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Artigos de revistas sobre o tema "Museums – Philosophy"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 30 de janeiro de 2023

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1

Abd Jalal, Ahmad Farid, Rahimin Affandi Abdul Rahim, and Muhd Imran Abd Razak. "Etika Muzium dalam Disiplin Muzium Semasa berdasarkan Etika Muzium ICOM dan Perspektif Islam (Museum Ethics in Current Museum Discipline Based on ICOM’s Museum Ethics and Islamic Perspective)." UMRAN - International Journal of Islamic and Civilizational Studies 9, no. 2 (June 28, 2022): 1–17. http://dx.doi.org/10.11113/umran2022.9n2.550.

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Museums is one of the important institutions in the modern world that serve to preserve, treat, research, educate and exhibit the historical heritage of a society. The International Council of Museum (ICOM) is an organization responsible for caring for museums around the world. It has set the ethics and Statutes of museums for reference of museums all around the world. This is done to ensure that the vision, philosophy, journey, and modus operandi of a museum run uniformly in accordance with the philosophy of ICOM. This study critically examines every detail of museum ethics set by ICOM, wheth

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Abd Jalal, Ahmad Farid, Rahimin Affandi Abdul Rahim, Mohamad Hilmi Mat Said, and Awang Azman Awang Pawi. "IMPAK FALSAFAH PASCA-KOLONIALISM TERHADAP MUZIUM: SATU ANALISIS KRITIKAL." International Journal of Humanities Technology and Civilization 7, no. 2 (December 16, 2022): 1–9. http://dx.doi.org/10.15282/ijhtc.v7i2.8787.

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Abstract: The museum discipline can be considered a dynamic modern institution. This one, among other things, stems from the openness of this institution with the philosophy of post-colonialism. It is a modern humanitarian philosophy that challenges many flaws of past scientific theories. This study will use library research methods that will examine the influence of post-colonial philosophy in the field of museums. The results of this study found that there are three main things about the impact of post-colonial philosophy in the field of museums, namely the emergence of New Museum Awareness,

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Taliaferro, Charles. "The Open Museum and its Enemies: An Essay in the Philosophy of Museums." Royal Institute of Philosophy Supplement 79 (October 2016): 35–53. http://dx.doi.org/10.1017/s1358246116000060.

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AbstractBorrowing from the title and some of the content of Karl Popper's The Open Society and its Enemies (1945), it is argued that museums have great value as sites for what may be called a philosophical culture. A philosophical culture is one in which members or citizens engage in (ideally) fair-minded debate and shared reflection, presenting and evaluating reasons for different positions particularly as these have relevance for matters of governance. In a philosophical culture, persuasion is almost always a matter of seeking to provide reasonable grounds for adopting some position without

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Lord, Beth. "‘A Sudden Surprise of the Soul’: Wonder in Museums and Early Modern Philosophy." Royal Institute of Philosophy Supplement 79 (October 2016): 95–116. http://dx.doi.org/10.1017/s1358246116000096.

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AbstractRecent museum practice has seen a return to ‘wonder’ as a governing principle for display and visitor engagement. Wonder has long been a contentious topic in aesthetics, literary studies, and philosophy of religion, but its adoption in the museum world has been predominantly uncritical. Here I will suggest that museums draw on a concept of wonder that is largely unchanged from seventeenth-century philosophy, yet without taking account of early modern doubts about wonder's efficacy for knowledge. In this paper I look at Descartes' and Spinoza's views about wonder and the uses and disadv

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Jagodzińska, Katarzyna. "PARTICIPATION OF THE PUBLIC IN POLISH MUSEUMS." Muzealnictwo 62 (August 9, 2021): 189–97. http://dx.doi.org/10.5604/01.3001.0015.1742.

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In the 21<sup>st</sup> century, participation is one of the key words related to the operations of museums and debate around them. The public are encouraged to co-create museum projects: exhibitions, programmes that accompany exhibitions, studies; they play the role of consultants and advisors (youth councils, clubs, consultancy teams). Museums are more and more widely ‘opening’ to embrace the public. Never before has the position of visitors been as significant. An overview of participatory programmes in Polish museums is provided. They are classified and characterized by the Auth

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Camarero, Carmen, and Ma José Garrido. "Fostering Innovation in Cultural Contexts." Journal of Service Research 15, no. 1 (September 23, 2011): 39–58. http://dx.doi.org/10.1177/1094670511419648.

