Bibliografias temáticas / OpEpA

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Literatura científica selecionada sobre o tema "OpEpA"

Autor: Grafiati
Publicado: 25 de julho de 2024
Última modificação: 31 de julho de 2025

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Artigos de revistas sobre o assunto "OpEpA"

1

Gagliardi, Bruna, Tereza Cristina de Carvalho, Túlio Lourenço Pupim, et al. "Efeito de fungicidas para controle da ferrugem asiática na qualidade de sementes de soja." Revista Brasileira de Sementes 31, no. 4 (2009): 120–25. http://dx.doi.org/10.1590/s0101-31222009000400014.

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Para avaliar o efeito residual de fungicidas para o controle da ferrugem asiática (Phakopsora pachyrhizi) em sementes de soja do cultivar BRS-133 utilizaram-se 13 tratamentos (Testemunha, Priori + Nimbus, Aproach + Nimbus, Priori Xtra + Nimbus, Sphere + Aureo, Opera, Stratego + Aureo, Nativo + Aureo, Impact Duo + Oppa, Celeiro + Iharol, Battle + Oppa, Aproach Prima + Nimbus, Folicur ). O experimento foi conduzido em campo experimental em Paulínia-SP, em delineamento em blocos ao acaso, com quatro repetições. O efeito residual dos fungicidas nas sementes foi analisado pelos testes de germinação
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Barroso da Silva, Fernando Luís, Fabio Sterpone, and Philippe Derreumaux. "OPEP6: A New Constant-pH Molecular Dynamics Simulation Scheme with OPEP Coarse-Grained Force Field." Journal of Chemical Theory and Computation 15, no. 6 (2019): 3875–88. http://dx.doi.org/10.1021/acs.jctc.9b00202.

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Donington, Robert. "Opera as Opera Is." Musical Times 128, no. 1732 (1987): 314. http://dx.doi.org/10.2307/1193723.

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McEwen, Mitch, and Marcelo López-Dinardi. "House Opera | Opera House." ARQ (Santiago), no. 91 (December 2015): 26–31. http://dx.doi.org/10.4067/s0717-69962015000300004.

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Nurmuxamedov, Beknazar Bahodir o'g'li, Muhammadali Sherzodbek o'g'li Jo'rayev, and Gulmira Komiljonovna Normuminova. "HISTORICAL DESCRIPTION OF THE PLACE AND STAGES OF DEVELOPMENT OF THE ART OF OPERA IN UZBEKISTAN." GOLDEN BRAIN 1, no. 12 (2023): 80–82. https://doi.org/10.5281/zenodo.7902200.

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Helman, Alicja. "Opera w filmie — opera filmowa." Literatura i Kultura Popularna 24 (April 18, 2019): 83–96. http://dx.doi.org/10.19195/0867-7441.24.7.

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Opera in film — film operaThe author discusses possible relationships between cinema and opera. Both of them belong to the realm of synthetic art Gesamtkunstwerk, which has been evolving since the reforms of Richard Wagner, but nowadays has a completely new status. The author claims that cinema incorporates numerous strategies characteristic of opera. Yet proper film opera does not exist as a separate genre, and cinema only occasionally uses opera’s compositional patterns.
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Kim, Katalin. "A National Opera Abroad Ferenc Erkel's Opera Hunyadi László Performed Outside of Hungary." Musicologica Olomucensia 35, no. 2 (2024): 79–107. http://dx.doi.org/10.5507/mo.2023.011.

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Anderson, Robert. "Opera." Musical Times 127, no. 1717 (1986): 155. http://dx.doi.org/10.2307/965500.

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Osmond-Smith, David, and Rudy Shackelford. "Opera..." Musical Times 129, no. 1746 (1988): 405. http://dx.doi.org/10.2307/965970.

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FRANK, EDWIN. "OPERA." Yale Review 98, no. 4 (2010): 80–87. http://dx.doi.org/10.1353/tyr.2010.0084.

