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Artigos de revistas sobre o tema "Mural painting and decoration – 21st century"

Autor: Grafiati

Publicado: 25 de julho de 2024

Última modificação: 31 de julho de 2025

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1

Castillo Alcantara, Gonzalo, Daniel Cosano Hidalgo, Alicia Fernández Díaz, Juan Manuel Román Rodríguez, Fernando Lafont, and José Rafael Ruiz Arrebola. "Archaeological and Archaeochemical Analysis of the Painting in the Baths in Julián Besteiro Square, Carmona (Seville, Spain)." Heritage 8, no. 2 (2025): 67. https://doi.org/10.3390/heritage8020067.

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This paper addresses the archaeological and archaeochemical study of the fragments of mural painting recovered from the excavation of the baths in Julián Besteiro Square in Carmona. The analysis of the fragments allowed us to associate them with the first phase of the building’s decoration, one of the few examples of urban mural painting currently known in Carmona. It was dated between the first half and the middle of the first century AD. The archaeochemical study identified the composition of the mortar and the pigments of the fragments belonging to the middle and upper zones of the wall, co

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2

GAO, Xiaotian. "WALL PAINTING IN THE NON-CANONICAL TYPOLOGY OF THE GENRE-SPECIES STRUCTURE OF CHINESE FINE ART." HUDPROM: The Ukrainian Art and Design Journal 2023, no. 2 (2023): 87–95. http://dx.doi.org/10.33625/hudprom2023.02.087.

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The article deals with a non-canonical art practice in modern Chinese fine art, mural painting of public spaces. The actualization of the above-mentioned problem is caused by the appearance of changes and supplements to the morphological system of Chinese fine art: Chinese state has opened up to the world, dynamic urbanization has begun, the attitude of the society to public spaces and the tasks of mural painting in their visualization have changed. The purpose of the article is to understand the place of modern wall painting in the non-canonical structure of fine art in China at the beginning

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3

ERGINA, ALENA S., and OLGA B. ELKAN. "BYZANTINE ORNAMENT IN MURAL PAINTING OF CAVE TEMPLES OF MOUNTAINOUS SOUTHWESTERN TAURICA OF THE 13TH-15TH CENTURIES." Университетский научный журнал, no. 83 (December 29, 2024): 43–53. https://doi.org/10.25807/22225064_2024_83_43.

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The article analyses and systematises ornamental motifs in the decoration of cave temples in mountainous southwestern Taurica. As a result of analytical work with materials from archaeological research of the early 20th century and modern field research, artistic connections between southwestern Taurica and various regions of the Byzantine Empire of the 13th-14th centuries are discovered.

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4

Vojvodic, Dragan. "Wall paintings of the Davidovica monastery: Additions to the thematical programme and dating." Zograf, no. 39 (2015): 177–92. http://dx.doi.org/10.2298/zog1539177v.

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Owing to old photographic plates that recorded those segments of the mural decoration of Davidovica on the Lim which were later destroyed or considerably damaged, it is possible to put forward a more complete reconstruction of its thematic program. The programmatic and iconographic features of both the destroyed frescoes and the surviving ones correspond to the solutions that can be found in Post-Byzantine painting. The palaeographic analysis of inscriptions and the analysis of the style of the murals in the dome, the area under the dome and both chapels in Davidovica clearly indicate that we

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5

Lysun, Yaryna. "Monumental painting in stone Catholic churches of Eastern Galicia in the second half of XVIII century. Topography, compositional types and techniques of illusionistic monumental art." Almanac "Culture and Contemporaneity", no. 1 (August 31, 2021): 200–204. http://dx.doi.org/10.32461/2226-0285.1.2021.238622.

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The purpose of the article is to analyze compositional types, topography, methods, and techniques used in the formal solution of mural compositions in the Catholic churches of Eastern Galicia in the second half of the XVIII century. The methodology lies in the usage of art historical methods of stylistic analysis and generally scientific methods of analysis, synthesis, induction, deduction. The scientific novelty of the research is in the analysis of methods and techniques used by Galician masters in the second half of XVII century for implementation of mural compositions that were interpreted

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6

Klimkina, Tatiana V. "The Modern Religious architecture and monumental painting: synthesis (on the example of Russia and the Republic of Mordovia)." Finno-Ugric World 10, no. 4 (2018): 88–97. http://dx.doi.org/10.15507/2076-2577.010.2018.04.088-097.