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Many museums are committed to market orientation as the underlying philosophy for their strategies. This orientation has to be coordinated with a service orientation focused on quality and custody in order to fulfill the museum’s mission. In the current work, the authors analyze the different impact of market orientation and service orientation on organizational and technological innovations implemented by museums. The hypotheses posited are examined for a sample of 491 British, French, Italian, and Spanish museums. Findings suggest that visitor and donor orientation are two key market orienta

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Ghazaryan, Grigor, and Steven Donatelle. "Encoding Memory through Multimodality in Modern-Day Memorial Museums." HERMES - Journal of Language and Communication in Business, no. 62 (December 12, 2022): 107–25. http://dx.doi.org/10.7146/hjlcb.vi62.127015.

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The article is devoted to the use of technology in memorial museums, particularly in those related to genocide. The authors use a multidisciplinary theoretical framework using a diverse toolkit from Semiotics, Communication Studies, and Philosophy to explain the benefits and dangers of implementing technology in a memorial museum. The framework makes particular use of Peirce’s idea of unlimited semiosis, Eco’s considerations about the multiplicity of meanings and the “open text”, the existence of not one but two narratives in museums—especially in memorial museums—and Heidegger’s writing

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Feliu-Torruella, Maria, Mercè Fernández-Santín, and Javiera Atenas. "Building Relationships between Museums and Schools: Reggio Emilia as a Bridge to Educate Children about Heritage." Sustainability 13, no. 7 (March 26, 2021): 3713. http://dx.doi.org/10.3390/su13073713.

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Schools and museums represent essential spaces for the development of learning and understanding of the world surrounding us through the arts and heritage. One of the things learned in the COVID crisis is that it is key to build bridges between schools and museums to support their educational activities, regardless of the possibility to access these spaces in person. School teachers and museum educators have the opportunity to develop a critical and creative citizenry by collaborating in the design of learning activities that can bring the museums to schools and schools to the museum by adopti

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Jagodzińska, Katarzyna. "O istocie muzeum, czyli Justyny Żak W kręgu muzealnych przedmiotów." Przegląd Kulturoznawczy, no. 3 (45) (2020): 312–20. http://dx.doi.org/10.4467/20843860pk.20.030.12590.

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About the nature of museums, the review of the book W kręgu muzealnych przedmiotów by Justyna Żak The review concerns the book W kręgu muzealnych przedmiotów by Justyna Żak, published in 2020 by the Wydawnictwo Uniwersytetu Warszawskiego. The book deals with the nature of museum objects and objects that fill museum rooms and do not have the status of museum objects, being elements of arrangement, reproductions or reconstructions. In a broader sense it is a reflection on the nature of museums, in which the notion of authenticity is of key importance. The book’s asset is a broad perspective of a

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Noy, Chaim. "Gestures of closure: A small stories approach to museumgoers' texts." Text & Talk 40, no. 6 (November 26, 2020): 733–53. http://dx.doi.org/10.1515/text-2020-2076.

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AbstractMuseums are familiar public institutions whose primary mode of mediation is narration. They are geared toward narrating collective stories that are authoritative, linear, and grand in scope. Yet with the historical turn museums have recently taken from collection-centered to audience-centered institutions – coupled with a participatory mode of mediation – more than ever museumgoers are now invited to participate in these grand narrations. This article examines the institutional interaction between museums and museumgoers, and the texts that the latter produce in situ. It analyzes over

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Robin, Libby. "Museums in the Long Now: History in the Geological Age of Humans." Journal of the Philosophy of History 14, no. 3 (November 19, 2020): 359–81. http://dx.doi.org/10.1163/18722636-12341448.

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Abstract History in times of crisis is practical: future action depends on historical framing. Moving beyond “human scales” to include the evolutionary and the geological, and beyond humans to include other species, demands different approaches and new “archives” like ice-cores. This paper considers history in the Long Now, and particularly how museums and big public arts institutions develop new sorts of history through practical story-telling, taking seriously the notion that “the central role of museums [is] both an expression of cultural identity and … a powerful force for human developmen

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Zaini, Mohd Syafiq, Mohd Sohaimi Esa, Saifulazry Mokhtar, and Sharifah Darmia Sharif Adam. "DEVELOPMENT OF EUROPEAN MUSEUM INSTITUTIONS IN AFFECTING THE EXISTENCE OF MUSEUMS IN MALAYSIA." Journal of Tourism, Hospitality and Environment Management 7, no. 29 (September 29, 2022): 260–80. http://dx.doi.org/10.35631/jthem.729018.