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Teses / dissertações sobre o assunto "OpEpA"

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Wedholm, Hjalmar. "opera : stadsgårdskajen." Thesis, KTH, Arkitektur, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-98552.

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Mould, Stephen James. "Curating Opera." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/14521.

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Recent decades have seen the art curator emerge from a behind-the-scenes, anonymous position to that of a public functionary, challenging the role of the artist as the dominant force in the creation of art. A blurring of the roles of artist, gallerist and curator has resulted, along with a diversification in disciplines that attract curatorial attention, including science and architecture. The notion of Gesamtkunstwerk has frequently been evoked in the literature and even found its way into exhibition titles.1 The blurring of curatorial roles is also a characteristic of the opera house, where
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Daniel, Jennifer Susan. "Democratising opera : Opera North and the access agenda in action." Thesis, University of Leeds, 2016. http://etheses.whiterose.ac.uk/15539/.

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This thesis explores the role of Opera North as the publicly funded opera company for the north of England, addressing the ways in which the company embodies, mediates and fulfils an agenda for access, education and innovation. A broadly ethnographic approach is taken, through case studies of three productions and the work surrounding them: the commissioned ‘operetta’ Skin Deep by David Sawer and Armando Iannucci (2009), the commissioned ‘family opera’ Swanhunter by Jonathan Dove and Alasdair Middleton (2009 and 2015), and the ‘staged concert’ version of Wagner’s Ring cycle for Leeds Town Hall
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Tse, Hue-ying, and 謝曉瑩. "The inheritance of modern Cantonese opera from traditional Chinese opera." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B43085878.

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Keith, Mathieu. "Collaboration in Opera Composition : Writing an opera with three composers." Thesis, Luleå tekniska universitet, Institutionen för konst, kommunikation och lärande, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-79129.

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Music is full of collaboration, between composers and musicians, musicians with each other, or composers with directors, to name a few. Not as commonly found are collaborations between multiple composers. Some works, such as Hexameron, (Liszt, 1839) were written as variations on a theme by several composers, but even rarer are single works written collaboratively by multiple composers. How would one set out to create a work with multiple composers? Can a group of composers collaborate to create a single, unified vision with a similar voice? What obstacles would arise from such a project? This
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Jansson, Pär-Åke, and David Andersson. "Opera – Operativ Tåginformation." Thesis, Högskolan Dalarna, Informatik, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:du-2893.

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Uppsatsen redogör för resultatet av en förändringsanalys av informationssystemet Opera – Operativ Tåginformation samt dess samverkan med andra informationssystem. Vi ger även ett flertal förändringsförslag angående Opera. Det primära målet är att utifrån analysen ge färändringsförslag angående Opera och dess informationssystemarkitektur. För att detta skulle vara möjligt har vi kartlagt Opera och den interaktion som sker med andra informationssystem. Målet är att öka förståelsen för Opera och dess informationssystemarkitektur samt att föreslå förändringar av densamma. Analysresultatet beskri
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Petko, Lukas. "Opera i Stockholm." Thesis, KTH, Arkitektur, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-35351.

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Aravena, Maria-Loreto. "Opera Stockholm, Årstafältet." Thesis, KTH, Arkitektur, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-118461.

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Den befintliga parken får nytt liv genom att markplaneringen ändras och en stor transparent byggnad tillförs - Operan!Operan sträcker sig över hela landskapet där den formar en stor park med olika offentliga rum. Parken attraherar befolkningen till Operan genom sina rörelser som ger den rytm och leder dem till olika platser som byggnaden och landskapet erbjuder. Idén är att förena en park med en storslagen byggnad, utan att tappa den elegans och storhet som en opera identifieras med. Jag låter byggnaden sträcka ut sig där den kan nå alla hörn, uppmana befolkningen i närheten att våga sig fram
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Štefáček, Ondřej. "Česká historická opera." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2008. http://www.nusl.cz/ntk/nusl-78137.

