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Teses / dissertações sobre o tema "MIES"

Autor: Grafiati
Publicado: 4 de junho de 2021
Última modificação: 25 de julho de 2025

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1

Mantovani, Genari Eduardo. "Mies' two-way span." Doctoral thesis, Universitat Politècnica de Catalunya, 2015. http://hdl.handle.net/10803/402785.

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The 50' x50' House Project (1951-1952) introduces the construction of a new formal system in the work of Mies van der Rohe (1886-1969): the two-way span buildings. In 1951, at age 65 and after more than a decade in the US, Mies potentiates the formal construction of its architecture incorporating American technique to his intellectual formation -forged in the centre of modern European avant-garde. In an environment of economic and cultural prosperity, he experiences a period of intense architectural production and completes the Farnsworth House (1945-1951 )-one-way span-, and the 860-880 Lake
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2

Llobet, Ribeiro Xavier. "Mies y Hilberseimer: la metrópolis como ciudad jardín." Doctoral thesis, Universitat Politècnica de Catalunya, 2005. http://hdl.handle.net/10803/127155.

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In this thesis we discover a model of city developed jointly by the architect Mies van der Rohe and the city planner Ludwig Hilberseimer, which we have called the Metropolis as a Garden City. This name comes from a sketch by Hilberseimer in 1927, where we can see how he wanted to incorporate the architectural prototype of the Weissenhof colony in his city planning schemes. The Metropolis as a Garden City is a model of an ecological, sustainable, and socially just city, which remained completely hidden because of the disciplinary division their own authors established. To reconstruct it, we hav
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3

Müller, Ulrich Gropius Walter. "Raum, Bewegung und Zeit im Werk von Walter Gropius und Ludwig Mies van der Rohe /." Berlin : Akad.-Verl, 2004. http://www.gbv.de/dms/bs/toc/379095920.pdf.

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4

Massu, Claude. "Modernité et post-modernité : architecture et urbanisme à Chicago." Paris 1, 1987. http://www.theses.fr/1987PA010553.

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La presente these se propose d'analyser et d'interpreter en termes de modernite certains aspects de l'architecture et de l'urbanisme a chicago depuis la fin de la seconde guerre mondiale jusqu'au debut des annees 1980. La pratique architecturale et urbanistique du modernisme fait l'objet de la premiere partie. L'oeuvre de mies van der rohe a chicago est analysee en fonction de problemes esthetiques, economiques et de structure constructive. Puis, les realisations de l'agence skidmore, owings et merrill, de w. Netsch et de b. Goldberg sont tour a tour envisagees comme des facettes de la moderni
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5

Moliner, Xavier. "El Fotomuntatge arquitectònic. El cas de Mies Van der Rohe." Doctoral thesis, Universitat de Girona, 2010. http://hdl.handle.net/10803/7858.

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ATENCIÓ: el pes del fitxer txmm3de3.pdf és de 70 MB<br/>RESUM:<br/>El treball realitzat vol ser un anàlisi exhaustiu de l'efecte causat per l'aparició de la fotografia en la representació de l'arquitectura, la seva introducció en les presentacions dels projectes i l'ús del fotomuntatge. Amb el canvi de segle, del dinou al vint, la fotografia ja va començar a entrar en les diferents disciplines artístiques inclosa l'arquitectura, de tal manera que amb l'aparició de les avantguardes artístiques els moviments arquitectònics<br/>moderns també es van mostrar reaccionaris i van incloure, a part de n
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6

Kim, Ransoo. "The "art of building" (BAUKUNST) of Mies van der Rohe." Diss., Available online, Georgia Institute of Technology, 2006, 2006. http://etd.gatech.edu/theses/available/etd-05042006-143310/.