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Museums play an important role in preserving and conserving all artifacts related to the past history as well as the heritage and culture of a society's civilization. Malaysia as a country that consists of various races and rich in various heritages and cultures, the museum institution plays an important role in preserving the heritage of knowledge for future generations. Museum institutions have undergone changes over time in producing an excellent management in preserving knowledge of past history. The development of museums at the European level is seen to have influenced the entry of the i

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Ruffins, Fath Davis. "Grassroots Museums & the Changing Landscape of the Public Humanities." Daedalus 151, no. 3 (2022): 108–23. http://dx.doi.org/10.1162/daed_a_01932.

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Abstract This essay is a brief history of the development of “grassroots” or community-based museums since the 1960s. These museums pioneered new kinds of relationships with their communities that were far different from older museums and, in the process, helped fundamentally enlarge and diversify public humanities. The essay begins with a focus on three museums founded in 1967: El Museo del Barrio in New York City, the Anacostia Neighborhood Museum (Smithsonian) in Washington, D.C., and the Wing Luke Museum in Seattle. Over the last fifty years, these museums have grown and stabilized and new

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NAIR, SAVITHRI PREETHA. "Science and the politics of colonial collecting: the case of Indian meteorites, 1856–70." British Journal for the History of Science 39, no. 1 (February 23, 2006): 97–119. http://dx.doi.org/10.1017/s0007087405007624.

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The case of Indian meteorite collections shows how, during the production of science, knowledge-making institutions such as museums were sometimes strongly linked with coercive institutions such as the police. If geological collecting in India in the Company period was mainly geared towards satisfying the demands of metropolitan science, the period after the 1850s saw a dramatic shift in the nature of collecting and the practice of colonial science, with the emergence of public museums in India. These colonial museums, represented by the Indian Museum, Calcutta, began to compete with the Briti

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Fedotova, Anastasia, Tomasz Samojlik, and Piotr Daszkiewicz. "Killing for museums: European bison as a museum exhibit." Centaurus 60, no. 4 (November 2018): 315–32. http://dx.doi.org/10.1111/1600-0498.12194.

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Zaini, Mohd Syafiq, Mohd Sohaimi Esa, Saifulazry Mokhtar, and Irma Wani Othman. "BEHIND THE IDEA AND INFLUENCE OF MUSEOLOGY IN THE WORLD AND MALAYSIAN MUSEUM INSTITUTIONS." Journal of Tourism, Hospitality and Environment Management 7, no. 30 (December 15, 2022): 118–35. http://dx.doi.org/10.35631/jthem.730010.

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Museology is basically a field of study referring to museum institutions. From the historical aspect as well as their basic philosophy, their goals and policies and functions either from the point of view of education, politics or even social roles. Museology can be said to be a relatively new discipline whose prevalence is largely an intellectual product of the 20th century. However, it is certain that the concept of Museology has existed at least since the 17th century, where the development of the idea of museology appears to have developed along with the early development of the museum. Du

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O. Apata, Gabriel. "Review: African Art and the Transformational Role of Museums." Theory, Culture & Society 38, no. 7-8 (November 11, 2021): 359–66. http://dx.doi.org/10.1177/02632764211052080.

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There was a time when Africa was thought to have no history, no philosophy, no civilizational culture and no artistic creativity or aesthetic sensibilities. This new book, African Art Reframed: Reflections and Dialogues on Museum Cultures by Bennetta Jules-Rosette and J.R. Osborn, re-evaluates this perception and argues that African art has come a long way in the last few decades, taking the reader through the transformational process that African art has undergone in that period, including the role of the museums and the collaborative work of agents across different sectors in the reframing o

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Putcha, Rumya S. "Yoga and White Public Space." Religions 11, no. 12 (December 14, 2020): 669. http://dx.doi.org/10.3390/rel11120669.