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Currently in Russia the development of church architecture poses many problems associated with the revival of the national school of monumental religious painting. The article analyzes the main features of the development of monumental decoration of church buildings. It also emphasizes importance of an integrated approach to the solution of the architectural and artistic ensemble of the cult construction. The synthesis of national religious architecture and monumental church painting is the object of research and its features аt the present stage is the subject. The goal of the article is the

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7

Kyawt, Hmu Aung. "Buddhist Art of Temple No. 1152 at Bagan (Late Bagan Period )." Dagon University Research Journal Vol.6, no. 2014 (2019): Pg.181–188. https://doi.org/10.5281/zenodo.3547193.

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Temple No. 1152 is a kind of small single-storey temple. It is situated at the east of Kyauk-myet-hmow-Zedi-gyi (No. 1158), south of Myinkaba, coordinates– N: 44.265, E: 5.860. Its plan has square central shrine, 2.25 2.32 m. Vestibule and porch on north face, Niches on east, south and west foreparts were found. At the exterior of temple, stucco mouldings were found such as ornate cornice and pediments, friezes with triangle, plasters, urn-profiled base, and tasseled friezes with pointed obovals on north forepart. The interior decoration of this small temple consisted of wall paintings o

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8

Pereira, M., T. de Lacerda-Arôso, M. J. M. Gomes, A. Mata, L. C. Alves, and Philippe Colomban. "Ancient Portuguese Ceramic Wall Tiles (“Azulejos”): Characterization of the Glaze and Ceramic Pigments." Journal of Nano Research 8 (September 2009): 79–88. http://dx.doi.org/10.4028/www.scientific.net/jnanor.8.79.

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Ancient ceramic wall tiles, called “azulejo”, firstly used on Portuguese churches, monasteries and palaces (15-18th century) have progressively been used in particular houses till the last century. These tiles and its use in huge decorative panels can be considered as a precious but fragile cultural heritage from Brazil to India, in several countries influenced by Portuguese culture. Morphologically, these tiles are composed by a porous clay-based ceramic body, the terracotta, covered by a protective glassy phase, the glaze. As artistic paintings, these murals incorporated various kinds of pig

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9

Hardabkhadze, Iryna, and Alina Druzenko. "Synthesis of Elements of Ethnocultures in Modern Fashion." Culture and Arts in the Modern World, no. 19 (July 11, 2018): 87–98. https://doi.org/10.31866/2410-1915.19.2018.141360.

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The purpose of the article is the search for an effective methodology of designing modern clothes based on transferring the results of synthesis of elements of two ethnocultures – traditional Petrykivka painting and Irish lace - into the modern fashion environment. The research methodology was based on the system approach to the synthesis of elements of two ethnocultures as a catalyst for synergy, the creative potential of which can be used in ethnic inspired fashion design to create the image of a women, the contemporary of the 21st century. For effective implementation of the

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10

Мельникова, Екатерина Александровна. "The Mezen Horse: Between Tradition and Brand." ТРАДИЦИОННАЯ КУЛЬТУРА, no. 1 (April 24, 2021): 85–96. http://dx.doi.org/10.26158/tk.2021.22.1.007.

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Статья посвящена истории бытования мезенской росписи - зооморфного орнамента, использовавшегося с начала XIX в. мастерами д. Палащелье Архангельской губ. для декорирования деревянных изделий, и в первую очередь прялок. В центре внимания находится судьба мезенской лошадки - главного символа палащельской росписи, ставшего в XXI в. основой локального бренда в г. Мезени и его окрестностях. В работе рассматривается история палащельского промысла, включая трансформацию его социального, экономического и культурного значений на протяжении XX-XXI вв. Прялка - главный носитель мезенской росписи - перест

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11

Starodubcev, Tatjana. "Physician and miracle worker. The cult of Saint Sampson the Xenodochos and his images in eastern Orthodox medieval painting." Zograf, no. 39 (2015): 25–46. http://dx.doi.org/10.2298/zog1539025s.