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Thesis (Ph. D.)--Architecture, Georgia Institute of Technology, 2007.<br>Lewcock, Ronald B., Committee Chair ; Gamble, Michael E., Committee Member ; Bafna, Sonit, Committee Member ; Trubiano, Franca, Committee Member ; Mical, Thomas, Committee Member.
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7

Mies, Sebastian [Verfasser], and M. [Akademischer Betreuer] Zitterbart. "Autonomous Interconnection of Heterogeneous Networks / Sebastian Mies. Betreuer: M. Zitterbart." Karlsruhe : KIT-Bibliothek, 2012. http://d-nb.info/1026283787/34.

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8

Moon, Junsik S. M. Massachusetts Institute of Technology. "Shape grammar for Mies van der Rohe's high-rise apartment." Thesis, Massachusetts Institute of Technology, 2007. http://hdl.handle.net/1721.1/39310.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2007.<br>Includes bibliographical references (leaves 49-50).<br>This thesis explores an application of a rule-based method to a practical architecture design. It uses shape grammar, a paradigm of generating designs in a specific style by using shape tokens (architectural elements) and rules of transforming between them. If a shape grammar can be made for mass production design that needs many repetitious units with slight differences, it would be very productive and valuable in the context of professional architectura
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9

Sales, Emanuel Belisário da Cunha. "Estrutura e espacialidade na obra de Mies van der Rohe." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2009. http://hdl.handle.net/10183/24765.

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O presente trabalho trata da análise da estrutura e da espacialidade na obra de Mies van der Rohe. O objetivo é identificar sistemas e estratégias estruturais diversas ao longo do seu trabalho e entender sua relação com a evolução da concepção espacial de suas obras. Adotou-se como referência para esta análise dois períodos da carreira de Mies: o Período Europeu, de 1906 a 1938, e o Período Americano de 1938 a 1968, nos quais foram identificadas respectivamente quatro fases estruturais, conforme os sistemas estruturais e espaciais utilizados. A investigação centrou-se em quatro obras de referê
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10

Jiménez, Gómez Eva Maria. "El pilar en Mies van der Rohe: el lèxic de l'acer." Doctoral thesis, Universitat Politècnica de Catalunya, 2012. http://hdl.handle.net/10803/85418.

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The thesis focuses on the columns in Mies, as architectural element through which we can explain all his work. The development of a chronological table that organizes the work of Mies according to the shape of the column reveals us the existence of three distinct periods, each of which corresponds to the development of a different column. FIRST PERIOD: This period corresponds to the study of the star column of small riveting profiles, where a parallelism between the work of Mies, the Alfred Grenander¿s, architect of Siemens, and Peter Behrens¿, architect of AEG, is set up. Mies builds the same
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11

Ros, Ballesteros Jordi. "La plataforma com a llindar en l'obra de Mies i Utzon." Doctoral thesis, Universitat Politècnica de Catalunya, 2014. http://hdl.handle.net/10803/248165.

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This thesis is divided into three separate volumes, which are consistent with the indifferent order in which they could be read. Two of them are dedicated to two masters of modern architecture, Mies and Utzon, who respectively personify two major architectural currents which share with unequal intensity the first half of the twentieth century: rationalism and realism or organic architecture. The third volume presents some important platforms of the architecture of Mesopotamia, Egypt and Greece, that shortlist of three architectural cultures which, according to Giedion, embodied the first sp
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12

Jaua, María Fernanda. "El neoplasticismo formativo de Mies van der Rohe : el Federal Center." Doctoral thesis, Universitat Politècnica de Catalunya, 2013. http://hdl.handle.net/10803/666599.

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The thesis examines the architecture of Mies van der Rohe through the observation of a work projected since 1959: the Chicago Federal Center. From here it attempts to reveal the formal sense of his architecture inquiring about how the visual criteria with which he constructs objects relate to the way Neoplasticism conceives. The purpose has been to verify if, and to what extent, the idea of form as relation present throughout his ouvre is a consequence of the adoption and development of the system of relations proposed by Mondrian in his painting. On many occasions certain works of Mies have b
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13

PIZZIGONI, VITTORIO. "Ludwig Mies van der Rohe e il campus dell'IIT a Chicago." Doctoral thesis, Università IUAV di Venezia, 2007. http://hdl.handle.net/11578/278237.