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This article connects recent work in critical race studies, museum studies, and performance studies to larger conversations happening across the humanities and social sciences on the role of performance in white public spaces. Specifically, I examine the recent trend of museums such as the Natural History Museum of London, the Metropolitan Museum of Art in New York, and the Museum of Fine Arts in Boston, to name but a few, offering meditation and wellness classes that purport to “mirror the aesthetics or philosophy of their collections.” Through critical ethnography and discursive analysis I e

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Cerdá Bertoméu, María José, Susana H. Soler Beresaluze, and Guillermo Pérez Sansano. "El museo fuera del museo. Un nuevo concepto territorial y relacional para el Museo del Mar de Santa Pola y su marca destino." Atlántida Revista Canaria de Ciencias Sociales, no. 12 (2021): 197–222. http://dx.doi.org/10.25145/j.atlantid.2021.12.10.

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Santa Pola (Costa Blanca, Alicante, Spain) is a classic, mature destination, and a popular choice for residential sun and beach holidays. Faced with the need to maintain its value promise and add to and diversify its product, this article explores opportunities and experiences based on heritage tourism. To achieve this, we propose a new way of managing local heritage (cultural and natural) based on a territorial-museum philosophy to be developed by the Museum of the Sea, as an official museum that forms part of the Valencia region’s museum network. In this framework, it is suggested that museu

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Lamokhina, Natalya. "Philosophical foundations and interpretation of technical heritage in museum space." KANT 37, no. 4 (December 2020): 271–77. http://dx.doi.org/10.24923/2222-243x.2020-37.57.

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The article is devoted to the issues of preservation of technology in the museum space and its conceptual understanding on the example of interpretation. The purpose of the article is to identify possible methods of interpreting technology through the study of concepts of philosophy of technology and interdisciplinary museum projects. The article provides examples of interdisciplinary and inter-museum projects, during the implementation of which the possibilities for interpreting both the printed instrument and the legacy of the industrial era were identified. As a result, the illuminated appr

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Abd Jalal, Ahmad Farid, Rahimin Affandi Abdul Rahim, and Muhammad Jumaidy Abdul Manap. "Perkembangan Institusi Memori (LAM) pada Era British di Tanah Melayu." SEJARAH 31, no. 1 (June 30, 2022): 34–64. http://dx.doi.org/10.22452/sejarah.vol31no1.3.

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This paper aims to examine the development ofLAM memory institutions (Library, Archive, Museum) or libraries, archives,and museums during the British colonial era in Malaya. This study is using qualitative methods that involve the collection and evaluation of primary sources from National Archive and Museum. The findings of the study show that the efforts of usingLAM in Europe based on the philosophy of the Enlightenment have been applied by the British in the colonization of Malaya. This reality can be seen from the British writings on Malaya before independence. Among them was the role of Is

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Moreno, María-José. "Art Museums and Socioeconomic Forces: The Case of a Community Museum." Review of Radical Political Economics 36, no. 4 (December 2004): 506–27. http://dx.doi.org/10.1177/0486613404269781.

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Moens, Bart G. "Aesthetic Experience in Virtual Museums: A Postphenomenological Perspective." Studies in Digital Heritage 2, no. 1 (September 26, 2018): 68–79. http://dx.doi.org/10.14434/sdh.v2i1.24468.

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 This article explores the impact of the digitization of traditional works of art on the aesthetic experience from a philosophical point of view. Presenting and making use of a recent approach in the philosophy of technology, initiated by the American philosopher Don Ihde, called postphenomenology. This hybrid form of phenomenology builds on traditional phenomenology and combines it with a pragmatic approach in order to focus on the mediating roles of technology. Concrete technologies and applications such as screens and virtual museums are the starting point for our examination of the s

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Sharpe, T., S. R. Howe, and C. Howells. "Setting the standard? The Earth Science Galleries at the Natural History Museum, London." Geological Curator 6, no. 10 (December 1998): 395–403. http://dx.doi.org/10.55468/gc483.

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The second phase of the new Earth Galleries at the Natural History Museum (NHM) was opened in July 1998, marking the complete re-display of the former Geological Museum at a cost in excess of 12 million. The Geological Museum had pioneered a new style of geology display in the early 1970s, and set a standard emulated by other national and local museums. While the Geological Museum exhibitions contained a wealth of specimens, those produced at about the same time by the NHM were often criticised for their lack of real objects. The Geological Museum passed to the control of the NHM in 1985 and i

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Jaśczak, Radosław. "FRANCISZEK CEMKA – A FRIEND AND ADVOCATE OF MUSEOLOGY." Muzealnictwo 60 (March 28, 2019): 39–41. http://dx.doi.org/10.5604/01.3001.0013.1459.