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Saint Sampson, whose feast is celebrated on June 27, was depicted among holy physicians. However, his images were not frequent. He was usually accompanied with Saint Mokios (in Saint Sophia in Kiev, the Transfiguration church in the Mirozh monastery and the church of the Presentation of the Holy Virgin in the Temple in the monastery of Saint Euphrosyne; possibly also in Saint Panteleimon in Nerezi and Saint Demetrios in the village of Aiani near Kozani; furthermore, in the church of Saint Nicholas in Manastir and, afterwards, in the katholikon of the Vatopedi monastery). In a later period, he

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12

İzzet, ZORLU, and YEŞİLMEN Nesrin. "Extremism in Traditional Jewelry: Example of Mursi Women." NTERNATIONAL JOURNAL OF HUMANITIES AND ART RESEARCH 8, no. 3 (2023): 229–47. https://doi.org/10.5281/zenodo.8350604.

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Jewelry is one of the phenomena that are among the indispensables of every society and tradition, both today and in its historical process. Today, although there is no distinction between men and women in jewelry, the connotation of women occurs spontaneously when it comes to jewelry, and it is even evaluated as a whole in the literature. Every society shapes its jewelry concept according to its lifestyle, belief, and geography. In addition to adornment, jewelry carries many meanings and has the feature of conveying nonverbal messages as a means of expression. It is seen as a privilege to be a

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13

Bardik, Maryna. "Compositional analogies in the Kyiv-Pechersk Lavra’s churches painting at the beginning of the 21st century." NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD, no. 2 (July 14, 2024). http://dx.doi.org/10.32461/2226-3209.2.2024.308360.

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The purpose of the article is to enucleate and analyse the compositional analogies in the Kyiv-Pechersk Lavra’s churches new painting, the early 2000s. The research methodology is based on historical and cultural analysis, art study analysis, and empirical observation. The scientific novelty of the study. The author performed the art study analysis of compositional analogies in the Kyiv-Pechersk Lava’s church decorations created according to new programmes in the early 2000s. In the paintings and icons of the Church in Honour of the Icon of the Mother of God ‘The Life-Giving Spring’, she obser

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14

Bardik, Maryna. "Academicism in the Kyiv-Pechersk Lavra Mural Painting the Late 19th and Early 21st Centuries." NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD, no. 4 (December 20, 2023). http://dx.doi.org/10.32461/2226-3209.4.2023.293722.

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The purpose of the article is to introduce into scientific circulation, to attribute modern compositions of the academic mural painting in the Dormition Cathedral of the Kyiv-Pechersk Lavra, to study their genesis. The research methodology consists in the complex application of historical and cultural analysis, art study, diachronic ones, as well as empirical observation. The scientific novelty of the study. The materials of the survey and proposals for restoration (1998) the compositions of academic mural painting in the Dormition Cathedral of the Kyiv-Pechersk Lavra of the late 19th – early

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15

Bardik, Maryna. "Traditionalism in Development of Painting Decoration of the Kyiv-Pechersk Lavra’s Great Church in the 18th – 21st Centuries." Almanac "Culture and Contemporaneity", no. 1 (September 1, 2023). http://dx.doi.org/10.32461/2226-0285.1.2023.286792.

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The purpose of the article is to study the factor of traditionalism in the development of the complex of murals of the Great Church (the Dormition Cathedral) in the 18th – 21st centuries. The research methodology is based on historical, cultural and art historical analysis. Scientific novelty of the study. Traditionalism is defined as a factor in the development of mural painting of the Kyiv-Pechersk Lavra’s Great Church (the Dormition Cathedral) in the 1720s–2020s. The author reveals that traditionality was implemented in the principle of continuity in the formation of new murals. The imitati

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16

Bardik, Maryna. "The Great Pechersk Church’ Mural Paintings of the Late 19th Century as the Interpretation of Its Old Russian Image." National Academy of Managerial Staff of Culture and Arts Herald, no. 3 (November 16, 2021). http://dx.doi.org/10.32461/2226-3209.3.2021.244412.