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14

Noack, Wita. "Konzentrat der Moderne : das Landhaus Lemke von Ludwig Mies van der Rohe /." München ; Berlin : Dt. Kunstverl, 2008. http://d-nb.info/988193078/04.

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15

Traversa, Edoardo. "Fotocollage di Mies van der Rohe: storia, analisi critica, applicazione compositiva, progetto." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2018. http://amslaurea.unibo.it/15343/.

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La forma e la ricerca di nuove soluzioni per la sua conformazione e rappresentazione sono una delle cause del deragliamento dell'architettura contemporanea. L'unico fine è quello di alimentare l'apatico interesse consumistico delle masse, ed i social network aumentano esponenzialmente il fenomeno di speculazione visiva, sovraccaricandoci di immagini in cui l'apparenza prevale sulla sostanza. Dalla lezione dei grandi maestri del passato si può recuperare un ordine che metta al centro del progetto l'uomo. Lo scopo è quello di capire i mezzi della composizione architettonica, attualmente infiniti
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16

Lanuza, Jarquín Carlos. "Las flexiones del arquetipo en la obra de Mies van der Rohe." Doctoral thesis, Universitat Politècnica de Catalunya, 2015. http://hdl.handle.net/10803/288219.

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From the projects developed by Mies in 1929 - the Tugendhat house and the German Pavilion for the Universal Exposition in Barcelona - we could say that it is showed in a more evident way a phase of experimentation, in which he stands apart from his contemporaries. For example, in these projects he uses materials never used before that became recurrent such as marble, onyx and glass. This way of doing architecture that was being forged through years kept as main goal its own refinement using limited and self-imposed means that let him create a particular universe. In addition, it must be said
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17

Noack, Wita. "Konzentrat der Moderne das Landhaus Lemke von Ludwig Mies van der Rohe." München Berlin Dt. Kunstverl, 2007. http://d-nb.info/988193078/04.

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18

Lizondo, Sevilla Laura. "¿Arquitectura o exposición? Fundamentos de la arquitectura de Mies Van Der Rohe." Doctoral thesis, Editorial Universitat Politècnica de València, 2012. http://hdl.handle.net/10251/17941.

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"Cualquiera que esté familiarizado con la arquitectura de Mies van der Rohe asociará su obra alemana al mundo de las exposiciones..." Así empieza uno de los pocos ensayos que tratan la obra expositiva de Mies. Aunque las exposiciones fueron una parte extremadamente importante en su etapa europea, pocos son los textos que centran su discurso en este tema en particular y lo estudian en su globalidad. Durante su etapa europea Mies realizó una larga lista de arquitecturas expositivas que comenzaron con la Colonia de viviendas Weissenhof y continuaron con otros montajes tan significativos como el
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19

Magnani, Alessandra <1993&gt. "La ricezione critica di Ludwig Mies van der Rohe nella rivista "Domus"." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/14416.

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Analisi degli articoli sulla rivista "Domus" dal 1928 al 1986 che nominano Mies van der Rohe. Analisi della ricezione critica di Mies van der Rohe da parte dei principali critici dell'architettura nei loro libri.
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20

Mies, Sandra [Verfasser]. "Zur Rolle und Bedeutung von Kommunikation im Nachhaltigkeitsdiskurs am Beispiel Fisch / Sandra Mies." Münster : Verl.-Haus Monsenstein und Vannerdat, 2010. http://d-nb.info/1011085488/34.

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21

Bafna, Sonit. "A morphology of intentions : the historical interpretation of Mies van der Rohe's residenital [sic] designs." Diss., Georgia Institute of Technology, 2001. http://hdl.handle.net/1853/23335.

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22

Baró, Zarzo José Luis. "Espacio, tiempo y silencio. Arquitectura y Música en la obra de Mies y Webern." Doctoral thesis, Universitat Politècnica de València, 2016. http://hdl.handle.net/10251/59391.