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This thesis considers the concepcion of historical opera. It tries to look into the way, that comsers and librettist dealt with historical subjects. Princip main part of the thesis treats of operas with historical topics composed by Bedřich Smetana.
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Mátlová, Markéta. "Wexford Opera Festival." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2011. http://www.nusl.cz/ntk/nusl-96818.

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This MgA project is following my Bc project, which was about the estabilishing and beginnig of Wexford Opera Restival. MgA project is about the progress in years 1961 - 1968. You can find in this work the basic ideas of WOF, the main facts about this developing festival in the second decade of it´s existence and information about the choosing repertoire and artists. This is the only comprehensive factographical material in Czech language. In the Introdiction you can find much more about the base of WOF - also in english language.
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Livros sobre o assunto "OpEpA"

1

William, Saroyan. Opera, opera. Alexander Street Press, 2004.

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Tomosha, Ongaku no, ed. Gurando opera =: Grand opera. Ongaku no Tomosha, 1997.

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3

Johannes, Jansen. Opera. Barron's, 1998.

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4

Komnenić, Milan. Opela. Književne novine, 1990.

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Horatius Flaccus, Quintus. Opera. Edited by David R. Shackleton Bailey. DE GRUYTER, 2008. http://dx.doi.org/10.1515/9783110971798.

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Taib, T. Alias. Opera. Dewan Bahasa dan Pustaka, Kementerian Pendidikan, Malaysia, 1988.

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7

Jean. Opera. L.S. Olschki, 1990.

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8

W, Sommer Anton F., ed. Opera. Im Selbstverlag, 2004.

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1945-, Vujinović Janko, ed. Opela. Književne novine, 1990.

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10

Kay, Graeme. Opera. National Arts and Media Strategy Unit, Arts Council, 1991.

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Capítulos de livros sobre o assunto "OpEpA"

1

Valenti, Chloe. "Opera." In The Palgrave Encyclopedia of Victorian Women’s Writing. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78318-1_170.

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Gillett, Cary, and Jay Sheehan. "Opera." In The Production Manager's Toolkit, 2nd ed. Routledge, 2023. http://dx.doi.org/10.4324/9780367808174-15.

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Valenti, Chloe. "Opera." In The Palgrave Encyclopedia of Victorian Women's Writing. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-02721-6_170-1.

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Roth, Emily, Jonathan Allender-Zivic, and Katy McGlaughlin. "Opera." In Stage Management Basics, 2nd ed. Routledge, 2021. http://dx.doi.org/10.4324/9781003133049-15.

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Golding, Rosemary. "Richard Edgcumbe, ‘German Opera, French Opera’." In Music in Nineteenth-Century Britain. Routledge, 2022. http://dx.doi.org/10.4324/9781003003915-31.

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Fattahi, Hanieh. "Experimental OPCPA." In Third-Generation Femtosecond Technology. Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-20025-5_5.

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Walton, Benjamin. "Romantic Opera." In A Companion to European Romanticism. Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996607.ch31.

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McCarthy, Anna, Glen Creeber, John Tulloch, and Thomas Tufte. "Soap Opera." In The Television Genre Book. British Film Institute, 2015. http://dx.doi.org/10.1007/978-1-84457-898-6_3.

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Montgomery, Alan. "French Opera." In Opera Coaching. Routledge, 2019. http://dx.doi.org/10.4324/9780367809676-18.

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Ranno, Danielle. "Opera Background." In The Beginner’s Guide to Opera Stage Management. Routledge, 2022. http://dx.doi.org/10.4324/9781003047391-2.

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Trabalhos de conferências sobre o assunto "OpEpA"

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Chen, Guoxing, Yinqian Zhang, and Ten-Hwang Lai. "OPERA." In CCS '19: 2019 ACM SIGSAC Conference on Computer and Communications Security. ACM, 2019. http://dx.doi.org/10.1145/3319535.3354220.

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Oh, Erick. "Opera." In SIGGRAPH '21: Special Interest Group on Computer Graphics and Interactive Techniques Conference. ACM, 2021. http://dx.doi.org/10.1145/3450507.3457432.