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The purpose of the article is to discover the mural paintings of the Great Pechersk Church as the version of theology and academic sacred mural painting of the late 19th century. The research methodology is based on complex using historical and cultural analysis, art study analysis, and biographical method. Scientific novelty. It is determined that the process of creating the Old Russian image in the Great Pechersk Church (the Dormition Cathedral) began in 1880. The photo of the drawing of the ancient part of the Church made by the order of A. Prakhov in 1893, has been introduced into scientif

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17

Bardik, Maryna. "Some Features of Painting Decorations of the Kyiv-Pechersk Lavra’s Churches at the Late 19th – the Early 20th Century." NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD, no. 1 (April 27, 2025). https://doi.org/10.32461/2226-3209.1.2025.327950.

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The purpose of the article is to consider common features of the painting decorations of the Kyiv-Pechersk Lavra’s churches in 1890s – 1910s. The research methodology consists in the complex applying to historical and cultural analysis, art study and diachronic one, empirical observation. The scientific novelty of the study. Based on little-known records, visual sources including introduced into scientific circulation, the author identified and analysed the common features of the painting decoration of the Kyiv-Pechersk Lavra’s churches in 1890s – 1910s. She considered the common image, compos

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18

Bardik, Maryna. "Theological Programme, Analogies, Innovations in Mural Painting of the Exaltation of the Precious Cross Church of the Kyiv-Pechersk Lavra in 1894." Almanac "Culture and Contemporaneity", no. 2 (December 20, 2023). http://dx.doi.org/10.32461/2226-0285.2.2023.293872.

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The purpose of the article is to investigate the theological programme, continuity and originality of the mural paintings of the Exaltation of the Precious Cross Church of the Kyiv-Pechersk Lavra in 1894. The research methodology is based on historical and cultural analysis, as well as art historical analysis. The scientific novelty of the study. The theological programme of the mural painting of the Cross Exaltation Church of the Kyiv-Pechersk Lavra in 1894 has been studied: its genesis, ideological basis, main theme, thematic plot lines, and thematic hierarchy have been determined. The conti

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19

Bardik, Maryna. "Classicism Style in Mural Painting of Kyiv-Pechersk Lavra Churches." NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD, no. 1 (April 16, 2024). http://dx.doi.org/10.32461/2226-3209.1.2024.302062.

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The purpose of the article is to study the features of the classicism style in mural paintings of the Kyiv-Pechersk Lavra churches. The research methodology based on the complex using of historical and cultural analysis, art study one, biographical method. The scientific novelty of the study. The implementation of the classicism style in the mural painting of the Kyiv-Pechersk Lavra is discovered. The archival descriptions of murals, photos, cartograms have been put into scientific circulation. On the basis of records, the stylistic signs of classicism in the mural paintings of the side-altar

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20

Keller, Christian. "Mural and Landscape Painting Revisited The Art of Mapping the Digital Technosphere." JoLMA, no. 1 (July 26, 2024). http://dx.doi.org/10.30687/jolma/2723-9640/2024/01/012.

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The elusive dimensionality and ecologically entangled materiality of clouds have always made it hard to map and visually depict them. But while visual artists of the Romantic and Impressionist eras at last managed to relate the ecological entanglement of man-made clouds and their 'natural' counterparts, the 21st century is facing another challenging addition to the almanac of clouds: the cloud of the digital technosphere. In this article, artistic attempts at capturing its dimensional elusiveness and invisible ecological entanglement will be presented which draw both on previous representation

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21

Bardik, Maryna. "“Sacred Images” in the Interior of the Kyiv-Pechersk Lavra’s Great Church: the Factual System of Sacral Murals, 1897 – 1901." NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD, no. 3 (October 25, 2023). http://dx.doi.org/10.32461/2226-3209.3.2023.289826.

