Livros: "Music documentaries"

1

Sandahl, Linda J. Encyclopedia of rock music on film: A viewer's guide to three decades of musicals, concerts, documentaries and soundtracks 1955-1986. Poole: Blandford Press, 1987.

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2

Erich, Auerbach. Images of music =: Bilder der Musik = Images de musique. Köln [Germany]: Könemann, 1996.

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3

C, Stoltzfus John, ed. Radio music live: 1920-1950, a pictorial gamut. Highland City, FL: Rainbow Books, 1999.

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4

Marjorie, Ryerson, ed. Water music: Sixty-six renowned musicians from around the world celebrate water in words and music. Ann Arbor: University of Michigan Press, 2003.

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5

Hand, Edie. A country music Christmas: Christmas songs, memories, family photographs and recipes from America's favorite country and gospel stars. New York: Broadway Books, 2006.

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6

Hand, Edie. A country music Christmas: Christmas songs, memories, family photographs and recipes from America's favorite country and gospel stars. New York: Broadway Books, 2006.

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7

Charles, Graham. The great jazz day. Emeryville, CA: Woodford Press, 2000.

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8

Giacomo, Baroffio, ed. Musica d'archivio: Contributi per lo studio delle fonti documentarie. Sulmona: Synapsi, 2003.

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9

Giacomo, Baroffio, ed. Musica d'archivio: Contributi per lo studio delle fonti documentarie. Sulmona (L'Aquila): Synapsi, 2003.

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10

López-Calo, José. Documentario musical de la Catedral de Segovia. Santiago de Compostela: Universidade de Santiago de Compostela, 1990.

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11

Filmare la musica: Il documentario e l'etnomusicologia visiva. Roma: Carocci editore, 2012.

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12

Marco, Goracci, e Galleria regionale di Palazzo Bellomo (Syracuse, Italy), eds. I Cigni d'Aretusa: Mostra documentaria sui musicisti siracusani dell'Ottocento. [Syracuse, Italy]: EDIPRINT, 1990.

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13

Documentario musical de la Catedral de Jaén. [Andalucía]: Centro de Documentación Musical de Andalucía, 1998.

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14

Gillio, Pier Giuseppe. L' attività musicale negli ospedali di Venezia nel Settecento: Quadro storico e materiali documentari. Firenze: L. S. Olschki, 2006.

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15

Alessandra, Bonomo, e Istituto italiano Antonio Vivaldi, eds. L' attività musicale negli ospedali di Venezia nel Settecento: Quadro storico e materiali documentari. Firenze: L.S. Olschki, 2006.

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16

Dienes, André De. Marilyn. Köln: Taschen, 2004.

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17

André, Magnin, e Traoré Boubacar, eds. Malick Sidibé. Zürich: Scalo, c1998., 1998.

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18

Kerry, Brougher, Noever Peter 1941-, Hopper Dennis 1936- e Österreichisches Museum für Angewandte Kunst., eds. Dennis Hopper: A system of moments. Ostfildern-Ruit, Germany: Hatje Cantz, 2001.

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19

Varallanos, José. El cóndor pasa: Vida y obra de Daniel Alomía Robles, musico, compositor y folklorista peruano, biografía, glosario, texto del drama, documentario, partituras. Lima, Perú: Talleres Gráficos, 1988.

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20

1904-, Battelli Giulio, Istituto musicale "L. Boccherini". Biblioteca., Palazzo Mansi e Lucca (Italy). Assessorato alla pubblica istruzione., eds. I Tesori della musica lucchese: Fondi storici nella Biblioteca dell'Istituto musicale "L. Boccherini" : catalogo della mostra bibliografica e documentaria : Lucca, Museo nazionale di Palazzo Mansi, 7 aprile/6 maggio 1990. Lucca: M. Pacini Fazzi, 1990.

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21

Coley, Sam. Music Documentaries for Radio. Taylor & Francis Group, 2021.

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22

Coley, Sam. Music Documentaries for Radio. Taylor & Francis Group, 2021.

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23

Coley, Sam. Music Documentaries for Radio. Taylor & Francis Group, 2021.

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24

Coley, Sam. Music Documentaries for Radio. Taylor & Francis Group, 2021.

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25

Music Documentaries for Radio. Taylor & Francis Group, 2021.

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26

Nothing but the Music: Documentaries from Nightclubs, Lofts, Dance Halls and a Tailor's Shop in Dakar. Blank Forms, 2020.

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27

Ryerson, Marjorie, e Paul Winter. Water Music. University of Michigan Press, 2003.

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28

Rose, Michael, e Leon Meyer. Images of Music = Bilder Der Musik = Images De Musique: Bilder Der Musik = Images De Musique. Konemann, 2000.

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29

Stoltzfus, John C., e Morris N. Young. Radio Music Live: 1920-1950, A Pictorial Gamut. Rainbow Books, 1998.

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30

Hand, Edie, e Buddy Killen. A Country Music Christmas: Songs, Memories, Family Photographs and Recipes from America's Favorite Country and Gospel Stars. Broadway, 2006.