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De Lellis, Giovanni. "OPERA." In XV International Workshop on Neutrino Telescopes. Sissa Medialab, 2014. http://dx.doi.org/10.22323/1.196.0012.

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Xu, Yang, Kan-Lin Hsiung, Xin Li, Ivan Nausieda, Stephen Boyd, and Lawrence Pileggi. "OPERA." In the 42nd annual conference. ACM Press, 2005. http://dx.doi.org/10.1145/1065579.1065746.

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Baltuska, Andrius. "OPCPA." In CLEO: Science and Innovations. OSA, 2011. http://dx.doi.org/10.1364/cleo_si.2011.ctut1.

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De Serio, Marilisa. "OPERA." In International Workshop on Astroparticle and High Energy Physics. Sissa Medialab, 2003. http://dx.doi.org/10.22323/1.010.0009.

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Paoloni, Alessandro. "Opera." In XVI International Workshop on Neutrino Telescopes. Sissa Medialab, 2016. http://dx.doi.org/10.22323/1.244.0010.

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Kose, Umut. "OPERA." In 16th International Workshop on Neutrino Factories and Future Neutrino Beam Facilities. Sissa Medialab, 2015. http://dx.doi.org/10.22323/1.226.0031.

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Wei, Qingxiang. "Opera Troupe, Chinese Opera, Stage: The Expression and Change of Peasant Opera Culture." In 2020 3rd International Conference on Humanities Education and Social Sciences (ICHESS 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201214.533.

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Gabriele, Alessio, Michelangelo Lupone, Paola Inverardi, and Patrizio Pelliccione. "Ad-opera." In the FSE/SDP workshop. ACM Press, 2010. http://dx.doi.org/10.1145/1882362.1882388.

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Relatórios de organizações sobre o assunto "OpEpA"

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Giesa, Aaron. SATOR / AREPO / TENET / OPERA / ROTAS. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.3030.

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von Balthasar, Hans Urs. Uno sguardo d’insieme sulla mia opera. Saint John Publications, 2022. http://dx.doi.org/10.56154/ud.

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Harlow, Bob. The Tech Effect: Seattle Forges a Culture of Learning. Bob Harlow Research and Consulting, LLC, 2015. http://dx.doi.org/10.59656/a-ad6065.002.

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Harlow, Bob, Thomas Alfieri, Aaron Dalton, and Anne Field. Cultivating the Next Generation of Arts Lovers: How Boston Lyric Opera Sought to Create Greater Opportunities for Families to Attend Opera. Bob Harlow Research and Consulting, LLC, 2011. http://dx.doi.org/10.59656/a-ad3889.001.

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Catán, Daniel. Composing Opera: A Backstage Visit to the Composer's Workshop. Inter-American Development Bank, 1997. http://dx.doi.org/10.18235/0007926.

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Johnson, W. L. Dramatic Expression in Opera, and Its Implications for Conversational Agents. Defense Technical Information Center, 2003. http://dx.doi.org/10.21236/ada462170.

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Meot, F., R. Gupta, H. Huang, V. Ranjbar, and G. Robert-Demolaize. Re-visiting RHIC snakes: OPERA fields, n0 dance. Office of Scientific and Technical Information (OSTI), 2017. http://dx.doi.org/10.2172/1399670.

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Giorcelli, Michela, and Petra Moser. Copyright and Creativity. Evidence from Italian Opera During the Napoleonic Age. National Bureau of Economic Research, 2020. http://dx.doi.org/10.3386/w26885.

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Harlow, Bob, and Cindy Cox Roman. Someone Who Speaks Their Language: How a Nontraditional Partner Brought New Audiences to Minnesota Opera. Bob Harlow Research and Consulting, LLC, 2014. http://dx.doi.org/10.59656/a-ad8565.001.

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Kodama, K., /Aichi U., G. Tzanakos, et al. Request for a Test Exposure of OPERA Targets in the NuMI Beam. Office of Scientific and Technical Information (OSTI), 2004. http://dx.doi.org/10.2172/993551.

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