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The purpose of the article is to introduce into scientific circulation documents presenting the factual system of sacred compositions 1897 – 1901 in the interior of the Kyiv-Pechersk Lavra’s Dormition Cathedral (Great Church). The research methodology is synthesis of historical and cultural analysis, as well as art study analysis. Scientific novelty. The author has introduced the album of drawings by the artist Andrii Lakov into scientific circulation: “V. І. Vernadsky National Library of Ukraine. Lakov A. A. The album of plans and detailed drawings the inside of the Kyiv-Pechersk Lavra’s Grea

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22

Bardik, Maryna. "To the Issue Concerning a Byzantine Iconostasis in the Kyiv-Pechersk Lavra, the 19th – Beginning of the 20th Centuries." Almanac "Culture and Contemporaneity", no. 2 (December 27, 2021). http://dx.doi.org/10.32461/2226-0285.2.2021.249250.

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The purpose of the article is to discover the issue of creating the Byzantine iconostasis in the artistic decoration of the Kyiv-Pechersk Lavra in the 19th – early 20th centuries a case study of the Great Pechersk Church (the Dormition Cathedral). The methodology is based on complex using historical and cultural analysis, and art study analysis. Scientific novelty. Milestones of creating the Byzantine style iconostasis in the Dormition Cathedral during the 19th – Early 20th centuries have been discovered. The cultural and artistic basis for implementing the idea of Byzantine iconostasis in 184

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23

Bardik, Maryna. "Baroque Painting of Great Pechersk Church: Unknown Compositions and Spatial Pauses." NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD, no. 2 (September 3, 2023). http://dx.doi.org/10.32461/2226-3209.2.2023.286880.

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The purpose of the article is to present the visual sources of the original Baroque mural paintings of the Dormition Cathedral, as well as to discover the reason for the absence of murals in some compartments of the upper tier before 1843. The research methodology is based on historical, cultural analysis, and art study analysis. Scientific novelty. The author specifies which compartments of the upper tier in the Great Church (Dormition Cathedral) remained without paintings until the 1840s. The reason (the confidentiality of preservation of the Lavra treasury) for which these compartments were

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24

Ali, Mona F., and Marian M. Youssef. "AN ANALYTICAL STUDY OF A MURAL WITH COLORFUL GEOMETRIC DECORATION, COPTIC MUSEUM, CAIRO, EGYPT: A CASE STUDY." July 31, 2020. https://doi.org/10.5281/zenodo.3956807.

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In the present study, a comprehensive investigation has been undertaken into an Egyptian Coptic fresco with geometric decoration and the reasons for its damage. It dates back to the 6th century AD and was initially located in the Saint Apollo monastery south Egypt in Asyut, and currently it is found at the Cop-tic Museum, Cairo. The analytical instruments used for investigation were portable digital microscope, Fourier transforms infrared coupled with attenuated total reflectance FTIR-ATR, scanning electron mi-croscopy with EDX, X-ray diffraction and Optical microscope. The results indicated t

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25

Garkusha, A. "The Book of Genesis in the wall painting of the Transfiguration Cathedral (11th century), Chernihiv." September 8, 2020. https://doi.org/10.5281/zenodo.4018346.

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The purpose of this publication is to consider in detail and describe the monumental painting of the upper part of the central (main dome) and northern nave of one of the oldest temples of the Trans Dnipro region – the Transfiguration Cathedral (11th century) Chernihiv, to show the logical consistency of frescoes, plot sequence and the integrity of the overall artistic design, as well as once again to draw attention to the mural, created in the first quarter of the nineteenth century, as an important interior decoration of the ancient temple. The methods on which the research is basedwer

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Zarembo, Liene, and Skaidrīte Romančuka. "Creative use of traditional patchwork motif in the Patchwork & Quilt workshop." Arts and Music in Cultural Discourse. Proceedings of the International Scientific and Practical Conference, September 28, 2013, 205. http://dx.doi.org/10.17770/amcd2013.1263.

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Contemporary quilters use a wide range of Patchwork and Quilt designs and styles, from ancient and ethnic to post-modern futuristic patterns. Unusual quilting designs have increasingly become popular as decorative textiles. During the late 20th century, art quilts became popular for their aesthetic and artistic qualities rather than for functionality. Patchwork &amp; Quilt as a form of art is very popular throughout the world. Patchwork &amp; Quilt technology is based on stitching together, tufted fabric pieces with decorative embroidery patterns and variations on the theme of the arti

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