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[EN] The present study aims to go in depth into the field where Architecture and Music converge, both of them understood as artistic disciplines, that is, from their creative capacity to express ideas or emotions with an aesthetic purpose. It is true that each of them develops in different ways. The static aspect of Architecture is more evident when we compare it with Music: according to Schopenhauer, Architecture is like frozen music. But these conspicuous differences do not prevent us from tracking into their multiple affinities. Along history, philosophers, poets, musicians and architects h
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23

Wu, Xin 1970. "Opacity in transparency : from drawings and photographs of the modern domestic spaces by Mies van der Rohe." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=31031.

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Building with glass, Mies van der Rohe expressed his singular vision of glass---almost nothing. Among the few things that remain in his minimalist domestic space, the body of a female sculpture holds conspicuous opacity. To seek the signification of this opacity in the transparency of Mies's architecture, this thesis analyzes his design drawings and the photographs of his buildings through a phenomenological reading. The juxtaposition and a parallel development between the presence of the opaque body and the view of glass throughout the evolution of his glass house are discovered. The discover
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24

Martignago, Marianna Dal Canton. "Mies Van Der Rohe e as decisões do espírito : leituras sobre a imaterialidade na obra do Pavilhão de Barcelona." Universidade Presbiteriana Mackenzie, 2015. http://tede.mackenzie.br/jspui/handle/tede/375.

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Made available in DSpace on 2016-03-15T19:22:45Z (GMT). No. of bitstreams: 1 Marianna dal Canton Martignago.pdf: 41549778 bytes, checksum: 7ed8685a952b1d808aa6b190fd0ab213 (MD5) Previous issue date: 2015-01-22<br>Several architectural and artistic movements transformed the first half of the twentieth century. In this scenario the architect Mies van der Rohe (1886-1968) turned out to be, through his textual and architectural discourse, a spokesman for the spiritual quest in architecture. Therefore this research aimed, at first, to outline the career of the architect. Secondly,it sought - th
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25

Carvalho, António José Martins. "Inovação social no Alentejo: atores, áreas e modelos de ação. O caso da Fundação Eugénio de Almeida." Master's thesis, Universidade de Évora, 2018. http://hdl.handle.net/10174/23333.

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O tema desta dissertação é a inovação social de âmbito regional, produzida e fomentada por uma variada tipologia de instituições (privadas e públicas, lucrativas e não lucrativas). Esta dissertação comporta dois propósitos principais: (i.) Determinar o modelo de ação da Fundação Eugénio de Almeida em termos de inovação social, demonstrando a forma de o potenciar; (ii.) Compreender as iniciativas de inovação social dos atores regionais. Foi realizado um levantamento conceptual exaustivo. No plano empírico, duas abordagens distintas, mas complementares: (i.) Análise de um conjunto de dados sobre
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26

Hermida, Palacios María Augusta. "El Detalle como intensificación de la forma: el Illinois Institute of Technology de Mies van der Rohe." Doctoral thesis, Universitat Politècnica de Catalunya, 2011. http://hdl.handle.net/10803/96156.

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En múltiples ocasiones se recurre a la frase de Mies “Dios está en los detalles” y se piensa que el cuidado del detalle es un requisito del buen acabado de la obra cuando en realidad, la relación acertada y rigurosa de materiales, nos permite suponer la presencia de una arquitectura de calidad. El detalle tiene una dimensión formativa como momento intenso del sistema constructivo con el que se afronta el proyecto y es un instrumento de la concepción y no un corolario técnico que sirve para resolver los problemas que plantea una concepción inconsciente. En definitiva, se entiende el detalle com
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27

Kurvinen, H. (Heidi). "”En mä oo mies enkä nainen. Mä oon toimittaja”:sukupuoli ja suomalainen toimittajakunta 1960- ja 1970-luvulla." Doctoral thesis, Oulun yliopisto, 2013. http://urn.fi/urn:isbn:9789526201702.

