Bibliografias temáticas / Mural painting and decoration – 21st century

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Literatura científica selecionada sobre o tema "Mural painting and decoration – 21st century"

Autor: Grafiati

Publicado: 25 de julho de 2024

Última modificação: 31 de julho de 2025

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Artigos de revistas sobre o assunto "Mural painting and decoration – 21st century"

Castillo Alcantara, Gonzalo, Daniel Cosano Hidalgo, Alicia Fernández Díaz, Juan Manuel Román Rodríguez, Fernando Lafont, and José Rafael Ruiz Arrebola. "Archaeological and Archaeochemical Analysis of the Painting in the Baths in Julián Besteiro Square, Carmona (Seville, Spain)." Heritage 8, no. 2 (2025): 67. https://doi.org/10.3390/heritage8020067.

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This paper addresses the archaeological and archaeochemical study of the fragments of mural painting recovered from the excavation of the baths in Julián Besteiro Square in Carmona. The analysis of the fragments allowed us to associate them with the first phase of the building’s decoration, one of the few examples of urban mural painting currently known in Carmona. It was dated between the first half and the middle of the first century AD. The archaeochemical study identified the composition of the mortar and the pigments of the fragments belonging to the middle and upper zones of the wall, co

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GAO, Xiaotian. "WALL PAINTING IN THE NON-CANONICAL TYPOLOGY OF THE GENRE-SPECIES STRUCTURE OF CHINESE FINE ART." HUDPROM: The Ukrainian Art and Design Journal 2023, no. 2 (2023): 87–95. http://dx.doi.org/10.33625/hudprom2023.02.087.

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The article deals with a non-canonical art practice in modern Chinese fine art, mural painting of public spaces. The actualization of the above-mentioned problem is caused by the appearance of changes and supplements to the morphological system of Chinese fine art: Chinese state has opened up to the world, dynamic urbanization has begun, the attitude of the society to public spaces and the tasks of mural painting in their visualization have changed. The purpose of the article is to understand the place of modern wall painting in the non-canonical structure of fine art in China at the beginning

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ERGINA, ALENA S., and OLGA B. ELKAN. "BYZANTINE ORNAMENT IN MURAL PAINTING OF CAVE TEMPLES OF MOUNTAINOUS SOUTHWESTERN TAURICA OF THE 13TH-15TH CENTURIES." Университетский научный журнал, no. 83 (December 29, 2024): 43–53. https://doi.org/10.25807/22225064_2024_83_43.

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The article analyses and systematises ornamental motifs in the decoration of cave temples in mountainous southwestern Taurica. As a result of analytical work with materials from archaeological research of the early 20th century and modern field research, artistic connections between southwestern Taurica and various regions of the Byzantine Empire of the 13th-14th centuries are discovered.

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Vojvodic, Dragan. "Wall paintings of the Davidovica monastery: Additions to the thematical programme and dating." Zograf, no. 39 (2015): 177–92. http://dx.doi.org/10.2298/zog1539177v.

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Owing to old photographic plates that recorded those segments of the mural decoration of Davidovica on the Lim which were later destroyed or considerably damaged, it is possible to put forward a more complete reconstruction of its thematic program. The programmatic and iconographic features of both the destroyed frescoes and the surviving ones correspond to the solutions that can be found in Post-Byzantine painting. The palaeographic analysis of inscriptions and the analysis of the style of the murals in the dome, the area under the dome and both chapels in Davidovica clearly indicate that we

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Lysun, Yaryna. "Monumental painting in stone Catholic churches of Eastern Galicia in the second half of XVIII century. Topography, compositional types and techniques of illusionistic monumental art." Almanac "Culture and Contemporaneity", no. 1 (August 31, 2021): 200–204. http://dx.doi.org/10.32461/2226-0285.1.2021.238622.

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The purpose of the article is to analyze compositional types, topography, methods, and techniques used in the formal solution of mural compositions in the Catholic churches of Eastern Galicia in the second half of the XVIII century. The methodology lies in the usage of art historical methods of stylistic analysis and generally scientific methods of analysis, synthesis, induction, deduction. The scientific novelty of the research is in the analysis of methods and techniques used by Galician masters in the second half of XVII century for implementation of mural compositions that were interpreted

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Klimkina, Tatiana V. "The Modern Religious architecture and monumental painting: synthesis (on the example of Russia and the Republic of Mordovia)." Finno-Ugric World 10, no. 4 (2018): 88–97. http://dx.doi.org/10.15507/2076-2577.010.2018.04.088-097.

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Currently in Russia the development of church architecture poses many problems associated with the revival of the national school of monumental religious painting. The article analyzes the main features of the development of monumental decoration of church buildings. It also emphasizes importance of an integrated approach to the solution of the architectural and artistic ensemble of the cult construction. The synthesis of national religious architecture and monumental church painting is the object of research and its features аt the present stage is the subject. The goal of the article is the

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Kyawt, Hmu Aung. "Buddhist Art of Temple No. 1152 at Bagan (Late Bagan Period )." Dagon University Research Journal Vol.6, no. 2014 (2019): Pg.181–188. https://doi.org/10.5281/zenodo.3547193.

