Resumo:
This chapter examines the various ways that the Disney Theatrical Group (DTG), a unit within the Walt Disney Company, engages with local musical theatre for elementary and middle school children. DTG’s involvement in the local musical theatre scene includes the creation of kid-friendly versions of shows with supplementary materials and, since 2011, an ambitious philanthropic program to support musical theatre production in underserved public elementary schools. After New York City, DTG established its first Disney Musicals in Schools Program in Nashville, Tennessee. This chapter visits schools
Estilos ABNT, Harvard, Vancouver, APA, etc.
5

"Girls’ Voices, Boys’ Stories, and Self-Determination in Animated Films since 2012." In Voicing the Cinema, edited by Robynn J. Stilwell. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043000.003.0008.

Texto completo da fonte
Resumo:
Since its first feature, Snow White (1937), Disney musical films have often centered on the coming-of-age experiences of young girls; however, the reliance on fairy tale models has often meant a highly conservative structure in which the girl “is won” rather than “wins.” The modern rebirth of the Disney musical with The Little Mermaid (1989) prefigures the 1990s rise of stories of girls’ finding their voices (both literal and metaphorical), often based on literary sources or true stories. In these films, music has a significant narrative role, since the “journey” is so often inward and therefo
Estilos ABNT, Harvard, Vancouver, APA, etc.
Você também pode estar interessado nas extensas listas de trabalhos sobre o assunto "Mermaids in music":
Artigos de revistas Livros
Oferecemos descontos em todos os planos premium para autores cujas obras estão incluídas em seleções literárias temáticas. Contate-nos para obter um código promocional único!

Vá para a bibliografia