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Abstract The research observes the profession of reporters in the decades when the field underwent several different changes. The development of editorial hierarchy and the transition to a five day working week increased the need for reporters. At the same time, the strenghtening of trade union politics changed the field towards a more professional direction. In terms of gender, the profession became more balanced when the number of female reporters increased. Female reporters entered the field when the demand for new reporters became higher. However, the change was also connected to the overa
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28

Emery, David. "The play, Mies Julie, and the issue of land redistribution in the context of the revisionist western genre." Thesis, Nelson Mandela Metropolitan University, 2014. http://hdl.handle.net/10948/d1020954.

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The play Miss Julie was published by playwright August Strindberg in 1888. It is a comment on the class issues in Sweden at the time (Leib, 2011). This commentary is achieved through telling the fictional tale of Julie, the daughter of a wealthy Swedish landowner, Jean, her father’s manservant, and Kristin, Jean’s betrothed who is also the house cook. During the course of a night and the next morning, Jean and Julie admit their feelings for one another, sleep together and plan to run away to start a hotel. In the morning, they ask Kristin to join them when they encounter her on her way to chur
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29

Ravetllat, Mira Pere Joan 1956. "La Casa pompeyana referencias al conjunto de casas-patio realizadas por L. Mies van der Rohe en la década 1930-1940." Doctoral thesis, Universitat Politècnica de Catalunya, 1994. http://hdl.handle.net/10803/6808.

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La casa patio fué, sin duda, uno de los grandes temas en la vida de Mies. Al igual que la villa aislada, el rascacielos de cristal o el gran contenedor de estructura externa, la definición de una vivienda introvertida alrededor de patios atrajo el interés del arquitecto durante un considerable período de tiempo. Su continuada dedicación, tanto académica en la Bauhaus y posteriormente en el I.I.T., como profesional durante más de diez años, indican el explícito interés por la configuración de dicho modelo residencial<br/>El objetivo de este trabajo es precisar las referencias ideológica
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30

Mena, Palacín Raúl. "Oteiza-Newman-Mies van der Rohe: espacios compartidos. Una hermenéutica de la desocupación del espacio en escultura, pintura y arquitectura." Doctoral thesis, Universitat Pompeu Fabra, 2012. http://hdl.handle.net/10803/85062.

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El propósito de este estudio es abordar el concepto de espacio y, en particular, su desocupación, a través de tres obras: Caja Vacía/Metafísica de Jorge Oteiza, Who´s afraid of red, yellow and blue de Barnett Newman y el Pabellón de Alemania de Ludwig Mies van der Rohe. El discurso se construye a través de un transitar sobre la banda de Moebius y en su vaivén y en su doblez aparecen y desparecen imágenes, ideas y textos sobre los que fluye la voluntad de construir una interpretación nueva sobre el objeto descrito. Martin Heidegger, Gilles Deleuze y Gaston Bachelard son los tres sostenes teóric
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31

Felip, Ordis Olga. "Desmuntant la Secció Alemanya : Exposició Internacional de Barcelona de 1929 : Arquitectura de Ludwig Mies van der Rohe i Lilly Reich." Doctoral thesis, Universitat Politècnica de Catalunya, 2019. http://hdl.handle.net/10803/665101.

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Apart from the many interpretative contributions that the recent historiography has contributed to the state of the art in regards to the participation of the German Section at the International Exposition of Barcelona in 1929, this doctoral thesis offers an objective perspective of the events that took place between the first attempts of partition by the German government in October of 1927 and the final liquidation in autumn of 1930. A representation that is developed in three volumes - Space and Time, Architecture and Diconstructing the German Section - in a sequence that reconstructs the
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32

Mies, Fabian [Verfasser], Ansgar Matthias [Akademischer Betreuer] Steland, Markus [Akademischer Betreuer] Bibinger, and Mark [Akademischer Betreuer] Podolskij. "High-frequency inference for stochastic processes with jumps of infinite activity / Fabian Mies ; Ansgar Matthias Steland, Markus Bibinger, Mark Podolskij." Aachen : Universitätsbibliothek der RWTH Aachen, 2020. http://d-nb.info/1218788194/34.