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On 12 October 2018, Jan Franciszek Cemka passed away. Born in Tuchola in 1946, he was an archaeologist, graduate from the Department of Philosophy and History of the University of Lodz, an expert on museology, a civil servant, Director of the Museum Department, and later of the Department of National Heritage at the Ministry of Culture and National Heritage, a Minister’s adviser, mentor of young administration officials. Resorting to his expertise, Director Franciszek Cemka actively participated in the transformation processes of Polish museology, e.g. he coordinated the implementation of the

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Deloria, Philip J. "The New World of the Indigenous Museum." Daedalus 147, no. 2 (March 2018): 106–15. http://dx.doi.org/10.1162/daed_a_00494.

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Museums have long offered simplistic representations of American Indians, even as they served as repositories for Indigenous human remains and cultural patrimony. Two critical interventions–the founding of the National Museum of the American Indian (1989) and the passage of the Native American Graves Protection and Repatriation Act (1990)–helped transform museum practice. The decades following this legislation saw an explosion of excellent tribal museums and an increase in tribal capacity in both repatriation and cultural affairs. As the National Museum of the American Indian refreshes its per

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Burke, Verity, and Will Tattersdill. "Introduction: Museums in Science Fiction, Science Fiction in Museums." Configurations 30, no. 3 (June 2022): 247–56. http://dx.doi.org/10.1353/con.2022.0016.

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Hein, George E. "John Dewey's “Wholly Original Philosophy” and Its Significance for Museums." Curator: The Museum Journal 49, no. 2 (April 2006): 181–203. http://dx.doi.org/10.1111/j.2151-6952.2006.tb00211.x.

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Marie, Caroline. "Virginia Woolf's Imaginary Museum of the Medieval in ‘The Journal of Mistress Joan Martyn’." Victoriographies 11, no. 2 (July 2021): 165–84. http://dx.doi.org/10.3366/vic.2021.0421.

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This article shows that the Middle Ages Virginia Woolf imagines in her 1906 short story ‘The Journal of Mistress Joan Martyn’ are influenced by the staging of the medieval in late-Victorian museums and reflects late-Victorian medievalism. From the perspective of material culture studies, Woolf's tale reflects the representation and fabrication of the medieval by the British Museum and the South Kensington Museum and shapes a similar narrative of the Middle Ages. Relying on Michel Foucault's definitions of ‘heterotopia’ as well as on Tony Bennett's analysis of Victorian museums, this article ar

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Canadelli, Elena. ""Scientific Peep Show" The Human Body in Contemporary Science Museums." Nuncius 26, no. 1 (2011): 159–84. http://dx.doi.org/10.1163/182539111x569801.

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AbstractThe essay focuses on the discourse about the human body developed by contemporary science museums with educational and instructive purposes directed at the general public. These museums aim mostly at mediating concepts such as health and prevention. The current scenario is linked with two examples of past museums: the popular anatomical museums which emerged during the 19th century and the health museums thrived between 1910 and 1940. On the museological path about the human body self-care we went from the emotionally involving anatomical Venuses to the inexpressive Transparent Man, fr

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Williams, M. R. "Museums and Archives." IEEE Annals of the History of Computing 10, no. 4 (October 1988): 305–29. http://dx.doi.org/10.1109/mahc.1988.10040.

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Williams, Michael R. "Museums and Archives." IEEE Annals of the History of Computing 11, no. 4 (October 1989): 313–19. http://dx.doi.org/10.1109/mahc.1989.10041.

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Williams, Michael. "Museums and Archives." IEEE Annals of the History of Computing 12, no. 4 (October 1990): 287–90. http://dx.doi.org/10.1109/mahc.1990.10034.

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Allison, David. "Museums and Archives." IEEE Annals of the History of Computing 13, no. 4 (October 1991): 351–53. http://dx.doi.org/10.1109/mahc.1991.10039.

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Lopes, Maria. "C. F. Hartt's Contribution to Brazilian Museums of Natural History." Earth Sciences History 13, no. 2 (January 1, 1994): 174–79. http://dx.doi.org/10.17704/eshi.13.2.v747x4571u0472k5.