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31

Sory Sanlé: Volta Photo. Steidl/The Art Institute of Chicago, 2018.

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32

Croland, Michael. Oy Oy Oy Gevalt!: Jews and Punk. Bloomsbury Publicing Plc, 2016. http://dx.doi.org/10.5040/9781440832208.

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Step inside a fascinating world of Jews who relate to their Jewishness through the vehicle of punk—from prominent figures in the history of punk to musicians who proudly put their Jewish identity front and center. Provides a fascinating exploration of alternative, against-the-grain expressions of Jewish identity in the contemporary United States as seen in music, documentaries, young adult novels, zines, and more Shows the prominent role of Jewish individuals in the history of punk, including such major bands as the Ramones, the Dictators, the Clash, Bad Religion, and NOFX as well as Malcolm McLaren, the manager of the Sex Pistols Documents the significant role that punk has played in shaping key contemporary Jewish music, including klezmer and Radical Jewish Culture

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33

Graham e Art Kane. The Great Jazz Day: The Story of the Classic Photographs and the Unforgettable Film. Duane Press, 1999.

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34

Jabbour, Alan. A Participant-Documentarian in the American Instrumental Folk Music Revival. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199765034.013.021.

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35

José, López-Calo, e Centro de Documentación Musical de Andalucía., eds. Documentario musical de la Capilla Real de Granada. Granada: Consejería de Cultura, Centro de Documentación Musical de Andalucía, 2005.

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36

Looseley, David. Édith Piaf. Liverpool University Press, 2016. http://dx.doi.org/10.5949/liverpool/9781781382578.001.0001.

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The world-famous French singer Édith Piaf (1915-63) was never just a singer. Dozens of biographies of her, of variable quality, have seldom got beyond the well known and usually contested ‘facts’ of her life. This book suggests new ways of understanding her. A ‘cultural history’ of Piaf means exploring her cultural, social and political significance as a national and international icon, looking at her shifting meanings over time, at home and abroad. How did she become a star and a myth? What did she come to mean in life and in death? What is her place in popular music yesterday and today? At the centenary of her birth and more than fifty years after her passing, why do we still remember her work and commemorate her through the work of others, from Claude Nougaro and Elton John to Ben Harper and Zaz, as well as in films, musicals, documentaries and tribute acts around the world? What does she mean today?

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37

Vernallis, Carol, Amy Herzog e John Richardson, eds. The Oxford Handbook of Sound and Image in Digital Media. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199757640.001.0001.

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This collection of essays explores the relations between sound and image in a rapidly shifting landscape of audiovisual media in the digital age. Featuring contributions from scholars who bring with them an impressive array of disciplinary expertise, from film studies and philosophy to musicology, pornography, digital gaming, and media studies, the book charts new territory by analyzing what it calls the “media swirl” and the “audiovisual turn.” It draws on a range of media texts including blockbuster cinema, video art, music videos, video games, amateur video compilations, visualization technologies, documentaries, and immersive theater to address myriad subjects such as the transition of cinematic discourses to digital production and distribution, the relations between screens and public space, and the shifting nature of noise within digital ecosystems. It also examines noise, droning, and silence as recurring themes in New Extremist films of Europe, along with temporal and generic anomalies by citing examples such as the Silent Hill videogame series, the performance/installation Sleep No More, and the poetics of David Lynch’s Inland Empire. In addition, the book discusses the translation of information into digital media, how music has both shaped and become embedded within the aesthetic culture of political conflict, the nature of “realism” in relation to new audiovisual media networks, and the accelerated aesthetics of networked mediascape and the ways in which they may be connected to contemporary labor and global capitalism.

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38

Block, Marcelline, e Jennifer Kirby, eds. ReFocus: The Films of Michel Gondry. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474456012.001.0001.

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The acclaimed French auteur behind the mind-bending modern classic Eternal Sunshine of the Spotless Mind (2004), for which he won an Academy Award for Best Original Screenplay, Michel Gondry has directed innovative, ground-breaking films and documentaries, episodes of the acclaimed television show Kidding and some of the most influential music videos in the history of the medium. In this book, a range of international scholars offers a comprehensive study of this significant and influential figure, covering his French and English-language films and videos, and framing Gondry as a transnational and transcultural auteur whose work provides insight into both French/European and American cinematic and cultural identity. With detailed case studies of films such as Eternal Sunshine of the Spotless Mind (2004), Dave Chappelle’s Block Party (2005), The Science of Sleep (2006), Be Kind Rewind (2008), Mood Indigo (2013) and Microbe & Gasoline (2015), the book examines significant themes throughout Gondry’s filmography including surrealism, adaptation, memory, dreams, play and African-American identity. The book compares Gondry to other filmmakers including Wes Anderson and Jean Vigo, allowing for an understanding of how Gondry’s films might compare with both his global contemporaries and his predecessors in French and international cinema. Furthermore, the book demonstrates how Gondry’s work in narrative film, documentary and music video represents significant innovation in narrative, visual aesthetic, and genre.