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33

Mies, Jan [Verfasser], Holger [Gutachter] Braunschweig, and Maik [Gutachter] Finze. "Ansa-Verbindungen von Pianostuhlkomplexen der Übergangsmetalle und Alkinanaloge Verbindungen des Bors — Darstellung und Reaktivitätsstudien / Jan Mies. Gutachter: Holger Braunschweig ; Maik Finze." Würzburg : Universität Würzburg, 2013. http://d-nb.info/1112040102/34.

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34

Santatecla, Fayos José. "De la esencia de la arquitectura a lo esencial del espacio. Forma y concepto en la arquitectura de Mies van de Rohe." Doctoral thesis, Universitat Politècnica de València, 2008. http://hdl.handle.net/10251/2628.

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Esta investigación parte del supuesto de que toda arquitectura coherente tiene siempre un sustrato conceptual que mueve al arquitecto a proyectar y a construir. El mundo de las formas arquitectónicas es lugar de múltiples debates donde se encuentran inquietudes, pensamientos, voluntades, intenciones que se materializan en una forma concreta de hacer y entender la arquitectura. Establecer las relaciones entre el mundo de los conceptos y las formas arquitectónicas del movimiento moderno, en este caso de Mies van der Rohe, permite profundizar en las claves de la arquitectura moderna de la mano d
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35

Kemper, Steven Thomas. "STRAIGHT, CURVING, COLORFUL: THREE ARCHITECTS." Connect to this title online, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1150983131.

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Thesis (M.M.)--Bowling Green State University, 2006.<br>Document formatted into pages; contains 1 score (vii, 27 p.) For clarinet in B♭ and violoncello, with computer for live electronic processing and pre-recorded sounds.
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36

Labrosse-Proulx, Amy. "La réforme de l’homme moderne et l’inadaptation de la République de Weimar : étude des cités d’habitations de Weissenhof et de Römerstadt." Mémoire, Université de Sherbrooke, 2018. http://hdl.handle.net/11143/11962.

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Le mémoire suivant compare les cités d’habitations de Weissenhof à Stuttgart et de Römerstadt à Francfort-sur-le-Main. Toutes deux projets pilotes du mouvement moderne et de l’École Bauhaus, ces cités démontrent le lien entre le passé traumatique de l’Allemagne wilhelmienne et l’utopie démocratique de la République de Weimar. L’équipe de Ludwig Mies van der Rohe et la brigade d’Ernst May tentent de réformer la famille ouvrière allemande à partir de l’espace qu’elle habite, c’est-à-dire le logement. S’élabore donc une nouvelle grammaire architecturale qui détonne dans le paysage urbain allemand
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37

Kallunki, K. (Kamilla). "”Jos nainen tanssii, se on ihan normaalia, mutta jos mies tanssii, se on joko tosi outoa tai tosi cool”:sukupuoli ja sukupuolittavat käytännöt tanssissa." Master's thesis, University of Oulu, 2018. http://urn.fi/URN:NBN:fi:oulu-201801131070.

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Tanssi on liikkeen tekemistä merkittäväksi. Tanssi syntyy ja koetaan sisältä päin, eikä ole pelkästään ulkoista. Myös sukupuoli-identiteetti on kokemuksellista ja liittyy tuntemukseen ruumiistamme ja kehollisuudestamme. Tämän tutkielman tarkoituksena on selvittää, miten tanssi ja sukupuoli liittyvät toisiinsa, ja millaisia sukupuolittavia käytäntöjä tanssissa ilmenee Oulun yliopiston kasvatustieteen tiedekunnan opiskelijoiden kokemana. Tanssikasvatus on sekä liikunta- että taidekasvatusta, johon liittyy myös kulttuurikasvatus. Tanssiessaan ihminen ilmaisee monia eri asioita, kuten tunteitaan
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38

Lee, Jae-Young. "L’esthétisation de la nature dans l’architecture et l’urbanisme modernes et contemporains : principalement à travers l’œuvre de Wright, Le Corbusier, Mies, Aalto, Koolhaas et Nouvel." Paris, EHESS, 2014. http://www.theses.fr/2014EHES0078.