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Temple No. 1152 is a kind of small single-storey temple. It is situated at the east of Kyauk-myet-hmow-Zedi-gyi (No. 1158), south of Myinkaba, coordinates– N: 44.265, E: 5.860. Its plan has square central shrine, 2.25 2.32 m. Vestibule and porch on north face, Niches on east, south and west foreparts were found. At the exterior of temple, stucco mouldings were found such as ornate cornice and pediments, friezes with triangle, plasters, urn-profiled base, and tasseled friezes with pointed obovals on north forepart. The interior decoration of this small temple consisted of wall paintings o

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Pereira, M., T. de Lacerda-Arôso, M. J. M. Gomes, A. Mata, L. C. Alves, and Philippe Colomban. "Ancient Portuguese Ceramic Wall Tiles (“Azulejos”): Characterization of the Glaze and Ceramic Pigments." Journal of Nano Research 8 (September 2009): 79–88. http://dx.doi.org/10.4028/www.scientific.net/jnanor.8.79.

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Ancient ceramic wall tiles, called “azulejo”, firstly used on Portuguese churches, monasteries and palaces (15-18th century) have progressively been used in particular houses till the last century. These tiles and its use in huge decorative panels can be considered as a precious but fragile cultural heritage from Brazil to India, in several countries influenced by Portuguese culture. Morphologically, these tiles are composed by a porous clay-based ceramic body, the terracotta, covered by a protective glassy phase, the glaze. As artistic paintings, these murals incorporated various kinds of pig

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Hardabkhadze, Iryna, and Alina Druzenko. "Synthesis of Elements of Ethnocultures in Modern Fashion." Culture and Arts in the Modern World, no. 19 (July 11, 2018): 87–98. https://doi.org/10.31866/2410-1915.19.2018.141360.

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The purpose of the article is the search for an effective methodology of designing modern clothes based on transferring the results of synthesis of elements of two ethnocultures – traditional Petrykivka painting and Irish lace - into the modern fashion environment. The research methodology was based on the system approach to the synthesis of elements of two ethnocultures as a catalyst for synergy, the creative potential of which can be used in ethnic inspired fashion design to create the image of a women, the contemporary of the 21st century. For effective implementation of the

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Мельникова, Екатерина Александровна. "The Mezen Horse: Between Tradition and Brand." ТРАДИЦИОННАЯ КУЛЬТУРА, no. 1 (April 24, 2021): 85–96. http://dx.doi.org/10.26158/tk.2021.22.1.007.

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Статья посвящена истории бытования мезенской росписи - зооморфного орнамента, использовавшегося с начала XIX в. мастерами д. Палащелье Архангельской губ. для декорирования деревянных изделий, и в первую очередь прялок. В центре внимания находится судьба мезенской лошадки - главного символа палащельской росписи, ставшего в XXI в. основой локального бренда в г. Мезени и его окрестностях. В работе рассматривается история палащельского промысла, включая трансформацию его социального, экономического и культурного значений на протяжении XX-XXI вв. Прялка - главный носитель мезенской росписи - перест

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Teses / dissertações sobre o assunto "Mural painting and decoration – 21st century"

Guisset, Jacqueline. "Les travaux des peintres de la Société de l'art monumental: leurs antécédents et leurs prolongements." Doctoral thesis, Universite Libre de Bruxelles, 1995. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212513.

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Ogonovszky, Judith. "La peinture monumentale d'histoire dans les édifices civils en Belgique (1842-1923): naissance, histoire, caractéristiques." Doctoral thesis, Universite Libre de Bruxelles, 1994. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212666.

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Schizas, Nicholas. "A theological study of the frescoes painted by Spyridon Papaloukas in the cathedral of Amfissa." Thesis, University of Wales Trinity Saint David, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683253.

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Holford, Stephen Charles John. "Cocteau in London: the Lady Chapel, Notre-Dame de France." Thesis, The University of Sydney, 2014. http://hdl.handle.net/2123/12327.

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The murals created by Jean Cocteau, for the walls of the Lady Chapel in London’s Notre-Dame de France (1959-60), are the only works of their kind outside of France. The visual art of Cocteau – better known for his poetic and filmic achievements – has suffered long-standing scholarly neglect. This dissertation seeks to redress this gap and to further our understanding of this renowned twentieth-century French multi-media artist. This study of Cocteau’s London murals demonstrates that they are informed by earlier artistic tradition, with which he was deeply engaged, as well as his own poetic and

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Eftekharian, Sâyeh. "Le rayonnement international des gravures flamandes aux XVIe et XVIIe siècles: les peintures murales des églises Sainte-Bethléem et Saint-Sauveur à la Nouvelle-Djoulfa, Ispahan." Doctoral thesis, Universite Libre de Bruxelles, 2006. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210802.