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Charles Frederic Hartt (1840-1878), a geologist who took part in Louis Agassiz's Thayer Expedition in 1865, returned to Brazil several times during his life: a solo trip in 1867, two of his own expeditions (while he was professor of geology at Cornell University), the Morgan Expeditions of 1870 and 1871, and his final voyage, which started in 1874. Hartt is known for his opposition to Agassiz's glacial theory of the Amazon River basin, for his contributions to Brazilian geological knowledge, and for his rôle in the Geological Commission of Brazil. Lesser known are his contributions and links t

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Ebers, Thomas. "Philosophy and Cultural Heritage. An Approach to Philosophy in Museal Contexts." Monograma Revista Iberoamericana de Cultura y Pensamiento, no. 10 (December 15, 2021): 55–75. http://dx.doi.org/10.36008/monograma.2022.10.0353.

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The following considerations form a philosophical approach to the meaning of cultural heritage. They are an attempt to answer the question, which position and task philosophy holds or may hold for this heritage. In a first section it is shown that there is no escape from the cultural heritage. For this purpose, it is resorted to the juxtaposition of «to have or to be» by the social psychologist Erich Fromm. Following this distinction, two basic approaches are sketched that precisely fail to do justice to the cultural heritage and to the way of dealing with it that is necessary for one’s own lo

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Gaskell, Ivan. "Museums and Philosophy - Of Art, and Many Other Things Part II." Philosophy Compass 7, no. 2 (February 2012): 85–102. http://dx.doi.org/10.1111/j.1747-9991.2011.00469.x.

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Gaskell, Ivan. "Museums and Philosophy - Of Art, and Many Other Things Part I." Philosophy Compass 7, no. 2 (February 2012): 74–84. http://dx.doi.org/10.1111/j.1747-9991.2011.00470.x.

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CALISI, MARINELLA. "L'ORIGINE DELLE COLLEZIONI SCIENTIFICHE DEL MUSEO ASTRONOMICO E COPERNICANO IN ROMA ALLA FINE DEL XIX SECOLO." Nuncius 4, no. 2 (1989): 249–63. http://dx.doi.org/10.1163/182539189x00941.

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Abstracttitle SUMMARY /title In the years following 1820, when the town became part of the Kingdom of Italy, Rome was seeking to forge its new identity. The scientific culture of the town is a little known feature of this process, and yet it offers important insights into the economic planning and the cultural policy of those years. These features are also at the basis of today's roman scientific museums. In 1873, on the occasion of the celebration of the fourth centenary of Copernicus' birth, it was proposed to establish a Museo Astronomico e Copernicano. The original proposal for a museum de

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Cummins, Alissandra. "Caribbean Museums and National Identity." History Workshop Journal 58, no. 1 (2004): 224–45. http://dx.doi.org/10.1093/hwj/58.1.224.

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Lazzeretti, Cecilia, and Marina Bondi. "‘A hypnotic viewing experience’. promotional features in the language of exhibition press announcements." Pragmatics. Quarterly Publication of the International Pragmatics Association (IPrA) 22, no. 4 (December 1, 2012): 567–89. http://dx.doi.org/10.1075/prag.22.4.02laz.

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Museums have become fully active cultural agents, pursuing educational aims but also trying to attract the largest number of visitors. Exhibition press announcements (EPAs) issued by museums reflect this tendency and address journalists as if they were ‘customers’ in a very competitive market. Building on Bhatia’s work on promotional genres (1993, 2004) and recent corpus-based studies devoted to press releases (Catenaccio 2008; Lindholm 2008; McLaren and Gurâu 2005), this paper investigates lexico-grammatical forms typical of EPAs with the aim to demonstrate that they carry a strong promotiona

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Paliokas, Ioannis. "Serious Games Classification for Digital Heritage." International Journal of Computational Methods in Heritage Science 3, no. 2 (July 2019): 58–72. http://dx.doi.org/10.4018/ijcmhs.2019070104.

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Gamification mechanics have been introduced in the philosophy of many modern user experience (UE) systems, including those used in museums, cultural sites and various other kinds of digital heritage (DH) applications. Gamified user experiences include on-site navigation, playful interaction with museum artefacts, virtual tours in ancient or modern times using virtual reality (VR) applications and more. Although the gamification principles have been well adopted in the DH domain, a common language used to describe and classify serious games (SG) and gamified applications in DH is still under de

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Morrison-Low, A. D. "Geomagnetic instruments at National Museums Scotland." Notes and Records: the Royal Society Journal of the History of Science 73, no. 2 (October 17, 2018): 243–57. http://dx.doi.org/10.1098/rsnr.2018.0035.