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Dans les architectures moderne et contemporaine, la nature est présente dans la notion de paysage en tant qu'esthétique de la nature. Les architectes sont à l'origine de la création des instruments et des dispositifs au service de l'esthétique de la nature. Ces réalisations reflètent leurs idées de la nature lesquelles sont influencés par celles qui existent au cours des siècles précédents et présents. Les idées modernes, caractérisées par les aspects naturalistes, essentialiste et matérialiste, influencent largement les conceptions et les méthodes employées pour représenter la nature. Le pays
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Veal, Alexander. "Influence and architecture : a study of Japanese and 'Oriental' influence in European modernism, with particular reference to the work of Ludwig Mies van der Rohe and Alvar Aalto." Thesis, Cardiff University, 2007. http://orca.cf.ac.uk/55740/.

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This thesis examines the influence of traditional Japanese culture and related 'Oriental' concepts in European Modern architecture, with particular consideration of the work of Ludwig Mies van der Rohe and Alvar Aalto. The study is organised into six chapters, the first of which addresses the concept of influence, its direct and indirect modes of operation in architecture and the issues associated with Far Eastern sources. In the second chapter, the availability of information on Japanese architecture in Europe from the mid-nineteenth century through to the start of the Second World War is dis
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40

Bravo, i. Farré Lluís. "Dibujo-aprendizaje-arquitectura moderna." Doctoral thesis, Universitat Politècnica de Catalunya, 1988. http://hdl.handle.net/10803/5865.

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A partir de la crisis de los diversos academicismos arquitectónicos del siglo XIX, y especialmente desde la eclosión irreversible del movimiento moderno, el dibujo abandona progresivamente su papel subsidiario como una técnica instrumental mas al servicio de directrices ajenas a su campo, hasta situarse en el corazón mismo de la experiencia arquitectónica y del proceso de formación del arquitecto. Ello no debe entenderse solamente como referido a la captación de los tradicionales valores plásticos, estilísticos, compositivos, simbólicos o en general formales. El dibujo se convierte en cataliza
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41

Wallenstein, Sven-Olov. "Nihilism, Art, and Technology." Doctoral thesis, Stockholms universitet, Filosofiska institutionen, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-38737.

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The thesis investigates the role of technology in the formation of the artistic avant-garde, along with various forms of philosophical reflection on this development, with a particular emphasis on Heidegger. Setting out from an analysis of three paradigmatic cases in the interplay between art and technology—the invention of photography, the shift from Futurism to Constructivism, and the interpretation of technology in debates on architectural theory in the 1920s and ’30s—it proceeds to a discussion of three philosophical responses to this development, those found in Walter Benjamin, Martin Hei
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DOIMO, MARTINO. "Nuovi monumenti, nuovi ordini architettonici : Mies van der Rohe, progetto per il Ron Bacardi y Compania S.A. Administration Building, Santiago, Cuba, 1957-60 : elementi della costruzione-figure della composizione (arte muraria, spazio, tettonica)." Doctoral thesis, Università IUAV di Venezia, 2000. http://hdl.handle.net/11578/278434.

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Peixoto, Marta Silveira. "A sala bem temperada interior moderno e sensibilidade eclética." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2006. http://hdl.handle.net/10183/8085.

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A ambientação de interiores é uma dimensão fundamental da arquitetura moderna que está interessada no desaparecimento da fronteira entre interior e exterior, na continuidade espacial, na transparência, na redução das paredes e na flexibilidade dos espaços; tudo isto sob a regência de um espírito único e harmonioso, comandado pelo arquiteto. Este trabalho, então, analisa as ambientações projetadas para os salões de algumas das casas consagradas produzidas entre 1930 e 1950, especialmente, e procura estabelecer as possíveis relações desta produção, entre contemporâneos e deles com seus anteceden
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Carey, Hashim. "Numerical modelling of the Mise-à-la-Masse near miss scenario /." Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09S.B/09s.bc2461.pdf.