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L’auteur inventorie les sources iconographiques de la plupart des quelque 250 peintures de l’église Sainte-Bethléem et de la cathédrale Saint-Sauveur de la cité arménienne de la Nouvelle-Djoulfa, dans les faubourgs d’Ispahan. Elle établit que ces sources, contrairement à la thèse qui faisait autorité depuis plus de cinquante ans, ne sont pas des xylographies du graveur Christoffel Van Sichem, mais des estampes de la Bible de Natalis, ouvrage jésuite publié pour la première fois à Anvers en 1593.<p><p>L’auteur démontre qu’il existe également une autre source, à savoir l’album Thesaurus veteris

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Chuzeville, Sylvain. "Vie, œuvre et carrière de Jean-Antoine Morand, peintre et architecte à Lyon au XVIIIe." Thesis, Lyon 2, 2012. http://www.theses.fr/2012LYO20076/document.

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Né en 1727 à Briançon, Jean-Antoine Morand a 14 ans lorsqu’il se lance, suite à la mort de son père, dans une carrière artistique. C’est à Lyon qu’il s’installe et fonde, en 1748, un atelier de peinture. Il reçoit des commandes officielles et privées, travaille régulièrement pour la Comédie, se spécialise dans la peinture en trompe-l’œil et la scénographie, y compris les machines de théâtre. À la fin des années 1750, encouragé par Soufflot, il se tourne vers l’architecture et l’embellissement, ainsi que l’y disposent différents aspects de sa première carrière.Architecte autodidacte, Morand sou

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Jessop, Lesley Patricia. "Pictorial cycles of non-biblical saints: the evidence of the 8th century mural cycles in Rome." Thesis, 1993. https://dspace.library.uvic.ca//handle/1828/9654.

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Due to the influence of the Greek-speaking immigrants who flocked into the city of Rome over the course of the 7th and 8th centuries, there was an explosion of interest in the cults of saints and their relics, one manifestation of which was the efflorescence in the depiction of saints' lives on the church walls. Five of these cycles survive--albeit in various stages of preservation--and portray the martyrdoms of Quiricus and Julitta, Erasmus, the Forty Martyrs of Sebaste, Callixtus, and Paul and Anastasius. As the largest surviving body of early hagiographical cycles, the paintings serve as th

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Seastrand, Anna Lise. "Praise, Politics, and Language: South Indian Murals, 1500-1800." Thesis, 2013. https://doi.org/10.7916/D8ZS2WJB.

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This study of mural painting in southern India aims to change the received narrative of painting in South Asia not only by bringing to light a body of work previously understudied and in many cases undocumented, but by showing how that corpus contributes vitally to the study of South Indian art and history. At the broadest level, this dissertation reworks our understanding of a critical moment in South Asian history that has until recently been seen as a period of decadence, setting the stage for the rise of colonial power in South Asia. Militating against the notion of decline, I demonstrate

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Livros sobre o assunto "Mural painting and decoration – 21st century"

Riscica, Rossella. Treviso urbs picta: Frescoed facades of the city from the 13th to the 21st century : knowledge and future of a common good. Fondazione Benetton studi ricerche, 2018.

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Wharton, Annabel Jane. Tokali Kilise: Tenth-century metropolitan art in Byzantine Cappadocia. Dumbarton Oaks Research Library and Collection, 1986.

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Covi, Dario A. The inscription in fifteenth century Florentine painting. Garland Pub., 1986.

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Solcanu, Ion I. Romanian art and society: 14th-18th century. Editura Enciclopedică, 2004.

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M, Schwartzbaum Paul, ed. Tokalı Kilise: Tenth-century metropolitan art in Byzantine Cappadocia. Dumbarton Oaks Research Library and Collection, 1986.

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Tronzo, William. The Via Latina catacomb: Imitation and discontinuity in fourth-century Roman painting. Published for the College Art Association of America by the Pennsylvania State University Press, 1985.

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Cardinal Mejı̀a ... etc., Jorge Maria., ed. The fifteenth century frescoes in the Sistine Chapel. Musei vaticani, 2003.

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Cardinal, Mejı̀a Jorge Maria, Buranelli Francesco, and Duston Allen, eds. The fifteenth century frescoes in the Sistine Chapel. Musei Vaticani, 2003.

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Peterson, Jeanette F. The paradise garden murals of Malinalco: Utopia and empire in sixteenth-century Mexico. University of Texas Press, 1993.

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Peterson, Jeanette Favrot. The paradise garden murals of Malinalco: Utopia and empire in sixteenth-century Mexico. University of Texas Press, 1993.

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Capítulos de livros sobre o assunto "Mural painting and decoration – 21st century"

Alaverdov, Emilia. "Religious Tourism as a Source of Knowledge Sharing and Trading." In Accelerating Knowledge Sharing, Creativity, and Innovation Through Business Tourism. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-3142-6.ch008.

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Religious tourism in the 21st century is presented in one form or another in many segments of the tourism business, and even in those that are not directly related to it. The goals of religious tourism at present are the knowledge of traditional cultures, the history of religions, national religious traditions, rituals, ceremonies, and ceremonies, participating in them as spectators, acquaintance with unique architectural monuments, including the traditional methods of building religious buildings, with masterpieces of icon painting, sculptures, mosaics, and decoration. In the modern scientifi

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