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39

Pobutsky, Aldona Bialowas. Pablo Escobar and Colombian Narcoculture. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9781683401513.001.0001.

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In the years since his death in 1993, Colombian drug lord Pablo Escobar has become a globally recognized symbol of crime, wealth, power, and masculinity. In this long-overdue exploration of Escobar’s impact on popular culture, Aldona Bialowas Pobutsky shows how his legacy inspired the development of narcoculture—television, music, literature, and fashion representing the drug-trafficking lifestyle—in Colombia and around the world. Pobutsky looks at the ways the “Escobar brand” surfaces in bars, restaurants, and clothing lines; in Colombia’s tourist industry; and in telenovelas, documentaries, and narco memoirs about his life, which in turn have generated popular interest in other drug traffickers such as Griselda Blanco and Miami’s “cocaine cowboys.” Pobutsky illustrates how the Colombian state strives to erase his memory while Escobar’s notoriety only continues to increase in popular culture through the transnational media. She argues that the image of Escobar is inextricably linked to Colombia’s internal tensions in the areas of cocaine politics, gender relations, class divisions, and political corruption and that his “brand” perpetuates the country’s reputation as a center of organized crime, to the dismay of the Colombian people. This book is a fascinating study of how the world perceives Colombia and how Colombia’s citizens understand their nation’s past and present.

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40

Glenn, Jane K. The Joy of Eating. Greenwood, 2021. http://dx.doi.org/10.5040/9798400674976.

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This volume explores our cultural celebration of food, blending lobster festivals, politicians' roadside eats, reality show "chef showdowns," and gravity-defying cakes into a deeper exploration of why people find so much joy in eating. In 1961, Julia Child introduced the American public to an entirely new, joy-infused approach to cooking and eating food. In doing so, she set in motion a food renaissance that is still in full bloom today. Over the last six decades, food has become an increasingly more diverse, prominent, and joyful point of cultural interest. The Joy of Eating discusses in detail the current golden age of food in contemporary American popular culture. Entries explore the proliferation of food-themed television shows, documentaries, and networks; the booming popularity of celebrity chefs; unusual, exotic, decadent, creative, and even mundane food trends; and cultural celebrations of food, such as in festivals and music. The volume provides depth and academic gravity by tying each entry into broader themes and larger contexts (in relation to a food-themed reality show, for example, discussing the show's popularity in direct relation to a significant economic event), providing a brief history behind popular foods and types of cuisines and tracing the evolution of our understanding of diet and nutrition, among other explications.

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41

Chiese E Musica a Lucca : Dalle Dotazioni Rinascimentali Alle Soppressioni Napoleoniche: Una Ricerca Documentaria. Casa Editrice Leo S. Olschki, 2021.

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42

Dienes, Andre De, e Steve Crist. Andre De Dienes, Marilyn (Photobook S.). Taschen, 2004.

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43

Adelaide, Bartoli Bacherini Maria, e Monterosso Raffaello, eds. Vincenzo Bellini: --in questa graziosa capitale della Toscana-- : mostra bibliografico documentaria : Firenze, Tribuna Dantesca, 19 dicembre 2001-19 gennaio 2002. Cremona: Fondazione Claudio Monteverdi, 2001.

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44

Matthews, Scott L. Capturing the South. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469646459.001.0001.

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This expansive history of documentary work in the South during the twentieth century examines the motivations and methodologies of several pivotal documentarians, including sociologists Howard Odum and Arthur Raper, photographers Jack Delano and Danny Lyon, and music ethnographer John Cohen. It also explores the contentious history of documentary work in Hale County, Alabama, a place immortalized by writer James Agee and photographer Walker Evans in their collaborative book, Let Us Now Praise Famous Men, as well by other documentary artists such as William Christenberry, Martha Young, and J.W. Otts. The work of these documentarians salvaged and celebrated folk cultures threatened by modernization or strived to reveal and reform problems linked to the region's racial caste system and exploitative agricultural economy. Images of alluring primitivism and troubling pathology often blurred together, neutralizing the aims of documentary work carried out in the name of reform during the Progressive era, New Deal, and civil rights movement. Black and white southerners in turn often resisted documentarians' attempts to turn their private lives into public symbols. Hale County, Alabama and other places in the region became not only an iconic sites of representation but also battlegrounds where black and white residents challenged the right of documentarians to represent them. The accumulation of influential and, occasionally, controversial documentary images of the South created an enduring, complex, and sometimes self-defeating mythology about the region that persists into the twenty-first century.

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45

Schwarzenbach, Alexis, e Andre (ed ). Magnin. Malick Sidibe. Scalo Publishers, 1999.

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46

Zyman, Daniela, e Peter Noever. Dennis Hopper: A System of Moments. Hatje Cantz Publishers, 2001.

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47

Quaderno Di Musica per Pianoforte: 150 Pagine Di Carta Musicale Bianca per Comporre e Documentare con Chiave Di Violino e Chiave Di Basso. Independently Published, 2021.

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Livros sobre o tema "Music documentaries"

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