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In 1981, the sole book about historic geomagnetic instruments was by Anita McConnell. Using it as a timeline, the Royal Scottish Museum's temporary exhibition ‘The Earth is a Magnet’, was put on to coincide with an international congress held in Edinburgh that year. The curators were aware that this important story could be told only with borrowed material from a number of other collections and that, in some cases, crucial items no longer existed. Locating and borrowing such objects before the Internet proved tricky and time-consuming, but helped to form thinking about how the collections migh

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Muñoz, Pedro Felipe N. de. "From Dresden to the world: images of the German Hygiene Museum’s relations with Latin America, 1911-1933." História, Ciências, Saúde-Manguinhos 29, no. 1 (March 2022): 195–214. http://dx.doi.org/10.1590/s0104-59702022000100011.

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Abstract As of the nineteenth century, the number of world fairs and hygiene exhibitions grew significantly. This phenomenon was linked to the experience of modernity and the emergence of bacteriology, when different cities were sanitized with the aim of combating urban diseases and epidemics. For the purpose of sanitary education and hygiene propaganda, many objects and pictures were displayed in hygiene exhibitions and museums, such as the International Hygiene Exhibition of 1911 and the German Hygiene Museum, both in Dresden. The goal of this article is to analyze a chapter of the internati

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ZOTOVA, TATIANA. "«REVITALIZATION» OF HISTORY AS ONE OF THE TRENDS IN THE DEVELOPMENT OF CONTEMPORARY HISTORICAL AND MILITARY-HISTORICAL MUSEUMS-PRESERVES IN RUSSIA." Культурный код, no. 2022-3 (2022): 36–48. http://dx.doi.org/10.36945/2658-3852-2022-3-36-48.

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The article discusses the methodological features of living history as a special form of museum actualization of cultural heritage. Based on the historical and cultural approach, the author briefly presents the genesis of this concept, foreign approaches to its understanding, as well as the experience of implementation in domestic museums. The empirical basis of the research is the projects of the Borodinskoe pole Museum-preserve, the Kulikovo pole Museum-preserve, the Mikhailovskoye Museum-preserve, etc.

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ALBUQUERQUE, SARA, and SILVIA FIGUEIRÔA. "DEPICTING THE INVISIBLE: WELWITSCH'S MAP OF TRAVELLERS IN AFRICA." Earth Sciences History 37, no. 1 (January 1, 2018): 109–29. http://dx.doi.org/10.17704/1944-6178-37.1.109.

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ABSTRACT This paper addresses a nineteenth century African manuscript map which has hitherto remained ‘invisible’. This manuscript was produced by Friedrich Welwitsch (1806–1872), an Austrian botanist in the service of the Portuguese government, and held by the National Museum of Natural History and Science, University of Lisbon Museums/Museu Nacional de História Natural e da Ciência, Museus da Universidade de Lisboa, Portugal (MUHNAC). This historical document contains names of several travellers, many of them ‘invisible’ explorers, located in different parts of the African continent, depicti

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Писарев, Александр Александрович. "STS AND THE POSSIBLE FUTURE OF THE SCIENCE MUSEUM: TOWARDS A NEW KUNSTKAMMER." ΠΡΑΞΗMΑ. Journal of Visual Semiotics, no. 4(30) (October 28, 2021): 131–85. http://dx.doi.org/10.23951/2312-7899-2021-4-131-185.

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В статье обсуждается репрезентация науки в музеях и центрах науки и техники и очерчивается возможная концепция музея технонауки, который бы восполнял ограничения и умолчания этой реперзентации. В отличие от этих институций музей технонауки посвящен не тому, что ученые знают о природе, а тому, как они получают это знание, как оно существует и применяется, то есть, метанаучным вопросам. Для решения этой задачи новый музей должен опираться на идеи и результаты исследований науки и техники (STS), а также истории и философии науки. Вполне возможно, что сегодня путь разума к совершеннолетию должен п

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Lane, James B. "Oral History and Industrial Heritage Museums." Journal of American History 80, no. 2 (September 1993): 607. http://dx.doi.org/10.2307/2079874.

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Harris, Neil. "Museums and Controversy: Some Introductory Reflections." Journal of American History 82, no. 3 (December 1995): 1102. http://dx.doi.org/10.2307/2945115.

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Crownshaw, Rick. "Photography and memory in Holocaust museums." Mortality 12, no. 2 (April 25, 2007): 176–92. http://dx.doi.org/10.1080/13576270701255156.

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