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45

Paljic, Alexis. "Interaction en environnements immersifs et retours d'effort passifs." Paris 6, 2004. https://hal-mines-paristech.archives-ouvertes.fr/tel-01479203.

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46

Ladevie, Bruno. "Mise au point de dispositifs de caracterisation thermophysique de materiaux isolants solides ou pateux - extensions aux fluides cisailles." Paris, ENSAM, 1998. https://hal-mines-albi.archives-ouvertes.fr/tel-01857494.

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Nous developpons, a partir de methodes existantes (fil chaud, plan chaud,), des nouvelles techniques de mesure de proprietes thermophysiques adaptees aux materiaux super isolants. Il s'agit de determiner la conductivite thermique et la chaleur volumique de l'echantillon. La sonde a choc thermique offre tous les avantages d'un capteur. En un dispositif compact, on realise un instrument peu intrusif, qui peut, par etalonnage, permettre de remonter a de nombreuses proprietes d'un materiau (humidite, densite etc). Nous associons une couche tres isolante a une couche conductrice semi-infinie afin d
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47

Meunier, Anik. "La mise en scène des objets ethnographiques : analyse de l'influence éducative de différentes mises en exposition /." Montréal : Université du Québec à Montréal, 2002. http://www.uqtr.ca/biblio/notice/resume/17553497R.html.

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Thèse (Doctorat en éducation)--Université du Québec à Montréal, 2002<br>En tête du titre: Université du Québec à Montréal, Groupe de recherche sur l'éducation et les musées en cotutelle avec Université d'Avignon et des pays de Vaucluse, Laboratoire Culture & Communication. Bibliogr.: f. 414-428.
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Martinez, Gregori Carmen. "De la autarquía a la modernidad: la obra de Mauro LLeó." Doctoral thesis, Universitat Politècnica de València, 2015. http://hdl.handle.net/10251/54136.

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[EN] Modern architecture in Valencia and some of its most important figures, have not been given to know in depth in the specialized literature. This Thesis aims to be a first approach to the work of one of these architects, Mauro Lleó Serret (1914- 2001) who left a great heritage but due to proximity, due to ignorance, or for not having recognized its value has been often undervalued. While it's true that his work begins in the era of autarchy, with formal expressions inspired by solutions of the past, he will soon be interested in architecture that is being done outside of Spain, of the gre
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Diemer, Merlin Janina. "O "rompimento da caixa" e suas conseqüências na prática do projeto residencial no século XX." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2006. http://hdl.handle.net/10183/11039.

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Esta dissertação objetiva mostrar conseqüências ocorridas na prática do projeto residencial provenientes do “rompimento da caixa”. O trabalho investiga um conjunto de residências unifamiliares concebidas durante o século XX, selecionadas por possuírem uma característica comum: serem decorrentes do rompimento da composição univolumétrica iniciado a partir da arquitetura de Frank Lloyd Wright, que “destrói a caixa” compartimentada convencional sem abandonar a ortogonalidade de linhas. A partir do “rompimento da caixa” no início do século XX, foi produzida uma nova classe de elementos mais genéri
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Djoudi, Neïla. "Conception, développement et mise au point d'un procédé hydrométallurgique de récupération du cobalt (II) issu de mines secondaires par précipitation." Electronic Thesis or Diss., Université de Lorraine, 2021. http://www.theses.fr/2021LORR0010.

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Le cobalt fait partie des cinquante métaux stratégiques, considérés comme essentiels pour l’industrie et qui sont au cœur d’enjeux économiques et géopolitiques mondiaux. C’est pourquoi, la recherche portant sur la récupération de ce métal critique, à partir de déchets industriels ou urbains, est particulièrement importante pour les années à venir. L’objet de la thèse porte sur le développement d’un procédé hydrométallurgique permettant de récupérer le cobalt à partir d’un lixiviat de batterie Li-ion par précipitation. La première partie de ces travaux s’est portée sur le choix de l’agent préci
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